#do you think his favorite rappers fuck with fox news?? of course not and that's the core issue

[thegetdownrebooter]

I mean I feel like it would come from a genuine place of caring about Roman and recognizing that this is a positive change and also perhaps subconsciously awakening his own repressed gender feelings, but even then it would still be very uncomfortable and that internalized bigotry would definitely not go away. Also even if he could get himself to outwardly treat her as a girl Kendall would still only ever really see her as his weird gay little brother, while also just being more directly misogynistic at her.

no yeah, even if ken "accepted" roman out of love for his sister then it would still be uncomfortable to watch because ken hasn't (and maybe never will) unlearned logan's prejudices so it would be him like, performing generic lip service and being the 1# ally for roman, however it would come across as performative and fake (because it is) and as you said he would be outwardly misogynistic towards her.

Even then he would still "slip" either by misgendering her or calling her a homophobic slur.

But like, even in a scenario where they could get to the point of him outwardly treating roman as a woman then he still wouldn't be able to mentally see her as anything other than his "weird gay little brother" .

[kpophours]

a very necessary guide to SF9

so. let’s talk about these underrated kings. be prepared for rambling. I just love them too much. my favorite boys, 10/10 would recommend stanning them.

some basic information

9 members (5 vocals, 4 rappers, 9 dancers and 9 visuals just stating the facts)

SF9 stands for Sensational Feeling 9

debuted on October 5, 2016 with Fanfare (still a BOP)

currently under FNC Entertainment and actually their first male dance group

their official fandom name is Fantasy (such a good name, honestly) and the official color is Fantasia Hologram (aka the  p r e t t i e s t).

debuted after winning a survival show called Dance or Band (they participated as the dance team; the band team debuted as Honeyst in 2017)

7 mini albums so far with RPM being their latest comeback 

... now onto the members (buckle up)!

Youngbin

Kim Youngbin, born on November 23, 1993

LeaderBin aka the Dad™

very charismatic, be prepared for some really intense eye contact (two words: stage presence)

rapper (highest rapping voice out of the four of them)

D A N C E R (a former 1MILLION dance studio trainee), so he‘s obviously 1/3 of sf9′s extremely talented dance line

also 1/3 of hyung line

cutest eye-smile (so soft) + cutest giggle™

rocked his red hair and looks amazing with slightly curled hair (do not fight me on this)

is tattooed (very  p r e t t y)

threatens everyone’s bias at least once

gives amazing (and unnecessary long) pep talks together with Jaeyoon (just let the other boys sleep, please)

gazes so, so fondly at all his members in pretty much every video (no, I will NOT cry)

Jaeyoon is his roommate and secret wife.

Inseong

Kim Inseong, born on July 12, 1993

the oldest (not mentally) aka the Grandpa™

main vocal (those HIGH NOTES, damn). extremely steady voice.

unique beauty. looks a bit like a desert fox (according to himself and everyone with a pair of functioning eyes).

1/3 of extra line (see and hear three loud idiots in all their videos? yep, that’s him ft. Jaeyoon and Dawon)

also 2/3 of hyung line

v e r y intelligent and educated (holds a degree in Journalism and Communication) but also stupid

owner of an extremely cute smile 

t h i g h s  i am not weak or biased at all

SF9’s designated English speaker (used to live in London for a year)

amazing winking-ability, 10/10 will leave you weak-kneed

King of Lies. he’ll probably never pass a lie detector test. but it’s okay we still love him.

is left-handed and really good at drawing

married to Jaeyoon (it‘s complicated).

Jaeyoon

Lee Jaeyoon, born on August 9, 1994

3/3 of hyung line

honey voice (aka OST King)

d i m p l e s.

blindingly white teeth. the most beautiful smile (canines!).

very proud of his hips and butt (as he should be).

his actual name is Ethan

likes to work out and is  f i t (he ended all Fantasies during rpm promotions, so thanks for that)

King of girl group dances and in charge of sexy (Zumba) dances

a  fuc ki ng  tease (again, rip all Fantasies during the UNIXERSE rpm stage)

2/3 of extra line (shares one brain cell with Inseong and Dawon. they don’t use it very often.)

had a pink undercut during the Mamma Mia era and probably made people cry with his outstanding beauty. again, i’m not biased at all

seems a bit shy and quiet at first. don’t be fooled. he is loud and will come for you.

married to both Inseong and Youngbin.

Dawon

Lee Sanghyuk, born on July 24, 1995

oh boy... such a bundle of utter chaos.

e x t r a (3/3 of extra line and probably their President™)

hear something loud and annoying in the background? it’s probably (most definitely) Dawon (helped by the other 2/3 of extra line)

a unique and beautiful voice (he needs more lines or else I’ll throw hands) - rapping, singing, screaming, he can do it all.

a fucking tease 2.0 (seriously, he and Jaeyoon need to be stopped)

Bruce Lee impressions on point

has tattoos

such a meme-face but also so handsome, like H O W

looks amazing and so soft with curly hair must protect

had so many different hair styles during their Mamma Mia promotions, rip his hair (and rip to all new Fantasies trying to keep track lol)

actually very soft. cried when Inseong surprised them during their UNIXERSE concert (which our Grandpa couldn’t participate in due to an injury)

likes to bully Taeyang.

Zuho

Baek Juho, born on July 4, 1996

Mr. Deep Ass Voice™

“my nose is my swag“

such a good dancer, definitely underappreciated. 

looks intimidating at first, but is actually the softest (d u a l i t y)

the best cat dad (Huru has yet to accept his undying love for him though)

composes/produces own songs (@FNC: please, I’m b e g g i n g you to finally put Champagne on an album) and writes lyrics for a lot of sf9′s songs

didn‘t participate in most of their Enough promotions due to his (still ongoing) back problems (#FNCletZuhoRestChallenge2019)

a dork and meme and honestly just so, so cute and lovable

social butterfly (seriously, he‘s friends with literally e v e r y idol out there)

composed a (love) letter to Fantasy while driving a car with Hwiyoung, Taeyang and Dawon sleeping in the passenger and backseat yes I cried

a scaredy cat (ran away and left his members behind when he got scared by a staff member during their Trip with Fantasy)

Rowoon

Kim Seokwoo, born on August 7, 1996

yes he‘s a Tree™. is made up of 90% unnecessary long legs.

main vocal 2.0

1/2 of actor line

very handsome, I know (but he‘s so much more than just his good looks)

a devoted mom of 8

loves all Chanis and not-Chanis equally

almost had a mental breakdown because he managed to hit Chani’s face with a football which resulted in his precious maknae getting a nosebleed

always hugging and kissing and generally just smothering all members with his endless love and affection (especially Chani)

(t) h o t  and knows it (very shy with fanboys though)

has literally only one selfie angle he uses rigorously  

his One True Talent™ is staring sexily into the camera and doing nothing else because yes, he’s just that handsome

tries to be funny and fails most of the time, but he‘s cute so it’s okay.

Taeyang

Yoo Taeyang, born on February 28, 1997

undercover main vocal (has almost as many lines as Inseong and Rowoon)

best dancer, period. his entire body is probably made out of water. such. fluid. moves. - 2/3 of dance line, often in charge of choreographies.

also 1/3 of maknae line

speaks in ᵀᴵᴺʸ ᶠᴼᴺᵀ 

the literal Sun™, his smile has healing properties.

has great hair and pushes it back a lot during his dance moves

a flower boy (literally. wanted to become a florist before debuting as an idol)

looks a bit like Lee Dongwook aka The Reaper from Goblin

you think he‘s soft? uh, sure, yeah. but is also s a v a g e (the personification of that then perish meme)

has a... unique way of drying his hair (ask Dawon, he‘ll show you. even if you don’t want him to, Dawon will show you)

gets bullied by Dawon. bullies him back. very spot-on impressions of Mr. Extraness (as seen on their Weekly Idol episode)

soulmates and married to Hwiyoung, I don’t make the rules.

Hwiyoung

Kim Youngkyun, born May 11, 1999

rapper and Mr. Charismatic™

yes he is that guy from their Now or Never mv 

looks bad-ass but is a certified baby boy (2/3 of maknae line)

cute without trying and is actually a cat

has literally the best gummy smile which he used to hide behind his hands (but his hyungs encouraged him so much and now he smiles openly, I am not crying, you are)

grew up so suddenly and had long hair out of nowhere and left everyone sh o ok (should definitely be in a shampoo commercial)

composes songs. put one on SoundCloud just very recently. writes lyrics for a lot of sf9′s songs.

cried during their survival show when he got scolded for continuing to mess up the choreography and had to be hugged by Youngbin (who really is the best dad™)

King of the Cleopatra game thanks to his dolphin screams should probably be part of vocal line

pretended to not recognize his soulmate and roommate aka Taeyang when he had to guess his members from their hands while wearing a blindfold. Taeyang will probably never recover from this betrayal and is most definitely still whining about it.

Chani

Kang Chanhee, born on January 17, 2000

deep ass voice 2.0

d a n c e r (his little solo dance in Now or Never will forever be superior), 3/3 of dance line

Evil Maknae™ (3/3 of maknae line)

2/2 of actor line (yes he‘s that boy from Sky Castle)

speaks fluent duck

Taemin‘s Nº fanboy (literally knows his blood type, like... wow okay)

can‘t remember any of the members birthdays (he actually thought Youngbin was born in August when his birthday is literally in the middle of Winter. Leaderbin was hurt).

always looks like a smol bean, but everyone else is just ridiculously tall

had bright orange hair once only for about one second though lol

constantly smothered with love and hugs from Rowoon and pretends to hates it

has all his hyungs wrapped around his finger and knows it (they‘re all whipped for him, especially when he’s doing aegyo)

has a lot of hair aka (my favorite) coconut head (#freehisforehead2019)

looks expressionless and tired 24/7 (a whole mood and true gen z)

some videos to watch

all of their mv’s of course

literally every comeback stage

the suit versions of Now or Never and RPM

the ghost prank/horror version of Now or Never (I cried laughing) 

this really cute Dingo Music version of Enough 

basically all their dance practices, but especially K.O. (we all know they should have gone viral with that choreography)

their adorable pajama version of Different

them performing RPM on a treadmill (Chani is a mood™ and Inseong’s grandpa waddle is so cute)

these stunning acoustic versions of their songs brought to you by 2/3 of extra line + The Tree™

their kcon New York 2019 performance (+ their cover of Love Shot)

their reality show Trip with Fantasy 

them dancing to O Sole Mio ft. Ostriches

their episodes on Weekly Idol and Idol Room

their girl group cover dance battle on Weekly Idol (ft. Cross Gene)

Rowoon and Inseong on Masked Singer

Dawon on Weekly Idol as part of the Masked Idol segment

the Now or Never choreography ft. dance line and the 1MILLION dance crew

them covering BTS’ Boy in Luv + EXO’s Call Me Baby

the Idol Dance Cover Challenge of Love Shot (ft. Astro, The Boyz and CIX)

this interview (I mean, that title alone... lol)

those are just a few of my favorite videos - there’s so much more content out there, so you’ll definitely never starve, lol.

I could literally ramble on about these nine incredible men for hours on end. 

But this will be the end of my guide (it’s long enough already, lol).

Stan SF9 for (clear skin and good grades) nine hard-working and so, so talented individuals with amazing voices, incredible dance moves, outstanding visuals, chaotic energies and a lot of meme-worthiness.

You won’t regret it, I promise.

(Don’t worry, Rowoon(’s face) is okay).

[masterlist] | [requests] 

[weekendwarriorblog]

The Weekend Warrior Home and Quibi Edition July 17, 2020: WE ARE FREESTYLE LOVE SUPREME, DIRT MUSIC, THE PAINTED BIRD and More!

Apologies for being a day late with this week’s column... things came up. 

Since this is a relatively quieter week, at least compared to last week,  I want to talk about something that’s been getting a lot of ridicule and unwarranted hatred in recent months, and that is something called Quibi, and so…

IN PRAISE OF QUIBI

You know, I’ve heard a lot of shit-talking about Quibi for one reason or another.  I think it’s mostly the “too cool for school” #FilmTwitter kids, who haven’t even bothered to watch half the programming and content on the streaming platform – which has absolutely nothing to do with movies, mind you -- so they honestly have no fucking idea what they’re talking about. Sure, I understand the trepidation… short programs that you watch on your phone? Why would anyone get behind that? I mean, everything needs to be a 3 ½ hour Martin Scorsese movie that needs to be seen on the biggest screen possible, right?

Well, no. You see, CEO Jeffrey Katzenberg saw how successful YouTube was with their model – maybe not necessarily their original programming – and he figured he could do them one better. Instead of following the normal TV model of 22 to 60 minutes episodes, he decided to make every episode under 10 minutes. Maybe this seems weird to many people but if you watch any commercial network television, that’s actually the norm. All programs are broken up into smaller increments to allow for the commercials, and the smart shows time those breaks with mini-cliffhangers that makes the viewer want to return after the commercial break rather than switching the station. For the comedies and dramas, it just means you can watch as many episodes as you want without investing the hours involved with binging most shows. You can watch a lot of a series in an hour or more, and you’ll know right away if it’s for you. (There are some I really didn’t like at all such as Dummy and a few others.)

The big problem is that we really shouldn’t be looking at Quibi as an attempted competitor to Netflix, Hulu or any of the other streaming services. Quibi isn’t meant to be for watching movies or to be watched on the biggest screen possible. It’s quick, short bytes of entertainment similar to what you might normally watch on YouTube, but with actual programming. It’s a service geared towards people who don’t have 8 hours a day to binge-watch shows and maybe just want something to watch on a 5 or 10-minute break from sitting at their computers working. (That’s another good reason why having to be viewed on a phone/tablet makes it a good way to take a break from the computer.)

I totally understand some of the trepidation based on the early programming, because I haven’t found much in the narrative realm that has jumped out at me. I like Will Forge and Caitlyn Olsen’s Flipped, since it stars two of the funniest people on television, and the second story on Sam Raimi’s United States of Horror was far better than the first one. I also found a great guilty pleasure in shows like Chrissy’s Court and Dishmantled, each which put a spin on favorite TV genres, the court and cooking shows, both which are hilarious. I binged both of those series, which are about 10 to 12 episodes in a little over an hour, and Reno 911 and Jason Reitman’s The Princess Bride adaptation have been some great recent additions to the service.

The reason why you should be watching Quibi is for the daily programming, which is every bit on par with anything currently on television, mainly because Quibi has joined forces with some of the best news sources and content creators. For instance, the BBC show, Around the World with host Ben Bland, takes all of the great news from the BBC and puts together a daily six-minute “montage” of the most important news from outside the United States. There’s also NBC’s The Report, which offers two episodes on weekdays – the Morning and Evening Report – and two Weekend Reports, and it’s solid news reporting but also nothing that outlasts its welcome like the normal 24-hour news.

Then there’s so much other great programming, including Answered by Vox with host Cleo Abram, where you can learn about so many relevant and timely topics, and it’s become a particularly beneficial during the COVID pandemic. I have to admit that when I first started watching this, I was kind of amused by Abram’s twitchy interviews where she seemed unsure of herself, but over the course of the last couple months, her bubbly personality has really come out, as she’s tackled topics of special interest to herself. Quibi has rightfully been promoting the heck out of the show by advertising it on other shows. I also am impressed by the topics Shan Boodram covers on Sexology, an extremely candid and honest discussion of what some might consider taboo topics.

Similarly wonderful to watch every day is EW’s Last Night Late Night with Heather Gardner, which sums up the previous night’s late night shows – the best jokes, the best bits from the interviews, performances etc. – and there’s also Rotten Tomatoes’ Fresh Daily with Maude Garrett, which gives you a look at the best things to watch on streaming and digital on a day-to-day basis. (For full transparency, a person I greatly respect and one of the few I genuinely like in the industry, Mr. Simon Thompson, writes and produces the show.)  Video game fans may enjoy Polygon’s Speed Run, although it recently changed format and is now three days a week, rather than five, and each episode is now on one subject rather than the segment format previously used. I hope this isn’t a sign of Quibi or these companies trying to save costs because there’s some nervous about the platform lasting.  

Personally, I love Quibi, and I didn’t even hesitate for a second to shell out the $5.30 a month (including tax), mainly for the daily programming. Honestly, I really hope that we’ll get more of Chrissy’s Court and Dishmantled, and I hope to eventually get to some of the shows I haven’t watched, as well. (I’ve had a few issues with streaming and buffering in the last week, which I hope Quibi will resolve, because it’s very frustrating to sit down for my daily watches and just get the spinning ball repeatedly.)

Anyway, let’s get to the movies… and is it possible that Hulu may be receiving the coveted “Featured Flick” two weeks in a row? Certainly looks like it. If you’re trying to figure out what to watch after watching Hamilton on Disney+ for the 20th time, how about going back to the very beginning?

Andrew Fried’s doc WE ARE FREESTYLE LOVE SUPREME (Hulu) looks back at how Wesleyan alum Thomas Kail and Anthony Veneziale put together the group of improvisational performers that would include one Lin-Manuel Miranda. I was lucky enough to know about Freestyle Love Supreme way back when they were starting out, since a good friend of mine managed the East Village club, Mo Pitkins, where the group frequently performed. I knew pretty early on how much talent Miranda had from seeing him perform. Make no mistake that this is not a movie only about Miranda, as it’s as much or more about Kail and Venziale’s efforts to keep the group’s shows happening while Miranda is pulled away to do In the Heights on Broadway, and then ultimately doing his magnum opus, Hamilton.  

For some reason, I thought this doc would mainly be about the idea of bringing Freestyle Love Supreme back for its limited stint on Broadway, but it goes all the way back to the beginning and how they met and came together, plus how they found new members to fill in for Miranda and Christopher Jackson when they went to Broadway.  Freestyle Love Supreme is a pretty amazing group because as the name implies, they’re a bunch of freestyle rappers who improvise every show based on things they get from the audience, but it also allows them to explore their own personal lives and histories and incorporate them into each show. I’m actually a little bummed I never got a chance to see it even though I’ve known about them since the early ‘00s. This doc might feel a little long even at under 90 minutes, but it’s worth sticking with since they’re such an interesting group and the combination of performances and interviews makes it a fine doc about these amazingly talented individuals and how the sum is bigger than the whole of the parts.

Another long-gestating project that has finally seen the light of day is the romantic drama DIRT MUSIC (Samuel Goldwyn), based on Tim Winton’s popular Australian novel that people have been trying to adapt since back when Heath Ledger was still alive. I believe Russell Crowe had been trying to adapt it, too. It stars Kelly Macdonald, who I’ve loved since her first appearance in Trainspotting and who I’m always hoping will find some of those great roles we see other actors her age getting. (Sorry, but Puzzle just wasn’t one of them.)  In Dirt Music, she plays Georgie, a woman living with fisherman Jim Buckridge (David Wenham), a widowed father with two sons, although they’re not married. When Georgie begins a relationship with troubled local musician Lu Fox (Garrett Hedlund), it causes problems within the tight-knit community, but instead of getting into a confrontation with Jim, Lu runs off.

I actually quite enjoyed this drama, partially because it marks the return of Gregor Jordan, an Australian filmmaker who has quite a few decent movies under his belt, including an earlier Ned Kelly movie. It is a little hard to figure out what is happening, partially from the accents but also from the decision to tell the story in a non-linear fashion that isn’t always apparent where each of the characters are in the story. Obviously, a major thing to pay attention to is how great Macdonald and Hedlund are in their roles in this possibly unlikely romance. You can totally see Ledger in the role of Lu, and the fact that Hedlund is so good should help you appreciate him more as an actor. Macdonald also still has this youthful energy despite being in her ‘40s, and that gives their relationship something akin to her relationship with McGregor in Trainspotting.

What really captured my attention was the gorgeous music by the Fox family, and I was even more  impressed to learn that the actors – Julia Stone, George Mason, Neill Maccoll, and yes, Garrett Hedlund – all performed their own vocals in the songs, which includes a gorgeous version of Tim Buckley’s “Song of the Siren” (famously covered by This Mortal Coil). Frankly, I’m most surprised by the fact that Hedlund had musical talent I never knew about, and you can combine that with the emotion he brings to Lu with very few words, and you have another example of why Hedlund just isn’t getting the credit as an actor he deserves. I really liked the way this story was unfolded and where it ended, and I hope we’ll see more great work like this from Jordan.

I was a little more tentative about Wetlands director David Wnendt’s THE SUNLIT NIGHT (Quiver Distribution), which was adapted by Rebecca Dinerstein from her own novel, but not only because it premiered at Sundance way back in early 2019. If you’ve been reading the past few months of columns, you’ll know that there are a lot of recurring themes of movies that play at Sundance, and this one stars Jenny Slate, who had such an impact at Sundance with the movie Obvious Child, which I really didn’t like.  Yeah, I’m not really a fan, even though I like her in smaller roles like her role in Gifted a few years back. In this one, Slate plays Frances, a New York artist, whose parents are about to break up and looking for a change, she accepts an internship with an artist in Northern Norway where the day lasts for months.  It’s a pretty obvious “fish-out-of-water” comedy premise like one we may normally see at Sundance, but it never really delivers on  

Probably my favorite part of the movie was seeing David Paymer as France’s father, mainly because we just don’t see Paymer in many movies these days, but Zack Galifianakis’ character, one of the Norwegians who has an affinity for Vikings, just doesn’t add very much to the story. While I liked the set-up for the movie and Slate is generally likeable in the lead role, the movie just isn’t funny enough to be deemed a comedy nor enough drama to have much of an emotional impact, and the romance between Slate and a local didn’t do much for me either. By the end of the movie, Sunlit Night had veered too far into the most obvious indie territory, so it ultimately fell short for me. I just wish Dinerstein had more (or anything) to say with this story, and I feel like Wnendt and his cast probably did the best they could with what they had to work with.

A movie that’s finally being released after playing a number of festivals last year is the Czech Republic’s 2019 Oscar selection, Václav Marhoul’s THE PAINTED BIRD (IFC Films), based on Jerzy Kosinski’s novel about a young Jewish boy navigating the landscape of WWII-era Eastern Europe all on his own, ending up in one horrifying situation after another.

While this is a beautifully-told story featuring equally beautiful and quite stark black and white cinematography, I can’t wholly recommend it to everyone, because that beautiful camerawork is used to depict some of the most horrible depravity and violence, all experienced by this young boy who just can’t seem to catch a break.

There is very little dialogue in a film that takes an episodic approach to following this young boy’s journey as he either watches horrifying things or is put through grueling torture and even rape as he’s handed and bartered from one adult to another. The “painted bird” of the title is a literal bird that’s painted to attract other birds that attack it, and it’s clearly meant as an analogy for the boy.

If you’ve watched any Czech films over the years, you’ll know that they’re generally pretty grim (they’re a grim people), and you’ll probably know fairly soon whether you want to sit through the entire 2 ¾ running time to see how this boy fares with everything he faces. (Note: A big deal has been made about some of the more horrifying violence in the movie, but honestly? Being in black and white, it isn’t that gory, and I’ve seen far, far worse. A lot of the worst of it is off-screen and your mind tends to fill in the blanks much like last year’s The Nightingale.)

Barely saying a single word, Petr Kotlár is able to carry the film, and it’s interesting when more familiar actors like Udo Kier, Harvey Keitel, Stellan Skarsgaard, and Barry Pepper are brought into this world Marhoul has created from Kosinski’s book. Like so many other movies right now, it’s a shame this won’t be seen on the big screen where you’re forced to really focus on what you’re watching without distractions.  

The Butterfly Effect writer/director Eric Bress’s latest horror film is GHOSTS OF WAR (Vertical) about a group of American soldiers -- including Brenton Thwaites, Sklar Astin and Theo Rossi -- who travelling across France during WWII when they come upon a French Chateau where they decide to hole up. That is, until they learn there’s a supernatural enemy that may be worse than the Nazis they’re hiding from.  

The premise for Bress’ latest venture into the supernatural is a fairly simple one, and it’s hard not to watch this movie and not think of the far superior Overlord from a few years back. As soon as the soldiers get to the estate, it’s pretty obvious (mainly from the title) where things are going to go from there, and unfortunately, the bland casting doesn’t do very much to elevate that simple premise, the weak writing, and none of it feels particularly scary.  If that general premise doesn’t seem very interesting to you, then Ghosts of War introduces a pretty out-there last act twist that’s either gonna be praised for changing things up or it will be condemned for being so out there. The problem is that the movie just hasn’t built enough good will to earn its twist, and viewers will probably just be even more annoyed by it.

Ghosts of War will be available On Demand, via Virtual Cinema Screenings and digitally after being on DirecTV for the past few weeks.

Down at New York’s Film Forum, you can rent Elizabeth Coffman and Mark doc Flannery (Film Forum), winner of the Library of Congress Lavine/Ken Burns Prize with its look at author Flannery O’Connor. The repertoryVirtual Cinema adds Jean-Luc Godard’s Made in the U.S.A. (1966) and Carl Theodor Dreyer’s Michael (1924), the latter part of the Forum’s “Pioneers of Queer Cinema” program.

Starting on Film at Lincoln Center’s Virtual Cinema this Friday is Koji Fukada’s Mayak (Andreevsky Flah Film Company/Anniko Films), while FilmLinc is also starting its annual Dance on Camera Festival, the 48th edition, although this time virtually.

Available via Film Movement’s Virtual Cinema is Emily Harris’ adaption of Joseph Sheridan le Fanu’s Gothic vampire novella, Carmilla, starring Hannah Rae as 15-year-old Lara who lives in isolation on her family’s country estate with her strict governess Miss Fontaine (Jessica Raine) until a carriage crash brings a mysterious girl into their lives.

Now we’re getting to more movies that I just didn’t find the time to see even though I had screeners for a couple of them, like the latest in Hulu’s popular monthly horror series, INTO THE DARK:  THE CURRENT OCCUPANT, which will hit the streamer this Friday. It’s directed by Julius Ramsay and written by D.C. speech writer Alston Ramsay, taking place in a psychiatric ward where a man trapped with no memory, played by Barry Watson, believes that he’s the President of the United States and the subject of a political conspiracy. No, it’s not a documentary.

Over on Netflix, there’s Catrin Einhorn and Leslye Davis’ doc Father Soldier Son, which follows a former platoon sergeant and his two sons over a decade after his return home from a serious injury in Afghanistan, showing the long-term effects of military service on a family.

Dan Wingate’s doc Kaye Ballard - The Show Goes On (Abramorama) will get a Virtual Cinema release this Friday. I actually am not familiar with the actress, singer and comedian but apparently, she’s had a career that has spanned eight decades, starting in the 40s, and her friends include Ann-Margret, Carol Burtnett, Carol Channing, my good pal Red Reed and more, all of whom are interviewed, along with Ballard.

Also out on Digital this week is Steve Ohi’s sci-fi horror comedy Useless Humans (Quiver Distribution) about a ruthless alien who crashes a 30th birthday party causing four friends to team up to save the world. Will Addison’s Easy Does It (Gravitas Ventures), stars Linda Hamilton, as well as Ben Matheny and Martin Martinez, the latter two as friends who want to escape their Mississippi hometown when they learn there’s a cache of hidden loot in California. Hamilton plays their hometown criminal matriarch “King George” who learns of the money and has her bounty hunter daughter (Susan Gordon) chase the friends down.

On Friday, New York’s Japan Society will kick off its annual “Japan Cuts” program of new and repertory Japanese cinema, and like most other festivals and series this year, it’s going on line, beginning with Shinichiro Ueda’s Special Actors (the Opening Night film), Fukushima 50 (the Centerpiece) and Labyrinth of Cinema, for $7.00 each, which is a pretty good deal. (There’s also a new competitive section called “Next Generation” which focuses on new Japanese talent.) And then for $99, you can get an all access pass to watch all 42 films in the festival, which includes a lot of movies you may never have a chance to see in the States otherwise. You can watch a playlist of trailers from the movies here. All 42 films will be available starting this Friday, so make sure to include this in your weekend plans.

In related news, the New York Asian Film Festival (which cancelled this year altogether) and the Korean Culture Center of New York are teaming once again for Korean Movie Night, this year doing them virtually with a new program called “A League Of Its Own,” which focuse on Hit Korean Baseball Movies, plus there’s a bunch of other Korean films you can watch (FOR FREE!) here until July 25.

Also, if you’re anywhere near some of the drive-ins taking part in Amazon’s summer movie program, you can catch “Movies To Make You Proud” Black Panther and Creed on Wednesday night.

Next week, more movies mostly not in theaters!

By the way, if you read this week’s column and have bothered to read this far down, feel free to drop me some thoughts at Edward dot Douglas at Gmail dot Com or drop me a note or tweet on Twitter. I love hearing from readers … honest!

[dwightandnicoleblog-blog]

Dwight & Nicole - Wait

How To Produce A Great Hip Hop Song

What has happened to hip hop music? I've seen a disgraceful turn for the worse on my tv screen, but let's review some real hip hop music.

We will stick to only albums dropped recently. Of course, I highly recommend of each one of these albums. I am not going to criticize any of the records. Simply because there's already a thousand people who've done so - with or without justification.

Let's get started with the "Conscience Rapper" Common. I wish we didn't need to use that particular terminology to categorize the rapper because all rappers should be conscience. It's essentially the definition of hip-hop.

Common - Finding Forever

From the incredible "unforgivable" all the way to the radio smash hits, "The People" and "The Game" (no similarity to the west coast rapper at all) ", this album is worth your purchase.

Common puts together rhymes like a puzzle. Each piece being essential as the last. He uses intricate rhyme schemes, but still gets his point across in the most immaculate manner.

Common exchanges punchlines with Kayne West on "Southside". My favorite collaboration between the two; up until this point. Kayne also produces this track as he does most of the album. West spits at the very top of his game while spitting lyrics e.g. "I know you must be thinking its armorall flow because it never gets rusty". Common on the other hand spits amazing lyrics himself, for example: "Your career was a typo, mine was written like a haiku."

Though Common never comes out and blames the south for hip-hops decline ( that he mentions a multitude of times) the following lyric from "Start the Show" could be subject to misinterpretation, "You sing along wit it, inside you knowin it's wack, Young who? I don't need a openin act". Common never backs down from a fight. In addition, he mentions the absence of hip-hop spirit in the song "The Game".

Is this Common's best work? I don't know. I personally like it better then his final album. Be had a completely different ambience to it though. I guess, we should give credit to Kayne.

I understand this album could be perceived to have a few lackadaisical songs. Unlike fox news, I do give the other side. A counter perspective is available at Nobodysmiling [http://www.nobodysmiling.com/hiphop/album_review/87760.php]

Talib Kweli - Ear Drum

Talib's recent effort has sixteen tracks that will fulfill any fans need for another album from the rap superstar.

He spits a number of his most intellectual and deep thinking lyrics thus far in "Ear Drum".

Electrify among the very underrated tracks on "Ear Drum" is perfectly titled since it does electrify you. Especially your thoughts since the majority of the record does.

The guests help the momentum of the album more than they hurt it. Demonstrated in songs like "Hostile Gospel" with Bun B and Pimp C, who seem to fit in very well in the banger by Just Blaze.

If Talib had to take it back to square one. I'm speaking about the hip-hop classic "Reflection Eternal". He definitely took a couple of paces in the right direction.

I'll complete the review by saying that the album isn't perfect, but perfection is in the beholder.

Brother Ali - The Undisputed Truth

Brother Ali probably would get his mic cut off by Bill O Reilly with his very open minded views on America. Actually more times than less, pessimistic views.

A "Letter From The Government" basically denounces the entire war. Ali blatantly states in the chorus, "I got a letter from The government that the other day I opened and read and burnt that man, The way that I live don't concern that man, We gon' need to settle this another way". I guess he might also be speaking about any chance of a draft and his reaction. Maybe only a letter asking him to join the military. Nevertheless, one of the most intriguing songs that has been released this year.

The underground artist doesn't stop there with his attitude towards America. Yes, his home country. On the track "Freedom ain't free". He annihilates our foreign policies. Particularly in regards to people who are starving in other countries. "So I use blood and sweat to butter my bread, Cos this cold world couldn't give a fuck if I'm fed".

If you're a liberal, you will probably take well to this album. He doesn't like the war, he doesn't like our foreign policies, and he doesn't like how Muslims are being treated. He claims to be a devout Muslim in a few tracks.

If this album doesn't make you sit back and think. You might want to get your brain examined.

El P - I'll Sleep When I'm Dead

Honestly. What can I say about this album that hasn't been repeated a million times. This is a monster underground album. Among the biggest in the history of hip-hop. You haven't heard of it? Funny, isn't it? If you like Mike Jones, I recommend you don't check out this album, if you're a genuine hip-hop fan, it's essential!

Nas - Hip Hop Is Dead

I don't think anyone else has said this, but hip-hop needed this album. Not because it has the very best work by my man Nas, but because we needed the history lesson. I learned a lot from this album, I didn't even know.

It also gave me the motivation to go back and play a few of those old albums. How much dust does your "Mc Shan" records have on them?

We have to remember our roots, which is a perfect segway for my next album.

The Roots - Game Theory

The Roots put together an album that flows together like Rakim and Eric B.

You won't skip a track on this cd. I can guarantee you that. Black Thought's not even at the very top of his game. Am I the only one who finds that unbelievably scary?

The Roots are breaking ground in hip-hop. Although it's underground in general, It's ultimately refreshing.

Ghost Face - More Fish + Fishscale

I am absolutely exhilarated to get all this new Ghostface material. Though he has never been type to have a rest from rapping. He comes back, probably full fledged with these two near classic albums.

Still spitting as mean as you would anticipate. If you would like to learn to be an emcee. Study every move of Ghostface.

Killah Priest - The Offering

Though the album isn't officially out. It did leak. I've heard nothing but positive reviews. I believe this might be his very best work to date.

The album also features some fantastic artists like Dwight & Nicole - Wait Canibus, Ras Kass, Kurupt, and Immortal Technique.

Canibus - For Whom The Beat Tolls

I might take some heat for including this album in my list, but Canibus returns to his old self. I couldn't be happier. He is still one of the greatest lyricists in the game. Never demonstrated better than on his 400 bar track, "Poet Laureate Infinity

Free rap music is everywhere online nowadays, providing hip hop fans a Opportunity to really explore the genre like never before. In this column I'll show you a whole slew of places you can discover totally free rap and hip hop tracks online that will keep you current with the freshest music out there today.

The first place is a wonderful site named Pandora, which lets you customize your own radio station based on your preferences. As an example, you may make a radio station based on Jay Z, and Pandora serves up a list of tracks that are similar in style to Jay Z. When some tracks will be familiar, there will likewise be those moments where you enjoy a monitor by a group you've never even heard of before.

This is perhaps Pandora's greatest achievement: it offers completely free rap music which might not have been heard otherwise. Pandora also allows you to vote for songs as they're played and adjusts its recommendations accordingly. I'll run Pandora in the background while at work or at home, and absolutely love the service.

Another excellent resource for rap tracks is Jamendo. This site enables you to search by genre and license. So if you're looking for royalty free rap music, this is a great place to get started. If you aren't looking for beats to rap over, you could always just surf the site for new tracks. Jamendo may also be used in conjunction with Pandora. If you find a rapper on Jamendo, you can search for related rappers on Pandora (or vice versa).

A friend of mine started using YouTube as a radio station. Last time I was at his house he had a whole collection of Outkast songs- some with videos- going on in the background during a party. While you do have to manually switch from one song to the next, YouTube has a massive database of rap tracksthat can be used indefinitley. Additionally, it provides you a chance to see videos for songs (most of which never get any airplay on TV).

These three sites are without a doubt the resources for hip hop fans looking for free tracks. They also provide fresh content regularly, which helps listeners stay current on where hip hop is headed. I strongly suggest that you get online and start seraching these websites for some killer free rap music.

In the early 1970s, the cultural movement of hip hop music was born. Hip hop's fast paced music style is made of two parts; the rhythmic delivery of rap and the use ofinstrumentation by a DJ. Hip hop music also brought with it a fashion of its own, the fashion helped to represent this newly created music.

Hip hop music has its roots from West African music and African-American music. The first rap song to be set on a vinyl record was, "Rapper's Delight", a song by the Sugarhill Gang back in the 1970s. This is when block parties started becoming the norm in New York City, which gave hip hop and rap the chance to explode in popularity. Hip hop's instrumentation came from funk, R&B, and disco, when combined together make this dynamic sort of music. When the DJs at these block parties learned what the people liked, they began mixing these vinyl records and created music that played continuously with amazing transitions between

songs. Hip hop was actually created by a DJ named Kool Herc, a Jamaican that had moved to the United States of America with a style that consisted of mixing music by using two Copies of the identical record. A number of the poor Jamaican's in the town couldn't afford vinyl records, so huge stereo systems were set up so that many could here the rhythmic beats. These stereo systems were the kick-off for the Start of the

evolution of block parties. So with the musical talent of these wonderful DJs, by means of vinyl record mixing, the culture of hip hop and rap music was born.

History of R & B

R&B, which stands for Rhythm and Blues, was the best influence on music around the world for the majority of the 20th century's second-half. Rhythm and Blues is a term with a broad sense, but typically recognizing black-pop music. This kind of music was introduced to the world by artists' combining the music styles of jazz and blues. R&B is actually what was later developed into what we know as rock and roll.

In the 1970s, the expression R&B was being used to describe soul and funk music styles, which today we know it describes Rhythm and Blues. Along with being influenced by jazz and blues, R&B also had influences from gospel and disco music. Disco's downturn in the 1980s opened the door for R&B to truly take-off in popularity.

Learning how to make hip hop beats is not an easy process. It's often quite convoluted and complicated. But if you have patience and a desire to learn, after that allow me to tell you, nothing can stop you from succeeding. All it takes is passion and a desire to learn. Since you would like something passionately, then nothing can prevent you from pursuing to discover some more.

Learning the Ropes

The first thing that you will need to remember whilst learning how to make hip hop beats is there are no rules! Yes, you got that right; there are not any rules to making good hip hop beats. You have to run wild with your imagination and you're going to have a great bit of music just like that. Also, you need to begin developing your listening ear. Examine the most mundane things for inspiration - kitchen sounds for example! No one appears to notice the most ordinary humdrum these days because most individuals are busy chasing the grand. Then now is the time to refresh and experience for the first time what you always hear daily.

A useful tip when it comes to figuring out your beat is to start with the drum track. Why? Simply because it provides a frame of reference around which you may work and since drums are such an essential part of hip hop beats, what better instruments to start with? Thereafter you can build on that.

If you're a beginner learning to utilize your beat making software, before you begin anything, understand how the software works really well. This saves you hours and hours of time and also makes it possible to make better music. Hip Hop is basically based on loops so pay special attention to the loop features of the program.

It's also wise to remember, while figuring out your beat that most hip hop beats are around 4/4. This usually means that there are about four beats per bar, but beats with 2-8 beats per bar can also sound great. Like I said, there are no rules, so don't do what your very best friend is doing, simply to fit in! Do something experimental, something no one has done before. Express yourself while you build the beat.