#daisy domergue

[pedroam-bang]

The Hateful Eight (2015)

[reppyy]

[liveactionproblematicotd]

Today's problematic ship is Daisy Domergue and John Ruth from The Hateful Eight

Abusive

Toxic

Stockholm syndrome

Requested by anonymous

[sandsu03]

Pretend like a Warren teddy bear 🧸

[rastronomicals]

1:20 PM EDT May 14, 2024:

Jennifer Jason Leigh, Kurt Russell and Samuel L. Jackson -   "Major Warren Meet Daisy Domergue" From the Soundtrack album The Hateful Eight (December 18, 2015)

Last song scrobbled from iTunes at Last.fm

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[giosprey]

What are your expectation from Blue Eye Samurai season 2?

Honestly I am curious to see how they'll handle Mizu and Fowler's "relationship". I expect her to keep him sort of handcuffed to him the two characters John Ruth and Daisy Domergue from the movie The Hateful Eight...

I mean, there must be a reason they kept him alive in S1, so I'm assuming he may have some major role. He is also kinda funny, and charismatic ngl.

What do you guys think?

[seabiscuits-us]

is there anything in particular (movies/tv series/music/etc.) that inspired you to write the Western AU? <3

Man I love this question thanks for asking it. It’s definitely inspired by more violent neo-Westerns (eg Bone Tomahawk, No Country for Old Men, the Hateful Eight). I like the way the genre plays with ideas about good and evil and at times the way it can play on people’s expectations of characters based on gender (thinking of Daisy Domergue etc). I’ve also always been intrigued by themes of Americana in art a la O Brother, Where Art Thou? so I think some of that snuck in too.

[byneddiedingo]

Samuel L. Jackson in The Hateful Eight (Quentin Tarantino, 2015)

Cast: Samuel L. Jackson, Kurt Russell, Jennifer Jason Leigh, Walton Goggins, Demián Bichir, Tim Roth, Michael Madsen, Bruce Dern, Channing Tatum. Screenplay: Quentin Tarantino. Cinematography: Robert Richardson. Production design: Yohei Taneda. Film editing: Fred Raskin. Music: Ennio Morricone. 

The title, The Hateful Eight, is an obvious homage to such films as The Magnificent Seven (John Sturges, 1960), The Dirty Dozen (Robert Aldrich, 1967), and even The Wild Bunch (Sam Peckinpah, 1969).  And it's well to remember how all of those films were once criticized for excessive violence and The Wild Bunch was once threatened with an NC-17 rating. None of them contained anything like the violence of The Hateful Eight, which is visited on all of the characters, but most memorably on the one woman among the eight: Daisy Domergue (Jennifer Jason Leigh), who is subjected to torrents of blood, vomit, and blown-out brains along with repeated blows to the face and a final drawn-out hanging. Writer-director Quentin Tarantino and his defenders excuse the excess of violence by arguing that his cinematic violence is a metaphor for racial and sexual violence in America and an expression of the revenge mentality that undermines the due administration of justice. As Oswaldo Mobray (Tim Roth) argues in the film, "dispassion is the very essence of justice. For justice delivered without dispassion is always in danger of not being justice." That Mobray is using this argument to forestall any actual dispassionate justice meted out to him only reinforces its irony -- a kind of postmodern irony that some will argue tends to lead us into spirals of self-defeat. That's why Tarantino's films often feel so nihilistic, despite their wit and technical prowess. At more than three hours, The Hateful Eight is about an hour too long, which I think is a fatal flaw, considering that the suspense lags as the slow revelation of its plot twists emerges. The wait for the eruptions of violence that we know are coming produces a kind of prurience, but there is no cathartic release when they arrive. The movie is well-acted by Leigh, Roth, Samuel L. Jackson, Kurt Russell, Walton Goggins, Demián Bichir, Bruce Dern, and Michael Madsen as the eight, and Channing Tatum gives a remarkable performance in his late surprise appearance. The music by Ennio Morricone won a well-deserved, long overdue Oscar, and the cinematography by Robert Richardson makes the most of the shift from spectacular mountain scenery to the claustrophobic setting of the major part of the film. But Tarantino has settled into predictability, and I want him to show us something new.

[deliria87]

these guys were pretty hateful (i sure hated them)

[yosb]

i love the hateful 8 bc the question really is how problematic can your ship be

[ily-honey-bunny]

I dont know why cottagecore is such a big deal when CABINCORE is where its at. Imagine; it’s snowy. You, your driver, and your prisoner are going up to Red Rock. You pick up some weary travelers along the way. You’re forced to stop at Minnie’s Haberdashery. There’s blankets, a warm fire, and a very suspicious pot of coffee. Everyone looks like they either want to kill you or kill your prisoner. You take all of their guns. Samuel L Jackson is there. You’re finally content with life and at peace with the universe.

[pedroam-bang]

The Hateful Eight (2015)

[reppyy]

[liveactionproblematicotd]

daisy domergue x john ruth from the movie the hateful eight - reasons for being problematic: abusive, toxic, kidnapper/victim (technically, more like prisoner/captor)

posted

[sadfr0ggie]

I haven’t watched The Hateful 8 in awhile and forgot how absolutely insufferable Daisy is- I just want to throw hands with her so bad-

[rastronomicals]

2:29 AM EDT May 11, 2024:

Jennifer Jason Leigh, Kurt Russell and Samuel L. Jackson -   "Major Warren Meet Daisy Domergue" From the Soundtrack album The Hateful Eight (December 18, 2015)

Last song scrobbled from iTunes at Last.fm

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