#eden mononym

[mist-spectra]

check out: "Eden Mononym x Humanfobia - Digital Forest Redux + Ennui (reissue)" // free download it from 3 alternative links:

[lesserafim-eden]

╰► ⌕ 𓆩 𓆪  ʾ ִֶָ%˓ ᵎ ҂ ࣪˖﹫𓂃⌁. ࣪˖ EDEN NOELIA LEE (LE SSERAFIM) Profile

Eden Noelia Lee (LE SSERAFIM) Profile and Facts:

EDEN NOELIA LEE ( Hangul; 에덴 노엘리아 자오, Mandarin; 赵伊登 born November 11, 2001 ) better known by the mononym EDEN is a Chinese/Korean English model, singer, rapper, Global ambassador, and dancer is a current member of South Korean girl group LE SSERAFIM under HYBE and Source Music. She is a former member of the South Korean-Japanese girl group IZ*ONE.

⌕ ‣     BASIC INFO ׁ⠀ ࣭ ⠀⠀⊹

𖥻★! ︿︿STAGE NAME: Eden

𖥻★! ︿︿BIRTH NAME: Eden Noelia Lee

𖥻★! ︿︿KOREAN NAME: Lee Binna

𖥻★! ︿︿CHINESE NAME: Zhao Meixing

𖥻★! ︿︿BIRTHDAY: August 1, 2003

𖥻★! ︿︿AGE: 21 years old ( Korean age ) 20 years old (int.)

𖥻★! ︿︿ZODIAC SIGN: Leo

𖥻★! ︿︿BIRTHPLACE: London, Uk

𖥻★! ︿︿NATIONALITY: English

𖥻★! ︿︿ETHNICITY: Chinese/Korean

𖥻★! ︿︿HEIGHT: 5'8" (173 cm)

𖥻★! ︿︿WEIGHT: 49kg (100lbs)

𖥻★! ︿︿BLOOD TYPE: AB

𖥻★! ︿︿REPRESENTATIVE EMOJI: 🐨 ( koala  )

𖥻★! ︿︿ REPRESENTATIVE GEMSTONE: Amblygonite

𖥻★! ︿︿ REPRESENTATIVE COLOR: Purple

⌕ ‣     EDEN FACTS...!?

https://Eden-Facts.Com: She was born in London, Uk so her British accent is so strong. Her family includes four grandparents, mom, dad, four older brothers. She was raised in Los Angeles, California, United States.

https://Eden-Facts.Com: She's the global ambassador of vivienne westwood, Alexander Wang, Chanel, HARRY WINSTON, l'Oreal, Fay, CoverGirl U.S, Maybelline, Mikimoto, Panerai, Revlon, Lancôme international, Versace, Puma, Miu Miu, Liu Jo, Prada, Maxim Mooncakes, Comme des Garçons, Clarins, CHOPARD, VAN CLEEF & ARPELS, BUCCELLATI, & GRAFF.

https://Eden-Facts.Com: Eden is often called "Man-heart's destroyer" or "Boy crush" as many male idols and actors have a crush on her or have said that she's their ideal type

https://Eden-Facts.Com: Eden is currently in college and majoring in Business (Management ) and minoring literature at Seoul National University online.

https://Eden-Facts.Com: She writes all of her parts. She also produced and wrote a number of songs including WayV 'Love talk', TxT 'cat & dog', 'Anti-Romantic', 'loser=Lover', 'OX1=LOVESONG' Stray Kids 'Back door', Pristin V 'Get it', Twice 'Cry for me', Weekly 'After school' Enhypen  'Drunk-Dazed', 'Polaroid love' Aespa 'Next Level', 'Girls' 'Illusion' IVE 'LOVE DIVE' StayC 'SO BAD', 'ASAP' Itzy 'WANNABE','LOCO', '#Twenty', 'SWIPE' Chungha 'Gotta Go', 'Bicycle' Red Velvet 'Feel My Rhythm' Jeon Somi 'XOXO' BLACKPINK 'Typa Girl' & more. Eden has solidified herself as a genius musician with 155 KOMCA credits.

https://Eden-Facts.Com: She is extremely loved by the public which is why she earned the titles of princess of K-pop, SM/HYBE's Ace, Idol's idol, The Nation's Treasure, The Genius Composer, and The It girl of Asia.

https://Eden-Facts.Com: She is a former IZ*ONE member.

https://Eden-Facts.Com: She trained for 3 years in SM Entertainment before joining Produce 48.

https://Eden-Facts.Com: In Gallup Korea's annual music poll for 2018, 2019, 2020, 2021, 2022 Eden was voted the most popular idol in South Korea, making her the highest-ranked individual in that poll.

https://Eden-Facts.Com: Eden is know for endorsements, various photo-shoots, and covers as they sell out in a minute.

https://Eden-Facts.Com: In 2020, She was featured in Harper Bazaar's 'Go To Bed With Me' and went rival for her nighttime skincare routine. It was mostly because of how simply yet in depth it was.

https://Eden-Facts.Com: Eden is really good at math as once she did over 20 fans math problems for fun during her Vlive in 2021.

https://Eden-Facts.Com: In January 2022, Eden purchased a building in Gangnam district's affluent Samseong-dong area, otherwise known as the Samsung neighbourhood. Purchased for approximately US$6.3 million, the mixed-use building has both residential and commercial spaces and spans a total of seven floors. Eden reportedly makes US$830,4000 monthly from rent. 

https://Eden-Facts.Com: In 2014, she performed as one of the upcoming members of SM Entertainment's pre-debut training group SM Rookies on SM Town Live World Tour IV.

https://Eden-Facts.Com: She is a big food lover. She can eat most types of food but likes spicy foods the most.

https://Eden-Facts.Com: Her way of relaxing: A can of pringles and either Netflix, or watching Law & Order: SVU on Hulu.

https://Eden-Facts.Com: She thinks she's pretty talkative especially if the vibes between her and another person match up (Instagram Q&A 2022.08.10).

https://Eden-Facts.Com: When she was younger, Eden frequently performed and sang for house guests and eventually began taking acting/singing classes.

https://Eden-Facts.Com: Her airport fashions always goes viral on Twitter, and fans say that the airport is her runaway.

https://Eden-Facts.Com: Eden once said if she wasn't an singer, she would have been a vet because she really loves working with animals.

https://Eden-Facts.Com: In November 2018, she revealed that she has three citizenships: Chinese, British, and South Korean.

⌕ ‣     EDEN'S IDEAL TYPE: I really don't have an ideal type because if I like you, then I like you as simple as that."

⌕ ‣     Show more Aria fun facts

—HOW MUCH DO YOU LIKE EDEN?

𓋰 I LOVE HER, SHE'S MY ULTIMATE BIAS

𓋰 I LIKE HER, SHE'S OK

𓋰 SHE IS OVERRATED

[farewell-persephone]

A decent summary of bad music. highlights (red text for emphasis):

Sleep Token’s music feels so meticulously pored-over and stylized that it’s almost entirely bereft of human feeling — and that’s kind of the point. The London-born band is a masked, “anonymous” metalcore group helmed by the mononymous singer-songwriter Vessel. Like Ghost, there’s an extensive pseudo-religious lore behind their lyrics that involves Vessel’s mysterious deity-lover-abuser Sleep, and their convoluted storyline — the musical version of a TikTok romantasy book — plays out across Sleep Token’s three-album arc. Also like Ghost, who write all of their “MESSAGE FROM THE CLERGY” social media posts in third-person and with ceremoniously rigid prose, Sleep Token post in the voice of a Skyrim NPC, alerting their fans that tickets to their “rituals” (see: shows) “have been swiftly depleted” and encouraging fans to “obtain” (see: buy) merch from their shop.

Sleep Token’s savvy pretension projects the illusion that they’re a lot darker, deeper, and cooler than they actually are. The beige pen-and-ink album cover for 2023’s Take Me Back To Eden — coincidentally the same color palette Avenged Sevenfold used for Life Is But A Dream… — could be mistaken for a post-metal album released on The Flenser label. . . . The presentation is perfectly suited for a Cult Of Luna or Amenra record, but Sleep Token employ it to make their mundane seem arcane. The arthouse elegance attempts to paint over the band’s clunky fusions of contemporary radio schlock and rudimentary djent-metal.

The songs on Take Me Back To Eden . . . sound tailor-made for the era of reaction videos, where a song’s merit derives more from its construction than its content. The average Sleep Token track is 75% stately pop-rock — often undergirded by stomp-clap drums or department store trap beats, and spritzed with a whiff of PG-13 sensuality — and 25% concussive metal breakdowns and ghoulish screams. Sleep Token deploy the metal passages like land mines, erupting without warning after several verses (upwards of six or seven minutes into their overwrought suites) of distinctly un-metal sounds. Some of their songs have absolutely zero metal in them, and are just saccharine, blindingly polished pop tracks that could easily be mistaken for Imagine Dragons, who Sleep Token have been frequently compared to. . . .

In “Chokehold,” one of several 2023 singles that caught fire online and turned Sleep Token into an overnight sensation, Vessel spends the first two minutes achily cantillating atop an elastic synth and a sparse trap beat. Suddenly, a wave of down-tuned guitars and bludgeoning drums come crashing in, only to recede completely and then return for one last go-around. The errant breakdowns serve as little more than reminders that what you’re listening to is in fact a metal song — “don’t worry, this isn’t actually pop,” their perfunctory inclusions seem to suggest. In the “crabcore” era, metalcore bands would jumpscare their fans with garish Euro-trance drops to essentially troll their listeners with brief detours into pop. Decades earlier, Type O Negative would flip the lights on in the middle of their sultry goth-metal romps to bask in a resplendently sunny psych-pop hook. Sleep Token’s music effectively does the same thing, except they’ve reversed the proportions, making metal the gag in an otherwise pop-forward feature. Their biggest song, “The Summoning,” is a little moodier and djentier during its main motifs, but in its third act twist, the metalness swiftly drops away and Vessel croons over a Bruno Mars-inspired funk groove. In metalcore’s scene era, bands would have fun flipping bubblegum pop hits into scream-infested mosh jaunts on the infamous Punk Goes Pop compilations. Now, one of the biggest new bands in metal is unironically emulating that tier of normie pop in their own songs, and supporters view it as a bold genre exploration rather than a naked embrace of fundamentally corny, centrist, playlist pop. Sleep Token are primed for our cultural hypnosis toward artists who “transcend genre,” which in most cases (and especially Sleep Token’s) means the artist just stacks a bunch of dissimilar sounds on top of one another and passes it off as innovative eclecticism. Whether or not the genre-jumbling follows any creative or emotional logic is irrelevant. Songs like “The Summoning” just get props for stacking blocks on top of books like a toddler in a playpen. . . .

Within a year’s time, the band have gone from a mid-size club act to arena-filling headliners (their spring US tour is sold out), and their fanbase’s behavior on TikTok and Twitter now mirrors the cadence of a popstar stan army. That exponential spike wasn’t because there was suddenly 10x more appetite for djenty metalcore then there was the year before. “Chokehold” and “The Summoning” went viral because they were effectively pop songs, and the album that followed even moreso. Therefore, treating Sleep Token’s popstar rise like a win for metal feels like a misrepresentation of what makes their songs appealing.

Are Sleep Token metal’s new breakout act because of or in spite of their own metal-ness? The same question could be asked of Bad Omens, who are actually bigger than Sleep Token by several metrics (they’ve had three top 10 hits on Billboard’s Mainstream Rock Airplay chart, including a #1, and boast 2 million more Spotify monthly listeners than Sleep Token). Moreover, their frontman/songwriter/producer Noah Sebastian feels fatigued by his band’s dizzying fame (which has manifested in an even more intensely parasocial stan army than Sleep Token’s) in a way few modern rock musicians ever get the opportunity to fret about. . . .

The convergence of sleek, office-park R&B and SiriusXM-ready metalcore was first introduced in the 2010s by bands like Memphis May Fire and Issues, but Bad Omens reupholstered that tacky sound with a mentholy sexiness that’s one part gentrified industrial-metal and one part “Blinding Lights”. . . .

So what’s novel to this moment isn’t that Bad Omens’, Sleep Token’s, and Spiritbox’s most popular songs happen to be their catchiest ones. It’s that the totality of their sounds — not just their singles, but album cuts, too — are directly dialed into major-label pop, and they’re explicitly taking influence from some of the most mainstream, non-metal pop singers of the day. . . . And it’s not just these bands. Look at almost any popular metal or metal-adjacent act of the last decade, and their metalness is either used as a prop, a gimmick, or a counterweight to their otherwise non-metal sounds. . . .

Metal is instead part of these bands’ convoluted creative schemes, where it’s either used like a comedic foil (Babymetal), as a musical garment in a theatrical production (Ice Nine Kills), or as a sort of sonic Instagram filter (Our Last Night), where the vague idea of metal is used to market a hunk of normie-millennial cultural detritus as something alternative.

The thread connecting this entire new generation of bands — from Ghost and Bring Me The Horizon to Sleep Token and Our Last Night — is that they all use metal more like a signifier than an artistic framework. . . . Instead, they’re enamored by the mainstream, and are adopting its cultural products to shape the way they sound, look, and transmit feeling through their art. Optimists see their methods as a necessary creative overhaul of a genre that’s already exhausted its own appeals. The heaviest, fastest, nastiest metal songs have already been written, and these bands are giving audiences something new to chew on. Cynics, even the ones who acknowledge that innovation is the lifeblood of all artistic mediums, and can recognize the many ways in which metal’s tropes have grown stale over the decades, are wary that these pop injections are a diluting, not renewing, force within a form of music that’s purportedly at odds with commercial orthodoxies.

For my part, I would charitably sum up most of the mentioned bands as "metal ashamed to be metal," though this would presume that any of them actually are ashamed of distilling metal into a 3D-printed plastic simulacrum. Maybe "pop ashamed to be pop" would be more accurate. I'm not against pop influence in heavy music; The Dillinger Escape Plan's "One of Us Is the Killer" is a great example of pop-mathcore with strong R&B influence, and one of the best memories I have is singing along to the chorus in a crowded venue, not to mention the many other examples of pop influences scattered throughout their discography. I am against the deification of mediocrity; the bizarre, rabid parasocial cults that have sprung up around some of these artists; and the transformation of a genre with a rich and varied history into little more than an algorithmic gimmick.

(Also I have nothing against Spiritbox based on the little I've heard. They at least seem to have riffs. I've been meaning to listen to them properly at some point.)

[inkantation]

hc: familial dynamics

I've stated before that Tsunaomi and Eden consider each other to be half-sisters, but has not gone into great detail as to why (aside from the obvious bond between them.) The Tierra and Yaki families are not related by blood at all. For reference:

Seisma: Tsunaomi's known by mononym inkling parent.

Ida Tierra: Tsunaomi's mother. She left the domes with Naomi in 2008.

Kama Yaki: Eden and Toko's mother, a general in the Army.

Muneo Yaki: Eden and Toko's father, a mechanic who passed away in 2005.

Tsunaomi Seisma Tierra: You know her.

Toko Yaki: Eden's older sister by blood. Disappeared during Splatoon 1 - later found out to have been taken by Kamabo Co. and blended as Test Subject 10003.

Eden Yaki: You also know her.

Tsunaomi and Eden's older sister, Toko, were the same age and due to being in the same "clutch" together - both were eggs at the same time and their mothers lived in the same tenement building. As Ida and Kama were already close friends, they essentially raised their daughters like sisters, with Eden easily added to the dynamic once she hatched a few years later.

This kind of inter-familial child rearing isn't all that uncommon in the domes. A lot of people live in very close quarters, and for people with children close in age, it makes for an easier time, especially for women in the military (as Kama and Ida were.) Muneo, the Yaki father, was also involved in raising the girls, though not as much, given that he was busy being dead.

If asked, Tsu and Eden will always say they are half-sisters, rather than going through the full explanation of "no, we were raised in the same clutch but aren't blood related."

[mahachiato]

Lee Haechan ; muse.

𝐓𝐡𝐞 𝐄𝐩𝐡𝐞𝐦𝐞𝐫𝐢𝐬 𝐨𝐟 𝑴.

ㅤㅤA glory of the divine decree dropped from the palatial of Eden to earth. He was created from bejelewed chunks which makes anyone's heart lulled. A handsomeness line that will never fade to the posterity.

ㅤㅤGuys, I accept anyone who wants to mingle with me. So you guys can knock my 𝐷irect 𝑀essage on every twitter accounts that I have. I’ll welcome you enthusiastically of course.

About Lee Haechan

ㅤㅤLee Dong-Hyuck (Korean: 이동혁; born June 6, 2000), known mononymously as Haechan, is a South Korean singer, dancer and he is good at everything. He is a member of the South Korean boy group NCT, primarily promoting with the fixed sub-unit NCT 127, NCT Dream, and NCT U.

ㅤㅤLee Haechan was born in Seoul, South Korea. He lived in Seoul until he was 7 years old. Then he moved to Jeju, South Korea and lived there for about 5 years. Then moved to Seoul, South Korea to join SM Entertainment. Haechan continued his education at the Seoul School of Performing Arts in Seoul (SOPA).

ㅤㅤApart from making music through the NCT, NCT U, NCT Dream and NCT 127 Music Groups, Haechan also contributes as a soloist and collaborates with other musicians. These songs include:

Maniac - Haechan with Doyoung

Snow Dream - Haechan and Yeri, Chenle, Jisung, Ningning.

Good Person

If you are interested in the figure of Lee Haechan, you can browse about his further through this link. Hope you can like this coolest man sincerely.

▬ 𝗟𝗲𝗲 𝗛𝗮𝗲𝗰𝗮𝗻𝗷.

▬ Lee Haecanh.

[sh3lls-blog1]

Listen to $h3ll$_nihil by $h3ll$ on #SoundCloud

https://soundcloud.com/eden-mononym/h3ll-nihil-wav

[edenmononym-blog1]

More soon...

[mist-spectra]

check out our new single track in collaboration with א．ｎｉｎｊａ// enjoy it!

[lesserafim-eden]

✶ ׅ ࣪  🫧   ◛   ❀ THE WIKI OF EDEN NOELIA LEE

-͟͟͞☆ EDEN NOELIA LEE ( Hangul; 에덴 노엘리아 자오, Mandarin; 赵伊登 born November 11, 2002 ) better known by the mononym EDEN is a Chinese/Korean English model, singer, rapper, Global ambassador, and dancer is a current member of South Korean girl group LE SSERAFIM under HYBE and Source Music. She is a former member of the South Korean-Japanese girl group IZ*ONE.

｢ ✿ ✶ ׅ ࣪ ｣ links !! — m.list ; tags !! Eden core

Eden’s taglist; @billboard-singer @eisa-core @skzinka @txt-yaomi @stealanity @seolboba @cosmicwintr

[lesserafim-eden]

✶ ׅ ࣪ ᧔♡᧓ ࣪ MASTERLIST OF EDEN NOELIA LEE

EDEN NOELIA LEE ( Hangul; 이든 노엘리아 리 , Mandarin; 艾登·诺莉亚·李 born November 11, 2002 ) better known by the mononym EDEN is a Chinese/Korean English singer, rapper, Global ambassador, and dancer is a current member of South Korean girl group LE SSERAFIM under HYBE and Source Music. She is a former member of the South Korean-Japanese girl group IZ*ONE.

⌒⠀ִ       ✧        ﾟ      ABOUT !

IZ*ONE ⋆ K-profile ⋆ Profile ⋆ facts ⋆ details ⋆ inside her phone ⋆ visuals ⋆ scandals

⌒⠀ִ       ✧        ﾟ       RELATIONSHIPS !

Family ⋆ ships in le sserafim ⋆ ships outside ⋆ HYBE friendships ⋆ dating history ⋆ relationships with other idols ⋆ idols who have crush

⌒⠀ִ       ✧        ﾟ       ERAS !

Fearless ⋆ Antifragile ⋆ Unforgiven ⋆ solo works ⋆ artist of the month

⌒⠀ִ       ✧        ﾟ       SOCIAL MEDIA !

official : Instagram ⋆ weverse ⋆ twitter ⋆ Articles

stan : stan twitter

⌒⠀ִ       ✧        ﾟ       BROADCAST !

Variety shows + Interviews ⋆ vlives ⋆ YouTube ⋆ TikTok ⋆ Hybe Caters

leniverse

⌒⠀ִ       ✧        ﾟ       WRITTEN !

written scenarios click here

꘎♡━━━━━━━━━━━━━♡━━━━━━ ━ ♡꘎

Eden’s taglist; @svt-yexi @eisa-core @skzinka @txt-yaomi @stealanity @seolboba @ocyeanicc