@doublehex.
You asked, I shall answer on a different post (as not to clog mummersblade's activity/post):
Did GRRM always plan on Jon being resurrected, or do you think lines like that one is just a coincidence? There are times that I think GRRM always planned on it, right from the start.
Yes, I really think he did. Let me find the quotes to kind of back this up:
Finally he looked north. He saw the Wall shining like blue crystal, and his bastard brother Jon sleeping alone in a cold bed, his skin growing pale and hard as the memory of all warmth fled from him. (Bran III, AGoT)
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Chunks of coal burned in iron braziers at either end of the long room, but Jon found himself shivering. The chill was always with him here. In a few years he would forget what it felt like to be warm. (Jon III, AGoT)
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“Yes, life,” Noye said. “A long life or a short one, it’s up to you, Snow. The road you’re walking, one of your brothers will slit your throat for you one night.” (Jon III, AGoT)
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He saw the glint of steel, turned toward it. “No blades!” he screamed. “Wick, put that knife…”
…away, he meant to say. When Wick Whittlestick slashed at his throat, the word turned into a grunt. Jon twisted from the knife, just enough so it barely grazed his skin. He cut me. When he put his hand to the side of his neck, blood welled between his fingers. “Why?”
“For the Watch.” Wick slashed at him again. (Jon XIII, ADwD)
Jon lost his life not just for Arya, but also from growing discontent with fellow Night's Watchmen, shown early on in ADwD and it's his inflexibility—and his involvement in the matters of the realm—that led to his demise. This line of Noye's especially seems to be foreshadowing enough for me, not dissimilar to Arya's "a wolf with a fish in its mouth?" quote.
The original outline mentions that there is a deadly rivalry, between Jon and Tyrion, over Arya. The dynamic is still there, but the members have been switched around. We've seen this enacted in the series (still with) Jon, but over "Arya" and with Ramsay (as he burned Winterfell, with the sieging "assistance" from Theon. There is obviously no real love, helpless or otherwise, between Jeyne and Ramsay, but as his wife, Ramsay claims possession of her). In a way, it is Ramsay's words and letter (assuming he wrote it) that also led to Jon's death.
Send them to me, bastard, and I will not trouble you or your black crows. Keep them from me, and I will cut out your bastard's heart and eat it. (Jon XIII, ADwD)
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His fingers closed around the parchment. Would that they could crush Ramsay Bolton's throat as easily. (Jon VI, ADwD)
...
I have my swords, thought Jon Snow, and we are coming for you, Bastard. (Jon XIII, ADwD)
I cannot help but feel that George always intended to make him test his vows - unsuccessfully in the beginning, hard decisions to make but ones that would ultimately allow him to go back and realise his duty, before he gets hit really hard with the final one, the deadly one.
So I think his intention was always to die and come back. And that's the importance of Melisandre staying on the Wall. (I feel like Jon is the *stone dragon* that R'hllor wants her to wake, but that is a conversation for a different time.)
My spells should suffice. She was stronger at the Wall, stronger even than in Asshai. Her every word and gesture was more potent, and she could do things that she had never done before. (Melisandre I, ADwD)
So since we established that Jon was, in my opinion, almost designed to die, there had to be some kind of workaround for him to return. What better way than with resurrection?
As he had criticised Tolkien for with Gandalf, his idea of returning would come with a twist.
Even less likely is that he came up with Jon being killed and resurrected while he was writing ADWD. He starts to lay down the foreshadowing real thick in that book, so that could be evidence that he needed to lay the train tracks as the train was coming to town.
Yeah, I would even go so far as to say that he began the death imagery and hints for Jon in AGoT:
Jon shook his head. "No one. The castle is always empty." He had never told anyone of the dream, and he did not understand why he was telling Sam now, yet somehow it felt good to talk of it. "Even the ravens are gone from the rookery, and the stables are full of bones. That always scares me. I start to run then, throwing open doors, climbing the tower three steps at a time, screaming for someone, for anyone. And then I find myself in front of the door to the crypts. It's black inside, and I can see the steps spiraling down. Somehow I know I have to go down there, but I don't want to. I'm afraid of what might be waiting for me. The old Kings of Winter are down there, sitting on their thrones with stone wolves at their feet and iron swords across their laps, but it's not them I'm afraid of. I scream that I'm not a Stark, that this isn't my place, but it's no good, I have to go anyway, so I start down, feeling the walls as I descend, with no torch to light the way. It gets darker and darker, until I want to scream." He stopped, frowning, embarrassed. "That's when I always wake." (Jon IV, AGoT)
There's a lot waiting down there for him - Ned, Lyanna, perhaps? Information about his parentage? But also death.
There's an interesting theory that the crypts serve as an in-between of life and death, which is why Rickon and Bran dreamt of Ned down in the crypts even before the raven came with the announcement that he had died.
The names of the direwolves also are important. The fact that we know that wargs and skinchangers live on in their bonded companions gives credence to Ghost's name.
I'm not so sure about this, as I think the biggest reason he has Lady Stoneheart and Berric Dondarion is to set up Jon's resurrection, but there is still the chance he connected all those three characters together after he wrote ASOS.
Yep! He talked about this before, actually:
And, ehh, he’s more or less the same as always, except he’s more powerful. It always felt a little bit like a cheat to me. And as I got older and considered it more, it also seemed to me that death doesn’t make you more powerful. That’s, in some ways, me talking to Tolkien in the dialogue, saying, “Yeah, if someone comes back from being dead, especially if they suffer a violent, traumatic death, they’re not going to come back as nice as ever.” That’s what I was trying to do, and am still trying to do, with the Lady Stoneheart character.
And Jon Snow, too, is drained by the experience of coming back from the dead on the show.
Right. And poor Beric Dondarrion, who was set up as the foreshadowing of all this, every time he’s a little less Beric. His memories are fading, he’s got all these scars, he’s becoming more and more physically hideous, because he’s not a living human being anymore. His heart isn’t beating, his blood isn’t flowing in his veins, he’s a wight, but a wight animated by fire instead of by ice, now we’re getting back to the whole fire and ice thing.
George describes Lady Stoneheart in this same interview as "a vengeful wight who galvanizes a group of people around her and is trying to exact her revenge on the riverlands."
Jon will be different in the sense that he is a warg and has a shield against what's causing Stoneheart and Beric's deteriorations—Ghost—but being a warg has its perils as well:
"They say you forget," Haggon had told him, a few weeks before his own death. "When the man's flesh dies, his spirit lives on inside the beast, but every day his memory fades, and the beast becomes a little less a warg, a little more a wolf, until nothing of the man is left and only the beast remains." (Prologue, ADwD)
As Jon is the only main character warg who actually died, this passage is meant to be about him.
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