#davinci resolve 15

[polarsdirect]

Davinci resolve 15 slow motion

The good news is that the free version of the app features a slow-motion effect, so you don’t have to pay $299 to try it.

But if you have some experience in video editing and want to use slo-mo effects like those in Deadpool 2 or Pirates of the Caribbean, you’ll have to figure DaVinci out.

Nonetheless, due to its wide range of tools, DaVinci will still likely be somewhat challenging for beginners to use. All its features are available through a pretty simple and intuitive interface. This software is widely used by professional filmmakers in Hollywood. DaVinci Resolve StudioĭaVinci Resolve Studio is a more complex program with advanced tools and tons of special effects. Who’d like it: Beginners and video enthusiasts who need a quick, simple tool to create a slow-motion effect 2. Click Clip Properties and drag the Speed slider to the left to slow the video down or to the right to accelerate it. How to apply slo-mo: Select the video clip you want to slow down on your timeline. Try Movavi Video Editor Plus with a 10% discount for Mac Try Movavi Video Editor Plus with a 10% discount for Windows If you want to have a smooth transition between normal speed and slo-mo, that’s possible too. In Movavi Video Editor, all you do is drag a slider – and the video clip automatically slows down (or speeds up). To use this last one, you don’t need to do any complicated calculations or type in indicators, as with many other video editors. For example, it includes really easy-to-use chroma-key, color grading, and slow-motion tools. You don’t need to read heavy technical manuals or even watch YouTube tutorials – the layout is so simple that you can start putting your clips together right away.Īt the same time, Movavi Video Editor Plus has lots of tools and effects that won’t disappoint experienced users, either. The best thing about this software is its user-friendly and intuitive interface, which makes it perfect for anyone editing their first video. Movavi Video Editor Plus is a beginner-friendly yet powerful program for making movies. Price: $59.95 ($53.95 with the special Blog discount) These are the most multi-featured programs to help you slow down your footage in many different ways. Users who often need to use a powerful video editor on their mobile deviceįirst, let’s go through the desktop video editors. Users who want to quickly adjust the speed of a short video Enjoy!īeginners and video enthusiasts who need a quick, simple tool to create a slow-motion effect Want to start using it too and looking for a decent slow-motion video editor? We’ve found 15 great apps that will provide you with the best slow-motion effects – both for your computer and smartphone. It delivers an instant mood change and ups the coolness of your movie by a factor of a thousand. One other thing to do is to use Handbrake(.fr) to convert the file into a standard h264 format and try using that.Slow-motion is arguably the most impressive effect beginning video creators can implement in their clips. I am of course assuming that this is a HEVC issue. I think more recent iMovie and Premiere Elements versions support HEVC.

for editing, I recently moved to DaVinci Resolve 15 which is free for most usage scenarios and works fine with high frame rate footage, and there are some good tutorials on youtube for this kind of editing. On a Windows / Linux machine, VLC will open it if the underlying hardware supports it, though VLC does a poor job of correctly detecting and allowing you to choose playback rate (you can choose playback speed on a slider in one of the menus). On a Mac, Quicktime Player should open it and usually detects the frame rate for play back - if the Mac supports HEVC. if the video was recorded in HEVC format, then your computer must support it GoPro software often misreports this capability though (I think because it only looks at CPU and not GPU capability). Not sure what OS/computer you have but here goes:

[karingottschalk]

Australian Cinematographers Society: HDR, A Cinematographer's Perspective – Commentary

Australian Cinematographers Society: HDR, A Cinematographer’s Perspective – Commentary

“The Australian Cinematographers Society takes a detailed look at HDR technologies and standards. We both test and discuss with cinematographers and colourists on how HDR impacts modern production.” Commentary We choose high dynamic range 2160p video whenever the choice is available and when it’s done well it can bring a whole new emotional and informational dimension to the watching…

[persianonline]

Davinci resolve 15 not starting

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[herrscherofmagic]

i've spent nearly 47 hours over the last ten days drawing nothing but kiana (and hov)

yeah.

anyways, since I've had about enough of drawing Kiana for the rest of my life (/hj) I'm gonna put a pause on this project; but I'll turn it from a sprint into a marathon and try and work on it occasionally instead of all at once

I want to draw other things again x-x

Close-ups of the drawings below, as well as the reference image set, and some other misc. thoughts

.

Portraits drawn from imagination

Started the process by trying to draw Kiana's head from imagination; then after each drawing I'd pause, look at some references, see what mistakes I made, then put away the references and drew from imagination (and referring to previous drawings) again. I also took breaks at two points to practice drawing eyes & hair before going back to drawing Kiana

For the last 4 portraits, I'd draw a head from imagination as a warm-up to a drawing session, and then do another head much later on instead of doing it immediately. Around halfway through this "phase" I started the other phases at random points, and finished this portion of the process in the first ~10-15 hours of drawing time. The rest of the time was split across the other exercises

Also I gave her an angry expression because I felt it was the easiest for me to do from memory since I've drawn HoV more than just "Kiana" herself. I also used a boring level 3/4 view without much perspective because it forced me to really make sure I was doing everything accurately and with care.

Basically my thinking was that if I could make a boring level 3/4 portrait look good enough, then I'd have no trouble getting it to look good in other perspectives. That seemed to be true when I got to the stage where I was doing expression practice and had to deal with more head tilt and other perspectives, lol

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Studies of still images from screenshots of gameplay, character art, and stills from animated shorts

Did rough sketches first, then drew with solid color over the sketches on a separate layer. not much else to say here, lol

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Full-bodies

Started with an anatomy model loosely based on the proportions of Kiana's in-game model, and then two attempts at doing full-body drawings from imagination before realizing that it's bloody insane to try and do that much detail from imagination and I have much better things to do with my life than that x-x

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Color studies

yaaaay color! yippee!

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Action sketches/"gesture" drawings

"Gesture" is in quotes because I was way too slow with these for it to really count as proper gesture drawing, imo. But the intention was to start with gesture, and I got closer to that as I went on.

It's way too tempting to start adding detail so I had to metaphysically slap myself with a frying pan to keep myself from getting derailed by that >.>

To get references for this, I did screen recording of gameplay on the PC with OBS studios, then used DaVinci Resolve to play back the recordings.

On PC, when using the mouse controls you can hold the camera fairly still when doing an attack sequence, making it awesome for getting unique angles. For instance, when I recorded Void Drifter's attacks, I was able to get at least 4 different PoVs of her attacks: from the left, the right, behind & above, and in front & below.

Unfortunately, though, it was a bit of a hassle to get good recordings because I had to go into an actual combat stage to record it instead of being able to use an empty testing stage.

With DaVinci Resolve I could "split" clips to make cuts in the timeline that let me easily mark the spots where different attack sequences started, and I could also easily play it in .5x speed to help me figure out how the animations were going from one set of frames to another.

Plus if you close the program after saving, when you open it up again it remembers which frame you were last on and takes you straight there, making it easy to continue from one day to another.

I used White Comet, Herrscher of the Void, and Void Drifter attack animations here, but I also did recordings of Knight Moonbeam and Herrscher of Flamescion, and I might give those a try someday.

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Facial expressions practice

Started with the set of rough sketches (first image), then did some expression practice from imagination (second and third images) to try and get used to how the proportions of the face change slightly with movement of the eyebrows/eyelids/jaw, since the shape of the eyes and mouth is especially important when doing stylized faces (like the anime style that HI3rd uses)

Then this morning I started working through the original rough sketches and developing them one-by-one, getting through 8 before I decided to call it quits and wrap up the project for now

So the facial expression practice pretty much the culmination of all my practice. All the practice with proportions, the contours & forms of the hair, monochromatic shading, line quality, shape design, etc.

This was also one of the few times I've ever taken stylized references and actually adapted them to some extent instead of directly copying them!

This is especially noticeable in the hair, where I used a more standard style for the hair, in contrast with the variety of hairstyles and shapes used in the various manga references (i.e. black-and-white Escape from Nagazora Kiana's messy hair vs the neat and solid hair in the colored Gratitude Arc, AE Invasion, and Moon Shadow Kiana)

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Reference images

[trailtracker]

oc animatic... originally finished August 18 2023

edit: I added the youtube video's description below

warning: suggestive imagery, blood (imo, 13+) judith is not handling her crush very well

audio: https://youtu.be/nyjeXMRLZ24 time spent: maybe 3-5 hours editing, 15 hours drawing. started in december last year (8 months-ish, on and off) programs: procreate and davinci resolve https://linktr.ee/Trailtracker

characters Ebenezer scourge (he/him) human billionaire CEO, married to Kitty unnamed (he/him, any/all?) gemsbok oryx/pin-tailed whydah, judith’s ex, worked at the company, used to be a bird vampire, now stuck in bird form Kitty (he/she) tasmanian devil, married to Ebenezer Scourge, ex-intern at his company Judith (she/her) thylacine/pin-tailed whydah, works at the company, current bird vampire

[smuppetshowmovie]

date: December 17, 2022 caption: Editing! project: The Smuppet Show

Coming together! This screenshot shows that I've got about 15 minutes of the timeline filled in with edited footage. I've been mostly shooting in order, although there are two gaps in the timeline with bits I hadn't shot yet.

My previous projects had all been in Adobe Premiere Elements (it was cheap and is what I'd been using for decades) but for this one I finally decided to give in and switch to Davinci Resolve (it's free and it's much more powerful). Switching software is always a bit painful, but the learning curve was much less steep than I feared and the official tutorial videos were honestly quite good, which smoothed the transition.

[arsonistbunny]

How would you describe your style? 15. What program do you use? 20.Show a piece from this year that you're really proud of!

already answered 1 but 15. What program do you use?

I use Clip Studio Paint! I went through Sai & paint.net before and I'm definitely more comfortable with CSP even thought I just don't use all the tools like their comic panels tools I find them terrible I like making it by hand. (Note that I also got CSP before whatever went down with the payment and honestly I never recommend monthly subscriptions for software.)

For animations and videos, I use Davinci Resolve (it's free!!) and Sony Vegas 18 that I got in a bundle.

I also use Affinity Publisher as a replacement for Indesign it was cheaper and it works pretty much the same.

20. Show a piece from this year that you're really proud of!

I really love this page, I feel I did very good with the ambience and the first-panel really set the mood and was a fresh idea for this comic. Also the coloring!!!

[claire-therose]

~Had fun with color spaces today~

I was in the process of exporting a recent amphibia edit and found the final export looking really different than in the video editor I was working in.

Turns out color space and color management is a big deal and very important. (＃＞＜)

After some digging, it looked like there was an inconsistency with the color gamma in the Premiere export (Rec.709 gamma 2.4) and in QuickTime (which was interpreting a ~1.96 gamma), resulting in a washed out image when viewed in QuickTime. VLC, while not being properly color managed, looked closer to what I was aiming for, so I used it in the example above for comparison.

Re-exporting the result from DaVinci Resolve into sRGB space with a saturation change of +15% from the original video resulted in an export that looked great in QuickTime and on YouTube (the final delivery platform), so in the end it turned out well, but I still have a lot to learn after all this.

Here's some sources I used for reference:

Oh, and here's the Amphibia edit I made if you're curious. It was a lot of fun to revisit the series and compile my favorite moments (￣▽￣)

Safe travels,

Claire

[dwinkus]

every time I’ve ever tried to use davinci resolve it’s instantly annoyed me so much that I completely uninstalled it within like 15 minutes

[tastyguava]

Hey guys, it's TastyGuava, and welcome back to another video! 💖 SUPPORT THE CHANNEL ──────────── ⭐ Access videos before they release publicly, and view unlisted content! Memberships start at $0.99: https://www.youtube.com/channel/UCzMnPNvzaVMFRdMml-PdTyQ/join 💎 Get notified when new episodes release: https://youtube.com/TastyGuava?sub_confirmation=1 💻 CHECKOUT MY WEBSITE ──────────── 🔥 You can find everything listed below on my website: https://ift.tt/FEDH1lp 📩 JOIN MY DISCORD ──────────────── You can join my Discord through my website at https://tastyguava.com or by heading to https://ift.tt/1LpRIqO 🎙️ CHECK OUT MY PODCAST ─────────── My TastyTalks podcast is available on all major platforms by visiting https://ift.tt/gQ6vd9r and https://youtube.com/@tastytalks 🎥 CHECK OUT MY LIVESTREAMS ──────── 📹 STREAMS - https://ift.tt/WbGp2X8 I live stream to multiple platforms which you can find on my website! 📺 OTHER CHANNELS ──────────────── 🤳🏽 Vlogging - https://youtube.com/@MoreGuava 🎬 Highlights - https://youtube.com/@GUAVAminus 😆 More Gaming - https://youtube.com/@GUAVAplus 🎵 MUSIC FEATURED ──────────────── 🎵 StreamBeats - https://ift.tt/27rEak6 🎵 PM Music - https://pmmusic.pro/ 🎵 NoCopyrightSounds - https://ncs.io/ 🎵 The Nations - https://nations.io/ 🎞️ WORK FEATURED ──────────────── Animations & Designs By arialfx: https://youtube.com/@arialfx https://arialfx.com/ Animations & Designs By EnzeeFX: https://youtube.com/@EnzeeFX https://ift.tt/jg54stA Animations & Designs By SharkFX: https://youtube.com/@SharkFXYT https://ift.tt/89EnTRU If your work is featured and not credited in the description: Visit https://ift.tt/uCvwSnG ⏰ TIME STAMPS ────────────────── 00:00 - Introduction 01:05 - Installing Beta 1.7.3 02:15 - Gameplay 🖥️ TECHNICAL SPECIFICATIONS ───────── ⌨️ Keyboard - HyperX Alloy Origins Core TKL (Aqua Switches) 🖱️ Mouse - ROCCAT Kone Aimo (3200DPI 11% Sensitivity) 🎤 Microphone - AT2020USB+ 🎞️ Editing - VEGAS Pro 20.0 | Davinci Resolve 18 | After Effects 2023 🎨 Thumbnails - Adobe Photoshop CC 2022 🔴 Recording - MEDAL & OBS Studio 🎮 Gameplay - I probably forgot to add this! Find a complete list of parts and where to buy them on my website: https://ift.tt/j3cuJGL Thank you for reading to the end of the description! 😁 by TastyGuava

[eossa]

I posted 111 times in 2022

35 posts created (32%)

76 posts reblogged (68%)

Blogs I reblogged the most:

@altindie

@wordbite

@supportcontentcreators

@acuite

@southcodes

I tagged 109 of my posts in 2022

Only 2% of my posts had no tags

#blog - 97 posts

#theme rec - 44 posts

#1c - 40 posts

#sidebar - 38 posts

#responsive - 37 posts

#fave - 33 posts

#minimal - 31 posts

#header - 25 posts

#page rec - 18 posts

#dark mode - 17 posts

Longest Tag: 30 characters

#pantone color of the year 2023

My Top Posts in 2022:

#5

Farbenfroh Page 1 Revamp

A responsive page for displaying colors (or other elements) with standard Isotope filtering and a smart dark mode.

Preview | Code: here or here

Key Features: Isotope filtering. Masonry layout. Responsive. Sidebar layout. Smart dark mode.

For information in regards to resources and customization, please read the page guide here.

19 notes - Posted June 28, 2022

#4

While it’s not yet clear what Adobe will do with Figma, and while the Figma CEO has claimed that Figma will operate autonomously, here’s a free alternative just in case.

22 notes - Posted September 15, 2022

#3

See the full post

41 notes - Posted January 8, 2022

#2

hi! sorry to bother but i was wondering if you know some resources at how can i learn to make themes? im already learning html/css but im finding hard to find good resources to learn how to make themes :( btw: love your work!

Hello! Thank you for the compliment and your interest in making themes.

Since you’re already learning HTML and CSS, I don’t think I need to tell you about w3schools or stackoverflow – you probably came across them yourself already. :)

The best way to understand tumblr themes is to look at the official guide for creating custom themes. There, all of the (necessary) variables are listed and their purpose is described as well.

Base codes can be very helpful to see how these elements look when they are put together, plus the HTML works already so you can focus on manipulating elements with CSS.

@buildthemes is an entire blog dedicated to teaching people how to code themes. You have to view the blog in its own tab to access the different chapters.

@theme-hunter also has a neat list of tutorials you can use for creating amazing themes.

I hope these resources are helpful!

110 notes - Posted January 8, 2022

My #1 post of 2022

Adobe Alternatives

This post on instagram lists free and paid alternatives to adobe’s creative cloud … well, I’m going to provide you with the links to the free versions. Please refrain from commenting your personal opinions on the CC or any of these free alternatives.

Ae – After Effects

Blender | DaVinci Resolve

Ai – Illustrator

Boxy SVG | Inkscape | Krita | Vectr (new, old)

An – Animate

Blender | Pencil2D | Spline (3D tool)

Au – Audition

Audacity | Garageband (iOS, Mac, Windows) | LMMS | Tracktion Waveform Free

Dw – Dreamweaver

Atom | Brackets | Sublime | VS Code

Id – InDesign

Canva | Krita | Scribus

Ps – Photoshop

Darktable | GIMP | Krita | Paint.NET | Photopea

Xd – Experience Design

Figma | Framer | Invision

From Julia to You

Three personal faves which I use regularly:

Projector (Canva alternative).

Lunapic (similar to GIMP but online).

FireAlpaca (painting tool).

Crello (Canva alternative).

200 notes - Posted January 1, 2022

Get your Tumblr 2022 Year in Review →

[bluebead]

Video contains flashing colors!

After 6 days of attempts, I did it! A low% and no-damage victory in one! That NecroDancer2 fight though, holy heck. Very surprised that I floundered my way through that in one piece.

I switched editing programs from Sony Vegas 15 to DaVinci Resolve 18, and after some learning pains, I'm liking it! Sony Vegas felt outdated, limited, and clunky, while DaVinci Resolve is... complicated, but gives you muuuch more creative freedom. So I can get a lot more adventurous with edits, like how I edited that NecroDancer fight. 😁

[zaryathelaika]

Zarya and Bandit, the West Siberian Laikas, born September 15th, 2022, prancing and plowing through the snow. #WestSiberianLaika #WSL PAYPAL Make a one-time donation via PayPal: https://paypal.me/bglamours SUBTITLES » Help with subtitle translations via Amara: (pending) » Help with translations via git: https://github.com/ZaryaTheLaika/channel-content/tree/main/translations/shorts/Zarya%20and%20Bandit » Send subtitle files via email: (pending) SOCIAL • Instagram: https://www.instagram.com/zaryathelaika/ • TikTok: https://www.tiktok.com/@zaryathelaika • Cohost: https://www.cohost.org/zaryathelaika • Twitter: https://twitter.com/ZaryaTheLaika

Video Description: two 15-weeks old West Siberian Laika puppies, plowing through the deep snow in the conifers. One has floppy ear not yet erected and the other has a white blaze in the middle of its face. Tumblr-related commentary:

Going to try and produce some laika-related shorts on YouTube. There is not a whole lot of content about them on that website. (or TikTok for that matter. Need to find an efficient workflow for uploading from DaVinci Resolve to my phone.) Been meaning to journal Zarya's upbringing on there but kind of want to do it in the same format others in Russian-speaking and Finnish-speaking (and Norwegian- or Swedish-) spaces do it.

[aftereffectsprojects]

Lower Thirds Pack | DaVinci Resolve MACRO Motion Design from Antony Parker on Vimeo.

✔️ Download here: templatesbravo.com/vh/item/lower-thirds-pack-davinci-resolve-macro/50713380

Lower Thirds Pack | DaVinci Resolve MACRO This is a unique set of lower thirds that contains 15 creative animations – just what you’ve been looking for to create stunning and modern videos, movies, and opening and closing credits. Just make sure. In addition to making them as user-friendly as possible, we’ve made color, duration, and appearance controls for editing titles. You can change the main and additional text in just one minute! Rest assured that the pack is the best option for lower titles, so download it now in the best 4k Ultra HD format to use in your unique video.

[bgtopics]

Davinci Resolve by Dan Brown

This topic was set at 2024-09-15 12:25:28

[govindhtech]

2024 IBC: ASUS Launches ProArt Displays, Laptops, and PCs

IBC 2024

ASUS will exhibit at 2024 IBC under the theme A Glimpse into Tomorrow’s Tech.The ASUS booth will host ProArt Masters’ Talks with industry experts from Adobe, NVIDIA, and Scan Computers, as well as professional filmmaker Bas Goossens, senior trainer Leon Barnard, and Redshark Media co-founder and CEO Matt Gregory.

ASUS will also showcase a variety of cutting-edge technology for professionals at 2024 IBC from September 13-16, 2024, including ProArt Display PA32KCX, the world’s first 8K Mini LED professional monitor; ProArt Display OLED PA32UCDM, which brings 4K QD-OLED to creators; ProArt Display 5K PA27JCV, which has a stunning 5120 x 2880 resolution for unparalleled clarity; and ProArt Display PA32UCE and PA27UCGE, the latest 4K monitors with built-in The latest ASUS AI-powered laptops and workstations will be displayed.

All attendees can experience the future of content creation through hands-on activities and innovative demonstrations.

IBC 2024 Release Date

Be inspired by ProArt at IBC 2024

ProArt Masters’ Talks will feature industry experts at 2024 IBC on September 14 and 15. Distinguished speakers and topics:

Leon Barnard, Team 2 Films senior trainer and workflow specialist, will discuss DaVinci Resolve HDR monitoring.

NVIDIA Enterprise Platform/Studio Tech Marketing Sabour Amirazodi will discuss ASUS ProArt and GeForce RTX GPU-accelerated AI video editing.

Adobe Product Ecosystem Manager Eliza Tan will discuss Adobe Video Ecosystem improvements.

Ministry of Frames director Bas Goossens will help you master 8K video capture and editing.

Generative AI hardware considerations will be discussed by SCAN Computers Director of Collaboration Daniel Parkinson.

RedShark Media Co-Founder and CEO Matt Gregory will discuss 3D volumetrics in virtual production market insights.

Innovation at its best

The new ASUS ProArt Display PA32UCE and PA27UCGE 4K displays feature professional-grade color accuracy. With 98% DCI-P3 color gamut coverage, these 32-inch and 27-inch 4K HDR monitors with 600 nits produce vibrant, true colors. Their factory calibration ensures an average ΔE value below one. These two monitors have ASUS LightSync ambient-light and backlight sensors. On starting, the backlight sensor illuminates the screen for bright images and accurate color. The ambient light sensor adjusts the monitor’s color gamut for accurate colors in any setting. Both monitors support HLG and HDR10. ProArt Display PA27UCGE also has a 160Hz refresh rate for pleasant viewing.

The built-in motorized flip colorimeter makes it easy to maintain the displays’ professional-level accuracy over time, and both models feature auto/self-calibration to prevent color variation from disrupting creative workflows. ASUS LuxPixel technology, which includes anti-glare and low-reflection (AGLR) technology, makes ProArt Display PA32UCE and PA27UCGE extremely comfortable to watch. LuxPixel technology lets creators follow their creativity and assure pixel-color fidelity and crisp details for long creative sessions.

Multiple connectivity choices, such as DisplayPort over USB-C with 96W power delivery, HDMI, and a USB hub, enable smooth workflow integration.

ProArt Display 8K PA32KCX, the first 8K HDR Mini LED monitor, is on display at the exhibit. This 32-inch wonder offers 8K resolution (7680 x 4320) and a Delta E value below one for unequaled color fidelity. Participants can color grade 8K material on DaVinci Resolve Panel and preview it on ProArt Display 8K PA32KCX. The creator-focused 4K QD-OLED monitor, ProArt Display OLED PA32UCDM, and ProArt Display 5K PA27JCV have a dazzling 5120 x 2880 resolution and 218 PPI display for unmatched clarity and color accuracy.

ProArt Display PA16USV adds SDI monitors. This 15.6-inch 4K monitor offers 282 PPI with 12G SDI. Real-time previews and playback are possible with its adjustable kickstand, two tripod holes, and VESA wall mount. The ASUS ProArt booth at 2024 IBC will feature a comprehensive on-set workflow demonstration featuring live footage from a RED V-RAPTOR 8K camera, video grading in DaVinci Resolve via NUC, and real-time previews on the ProArt Display PA24US and PA16USV.

ProArt X870E-Creator WiFi

AI-powered technologies aid engineers, designers, videographers, animators, and game developers. ProArt X870E-Creator WiFi may suit these people.This powerful motherboard has cutting-edge features for makers. With its huge bandwidth, lightning-fast speeds, and remarkable power efficiency, next-generation DDR5 RAM accelerates productivity. ProArt X870E-Creator WiFi supports the fastest next-gen SSDs and GPUs via PCIe5.0. This motherboard has two PCIe 5.0 x16 slots. They support x8/x8 configurations, letting users use two graphics cards. This board has four M.2 slots, two of which are wired for PCIe 5.0, so creative projects and AI-powered programs can use the quickest transfer speeds.Image credit to ASUS

ProArt X870E-Creator WiFi has many networking possibilities. Marvell AQtion 10G Ethernet ports allow ultra-high-bandwidth access to local network resources like NAS devices. Wi-Fi 7 and Intel 2.5G Ethernet are also supported by this board.

Creators use many workstation peripherals. For such a setup, ProArt X870E-Creator WiFi has two onboard USB4 ports, a wide range of high-speed USB ports, and a header for a front-panel USB 20G port with 30W Quick Charge 4+ and USB Power Delivery 3.0 capable.

Artists need their PC to appear professional to clients. Subdued colors and simple design give ProArt X870E-Creator WiFi a refined, attractive look. It works with all ProArt PC cases, AIO liquid coolers, graphics cards, and more.In addition, trusted partners of the Powered by ASUS program, such as Azerty, Alternate, and Scan, will demonstrate how their builds meet varied creative needs at the ASUS booth.

Attendees at the ASUS booth can view a static demo of the ProArt ecosystem design language, the latest ProArt X870E-Creator WiFi motherboard, and the compact ProArt GeForce RTX 4080 SUPER graphics card for AI content creation workflows.

Pro WS WRX90E-SAGE SE

The fast, compatible, and stable Pro WS WRX90E-SAGE SE motherboard is ideal for content creation, software development, machine learning, and more. AMD Ryzen Threadripper PRO 7000 WX-series processors, with up to 96 cores and 32+3+3+3 power stages, provide professionals with the performance they need for cutting-edge applications.Image credit to ASUS

Pro WS WRX90E-SAGE SE supports a variety of scenarios and industries with inbuilt PCIe power connectors for numerous graphics cards, active cooling on the VRM heatsinks, USB 40Gbps ports, SlimSAS, and BMC. Seven PCIe 5.0 x16 slots, dual 10G LAN ports, four M.2 slots, two rear USB4 40Gbps Type-C, and SlimSAS NVMe support fast communication.It supports up to 2TB ECC R-DIMM DDR5 memory modules (1DPC) and features a robust power and thermal design with power stages with two 8-pin CPU power connectors, large Chipset, M, VRM cooling.Two fan-driven heatsinks with M-2 thermal pad.

Advanced AI laptops for creativity

The 2024 ASUS ProArt AI laptop family empowers regular users, outdoor content makers, and professionals to turn life’s priceless moments into lasting memories. Users can create anywhere, faster, and smarter with the lightweight, sturdy, and powerful laptops.

Copilot+ PCs with ASUS-exclusive StoryCube and MuseTree apps provide smarter and more streamlined creative workflows with fully-local AI on the new ProArt laptops.

ProArt P16 laptop

A compact 14.9mm black chassis and 1.85 kilograms make the 16-inch ProArt P16 a powerhouse for mobile creative. A 50 TOPS NPU in the AMD Ryzen AI 9 HX 370 processor and an NVIDIA GeForce RTX 4070 Laptop GPU provide 321 TOPS for advanced AI workloads. The RTX 4070 GPU accelerates 2D, 3D, video editing, and streaming applications, including NVIDIA AI products like NVIDIA Broadcast, RTX Video, and ChatRTX.

ProArt PX13 convertible laptop

The 13-inch ProArt PX13 weighs 1.38kg and has a 360° hinge for laptop, tent, stand, or tablet modes. It performs similarly to the P16. Its 3K ASUS Lumina OLED display looks great. Wi-Fi 7, twin 40Gbps USB4 for charging and external displays, HDMI 2.1 FRL, and a UHS-II MicroSD card reader for action-cam transfers are among the I/O connections.

Laptop ProArt PZ13 detaches

The 0.85kg ProArt PZ13 is ultraportable and powerful. A Snapdragon X Plus processor, 3K ASUS Lumina OLED screen, and Copilot+ PC AI are included. Switching between tablet and laptop modes is easy with the detachable keyboard. This gadget is ideal for creative mobility because to its 70Wh battery, IP52 dust and water resistance, and SD slot with microSD adaptor.

Each of these laptops uses AI to deliver top-notch performance for creatives. At IBC 2024, ASUS booth visitors may sample the two new ASUS-exclusive AI apps StoryCube and MuseTree on ProArt notebooks powered by AI NPUs and GPUs. Innovative one-stop smart file management solution StoryCube. It supports importing, exporting, searching, filtering, and cataloging media. AI can distinguish scene types or faces, speeding up footage analysis or searches. Also, an AI-powered smart editing and generative feature can automatically produce engaging videos from files and trim and crop footage and photos in bulk.

Another useful creativity software is MuseTree. ASUS-exclusive generative AI tool can inspire, design, and store resources. It boosts creativity without a cloud connection by using the built-in AI processor to access generative AI.Image credit to ASUS

ExpertCenter Pro ET900A X9

Image credit to ASUS

ExpertCenter Pro ET900A X9 is a professional workstation with AMD Ryzen Threadripper PRO 7000 WX-series processors, DDR5 ECC R-DIMM, twin 10G LAN, and up to four NVIDIA Quadro RTX graphics cards Up to four PCIe 5.0 M.2 slots, four SATA 6Gb/s connections, 40Gbps and 20Gbps USB Type-C, 2000W Titanium power supply, and ASUS Control Center Express are supported.

A small AI powerhouse: ASUS NUC 14 Pro AI

ASUS NUC 14 Pro AI revolutionizes AI NUC mini-PC technology. It achieves 120 total-platform TOPS using the latest Intel Core Ultra 9 processor (Series 2) and multi-architecture CPU, GPU, and NPU arrangement. Its strong NPU delivers up to 48 TOPS and triples AI performance for cutting-edge applications compared to earlier Intel processors.

The ASUS NUC 14 Pro AI, with a system height of 34mm and a sub-0.6L chassis, is ideal for business and edge computing applications because to its excellent performance and space-efficiency. Doubled graphics and revolutionary embedded LPDDR5x design deliver high-speed performance and stability in a variety of IoT applications.

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