#doctor venuz

[la-artist322]

Birthday art to MYSELF!! 🥳🍕

Hookah © Doctor Venuz Jan Serpent © Puss in Boots, Dreamworks Brains © Yoobii (1999–2021) Alma © Shingeki no Kyojin, Hajime Isayama Art © Me

[memepds]

Faylot (he/they) is a sad, lost little thing; all he remembers is waking up one day in the rain in front of an abandoned cabin, and knowing for certain that his creator-- "Mommy," as he calls them-- is still out there. he searches tirelessly, but also partakes in the wonders of the outside world, he's just a little boy after all.

this character was originally designed by Sir Fluff, and previously owned by Jamsbunnies

the art pictured here was drawn by Sir Fluff, littlecupcake5, Doctor Venuz, Puffiner, & wickedkimmie ♡

[the-oscar-dubmness]

I was tagged by @the-herro and forgot to do it Rules: tag nine people you want to get to know better

Relationship status: single like

Favourite colour: al the variants of the combinations of blue and green

Lipstick or chapstick: I don’t use lipstick nor know what’s chapstick

Last song you listened to: I think Andromeda by Gorillaz

Last movie you watched: Pretty sure it was that one where Cameron Diaz is a teacher and Gibby from iCarly was there  

Top 3 characters: Maya Fey from Ace Attorney Joseph Joestar from jojo Orel from Moral Orel

Top 3 ships: I’m not really that much of a shipper but I think F.F and life would be really cute

Books you are currently reading: t… the Jorge Joestar novel

Musicals: I don’t watch that many to have a list of favorites

9 other people now!

@polyglotplatypus @mey51 @dudeandart @doctor-venuz @marycherryboop @divorceinaugust @notedchampagne @sarcasticoutcast @nothingisokay75

[nofomoartworld]

Hyperallergic: A Century’s Worth of Movies About Cross-Dressing and Drag

Yentl (1983), directed by Barbara Streisand (image courtesy Park Circus)

Barbara Streisand eats a traditional Jewish meal in drag. With hair short and tie tight to her throat, she observes the other women buzz around the dinner table, doting on men, and her. When the family’s mother walks across the room to offer Streisand a full spoon of carrots, male Barbara refuses, unwilling to accept the auxiliary privileges her disguise affords her. She sings her inner monologue in a feminine voice no one else in the room can hear, while a stereotypically beautiful young woman tries to serve a stereotypically handsome young man and drops a beet on his napkin. “She’s pretty / What else should she be?” sings Streisand with an eye roll. The man looks up with loving eyes, as Streisand thinks, “No wonder he loves her / If I were a man, I would too.” Streisand’s character ricochets between roles, specifically between gender in one’s mind and one’s body.

Yentl (1983), directed by Barbara Streisand (image courtesy Park Circus)

Yentl (1983), set in late-19th-century Poland and directed by Streisand, is the most mainstream offering from a catalogue of largely unavailable gems on view through the weekend at Anthology Film Archives. Cross-Dressing and Drag on Screen provides a kaleidoscopic portrait of gender swaps, bends, and reversals, highlighting drag’s ubiquity across time, place, and social milieu.

The day before Yentl, I saw I Don’t Want to Be a Man (1918), directed by Ernst Lubitsch. In the German silent film, Ossi Oswalda’s character, tired of men determining her behavior, breaks down in her bedroom. Wearing a lace bonnet, she cries out, “Why wasn’t I born a boy?” She buys a tux and fools men into treating her as a peer. On consecutive nights, I’d seen a woman use drag as a tool to counteract the exact same patriarchal stigmas in Poland’s Jewish enclaves as in early-20th-century Germany. May the irony here not be lost — no matter the entrenched preconceptions of racial and religious difference, every culture has its cross-dressers.

I Don’t Want to Be a Man (1918), directed by Ernst Lubitsch (image courtesy Anthology Film Archives)

The series, curated by Anthology’s Jed Rapfogel and guest John “Lypsinka” Epperson, explores drag not only as subversion, but as upward mobility, as escape hatch, as a method of prompting cross-gender empathy, and as enactment of the ‘in between.’ Epperson says the series was inspired by seeing films at Club 57 in the early ’80s, where manager Ann Magnuson would host events. “Tuesday was Monster Movie Club, Wednesday might be a Jane Mansfield movie, Thursday an art opening.” Epperson recalled arriving at the club for the first time, “10 minutes before 8[pm] to be sure I got a seat,” for Russ Meyer’s Beyond the Valley of the Dolls. The screening didn’t begin until a fashionably late 9pm. “It’s a cliché, but have you heard that if you stay in New York long enough, you’ll find your niche?” As the young audience poured in around him, howling with applause each time the film lambasted gender tropes, Epperson found his niche, a cross-generational community in on the joke of gender. He’d soon debut his Lypsinka drag performance in the same room.

Venuz Boyz (2002), directed by Ernst Lubitsch (image courtesy First Run Features)

This week’s series is the second of three Epperson will guest curate, with a third later this year focusing on transgender portrayals on film. Venus Boyz, part of this week’s series, traces the connections between drag and transsexuality, with director Gabriel Baur interviewing drag kings in late 1990s New York. In one scene, Del LaGrace Volcano, born with both female and male characteristics, describes the process of gender assignment at birth. “The medically accepted clitoris is between 0 and 1cm,” while a penis must be “between 2.5 and 4.5cm.” According to Volcano, if you fall between the 1 and 2.5, one way of being born intersex, doctors often cut back the uncategorizable organ, literalizing the artificial gap between female and male. Later, Bridge Markland, a woman who identifies as butch in street clothes, performs in full femme regalia: lingerie, tights, long red wig. She tosses her fake hair, revealing her masculine bald head, then shimmies like a go-go dancer. Returning to the stage, she dons a business suit with a red power tie. “This is a man’s world,” she lip-syncs into a dildo in her breast pocket. Her slippery identity typifies the aim of Cross-Dressing and Drag on Screen: to close the gender gap with layer after layer of mercurial androgyny.

Cross-Dressing and Drag on Screen continues at the Anthology Film Archives (32 Second Avenue, East Village, Manhattan) through June 18. 

The post A Century’s Worth of Movies About Cross-Dressing and Drag appeared first on Hyperallergic.

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[la-artist322]

I still ship those two, despite the fact that both of them are 2 years aged differences, and different species. Taylor Neu gave out a lovely wave towards Kyle, who just randomly blushes every time he sees her. Speedpaint video (2020/11/19): https://www.youtube.com/watch?v=Z0OVzABTNCI Taylor Neu © BRSstarJV Kyle "Bust G." © thanksgungod / Doctor Venuz (https://twitter.com/Doctor_Venuz) Art © Me

[la-artist322]

Like I said from a year ago, still ship those two, despite the fact that both of them are 2 years aged yah yah, you know the rest. Kyle McGamzee is quite damn strong and lucky to carry up a 105 pound thicc cowgirl, Taylor is quite surprised and already loving him for being very strong to hold her like that. Taylor Neu © BRSstarJV Kyle "Bust G." © thanksgungod / Doctor Venuz (https://twitter.com/Doctor_Venuz) Art © Me

[memepds]

introducing the ever adorable Andy (he/they/it), a creature who transcends time and space just to befriend you! Andy is as old as the universe he roams in, but despite his years he acts very much like a little kid. he's physically indestructible but harmless in return, and his mission is to befriend every single living thing in the universe, even if it means hopping dimensions and opening portals to other worlds!

this character was originally created by kittvrs (inactive? i can't find them anywhere else), and previously owned by husbandry on toyhou.se

the art shown here, in order, was drawn by myself, Bowling Pin with Shades, DiamondJub, & Doctor Venuz

[memepds]

this is the disaster that may follow. Tex Tenebrae (he/him) is the bastard son of a man from a doomed bloodline, harboring a strong hatred for people in his heart but never being able to carry out his plots of mass panic until a strange alien rock landed near where he stood. now infused with the alien substance from the object and with a thirst for chaos, Tenebrae is ready to bring despair one town at a time...

this character's reference picture was drawn by Doctor Venuz

[memepds]

feeling a strange sense of malaise, a slight unease as a set of wet "cacaws" fill the air? that may be the doing of the Crow with Human Teeth (it/he). this strange, sticky, sickly beast's origins are unknown, but wherever he goes, a disaster may follow...

this character's artwork was drawn by Doctor Venuz.. :)

[la-artist322]

Request art by Toon-Rex at Deviantart. The three of Neu sisters, as slave girls with beauty and sexually design looks beyond. Merida doesn't seem to be happy or feeling not so grateful been as a slave, while Magilily joying it and telling her to dance along as well like she does. However Taylor looking at Kyle, liking for him as his slave whatever he likes as Kyle is very liking the looks of her. Taylor, Merida, and Magilily Neu © BRSstarJV Kyle "Bust G." © Doctor Venuz (on Twitter) Art © Me

[la-artist322]

Short little Circletherium. Tall, slim and beauty Neuodie. I couldn't tell why I am doing this, but finding it quite fine and seeing it as if they really fit together. Both smart, both outspoken creatively people. Both Americans, both strong, and maybe a trio. (Green and Blue) What else they or I can say. However so far I actually manage to do it right of her artstyle (well, almost except from the thighs of course, want her more thicc?) Taylor Neu © BRSstarJV Kyle "Bust G." © Doctor Venuz Art © Me