#Streaming

[sillienutmeg]

Cartoons and Anime

Non recent shows and movies

Recent shows and movies

[xxautumnivyxx]

Bounty drops and Stream Schedule for the week with some surprises to come. See you later-

[doctorslippery]

Looking at the names of the streaming services... ... ...surely some of those are made up? ... ... ...I realize that all names are made up.

[goblinsatchel]

This is so sad

[technoturian]

One thing about the WGA Strike is that Onion article was kinda right. Hollywood shot themselves in the foot with their current standard of cancelling every show people like to produce more and more short-term novelty.

It’s not like we have tons of shows ending on cliffhangers waiting for season six anymore. Due to their greed, they’ve personally taken long-term viewer investment outside and shot it and now they can’t count on it for negotiating power. What are viewers going to be mad about missing out on? The Twilight reboot? Another Star Wars spin-off? Several promising pilot seasons on Netflix with great representation that were already produced and cancelled before they aired and would’ve been even if the strike hadn’t happened?

[animenostalgia]

News - If you live in the US, you can now watch all 200 episodes of the original 90s Sailor Moon anime on Viz Media’s Youtube channel for free! Viz also added all of the Inuyasha TV series and movies, as well as more recent shows like Death Note and Hunter x Hunter. 

[bonobochick]

Reblogging 💐

[flanaganfilm]

Mr. Flanagan, I’d like to ask a question and I deeply hope that it does not offend or upset you. I am strongly considering canceling my Netflix subscription due to their new password sharing policy. However, Midnight Mass is one of my favorite shows of all time and I know it isn’t available on DVD, and I’m also profoundly anticipating your take on my favorite Edgar Allen Poe story. So I wanted to ask your take on people accessing your work through, uh, other means. If it’s something that’s offensive to you or will harm you or the other people who work so hard on these shows, I’ll happily keep my Netflix just so that I can keep supporting your work. I respect you far too much as an artist to do otherwise.

Again, I really hope I’m not upsetting you by asking this question. Thank you for everything, and I hope you’re having a great day!

(NOTE 6/4/2024: I'm editing this entry because, well over a year since it was posted, some journalists dug this up and used it to create click-bait headlines that are misleading, out of context and artificially combative. While I was of course disappointed over the years that Netflix opted not to release my work on physical media, I never experienced any hostility or aggression in those discussions, and I sincerely regret the manner in which this post was used in the press this week.)

Hi there - no offense taken whatsoever, in fact I think this is a very interesting and important question.

So. If you asked me this a few years ago, I would have said "I hate piracy and it is hurting creators, especially in the independent space." I used to get in Facebook arguments with fans early in my career when people would post about seeing my work on torrent sites, especially when that work was readily available for rent and purchase on VOD.

Back in 2014, my movie Before I Wake was pirated and leaked prior to any domestic release, and that was devastating to the project. It actually made it harder to find distribution for the film. By the time we were able to get distribution in the US, the film had already been so exposed online that the best we could hope for was a Netflix release. Netflix stepped in and saved that movie, and for that I will always be grateful to them.

However...

Working in streaming for the past few years has made me reconsider my position on piracy.

In the years I worked at Netflix, I tried very hard to get them to release my work on blu-ray and DVD.

It became clear very fast that their priority was subscriptions, and that they were not particularly interested in physical media releases of their originals, with a few exceptions.

While companies like Netflix pride themselves on being disruptors, and have proven that they can affect great change in the industry, they sometimes fail to see the difference between disruption and damage. So much that they can find themselves, intentionally or not, doing harm to the concept of film preservation.

The danger comes when a title is only available on one platform, and then - for whatever reason - is removed.

We have already seen this happen. And it is only going to happen more and more. Titles exclusively available on streaming services have essentially been erased from the world. If those titles existed on the marketplace on physical media, like HBO's Westworld, the loss is somewhat mitigated (though only somewhat.) But when titles do not exist elsewhere, they are potentially gone forever.

The list of titles that have been removed from streaming services is growing.

I still believe that where we put our dollars matters. Renting or buying a piece of work that you like is essential. It is casting a vote, encouraging studios - who only speak the language of money - to invest more effort into similar work. If we show up to support distinct, unique, exciting work, it encourages them to make more of it. It's as simple as that. If we don't show up, or if they can't hear our voice because we are casing our vote "silently" through torrent sites or other means - it makes it unlikely that they will take a chance to create that kind of work again.

Which is why I typically suggest that if you like a movie you've seen through - uh - other means, throw a few dollars at that title on a legitimate platform. Rent it. Purchase it. Support it.

But if some studios offer no avenue for that kind of support, and can (and will) remove content from their platform forever... frankly, I think that changes the rules.

Netflix will likely never release the work I created for them on physical media, though I'll always hold out hope.

Some of you may say "wait, aren't The Haunting of Hill House and The Haunting of Bly Manor available on blu-ray and DVD?" Yes, they are, because they were co-produced with Paramount, and I'm grateful that Paramount was able to release and protect those titles. (I'm also grateful that those releases include extended cuts, deleted scenes, and commentary tracks. There are a number of fantastic benefits to physical media releases.)

But a lot of the other work I did there are Netflix originals, without any other studio involvement. Those titles - like Midnight Mass, The Midnight Club, and the upcoming Fall of the House of Usher - along with my Netflix exclusive and/or original movies Before I Wake and Gerald's Game - have no such protections. The physical media releases of those titles are entirely at Netflix's discretion, and don't appear to be priority for the studio at this time.

At the moment, Netflix seems content to leave Before I Wake, Gerald's Game, Midnight Mass, and The Midnight Club on the service, where they still draw audiences. I don't think there is a plan to remove any of them anytime soon. But plans change, the industry changes.

The point is things change, and each of those titles - should they be removed from the service for any reason - are not available anywhere else. If that day comes - if Netflix's servers are destroyed, if a meteor hits the building, if they are bought out by a competitor and their library is liquidated - I don't know what the circumstances might be, I just know that if that day comes, some of the work that means the most to me in the world would be entirely erased.

Or, what if we aren't so catastrophic in our thinking? What if it the change isn't so total? What if Netflix simply bumps into an issue with the license they paid for music (like the Neil Diamond songs that play such a crucial role in Midnight Mass), and decide to leave the show up but replace the songs?

This has happened before as well - fans of Northern Exposure can get the show on DVD and blu-ray, but the music they heard when the series aired has been replaced due to the licensing issues. And the replacements - chosen for their low cost, not for creative reasons - are not improvements. What if the shows are just changed, and not by creatives, but by business affairs executives?

All to say that physical media is critically important. Having redundancy in the marketplace is critically important. The more platforms a piece of work is available on, the more likely it is to survive and grow its audience.

As for Netflix, I hope sincerely that their thinking on this issue evolves, and that they value the content they spend so much money creating enough to protect it for posterity. That's up to them, it's their studio, it's their rules. But I like to think they may see that light eventually, and realize that exclusivity in a certain window is very cool... but exclusivity in perpetuity could potentially limit the audience and endanger the work itself.

[specialagentartemis]

Genuinely: For people who are angry and frustrated at the limited number of movies and shows available for streaming, at the way streaming services pull or cancel movies and shows at will, at the way every media corporation under the sun is pulling their stuff onto their own streaming service and balkanizing access to things behind a dozen different monthly subscriptions? For people who miss Blockbuster and want to be able to just rent a DVD again?

See if your local library has a DVD collection.

If I want to watch The Mummy (1999) with Brendan Fraser? I can't stream it on Netflix, but I can borrow it from my local library.

If I want to watch The Mummy (1932) with Boris Karloff? I can't stream that pretty much anywhere, but I can borrow it from my local library.

I want to watch Star Wars or Iron Man or my favorite Disney movie but I refuse to sell my soul to pay for Disney+? I can borrow these from my local library.

Do I want to finish watching Star Trek: Deep Space 9 or check out Star Trek: Picard but resent that it's all on yet another streaming service I don't want? I can borrow season box sets of DVDs from my local library!

Obviously, available circulating collections vary a lot between library systems. (My hometown's library has all of Star Trek DS9 on DVD, for example, but my college town's library only has TOS, Picard, and Discovery.) And of course it depends on whether things are released in physical media form at all, and you won't be able to keep up with new episodes of new series - it takes a while for many things to come out on DVD.

But there can be a lot of good stuff there too. For example, I missed Nope in theaters, but I still really want to see it. So I have it on hold from my local library. I'm 73rd in line on 50 copies, so it'll be a while.

So check to see what DVD collections your library does have - it might surprise you what you can get access to, for free, in a manner that no greedy corporation can yank away.

And by checking out DVDs, you are telling the library that you use and want them to maintain and grow their AV media collection. Which is an encouragement we could really use these days.

[cheezewhis]

I think now is a good time to remind people of The Internet Archive which has a metric shit ton of shows and movies for free and won't give your computer any viruses cause it's not a pirate website.

Or Tubi, which has a metric shit ton of stuff free with ads, and you don't even have to make an account or download the app. Same with Pluto, although Pluto is pretty slow.

Even YouTube has a lot of free stuff, and I don't just mean the official YouTube movie channel. I mean, there's a bunch of channels that upload movies you can watch without having to click a link to some shady website. YouTube also has a lot of audio book uploads too.

So don't worry about not getting brand new shows because there's so much media out there's that you haven't even consumed yet.

[bonobochick]

After 5 eps, I say Nina doesn't have an explicit love interest. She is totally focused on the case... though if the showrunners do give her a romance on Duster, I think it will be Awan and not Jim.

I am going off of vibes and maybe some subtext. I definitely get the feeling Awan is interested in Nina plus I'm pretty sure Jim has feelings for him brother's widow.

New show starring a Black Woman alert!

Starting Duster on Sunday evening. 🍷🍿

Three eps have dropped so far on HBO Max. IIRC there'll be a new episode released every Thursday.

[sophielovesbooks]

Actual hot take:

I think maybe a big part of Dracula Daily's success (and perhaps also the success of all those Netflix reality tv shows like Love Is Blind??) is that media has become so asynchronous. You can never really talk to your friends about any shows because either it's "Oh, I haven't seen that but it's on my list" or "I watched that ages ago, I barely remember it, remind me who [character X] was?" or "STOP TALKING, I'm on Season 2, no spoilers!!"

And it's kind of upsetting, because we cannot really discuss media anymore the way people were able to when a show was on TV and everyone kind of experienced it together. Synchronous media is an event, it's fun, everybody can participate! Now we're drowning in recommendations of what we "should watch", and the list gets longer and longer, but even when we do get around to a particular show, we almost never properly discuss it with the friend who recommended it and it's just frustrating.

So yeah. My take is that humans actually kind of really enjoy synchronous media consumption, which has been greatly reduced by streaming, and perhaps Dracula Daily is filling that gap for us right now, you know?

[theshitpostcalligrapher]

every time new people come into the monday streams it takes a few minutes before they realize that the MASSIVE 970x1440 block piece of minecraft pixel art I’m working on is done in survival

and then everyone has to roll for psychic damage

[bonobochick]

Reblogging. 🎬

I was entertained by Perfect Addiction, which totally played out as a new adult romance book come to life except with diversity unlike most new adult romance novels. Not without flaws but entertaining and there is good chem in different forms with the three main characters. 🥊 ❤️‍🩹

Available to stream on Prime Video rn.

[prokopetz]

Pros of the streaming era: You actually get to see all the weird little movies your favourite actor does to pay the bills between major projects, rather than having to just hope you can catch them at a public library screening or whatever because they only showed in like five theatres worldwide and were never released on disc.

Cons of the streaming era: It turns out that roughly 50% of those movies are sad World War II dramas based on prize-winning novels written by bald men from Cleveland.

[wistfulwatcher]

the death of reruns was the death of television.

we talk a lot about why streaming is killing television, but i think one factor that is under-discussed is syndication. there have been some good short-run series, but the majority of our most beloved series had long runs. like, 5+ season runs. runs that hit that sweet 100 episode mark, meaning they qualified for the most lucrative syndication deals. streaming shows are reducing and eliminating the need for such deals because they’re so siloed. instead of making a syndication deal with another station (and paying your creatives fair residuals), streaming services host their shows on their own platforms and instead pay the streaming rights residuals that are nowhere near as fair.

because these streaming networks (both streaming-only, like netflix, and core networks with original content streaming, like cbs and nbc) aren’t selling their shows off-platform, they don’t need to hit any kind of episode landmark to be cost-saving. you can host a show in any increment, so having a 20-episode series is the same as having a 60-episode series. except the 60-episode series, of course, takes longer and costs more to produce. as long as a network makes one season of a show, they get to market it for new viewers. and once they feel they’ve gotten all the new subscribers they will out of a series, they drop it to save money.

until there is some monetary benchmark incentive to get a series past one or two seasons, television as long-form storytelling is dead.