Tumgik
#do you guys know about padman?
gooopy · 8 months
Text
you guys are so lucky im so lazy and tired. i want to put the tf2 character models into a shitty semi-obscure fps game i like so i can take screenshots but i dont know how to go about that. anyways if you know how i would put soldier tf2 into hit video game world of padman please contact me
10 notes · View notes
princessmadafu · 3 years
Text
37 bleedin’ pages!
I have condensed them for you and left out most of the bits that the nasty evil British Press have already covered. Feel free to skip any boring bits.
Dax Shepard: Welcome, welcome, welcome to Armchair Expert's Experts on Expert. I'm Dan Shepard. I'm joined by Monica Mouse.
Monica Padman: Hi.
[...]
There follows some heavy marketing of towels and stuff...
DS: Now please enjoy Prince Harry. We are supported by Brookelinen. My favourite hotel quality sheets to get into and writhe around in the nude. [...] They're impeccable. They're decadent, they're soft, they're absorbent. Brookelinen was started to create beautiful high quality home essentials that don't cost an arm and a leg. They're so confident in their product, they come with a 365 day warranty. So give yourself that comfort refresh you deserve and get it for less. Go to Brookelinen.com and use promo code 'expert' to get $20 off with a minimum purchase of $100. That's Brookelinen.com and enter promo code 'expert' for $20 off with a minimum purchase of $100. That's Brookelinen.com, promo code 'expert'.
Pretty ironic really, as Harry wades into fake news and how advertising algorithms are ruining us...
DS:...It's like the algorithms on the internet. You can't compete with that, a human.
PH: You can't if you have the awareness of what it's doing to you. And the fact that it's learning, which is scary. And advertising has been going on for hundreds of years, but done really responsibly. The difference here is targeted ads. If ads have always worked for companies, you can put on the TV, you can walk away, you can come back, your involvement is switching on switching off or changing the channel. Whereas now with algorithms is there, it's just feeding your habits. And it's also reading through your emails and everything else. So it's getting to know you, like, it gets to know the decisions you're gonna make before you make them, then it creates this echo chamber of no pushback, of no context of nothing. It's just perpetuating and feeding the bias and the habits that you already have inside of you, which is terrible.[...]
Harry needs to learn about AdBlock and Ghostery and VPNs and Tor and DuckDuckGo and Smartpage and all the other clever little ways the computer-literate have of ridding their lives of unwanted advertising. I haven't seen an ad in years. The only person feeding my habits is me. It’s called personal responsibility. Maybe Harry still needs a Nanny but most grown-ups don’t. Oh wait, I forgot, the “Meghan&Harry Show” fans are all kids.
PH: [...] It's a computer. It's like, who wrote the algorithms? You guys did? Probably all male and all white.
Oooh, let's be sexist and racist, Harry! Did you ever hear of these women or are they too scary?
https://biztechmagazine.com/article/2012/05/mothers-technology-10-women-who-invented-and-innovated-tech
Then they discuss Naked Vegas (this guy Dax has a thing about nudity) and Harry in Afghanistan. And discuss a calendar of naked men that DS and MP put together - their favourite male bodies. What a good job it's only gloating over naked male bodies and not naked female bodies. It's apparently acceptable, for some reason. Harry doesn't know who the guys are.
DS: Monica makes this for me every year and it's a calendar of all my favourite bodies of friends.
MP: And they're all men.
DS: They're all men.
MP: And they're all gorgeous bodies.
[...]
And is Harry nervous talking about mental health? He shouldn't be, he's been banging on about it for years.
PH: Yeah. Was I nervous? No. Not so much nervous. But I guess on this particular subject around mental health. Yeah. For me, it's always a, unfortunately, today's world is quite a sensitive subject, not just for the people who are sharing. But ultimately, the subject matter itself has to be handled with care. [...] It ends up getting weaponized by certain people.
Weaponised by certain people? Like him and Markle, for instance. Neither of 'em has any talent so they weaponise their mental health. Big big mental health bombs loaded with word salad to lob at their own families and cause huge distress. Not nice, Harry.
PH: That's how I've always felt when it comes to projection. I mean, hatred is a form of projection, right? [...] We're not born to hate people. So it manifests itself over a period of time. And of course, it can come from unresolved pain, or being hurt continually, as a young kid or through adult life. But ultimately, there's a source to it. There's a reason why you want to hate somebody else.
Like his dad, his brother...
PH: And actually have some compassion for them. Which is really hard when you're on the receiving end of this, like, just vile, toxic abuse. But the reality is, is you say, flip it. [...] Every single one of us wherever we are, wherever we come from, there will always try and find some way to be able to mask the actual feeling and be able to try and make us feel different to how we are actually feeling, perhaps having a feeling. Right, because so many people are just numb to it. That was a huge part of the beginning of my life, which was like, I rejected. I said, there's nothing wrong with me. I'm fine.
And now he's moved on to promoting his new mental health stuff with Oprah, The Me You Can't See...
PH: So if you are making that conscious decision to say: You know what, it's not self serving, but I want to share my story. I'm being asked to share my story to hopefully help someone or loads of other people. I'm probably going to get trolled. I'm probably going to get attacked by the same people that were doing anyway. If I'm willing to make that decision, surely that comes from a place of courage rather than weakness?
Or possibly naivety. Harry is only wanted for his money-making title and royal status; he has no mental health qualifications, he's not a mental health professional, he's not an expert, all he brings to the table is the glamour of being a prince of the BRF. Which he quite clearly hates. Markle is lining her pockets from their self-indulgent mental health whinge fest and he's too dim to see it. There follows the bit about the spectrum of upbringing that the press is covering nicely so I can skip the next few pages - the bits where Harry says he doesn't see that talking about his own issues is complaining, and “it's the job, right”, how he never wanted the job of being royal, and his therapy and how “massively self-critical” he is (yet still can't see that he's not being honest with himself), ooh and sharing his hatred of the British press - that's a good bit, let's skip to page 18:
PH I think the biggest issue for me was that being born into it, you inherit the risk, you inherit the risk that comes with it, you inherit every element of it without choice. And because of the way that the UK media are, they feel an ownership over you. Literally like a full on ownership. And then they give the impression to some of their, well, most of the readers, that that is the case. But I think it's a really dangerous place to be if you don't have a choice, but then, of course, then people quite rightly will turn around and go. So what if you didn't have a choice? It was privilege? [...] Page Six of the New York Post, they took pictures of my son being picked up from school on his first day [...] But I guess my point is the way that I look at it, especially now living here one hour outside LA. Like it's a feeding frenzy here. We spent the first three and a half months living at Tyler Perry's house. You let us stay. And the helicopter helicopters, the drones the paparazzi cutting the fence like it was madness. And people out there -Their response was, Well, what do you expect if you live in LA? It's like, Okay, well, first of all, we didn't mean to live in LA. This is like a staging area before we try and find a house. And secondly, how sad that if you live in LA and you're well known figure, you just have to accept it. The first security we had, I said, Well, where's the safest place? Inside. Just because I'm a well known person, you can't go outside anymore. [...] it's really, really sad. And of course, their argument is - the paparazzi and everybody else - is like all if you're in the public space, then it's absolutely fine for us to do it. So what is our human right as an individual and as a family, you're saying that if the moment we step foot out of our house, that it's open season and free game? What? Because of public interest?. There's no public interest in you taking your kids for a walk down the beach. Nothing...
And on and on it goes... He should've stayed in the UK then. The Cambridges are managing very nicely, thank you. They take their kids for walks on the beach, and we'd never seen them until they released their anniversary video the other week. Harry's clearly envious of William; Harry's mad wife is vitriolically envious of Catherine. Oh and I’m pretty sure it’s the mad wife who keeps phoning her go-to paps when she needs to be in the news again.
PH: [...] I believe we live in an age now where you've got certain elements of the media redefining to us what privacy means. There's a massive conflict of interest. And then you've got social media platforms, trying to redefine what free speech means. Why - I wonder why you're doing that. And again - so this has been happening for 15 years now. And we're living in this world where we've almost like all the laws have been completely flipped by the very people that need them flipped so they can make more money and they can capitalise off our pain, grief, and this sort of general self destructive mode that's happening at the moment [...]
He doesn't get how hypocritical this is, does he? The Markles are the ones capitalising on their grief, pain and the rest of it. And no-one would be interested in them without the royal bits because they have nothing else to offer. Failed actress and used-to-be-a-soldier wrapped up in festering bitterness.
Blah, blah... went shopping in a supermarket... saw lots of chewing gum... blah, blah... Archie on the back of his bicycle... girls want to be princesses... You don't need to be a princess, you can create the life that will be better than any princess or it's something along those lines... she said she expected [the press] to be fair... Pages and pages of how he hates the British press...
PH: [...] And especially when you can't defend yourself so yes, I think when you marry into it, especially when it's one Princess Diana's sons there is a certain amount of 'okay what I'm actually letting myself in for?' But very few people actually know - apart from the Brits - how toxic that element of the of the UK press is.[...]
We're up to page 24 now, if you're still with me. Oh here it is, Harry's unconscious bias... What’s the betting the mad wife has scripted this bit for him?
PH: [...] So going back to the whole sort of travelling around the Commonwealth, I thought I knew, right, having been able to travel that much and meet so many and such a diverse group of people. I thought I understood life. Especially bearing in mind most of the countries I was going to were, most of the communities are going to were people of colour. But then I was really shocked once I started doing therapy. And that bubble was burst. And I started doing my own work, really - a lot of work - and started to uncover and understand more about unconscious bias. And I was like, wow, I thought since I screwed up when I was younger, and then did the work. I thought I then knew. But I didn't. And I still don't fully know. It's like a constant working progress. And every single one of us has it. [...] Everyone has biases, of all sorts. But I think it's a really important point, especially now, after everything's happened in the last year and a half, like the world is changing, the younger generation are driving it. And you've got to like a multi-racial, cultural sort of movement happening, which has never happened before. But unconscious bias is the way that I understand it, is, again, it's not something that's wrong with you. Right? And you don't have to be defensive about it. That's the thing. No one's blaming you. But the moment that you acknowledge that you do have unconscious bias, what are you going to do about it? Because if you choose to do nothing you're continuing to fuel the problem, which means that you're then heading towards racism. Whereas unconscious bias is actually something that is inherent, unfortunately, in every single one of us. But that it is possible to educate yourself to be more aware of the problems and therefore be part of the solution rather than part of the problem.
Markle's got him well-trained on this one, hasn't she. I wonder if he's read anything critical of the unconscious bias movement, or just repeating what he's been told to. Oh and then he goes off about being in the army...
PH: I loved it. I love wearing the same uniform as everybody else. I love being treated the same. I love the expectation of if you want to get that job, or you want that promotion, or you want to finish this race, it's all on you. There's no special treatment, you're not going to get any help. If anything, you're probably going to get treated the opposite because everyone thinks that you've had an easy life. And everyone's always helped you get to where you are.
But...but...but, Harry wasn't treated the same, there was special treatment, he was helped to get to where he was. He scraped a couple of poor quality A Levels and got admitted to Sandhurst because he's a prince. Good old Wikipedia says:
In June 2003, Harry completed his education at Eton with two A-Levels,[22] achieving a grade B in art and D in geography, having decided to drop history of art after AS level.[23] He has been described as "a top tier athlete", having played competitive polo and rugby union.[24] One of Harry's former teachers, Sarah Forsyth, has asserted that Harry was a "weak student" and that staff at Eton conspired to help him cheat on examinations.[25][26] Both Eton and Harry denied the claims.[25][27] While a tribunal made no ruling on the cheating claim, it "accepted the prince had received help in preparing his A-level 'expressive' project, which he needed to pass to secure his place at Sandhurst."[25][28]
PH: And then suddenly, like - while I was at school, I hated exams. And I promised myself I'd never do exams again. Then I joined the army of which is full of exams. I still promised myself I'm never gonna do it and then I end up flying Apache [...]
Gods, it's getting boring. Even the interviewers are zoning out. Still ten pages to go. Wish I hadn't started this, I could be out weeding. Weather's nice, not too windy... Do I deserve a quick G&T yet?
PH: Or worse, was they turn around and say, right, because last week, you're out the front. This week, you got to carry his bergan, I'm like - what, 30 extra pounds? Nooo. But it was, it was the most normalising experience or job that I could have ever hoped for. And then going to Afghanistan twice [...] And someone said to me very recently, from the moment that you're born into today's world, life is trauma, so the sooner that we actually acknowledge that but but [...]
A-a-a-a-and he's back on the mental health thing, PTSD or PTSI,
PH: Post Traumatic Stress Injury is like: Well, that makes sense, because I just saw my mate get blown out. But the other piece of this is, what we need to remember is, the lot of the recruiting that we do in the UK, comes from certain cities and certain homes, where there's childhood trauma. So what we collectively have already got inside of us, the trigger of seeing something happen in Iraq, Afghanistan can be the trigger. So everyone goes: Oh, it's because they were on operations, and because they saw their makeup blown up. It's like, no. [...] So that's what I've been working on for years, for the last five years, which is like, and it started in therapy of like, I don't want to lose this thing, because I think it's, I feel so connected to my mum. [...]
They move on to parenting, which the press is rubbing its hands over... Harry blaming everyone but himself and his saintly mother - Charles, HMTQ, PP... "They f*ck you up, your mum and dad". But not the mum bit. He can't push his mum off her pedestal.
https://www.poetryfoundation.org/poems/48419/this-be-the-verse if you don't know Larkin's poetry. How much more? Nearly there. Monica loves The Crown and doesn't realise it's fictitious.
DS: [...]Well, Harry, I've really really liked talking to you. You're very charming. You're very intelligent. You're handsome, and I can't wait to see your torso.
MP: Thank you so much for coming.
DS: So I just want to remind everyone that May 21 on Apple Plus, you should check out Oprah and Prince Harry's 'The Me You Can't See'. I have to imagine it's similar to her book, which I just read, which is absolutely incredible 'What happened to you?' So everyone should check out 'The me you can't see' on Apple plus May 21.
And still Harry won't shut up... Shut up, shut up. Cut his mic. You don't have to read this last bit, they've already wound up the interview...He still won’t shut up.
PH: Yeah, we're moving from the physical to the emotional, right, physically. At the beginning of this pandemic, people were panicking. And there was that fight or flight like, ahh what do we do like lockdown, survival? Yeah. And now that the vaccines have been sort of, we're getting to the point where more and more people are being vaccinated, we're now in the emotional phase of what I read in the New York Times article was called languishing, which is really interesting. It's like the is the middle child between flourishing and depression. You just feel flat, and it's not depressed. It's definitely not flourishing. You lack the energy and the will, the motivation, all that kind of stuff. Because you're kind of sitting there going - Well, what happens next? And I think it's really important that we talk about languishing. And it was coined by someone I can't remember who but I think it was the journalist who wrote the story was Adam Grant. No, he didn't come up with it. Someone else came up with him, he wrote this, the most amazing article about languishing and the fact that how important it is to be able to talk about it because - look when it comes to mental health, we need to realise and accept that every single one of us have mental health. There's varying degrees, as we said, you've got the mental illness, and then you've got the sort of the awareness and the work that you can put in, like, Where do you want to be that we shouldn't just sit there and go: Oh, mental illness is once we are literally on the floor crawling around in the foetal position needing help. But for me, I don't think I need therapy anymore. But I wanted. And when I say therapy, I mean, actual therapy, sitting down having a discussion with someone. But I also mean like, nature, like going for walks, like throwing the ball for my dog down the beach and stuff like that. There are certain things around the world that are free, some you have to pay for, but ultimately go searching for the things that make you feel good about yourself. Like that's the key to life, get rid of the bad stuff, get rid of the hate, and just focus on the good. And your whole life turns around from that. I hate this idea. And I was one of them. I fell for it. Right? I didn't acknowledge that clearly what happened to me when I was 12 years old, losing my mom and all the other pieces that happened, the traumatic experiences that happened to me since then, I didn't acknowledge them, when perhaps - maybe I need to deal with this because if I don't, how the hell am I going to be a decent father to my son and my daughter? Like that awareness, I didn't have then. But again, we've got what - 40 experts as part of this series, and the Surgeon General, Dr. Nadine Burke Harris, she's absolutely fantastic. And she was talking about this concept of mental health being sort of public health, right. Because the services are so limited. There's not enough money. The problem is actually immense. How can we all help each other rather than this: 'Oh, once I'm broken, or once I'm suffering, I have to go here.' And there's not enough rooms or spaces for the amount of people or the for the need, when actually you can get ahead of it, and work on the prevention by sharing and being more vulnerable with each other, and being able to process this grief or this loss, or this trauma that every single one of us have experienced and will experience. So anyone who's sitting there going: 'I don't have a problem, and I never will have a problem.' Well, you probably are already contributing to the problem, because you probably got your blinkers on, you probably created your own echo chambers. So I think it's a that, that's certainly what I've experienced for my own process, my own journey, my family and my friends and everybody else is. Anyone who thinks, oh, we're fine. You're the one who's like, willing to talk about it. It's like, yeah, I'm willing to talk about it and talking about it. And the financial element as well. We're pouring money into on the downsteam, when it's like, Can we just focus upstream? Yeah, we focus on one thing, like to me listen to Oprah was what was one of the reasons that this whole thing started was two of the biggest issues that we're facing in today's world, I think, is the climate crisis, and mental health. And they're both intrinsically linked. Basically if we neglect our collective wellbeing, then we're screwed. Basically, because we can't look after ourselves. We can't look after each other. We can't look after each other, we can't look after this home that we all inhabit. So it's all part of the same thing.
DS: Prince Harry, I don't say this lightly. I love you. Thanks for coming. This was great.
M: Thank you so much.
PH: Thank you very much.
Wish I'd done my weeding.
10 notes · View notes
bluebuzzmusic · 5 years
Text
Industry Spotlight: Mike Lisanti [Warpath Group]
Breaking out in the bass scene in today’s world is no easy feat. Some of the most hyped up-and-coming dubstep and trap acts really have to do something unique and exceptional to stand out. Mike Lisanti of Warpath Group has seen the success of his clients break through this barrier and are on the fast track to becoming household names. With acts like TYNAN, Kompany, and Champagne Drip all represented by Lisanti, it’s clear that managing in-demand bass DJs is no easy task. We got the scoop from Mike on how working the scene from literally every angle sent him full circle into a management career, juggling brand development as well as hands-on A&R between all of his acts.
What got you into electronic music? How did you get introduced to the scene?
I’m a traditionally trained guitar player. I know how to read music and still know a handful of my jazz standards to this day. I’ve always been into whatever the new thing was in music, from the post-hardcore and metal/screamo days, to the rise of all the dance music subgenres in the first decade of the 2000s. All in all, I would say that just being a “DJ” was never something I was interested in. So I immediately picked up Ableton in 2010 as soon as I started playing at local spots in my college town for extra cash or whatever.
(Kompany b2b AFK – Photo: @fredericlyphotos)
Tell us about your former group Charity Strike. Why did you end it and are you happy with your new path?
This was a project that I had started with my friend Philip Scully in 2012 back when I was going to school at UCSB. We won a couple of Beatport remix contests and caught some buzz from that (back when remix contests were a thing). After a year of doing a good amount of tour dates and getting a lot of the Dutch label-affiliated looks, the model for pitching was evolving to stacking copious amounts of records and keeping them on the shelf as “ammo.” This concept of stacking original records is the most important thing a producer can do, and once I realized that, it hit me that I didn’t enjoy producing enough to always be strapped with 10+ unreleased demos each month. I began to realize that I had more fun selling other people’s product. Once I knew that the artist side wasn’t for me, I got a job at Dim Mak Records in 2014 through my good friend Basie Hauser (who is now known as Ephwurd). After about a year of helping them with radio stuff, I worked on A&R-ing tunes with my mentor at the time, Lorne Padman (Vice President of Dim Mak Records). Then a good family friend, David Gordoni (who is now a senior agent at United Talent Agency), tipped me off that one of his clients, Borgeous, needed a hand on the road. David has been there from the beginning of my career offering advice as well as support and now handles bookings for some of my artists in Asia. Crazy how things can come full circle. I grabbed the job tour managing Borgeous and doing his day-to-day, which landed me in Las Vegas in 2015. I did that for about a year and a half, and just at about the time he moved to Red Light, I realized that I wanted to start breaking my own guys, so the timing was perfect. John (Borgeous) is still one of my best friends to this day. So long story short, I would say that I feel happy and blessed with the path I have chosen.
(Mike w/ Kompany)
You have multiple clients playing Wobbleland this weekend in San Francisco. What’s it take for a bass act to get to that level of performing at one of the premiere bass festivals in the country?
Yeah I’m really excited for this weekend. TYNAN and Kompany are doing a b2b on the first day of Wobbleland and Champagne Drip is doing a b2b set with Zeke Beats on the second night. I’m really happy with all the hard work that TYNAN’s agent Corey Krogman (UTA), Kompany’s agent Max Freeman (UTA), and Champagne Drip’s agent Cory Riskin (APA) have been putting in on the boys this past year. That Zeke Beats b2b Champagne Drip package is a legendary combo. They crushed it at Countdown on NYE during their massive Bassrush debut together. I can’t wait to see what they have up their sleeve for this Wobbleland performance. In regards to being able to stand out enough to big buyers, promoters, and even getting agents to join your team, the artist really needs to make sure that they’re staying active in releasing music, social media presence with linear growth, and of course making sure the entire product looks good. Just like any business, you want to make sure that your product is 100% ready before you go on sale with it and start adding personnel expenses, etc. Regarding music output and strategy, unless you have an infinitely enormous reach on social media (like people getting famous from being in your Instagram stories or something), I always recommend having a home for your music — and if playing the label game feels like it takes too long, create your own internal road map for releases independently and retool whenever necessary. I prefer to keep the release schedule monthly with my dudes. That internal battery is everything because regardless of who’s jumping on board to partner with the product or not, the show must go on.
(Champagne Drip b2b Zeke Beats – Photo: @alexvarsa)
Can you talk a bit about Warpath? How did you link up with Warpath Group?
Warpath Group is a company based out of Oklahoma City that is owned by Loper and Nate Schoenfeldt. They currently manage acts like Liquid Stranger and Protohype and are running the label management for Wakaan. We work really closely on clients together as we co-manage acts. I work remotely out of Las Vegas and Los Angeles. Interestingly enough, in 2014 they had approached me as an artist to start working with them on the next chapter of whatever I was doing back then. I was already done focusing on being an artist at that point, so the conversation kind of fizzled out organically. We reconnected in Amsterdam during ADE 2016 over a coffee and some ridiculously good European breakfast out there. Months later I approached TYNAN to manage him, and since he had something going on with Nate where the focus was on his (now) side project Ohmy, Nate believed in me enough to allow me to partner with him on TYNAN and co-manage. Shortly after that, I brought Kompany into Warpath and then Loper gave me Champagne Drip to partner with him on and the rest of this second full circle story is history.
Do you believe that people need college in order to get into artist management?
Although I graduated from UCSB, I really think it’s just a way to train your brain to excel and stay motivated in things that aren’t necessarily fun or easy (which is how all work is in reality). I got a little lucky because one of my focuses in school was Mandarin Chinese, so now whenever I’m in China with one of my boys (which is a huge market for dance and bass music right now), knowing Mandarin helps a lot with some of the language barriers. Although I highly encourage education for everyone, I don’t believe it’s fully necessary to get into managing an artist’s business.
(TYNAN @ Hard Summer – Photo: @dougfilms)
You have your hand in a few different pots right now. What other projects are you working on in the dance music scene?
I still do radio engineering with various artists through Sirius XM as well as A&R/consulting for some acts out in Asia. I’m currently developing a couple of newly signed clients on the management side who I’m really excited about: Effin and KRILLA. Check them out for sure.
All that can be pretty tiring I’d imagine. How do you unwind in your spare time?
I go to the gym twice a day almost every day, I like boxing quite a bit, as well as flat ground skateboarding. On Sundays whenever I’m in town, I play in an organized wood bat adult baseball league (not softball). I also enjoy cooking my weekly meal preps, hanging out with my dog Bandit, and I frickin’ love playing video games — especially when any of my boys are online.
(Mike w/ TYNAN)
Favorite festival? Venue?
I have a lot of favorite festivals, but I have to say my all-time favorite is EDC Las Vegas because it’s the one where even I’ll go and disappear into the crowd sometimes to just enjoy the event. My favorite venue is NOA Beach Club in Croatia. That place is nuts.
How do you see the bass music scene unfolding in the next five years? Positive growth?
I view bass music as something that’ll remain having dedicated fans in a similar way as to how a lot of the metal acts that are worth tickets are still going. There’s a strong sense of fan loyalty in the bass community and I really like that a lot.
(TYNAN in China – Photo: @mikelisanti)
Favorite food? Movie? Bath soap? Travel spot?
Favorite food by far is pizza (I just can’t eat it that much or I’ll gain weight).
Favorite live action movie is City Of God and my favorite animated movie is COCO.
Favorite bath soap is charcoal and clean body wash by AXE.
Favorite travel spot to date is Morocco for sure. North Africa is so sick.
This article was first published on Your EDM. Source: Industry Spotlight: Mike Lisanti [Warpath Group]
source https://www.youredm.com/2019/01/15/industry-spotlight-mike-lisanti-warpath-group/
0 notes
wionews · 6 years
Text
'Padman' is not based on Twinkle Khanna's book, reveals director R Balki
R Balki says he never wanted to make a biopic but he decided to go ahead with Padman as it gave him a chance to address an important issue like menstruation through the fascinating life story of Arunachalam Muruganantham.
The director is best known for his films such as Cheeni Kum, Paa, Shamitabh and Ki and Ka. Padman, featuring Akshay Kumar in the lead, is a fictionalised account of Tamil Nadu-based Muruganantham, who created affordable sanitary napkins for the women of his village. "I never wanted to do a biopic. I wanted to do my own fictional stories but this subject was great. This guy's life is fascinating. Where will you get to do a mass mainstream film on a subject like sanitary pads? I felt it was a fantastic opportunity, that's why I took it up," Balki told PTI. "We wrote it for Akshay, he is a star but you have to write things keeping in mind the character as well. We had to make sure the sensitive issue should not be lost (in making it entertaining)." The director said he took liberties in the portrayal of the character but did not alter the essence.
"I have to do justice to his (Muruganantham) life. On screen, his life should be even better than what it was in real life. I have taken very few liberties and Muruganantham knows about it."
Padman was always the title for Balki as that is how he started writing the story. "This film is not based on Twinkle Khanna's book, that is a separate story. There are two different fictional takes on Muruganantham's life. I just called it 'Padman' as that is how I started writing the story."
Also featuring Sonam Kapoor and Radhika Apte, the biographical comedy-drama is set for release on January 26. 
]]>
0 notes
titoslondon-blog · 7 years
Text
New Post has been published on Titos London
#Blog New Post has been published on http://www.titoslondon.in/fatima-sana-shaikh-isnt-the-only-one-to-be-shamed-for-what-shes-wearing-here-are-others/
Fatima Sana Shaikh isn’t the only one to be shamed for what she’s wearing; here are others
From L to R: Sonam Kapoor, Fatima Sana Shaikh and Priyanka Chopra with Narendra Modi. (Source: Instagram and Varinder Chawla)
Related News
Jagga Jasoos: Ranbir Kapoor and Katrina Kaif song ‘Ullu Ka Pattha’ gets a thumbs up from Priyanka Chopra
Priyanka Chopra or Freida Pinto: Who wore the jumpsuit better?
Sonam Kapoor’s click from PadMan sets is not just giving a sneak peek but perfect ‘Neerja vibes’ too. See photos
Instilling fear and shaming people in the name of religion is nothing new in India. It is an age-old practice which is still going on strong in the country and the lastest celebrity to be at the receiving end is Dangal actor Fatima Sana Shaikh. On June 7, Shaikh found herself in the eye of a controversy, soon after she shared a few photos from her latest photoshoot for GQ.
The actress who rocked a beautiful black monokini on the beaches of Malta was pulled up by the moral police for wearing revealing clothes during the holy month of Ramadan.
One of the users commented on her photo, “show some respect n dignity towards the religion simply keeping the muslim name n doin indecent act wth only further malign Islam as it doesn’t promote nudity… ”. While another wrote, “Hey saram karo yaar Ramadan ka month chal rha Fatima ye sab sirf duniya me acha lagta hai mar ne ke bad ye sab kaam nhi aaye ga sana hi but I know ap naam se Muslim lagti ho kaam se Muslim nhi ho u r non Muslim.”
We don’t understand where all this hate is coming from and we don’t really give two hoots about the trolls, but what we know is that the actress is killing it in style with her photoshoot. After all, slut-shaming celebs has become a trend among most social media users these days. Recently, Priyanka Chopra also received flak for wearing a floral dress by Australian designer Zimmerman during her meeting with Narendra Modi in Berlin.
The trolls had a problem with Chopra showing off too much skin infront of the prime minister of the country. But she gave a befitting reply to them by posting another photo with her mom where the caption read, “Legs for days…. #itsthegenes with @madhuchopra nights out in #Berlin #beingbaywatch”.
Sonam Kapoor too faced backlash earlier this year for a controversial jumpsuit which she donned at a promotional event. The dramatic culotte length, ruffle shoulders number with a deep plunging neckline from Russian fashion house Rasario Atelier’s Spring 2017 collection didn’t bode well with people, even though we think she worked it like a boss.
Sonam Kapoor in Rasario Atelier. (Source: Varinder Chawla)
Expressing her disgust, she tweeted: “Sexist nonsense. The photogs went out of their way to take these pics.. and frankly I don’t give a damn, I’m proud of my body!”
Addressing a leading news daily, she also wrote: “I was very comfortable in my outfit. I said a lot of pertinent things,but obv you guys rather report this!”
A big round of applause for these bold women for standing up for themselves and doing what they deem best. What the haters need to know is that we don’t live in a neolithic age anymore and if they can’t handle the world around them, then they can always go take a hike.
More Related News
Priyanka Chopra on her Baywatch co-star: Dwayne Johnson exudes that one thing you need in a husband
WATCH: Priyanka Chopra, Sushmita Sen, Malala Yousafzai talk about the importance of women empowerment
For all the latest Lifestyle News, download Indian Express App
© IE Online Media Services Pvt Ltd
Tags:
Fatima Sana Shaikh
Priyanka Chopra
sonam kapoor
WwiseReyJun 8, 2017 at 11:59 pmCHECK GOOGLE, YOU WILL KNOW THAT 90 PERCENT OF WORLDWIDE N, IS SEEN BY Mppl COUNTRIES. IS THIS WHAT THEIR BOOK IS TEACHING NO? ….. ALL THOSE mppl, WHO SEE THIS AND OTHER NUUDDDITY PICTURES, THEY WIL LY SEEING N DELIBERATELY ALL DAY, THEY BECAME NON-Mppl, so all Mppl better start going to pray in churchh or templ or buddha.Reply
EEmploy MentJun 8, 2017 at 11:46 pm💲💲मुफ्त रोजगार योजना💲💲 ✔मोदी जी द्वारा चलाए गए डिजिटल इन्डिया से जुड़े और कमाए हर महीने 15,000 – 50,000 रुपए ✔अब कोई नही रहेगा बेरोज़गार और नही करेगा कोई बेरोज़गार आत्महत्या ✔क्योंकि अब आ गई है 21वीं सदी की सबसे बड़ी रोज़गार क्रांति ✔हमारा सपना पूरे भारत को ही नही पूरी दुनिया को डिजिटल इंडिया से जोड़ना 💲सबका साथ सबका विकास💲 ➡शुरुवात कैसे करे ✔C.h.a.m.p`C.a.s.h को प्ले स्टोर से इन्स्टल करे, और साइन अप करे, $1 डॉलर बोनस स्पौन्सर ID: 468942 ➡चैलेंज को पूरा करे ➡और इंकम करनी शुरू करे 👇🏻इसे जरूर नोट कर ले👇🏻 स्पौन्सर ID: 468942 …………………… HvsuhdijshdkReply
0 notes
gooopy · 8 months
Text
do you guys even know world of padman. its my favorite game ever i played it as a kid. theres big blue boobs. its free. its a quake mod. please tell me someone out here knows about world of padman
Tumblr media
[image id: a menu screen for the game World of Padman. it shows a character with blue skin wearing a batman-esque outfit being hugged y a blue woman with a voluptuous body. theres green arms reaching up for them. the options on the menu are create, join, setup, music, demos, mods, and exit. the cursor is a paint splat. end id]
1 note · View note
bluebuzzmusic · 5 years
Text
Industry Spotlight: Mike Lisanti [Warpath Group]
Breaking out in the bass scene in today’s world is no easy feat. Some of the most hyped up-and-coming dubstep and trap acts really have to do something unique and exceptional to stand out. Mike Lisanti of Warpath Group has seen the success of his clients break through this barrier and are on the fast track to becoming household names. With acts like TYNAN, Kompany, and Champagne Drip all represented by Lisanti, it’s clear that managing in-demand bass DJs is no easy task. We got the scoop from Mike on how working the scene from literally every angle sent him full circle into a management career, juggling brand development as well as hands-on A&R between all of his acts.
What got you into electronic music? How did you get introduced to the scene?
I’m a traditionally trained guitar player. I know how to read music and still know a handful of my jazz standards to this day. I’ve always been into whatever the new thing was in music, from the post-hardcore and metal/screamo days, to the rise of all the dance music subgenres in the first decade of the 2000s. All in all, I would say that just being a “DJ” was never something I was interested in. So I immediately picked up Ableton in 2010 as soon as I started playing at local spots in my college town for extra cash or whatever.
(Kompany b2b AFK – Photo: @fredericlyphotos)
Tell us about your former group Charity Strike. Why did you end it and are you happy with your new path?
This was a project that I had started with my friend Philip Scully in 2012 back when I was going to school at UCSB. We won a couple of Beatport remix contests and caught some buzz from that (back when remix contests were a thing). After a year of doing a good amount of tour dates and getting a lot of the Dutch label-affiliated looks, the model for pitching was evolving to stacking copious amounts of records and keeping them on the shelf as “ammo.” This concept of stacking original records is the most important thing a producer can do, and once I realized that, it hit me that I didn’t enjoy producing enough to always be strapped with 10+ unreleased demos each month. I began to realize that I had more fun selling other people’s product. Once I knew that the artist side wasn’t for me, I got a job at Dim Mak Records in 2014 through my good friend Basie Hauser (who is now known as Ephwurd). After about a year of helping them with radio stuff, I worked on A&R-ing tunes with my mentor at the time, Lorne Padman (Vice President of Dim Mak Records). Then a good family friend, David Gordoni (who is now a senior agent at United Talent Agency), tipped me off that one of his clients, Borgeous, needed a hand on the road. David has been there from the beginning of my career offering advice as well as support and now handles bookings for some of my artists in Asia. Crazy how things can come full circle. I grabbed the job tour managing Borgeous and doing his day-to-day, which landed me in Las Vegas in 2015. I did that for about a year and a half, and just at about the time he moved to Red Light, I realized that I wanted to start breaking my own guys, so the timing was perfect. John (Borgeous) is still one of my best friends to this day. So long story short, I would say that I feel happy and blessed with the path I have chosen.
(Mike w/ Kompany)
You have multiple clients playing Wobbleland this weekend in San Francisco. What’s it take for a bass act to get to that level of performing at one of the premiere bass festivals in the country?
Yeah I’m really excited for this weekend. TYNAN and Kompany are doing a b2b on the first day of Wobbleland and Champagne Drip is doing a b2b set with Zeke Beats on the second night. I’m really happy with all the hard work that TYNAN’s agent Corey Krogman (UTA), Kompany’s agent Max Freeman (UTA), and Champagne Drip’s agent Cory Riskin (APA) have been putting in on the boys this past year. That Zeke Beats b2b Champagne Drip package is a legendary combo. They crushed it at Countdown on NYE during their massive Bassrush debut together. I can’t wait to see what they have up their sleeve for this Wobbleland performance. In regards to being able to stand out enough to big buyers, promoters, and even getting agents to join your team, the artist really needs to make sure that they’re staying active in releasing music, social media presence with linear growth, and of course making sure the entire product looks good. Just like any business, you want to make sure that your product is 100% ready before you go on sale with it and start adding personnel expenses, etc. Regarding music output and strategy, unless you have an infinitely enormous reach on social media (like people getting famous from being in your Instagram stories or something), I always recommend having a home for your music — and if playing the label game feels like it takes too long, create your own internal road map for releases independently and retool whenever necessary. I prefer to keep the release schedule monthly with my dudes. That internal battery is everything because regardless of who’s jumping on board to partner with the product or not, the show must go on.
(Champagne Drip b2b Zeke Beats – Photo: @alexvarsa)
Can you talk a bit about Warpath? How did you link up with Warpath Group?
Warpath Group is a company based out of Oklahoma City that is owned by Loper and Nate Schoenfeldt. They currently manage acts like Liquid Stranger and Protohype and are running the label management for Wakaan. We work really closely on clients together as we co-manage acts. I work remotely out of Las Vegas and Los Angeles. Interestingly enough, in 2014 they had approached me as an artist to start working with them on the next chapter of whatever I was doing back then. I was already done focusing on being an artist at that point, so the conversation kind of fizzled out organically. We reconnected in Amsterdam during ADE 2016 over a coffee and some ridiculously good European breakfast out there. Months later I approached TYNAN to manage him, and since he had something going on with Nate where the focus was on his (now) side project Ohmy, Nate believed in me enough to allow me to partner with him on TYNAN and co-manage. Shortly after that, I brought Kompany into Warpath and then Loper gave me Champagne Drip to partner with him on and the rest of this second full circle story is history.
Do you believe that people need college in order to get into artist management?
Although I graduated from UCSB, I really think it’s just a way to train your brain to excel and stay motivated in things that aren’t necessarily fun or easy (which is how all work is in reality). I got a little lucky because one of my focuses in school was Mandarin Chinese, so now whenever I’m in China with one of my boys (which is a huge market for dance and bass music right now), knowing Mandarin helps a lot with some of the language barriers. Although I highly encourage education for everyone, I don’t believe it’s fully necessary to get into managing an artist’s business.
(TYNAN @ Hard Summer – Photo: @dougfilms)
You have your hand in a few different pots right now. What other projects are you working on in the dance music scene?
I still do radio engineering with various artists through Sirius XM as well as A&R/consulting for some acts out in Asia. I’m currently developing a couple of newly signed clients on the management side who I’m really excited about: Effin and KRILLA. Check them out for sure.
All that can be pretty tiring I’d imagine. How do you unwind in your spare time?
I go to the gym twice a day almost every day, I like boxing quite a bit, as well as flat ground skateboarding. On Sundays whenever I’m in town, I play in an organized wood bat adult baseball league (not softball). I also enjoy cooking my weekly meal preps, hanging out with my dog Bandit, and I frickin’ love playing video games — especially when any of my boys are online.
(Mike w/ TYNAN)
Favorite festival? Venue?
I have a lot of favorite festivals, but I have to say my all-time favorite is EDC Las Vegas because it’s the one where even I’ll go and disappear into the crowd sometimes to just enjoy the event. My favorite venue is NOA Beach Club in Croatia. That place is nuts.
How do you see the bass music scene unfolding in the next five years? Positive growth?
I view bass music as something that’ll remain having dedicated fans in a similar way as to how a lot of the metal acts that are worth tickets are still going. There’s a strong sense of fan loyalty in the bass community and I really like that a lot.
(TYNAN in China – Photo: @mikelisanti)
Favorite food? Movie? Bath soap? Travel spot?
Favorite food by far is pizza (I just can’t eat it that much or I’ll gain weight).
Favorite live action movie is City Of God and my favorite animated movie is COCO.
Favorite bath soap is charcoal and clean body wash by AXE.
Favorite travel spot to date is Morocco for sure. North Africa is so sick.
This article was first published on Your EDM. Source: Industry Spotlight: Mike Lisanti [Warpath Group]
source https://www.youredm.com/2019/01/15/industry-spotlight-mike-lisanti-warpath-group/
0 notes