#efrim manuel menuck

[mywifeleftme]

157: The Silver Mt. Zion Memorial Orchestra & Tra-La-La Band // "Born Into Trouble as the Sparks Fly Upward."

"Born Into Trouble as the Sparks Fly Upward." The Silver Mt. Zion Memorial Orchestra & Tra-La-La Band 2001, Constellation (Bandcamp)

22 years ago Montreal’s other iconic prodigiously-membered post-rock band released their second LP. It’s not easy keeping all of these pro-Zion-but-not-Zionists straight, so I’ve helpfully listed and ranked each of the musicians who have passed through this constantly shifting collective from first to least-first. Let’s go!

Members of A/The/e Silver Mt. Zion Memorial Orchestra & Tra-La-La Band, Ranked

1. Mike Garson - piano 2. Annie Clark - guitar, keyboards, backing vocals 3. Brian Teasley- percussion 4. Daniel Hart - violin 5. Szabolcs Szczur – accordion 6. Davey 'Crabsticks' Trotter – Mellotron 7. Timothy Matthews – mbira 8. Buffi Jacobs – cello 9. Bach Norwood – piano, keyboards, backing vocals 10. Harriet Ballance - triangle, backing vocals 11. Japhy Ryder – floristry 12. Stuart "Peebs" Peebles – piccolo 13. Chandler Petrino – natural horn, oboe 14. Jared Pechonis – theremin 15. Toby Halbrooks - theremin 16. Corn Mo - backing vocals 17. Patrick Hewitt – theremin 18. Darin Hieb – trumpet, backing vocals 19. Rachel Woolf – flute 20. Mark Beardsworth – claviola 21. Allen Halas – percussion 22. Edwin Mendoza – viola 23. Todd Beaupré – vibraslap 24. Thaddeus Ford – trumpet 25. Paul Deemer – trombone, trumpet 26. Mike St.Clair – trombone, synth effects 27. Josh Guyer – trombone, spoons 28. Chris Curiel – trumpet 29. Heather Test – French horn 30. Victoria Arellano – classical harp 31. Sean Redman – violin, mandolin 32. Kelly Test – percussion 33. Mike Mordecai – percussion 34. Jason Garner – drums 35. Audrey Easley – flute, piccolo, EWI 36. Rick G. Nelson – viola 37. Nick Groesch – piano, keyboards 38. Keith Hendricks – percussion 39. Evan Hisey – keyboards 40. Dylan Silvers – guitar 41. Daniel Hart – violin 42. John Lamonica – percussion 43. Marcus Lopez – percussion 44. Matt Bricker – trumpet, synth effects 45. Taylor Young – percussion 46. Joe Butcher – steel drum 47. Evan Jacobs – piano, keyboards 48. Todd Berridge – viola 49. Nick Earl – guitar 50. Evan Weiss – trumpet 51. Jay Jennings – trumpet 52. Tamara Brown – violin 53. Merritt Lota – steel drums 54. Daniel Huffman – guitar 55. Timothy Blowers – harp 56. Anthony Richards – steel drums 57. Louis Schwadron – French horn 58. Andrew Tinker – French horn 59. Nick Wlodarczyk  – trombone 60. Paul Gaughran – flute 61. Isabelo Cruz – French horn 62. Bryan Wakeland – drums 63. Hayley McCarthy – viola 64. Dave Dusters – percussion, backing vocals 65. Billy Mills-Curran – flute 66. Logan Keese – trumpet 67. Ricky Rasura – classical harp 68. Tonya Hewitt – banjo 69. Daniel Poorman – slide whistle 70. Andy Parkerson – clarinet 71. Joseph Singleton – viola 72. Jenelle Valencia – violin 73. James Reimer – trombone 74. Regina Chellew – guitar, trumpet, backing vocals 75. Ryan Fitzgerald – guitar, backing vocals 76. Cory Helms – guitar, backing vocals 77. Jessica Jordan – backing vocals 78. Jenny Kirtland – backing vocals 79. Kristin Hardin – backing vocals 80. Elizabeth Evans – backing vocals 81. Neil Smith – backing vocals 82. Julie Doyle – backing vocals 83. Christine Bolon – backing vocals 84. Natalie Young – backing vocals 85. Constance Dolph – backing vocals 86. Elizabeth Brown – backing vocals 87. Apotsala Wilson – backing vocals 88. Jennie Kelley – backing vocals 89. Roy Thomas Ivy – backing vocals 90. Jamey Welch – backing vocals 91. Ethan Voelkers – backing vocals 92. Mark Pirro - bass 93. Frank Benjaminsen – backing vocals 94. Stephanie Dolph – backing vocals 95. Jennifer Jobe – backing vocals 96. Mike Elio – backing vocals 97. Kelly Repka – backing vocals 98. Jason Rees – backing vocals 99. Jeneffa Soldatic – backing vocals 100. Michael Turner – backing vocals 101. Don Congeler – backing vocals 102. Michael Musick – backing vocals 103. Melissa Crutchfield – backing vocals 104. Sandra Powers Giasson – backing vocals 105. Paul Hillery – backing vocals 106. Stephen Dix – backing vocals 107. Jessica Berridge – backing vocals 108. Melisma MacDonald – backing vocals 109. Ross Cink - backing vocals 110. Lucy Williams - choreography 111. Josh David Jordan – backing vocals 112. Brad Butler – backing vocals 113. Jason Rees – backing vocals 114. Andrew Aldenenotti – backing vocals 115. Getting hit by a bus wearing a flowing white robe 116. Tim DeLaughter - vocals, guitar, piano

Hold on. I’ve just received word that these musicians are actually members of some other band? Apologies for the confusion!

157/365

[aholefilledwithtwigs]

Harrowing, beautiful song by Efrim Manuel Menuck (gs!ybe/a silver mt zion)

[abibeur]

We live on a fucking planet and baby that's the sun

[dustedmagazine]

Dust Volume 10, Number 2

Ballister

It’s a leap year, so we all get an extra 24 hours to listen to February music.  Why not try some of these selections from our endless piles of when-i-get-to-its?  We’ve got unhinged beatmakers and noise-addled Canadians, smashing, grabbing jazz men and psychedelic post-punk.  And really a lot more.  February always seems long.  This year it’s even more extended.  Use your time wisely.  Play records. 

This month’s contributors include Patrick Masterson, Ian Mathers, Bill Meyer, Bryon Hayes, Tim Clarke, Jennifer Kelly, Jonathan Shaw, Jim Marks and Andrew Forell. 

8ruki — POURquoi!! (33 Recordz)

This ain’t your mother’s TTC. Bilingual Parisian 8ruki takes most of his cues from Atlanta, acting with a whole lotta Whole Lotta Red in mind and squeezing 22 songs into his third album — about right for contemporary hip-hop in this vein, which frequently abandons ideas after less than two minutes and leaves a trail of incomplete sketches in its wake; like others his age, 8ruki has evolved to consider this less a bug (especially for stans forever thirsty for the next “project”) than a feature, the default mode of working. I don’t know what good it would do to comment on a song called “Andrew Tate!!” or “Elon Musk!!” at this stage other than to suggest the guy’s just being (what the French call) a provocateur, but peek elsewhere and you’ll find an unexpected beat switch on “VAris//PIENna,” not to mention a world-shrinking reference to the Golden State Warriors; the high-pitched squeaks of “CA$h!!” and “GIVENCHY MARgiela!”; the string sample and rolling bass of “EDQuer!!”; and a whole lot more to enjoy. Ignore the annoying tendency to turn caps off halfway through a song title; this is a fun record with a lot going on that’s even better if you more than half understand it.

Patrick Masterson

ALL HANDS_MAKE LIGHT — “Darling The Dawn” (Constellation)

The credits for this duo’s second release are deceptively simple; Ariel Engle (La Force, Broken Social Scene) as just “voice” and Efrim Manuel Menuck (Godspeed You! Black Emperor, Thee Silver Mt Zion) as just “noise.” But there are whole worlds contained in voice and noise, and there’s a sonic, emotional, and political complexity here that makes it feel much weightier and more elaborate than the work of any two people. (It also had one of the best song titles of last year in “We Live on a Fucking Planet and Baby That’s the Sun.”) There are distinct songs here, even some refrains, but the whole of “Darling The Dawn” also feels like one long ebbing and flowing movement, culminating in lovely, shattered grandeur with the closing one-two punch of “Anchor”/“Lie Down in Roses Dear.” Shoegaze without guitars (although not without occasional strings or drums, from Jessica Moss on violin and Liam O’Neill, respectively), emotional noise music, kosmiche played in a paupers’ graveyard; it’s hard to know what to call what ALL HANDS_MAKE LIGHT does, other than impressive. Maybe voice and noise is enough description after all.

Ian Mathers

Ballister — Smash And Grab (Aerophonic)

In Chicago, the smash and grab game is strong. People aren’t just breaking windows but driving vehicles through them. Ballister apply that spirit of aggressive enterprise to performance on this memento of saxophonist Dave Rempis, cellist Fred Lonberg-Holm and drummer Paal Nilssen-Love’s reunion at the Catalytic Sound Festival in Chicago in December, 2022. The reeds wail and probe, the strings splinter and scrape, the drums smash rhythm in the air and reshape them. And that’s just in the first few minutes. Over the course of the set, they find ways to apply that assertive spirit to quieter passages and slower passages, fashioning rough thickets and inconsolable laments from the same rough material. While Dusted does not recommend literal application of the album’s title when acquiring it, we confidently predict that you’ll find the record sticking to your fingers, obliging you to return it to the playback device for another go around.

Bill Meyer

Cuneiform Tabs — Cuneiform Tabs (Sloth Mate)

The Sloth Mate label is the psychedelic tendril sprouting from the flourishing vine that is the modern Bay Area post-punk scene.  There’s certainly an affiliation with Famous Mammals, Children Maybe Later and others of that ilk, but there’s a tendency to stray from traditional idioms that is unique to the Sloth Mate catalog.  Violent Change, headed up by the imprint’s owner Matt Bleyle, is at the center of this sub-underground cabal, coming across like a garage punk band noisily banging out Face to Face-era Kinks jams after gobbling some mind-altering flora.  Sterling Mackinnon’s The False Berries on the other hand is a lo-fi ambient electronic project that recalls the early beat-inclusive work of Christian Fennesz.  Bleyle and Mackinnon collaborate remotely under the Cuneiform Tabs moniker (the latter musician is based in London, England).  The cross-pollination works incredibly well, with the most listenable aspects of each unit rising to the forefront.  When it appears, Mackinnon’s Dan Bejar-meets-Marc Bolan warble acts as a foil for Bleyle’s deeper crooning.  Similarly, the former’s atmospheric tendencies highlight the beautiful melodies hidden beneath the latter’s noise-baked tunesmithery.  Cuneiform Tabs’ psychoactive sonorities require work to decipher, but the endeavor is certainly worthwhile.       

Bryon Hayes

Mia Dyberg Trio — Timestretch (Clean Feed)

It’s tempting to take the title of Timestretch ironically, since this Scandinavian trio compacts a lot of action into 43.18.  There are 14 tracks, all but three composed by bandleader and alto saxophonist Dyberg. But more likely, it addresses this paradox; while the music never feels like it’s in a hurry, there’s a fair bit going on. Tonally, Dyberg shifts easily between slightly sour and just sweet enough, and her phrasing is mobile, but never busy. On a few unaccompanied tracks, she unburdens herself more directly, mourning for those laid low by conflict. Bassist Asger Thomsen anchors the music with stark, strategically placed notes, and adds dimension with occasional sparse, bowed comments.  But it’s drummer Simon Fochhammer who gives the music shape, sometimes with a quick rustle, other times by building an eventful structure around his partners.

Bill Meyer

Kali Malone — All Life Long (Ideologic Organ)

Swedish composer and organist Kali Malone takes a rigorous, structured approach to making music, crafting deliberately pared-back and laser-focused pieces that make the listener acutely aware of the shifting harmonic dynamics within thick layers of sound. This 78-minute album presents an intimidating edifice to a casual listener, but it is organized to allow curious immersion in more easily digestible sections. The longest tracks are organ pieces stretching to around 10 minutes in duration, aching with melancholy. However, there are also shorter vocal and brass pieces that deviate away from held drones into more spacious, overlapping progressions that are, on occasion, almost buoyant. All Life Long feels like music for a less easily distracted age; to be patient enough to bear witness to its full, solemn unfolding requires commitment, but how often do you hear music this awe-inspiringly pure?

Tim Clarke

 Michael Nau — Accompany (Karma Chief)

Accompany rides the line between cosmic country and garden variety indie pop, its gentle melancholy enlivened by radiant runs of twanging guitar. “It’s an impossible life to get over,” Michael Nau croons in “Painting a Wall,” sounding beaten down but not quite broken, grounded in the ordinary but yearning for transcendence. Nau, you might remember, fronted the indie chamber pop Page France in the early aughts and the slightly more countrified Cotton Jones in the late ones.  This fifth solo album hits its peak in plaintive “Shape-Shifting,” where an otherworldly echo sheathes both Nau’s voice and the rumble of piano, and a glow suffuses everything, making it more.

Jennifer Kelly

Note — Impressions of a Still Life EP (The North Quarter)

Manchester’s Note hasn’t been around all that long — the earliest traces of his Soundcloud only reach back to October of 2021 — but just within the last year, he’s demonstrated a knack for fusing airy, sultry R&B moods with the breaks n’ bass of UK dance music’s storied past. Late January’s Impressions of a Still Life EP out via The North Quarter imprint, helmed by Dutch producer Lenzman (himself a veteran of labels like Metalheadz, Nu-Directions and Fokus), is another fine example: Aside from the stirring “Vespertine” that debuted last summer and features poet and spoken word artist Aya Dia, plus “Cold Nights” that came in November, Note fills out the EP with three additional songs of varying speed and mood. The best might be “EVR,” which again features a vocalist, this time singer-songwriter Feeney. Employing deep bass, fluttering percussion and featherweight piano flourishes, the production here is top-notch Brit-inflected R&D&B. Watch this space.

Patrick Masterson

Plaza — Adult Panic (Self-Release)

The novelist and rock critic (and one-time Dusted writer) Michael Fournier spent the pandemic on Cape Cod with his wife Becca, he learning the bass and she the drums.  Adult Panic collects 11 spiked and minimalist cuts from this experiment, almost entirely instrumental (there’s a shouted refrain on “(The Real) Mr. Hotdog”) and rife with lockdown agitation. The drums are pretty basic, a skitter of high-hat with snare on the upbeats, but the bass parts wander and jitter intriguingly. The title track has a Slint-ish post-rock open-ended-ness, repeated riffs left to linger and shift in the air. “The Tomb of Santa Claus” moves faster and more insistently, letting surf-like bent notes flare from rickety architectures. The whole experience is rather dour and claustrophobic, right up until the end when “(The Real) Mr. Hotdog” clatters into earshot and the two Fourniers seem to be, finally, having some fun.

Jennifer Kelly

Caroline Polachek — Desire, I Want to Turn to You: Everasking Edition (Perpetual Novice)

I’m not gonna sit here and tell you all about how big Caroline Polachek’s 2023 was; if you were paying any attention to the conversation, you already know Desire, I Want to Turn to You was universally, justifiably acclaimed. The Everasking Edition tacks on seven additional songs, five fresh out the box, one an acoustic rendition of “I Believe” and one a cover. Regarding the latter: Anyone paying attention to the machinations of the modern music business will know the name Jaime Brooks, who was half of Elite Gymnastics and now works as Default Genders in addition to unflinching commentary on whatever the fuck is going on with Billboard charts and the ugly realities of how no one’s getting Spotify royalties. “Coma” was originally theirs from Main Pop Girl 2019, a beautiful, delicately skipping adrenaline rush of a love song. Polachek doesn’t radically reinvent what’s already great; instead, she leaves the music alone and takes ownership of the rendition with her lower pitch and breathy delivery. A heartfelt nightcap on an imperial year, you couldn’t have scripted that Valentine’s Day release any more perfectly.

Patrick Masterson

Proton Burst — La Nuit (I, Voidhanger)

When the wife of storied French comics artist Phillipe Druillet died in 1975, Druillet poured his grief and rage into an idiosyncratic graphic narrative, La Nuit (1976); it’s full of mutant biker gangs, Druillet’s signature fever-dream architectural forms and hair-raising violence. French thrash metal weirdos Proton Burst loved the book, and in 1994 they produced an album-length project, part response, part soundtrack to the comic’s maniacal intensities. I, Voidhanger has given that Proton Burst record a deluxe reissue, including the original music, an extended live performance of it from 1995 and a booklet including eye-popping images from Druillet’s comic and an essay. If you’re in this for the music, the real treat is the live set, which is nearly as unhinged as Druillet’s illustrations. The band rages, rants, foments and froths—and is that a harp? Who knows. Like the original graphic narrative, what matters here is the volatility of the feeling tone, more so than any sense-making (or sonic) throughway. Lose yourself in the violence of it. Maybe that feeling of dislocation gets closest to the irrational agony of loss Druillet drew La Nuit in the teeth of, some 50 years ago.

Jonathan Shaw

Mariano Rodriguez — Exodo (self-released)

Mariano Rodriguez is an Argentinian guitarist in the Takoma school tradition with a large and high-quality back catalog. He often focuses on playing with a slide but is equally adept at playing without one and sometimes incorporates experiments with sound, as on Huesos Secos (2020), and fuller traditional instrumentation, as on Praise the Road (2017), into his recordings. Exodo, released late last year, is a set of mainly guitar soli. The playing is typically inspired, impressive without being flashy, and the compositions are tuneful and well-developed. Included is a 12-string anthem (“Lazaro”), Rodriguez’s signature slide work (such as on “The Desterrados”), bluesy 6-string meditations (“Diaspora”), and a couple of experiments with studio effects and overdubs (“The River and the Blind”) and drone (“Mother of the Road”). Over all, Exodo is a fine set of tunes that flows cohesively.

Jim Marks

Twin Tribes — Pendulum (Beso de Muerte Records)

Pendulum by Twin Tribes

It’s unclear precisely which tribes are twinned here, but if the music on Pendulum is any indication, it’s the deathrock freaks (with their long-standing romance of moldering, undead bodies) and the coldwave kids (who like to dance in place, furiously, disaffectedly, bodies frosty for entirely different reasons). Twin Tribes hails from the bastion of moody electronic music that is Brownville, TX, and somehow these Latinx fellows have managed to survive their local cultural climate long enough to release three LPs, a live tape and a whole bunch of singles and remixes. Pendulum refines the essential sonic template laid down in 2019’s Ceremony: tuneful, shimmery synths; snappy, brittle rhythm tracks; baritone vocals about zombies at the disco. If that sounds like fun, it surely is—but you’ll have a hard time convincing the kids in black eye makeup to crack anything like a smile. This reviewer can’t help it. The songs are too good, the vibes are way too goofily gravid. Dance, you flesh-eating misfits, dance.

Jonathan Shaw

Volksempfänger — Attack of Sound (Cardinal Fuzz / Feeding Tube)

Attack Of Sound by Volksempfänger

Attack of Sound’s swirling boy-girl harmonies instantly call to mind shoegaze luminaries Slowdive, but Volksempfänger’s noise-strewn guitar latticework is more aligned with The Jesus and Mary Chain.  Furthermore, the Dutch duo’s melodic flavor is as sweet as 1960s AM radio.  Ajay Saggar (Bhajan Bhoy) and Holly Habstritt combine these disparate sonic strands to create tidy noise pop gems, which they wrap in Phil Spector sonics.  The wall of sound approach imbues each song with a pulsating thrum.  This is the beating heart of their sound, underpinning the delightful vocal harmonies, shimmering guitar melodies, and waves of coruscating feedback.  The pair attains a balance between saccharine and savory aromas: dream pop wistfulness (“What the Girl Does” and “Your Gonna Lose Hard”) interchanges with propulsive garage rock (“How We Made It Seem” and “Damned & Drowned”).  The album closes out with the kaleidoscopic psychedelia of “You’ve Lost It,” introducing yet another aspect of Volksempfänger’s oeuvre.  This last-minute shift in mood adds a quirky sense of quietude to an otherwise exhilarating journey.   

Bryon Hayes

Ian Wellman — The Night the Stars Fell (Ash International)

The Night The Stars Fell by Ian Wellman

Recorded in the fire swept forests and deserts of Southern California, Ian Wellman’s The Night the Stars Fell plays like a Disintegration Loops for natural disasters. Wellman’s treated field recordings encourage the listener to subsume themselves in the natural rhythm of the wind that fanned the wildfires much like Basinski’s seminal work. While Disintegration Loops drew its potency from the association with 9/11, Wellman’s project is a more deliberate meditation on destruction. He coats his field recordings of deteriorating human structures — railcars, homes — and landscape ambience with short-wave radio static and decaying tape loops. There’s a concentration on both the violence of the destruction and the desolation of the aftermath. Huge swells of sound are interspersed with howls of wind, coruscating swathes of static and the creak and crank of burnt timber both natural and manufactured. The Night the Stars Fell is an absorbing evocation of nature’s power. 

Andrew Forell

Wharfer — Postboxing (Self-Release)

Postboxing by Wharfer

Wharfer’s Kyle Wall has long made the kind of shadowy, pared down indie-folk singer/songwriter music that elicits comparisons to Bill Callahan and Will Oldham. This time out, however, he ditches vocals and verse chorus structure entirely and enlists Chuck Johnson (pedal steel), Ian O’Hara (acoustic bass) and Duncan Wickel (violin) for a set of ambient, piano-forward reflections. These tracks are quietly riveting as, like “Wishing Well in White Noise,” the blend the chalky, elegiac tones of the piano’s upper registers with limpid pools of sustained pedal steel. Not quite ambient, the piece swirls and rounds to its own subtle rhythms, a faint thunk of bass ordering it forward. “Alto” brings the long, bowed vibrations of violin into the mix, then a sprightly sprinkle of pizzicato strings. And in the title track, a ritual voice flickers in and out of focus, but only as tone and texture. The piano carries the narrative, as string washes build and bass notes drop in and seagulls cry in the distance. It’s a subtle but powerful voice on its own, and you don’t miss the words one bit. 

Jennifer Kelly

[tgirlwithreverb]

@sunflowers666 tagged me for 5 songs so:

Looping this one again:

Bonus track:

Tag 5 people kill myself: @anarcho-weirdism @trannybruises @lesbianbrad @morguesupplier @vi-vi-vi

[cbcruk]

Efrim Manuel Menuck - BABY IT HAS TO FALL

[koma-44]

Stunning, think I’ll be picking this one up here soon. Looking forward to what Menuck and Doria do with their future project and the mountain of material they are sitting on right now.

[blemel]

Efrim Manuel Menuck

born 1970 in Montreal, Quebec. son of a doctor and a nurse. mother left in 1973. came back briefly 17 years later, and then left again. hebrew day school from grades 1 through 9. kept kosher but did not believe in god. grew up in toronto, and left home at age 17. only punk-rock from age 15 until 20. high school dropout at grade 11. no jobs and no home. student welfare then grown-up welfare. first love. too many drugs, and then a nervous breakdown at age 20. quit the drugs. moved back to montreal. no music from age 20 to 24. found good people. pre-internet. many beers. started the "godspeed you black emperor!" band at age 25. started the "silver mt. zion" band at age 29. drove many miles. been on the road since 1996. times have changed. hate the industry. hate all industries. no more beers. co-owner of thee mighty "hotel2tango" recording studio. recorded good and bad bands there. a loudmouth sometimes. and can be a moody motherfucker and a total drag. stubborn. worried. out of step. ezra's father.

[bappychaps]

The Silver Mt. Zion Memorial Orchestra & Tra-La-La Band - 'Born Into Trouble As The Sparks Fly Upwards'

CD - 2001 Constellation Records

[deathcar]

2019年9月10月 イベントメモ

* 10/17 更新 SHIBUYA全感覚祭、Sparrows/submerse

[↓ 10月 | ↓ 参考]

[9月]

8/31(土)-1(日) 渋谷 NHKホール TOKYO JAZZ FESTIVAL [8/31 昼] MISIA × 黒田卓也 / Meshell Ndegeocello [8/31 夜] The Chick Corea Akoustic Band with John Patitucci and Dave Weckl / Avishai Cohen Trio [9/1 昼] Charles Lloyd "Kindred Spirits" featuring Julian Lage, Gerald Clayton, Reuben Rogers, and Eric Harland / Kamasi Washington [9/1 夜] Snarky Puppy / The Chick Corea Elektric Band with Frank Gambale, Eric Marienthal, John Patitucci and Dave Weckl http://www.tokyo-jazz.com/

9/1(日) 埼玉県 北本市役所 庁舎ホール 芝生広場 (12:00-15:00) ALIEN PARADE in 北本市 みどりといち Hochzeitskapelle / KAMA AINA / ざやえんどう http://www.city.kitamoto.saitama.jp/kanko/oshirase/1563250789532.html

9/2(月)-3(火) 新宿 シアターモリエール (18:30/19:00) まんじゅう大帝国 第一回単独公演『私の番です。たしかにね。』 http://www.titan-net.co.jp/e20190610

9/2(月) 新代田 FEVER (18:30/19:00) Girlpool Japan Tour 2019 Girlpool / TAWINGS / No Buses https://peatix.com/event/735106/

9/2(月) 渋谷 WWW X (18:30/19:30) Rejjie Snow https://www-shibuya.jp/schedule/011081.php

9/2(月) 恵比寿 LIQUIDROOM (19:00/19:30) Kamasi Washington https://www.beatink.com/products/detail.php?product_id=10229

9/3(火) 恵比寿 LIQUIDROOM (18:00/19:00) The Japanese House https://www.liquidroom.net/schedule/thejapanesehouse20190903

9/3(火) 渋谷 WOMB (18:00/19:00) Swervedriver "Future Ruins" Tokyo 2019 https://www.creativeman.co.jp/event/swervedriver19/

9/3(火) 下北沢 BASEMENTBAR (18:30/19:00) Girlpool Japan Tour 2019 https://girlpool2019.peatix.com/

9/5(木) 代官山 UNIT (18:00/19:00) black midi Live in Japan 2019 https://www.beatink.com/products/detail.php?product_id=10271

9/5(木) 新宿中央公園 水の広場 (18:30-20:30) DANCE TRUCK TOKYO ANTIBODIES Collective / 川村美紀子 / 白井剛/森川祐護 (Polygon Head) / 新人Hソケリッサ！ / 鈴木ユキオ / ZVIZMO (伊東篤宏×テンテンコ) http://dance-truck.jp/tokyo/info-shinjuku.php

9/7(土) 渋谷 WWW/WWW X/WWWβ (15:00/16:00) THE M/ALL 2019 ENDON / ermhoi / GEZAN / GOTCH / GREEN KIDS / LEARNERS / machìna / Maika Loubté / Mari Sakurai / Mars89 / Miru Shinoda / MOMENTJOON / NINJAS / NTsKi / Power DNA with K.A.N.T.A / RITTO / suimin / 7e / あっこゴリラ / なみちえ / 田島ハルコ / 行松陽介 https://www-shibuya.jp/schedule/011463.php 入場無料

9/8(日) 兵庫県 旧グッゲンハイム邸 (13:30/14:00) ALIEN PARADE FESTIVAL Hochzeitskapelle / KAMA AINA / popo / ざやえんどう / テニスコーツ / 三田村管打団 http://www.nedogu.com/blog/archives/24135 投げ銭

9/8(日) 八丁堀 七針 (18:30/19:00) くがつ パターソン野村 (PWRFL Power) / Hara Kazutoshi / ふもけん (DJ) http://www.ftftftf.com/#0908

9/9(月) 新代田 FEVER (19:00/19:30) The Twilight Sad http://indie-asia.com/?p=815

9/9(月) 下北沢 CLUB Que (19:00/19:30) My Vitriol Japan Tour 2019 My Vitriol / DieByForty https://t.livepocket.jp/e/que20190909

9/11(水)-16(月/祝) 六本木ヒルズアリーナ ベルギービールウィークエンド2019 BLOW 3.0 / De Beren Gieren / Hooverphonic / Novastar https://belgianbeerweekend.jp/tokyo/line-up

9/13(金) 渋谷 CLUB QUATTRO (18:00/19:00) De Beren Gieren Japan Tour 2019 De Beren Gieren / スガダイロー / 東京塩麹 https://smash-jpn.com/live/?id=3207

9/13(金) 恵比寿 ザガーデンホール (18:45/19:30) Jacob Collier https://www.livenation.co.jp/artist/jacob-collier-tickets

9/13(金) 名古屋 HUCKFINN (19:30/20:00) 月刊ぼくら vol.8 Climb The Mind / uri gagarn http://www.climbthemind.com/schedule.html

9/13(金) 銀座 SONY PARK (20:00-21:00) Park Live マヒトゥ・ザ・ピーポー + 近藤さくら https://www.instagram.com/p/B2EUCgMDlVM/ ワンドリンクオーダー

9/14(土) 渋谷 TRUNK (20:00-23:30) TOKYO SLEEP machìna / 食品まつり a.k.a. foodman / DJ Elena Midori https://www.instagram.com/p/B1Kjd5dlpyl/ エントランスフリー。supported by flau

9/15(日) 千葉県銚子市 銚子マリーナ横 (10:00-19:00) TONE RIVER JAM aie / CreativeDrugStore / DJ CHARI & DJ TATSUKI Friends / Endzweck / GARLICBOYS / Hawaiian6 / kamomekamome / KANDYTOWN / Mr.FreeeDom / ORESKABAND / Sound’s Deli / spikeshoes / to overflow evidence / YENTOWN RAPPERS / YuntakuParlor https://www.toneriverjam.com/

9/15(日) 大井町 しながわ中央公園 (10:00‐20:00) GOOD PARK! 2019 川村亘平斎 / 馬喰町バンド / 明和電機 https://tasko.jp/news/good-park-2019/ 入場無料。ファミリー向け？

9/16(月/祝) 川崎市 東扇島東公園 (11:00/12:30) 渋大祭 clammbon / CRCK/LCKS / DALLJUB STEP CLUB / GEZAN / GOMA & The Jungle Rhythm Section / MULL HOUSE / ROVO / The Sun Ra Arkestra / toconoma / YAKUSHIMA TREASURE (水曜日のカンパネラ x オオルタイチ) / ZAZEN BOYS / スガダイロートリオ / チャランポランタン / 泉邦宏ひとりオーケストラ / 栗コーダーカルテット / 渋さ知らズオーケストラ / 渋谷毅オーケストラ / T字路s / 鉄割アルバトロスケット / 中村佳穂 / 風煉ダンス / 芳垣細海伊賀吉田＆元晴 https://shibutaisai.com/

9/16(月/祝) 新代田 FEVER (18:00/18:30) Pohgoh Japan Tour 2019 Pohgoh / Caithlin De Marrais / malegoat / akutagawa http://thelostboys.malegoat.com/the-lost-boys-present-pohgoh-japan-tour-2019-with-caithlin-de-marrais-of-rainer-maria/

9/18(水)-19(木) お台場 Zepp DiverCity (18:00/19:00) でんぱ組.inc "UHHA! YAAA!! TOUR!!! 2019 SPECIAL" https://dempagumi.tokyo/news/2019/06/26/2019-09-special/

9/18(水) 六本木 Billboard Live TOKYO (2公演) Eagle-Eye Cherry http://www.billboard-live.com/pg/shop/show/index.php?mode=detail1&event=11551&shop=1

9/18(水) 渋谷 CLUB QUATTRO (18:00/19:00) The Royal Concept https://www.creativeman.co.jp/event/theroyalconcept/

9/20(金) 新宿 TOWER RECORDS 10F (20:00-) OGRE YOU ASSHOLE　『新���い人』 発売記念イベント『RECORD YOU ASSHOLE』 https://tower.jp/store/event/2019/09/055033o

9/20(金) 銀座 SONY PARK (20:00-21:00) Park Live 小林うてな https://www.instagram.com/p/B2WVUUGgtn2/ ワンドリンクオーダー

9/21(土) 千葉 幕張海浜公園 (10:00-20:30) PEACE DAY 2019 GAKU-MC / mabanua / MONKEY MAJIK / never young beach / S.T.K. (SUGIZO + TETRA) / TENDRE / YOUR SONG IS GOOD / 安藤裕子 / 竹渕慶 / 吉澤嘉代子 https://peaceday.jp/2019/

9/21(土) 大阪 堺route26周辺 (11:00-) 全感覚祭19 -NEW AGE STEP- THE ACT WE ACT / bacho / bed / BISING / BOGULTA / Campanella / Climb The Mind / FAAFAAZ / GEZAN / THE GUAYS / HARD CORE DUDE / imai / killerpass / KK manga / KOPY / lee (asano＋ryuhei) / MOFO / NAGAN SERVER / new yakuza / NOT WONK / THE NOVEMBERS / NTsKi / NUUAMM / odd eyes / penisboys / popo / WETNAP / オッス！オラ和人！ / ゑでぃまぁこん / キーマカリーズとチチワシネマ / ねじ梅タッシ / んoon / やっほー / 岡崎隼 / 折坂悠太 (重奏) / 鎮座DOPENESS / 渚にて / 七尾旅人 / 山本精一 & 脳内花畑 / 行松陽介 https://zenkankakufes.com/

9/21(土) 法政大学 市ヶ谷キャンパス 外濠校舎地下1階 多目的室1 (15:30/16:00) Like Forever 50 pears / Jan flu / POINT HOPE / The Waterfalls https://twitter.com/hoseijoy/status/1165202095089184769

9/22(日) 二子玉川ライズ 中央広場 (10:00-18:00) ウルトラ"フリー"ソウルピクニック 思い出野郎Aチーム / ハナコ / Aマッソ / ゼスト / ファイヤーサンダー / TOY https://oyat.jp/news/352/

9/22(日) 北千住 足立市場 (18:00-19:00/20:00-21:00) DANCE TRUCK TOKYO OrganWorks / 白神ももこ / 鈴木ユキオ / 田村興一郎 / 鉄割アルバトロスケット / 東野祥子 http://dance-truck.jp/tokyo/info-adachi.php

9/23(月/祝) 吉祥寺 キチム (18:00/18:30) シーモアグラス23周年キチムライブ 荒井良二 / 山崎ゆかり (空気公団) http://www.kichimu.la/file/seemoreglass.htm

9/24(火) 代官山 SPACE ODD (18:30/19:30) Larkin Poe https://www.creativeman.co.jp/event/larkin-poe/

9/24(火) 都立大学 めぐろパーシモンホール (19:00/19:30-21:30) くりぃむしちゅー熊本復興支援 チャリティトークライブ https://naturaleight.co.jp/creamlive/

9/25(水) 渋谷 o-nest (19:00/19:30) Nothing Japan Tour 2019 Nothing / Luby Sparks / Aya Gloomy http://www.icegrillsnerds.com/?pid=144602106

9/26(木) 新木場 STUDIO COAST (18:30/19:00) Flying Lotus in 3D Flying Lotus / Louis Cole https://www.beatink.com/products/detail.php?product_id=10322

9/26(木) 原宿 TOT STUDIO (18:30/19:00) THINK OF SONGS #15 DUO RUUT / jan and naomi https://think-of-things.com/news/2019/09/think-of-songs-15duo-ruut-jan-and-naomi.html

9/26(木) 渋谷 CLUB QUATTRO (18:30/19:30) TOKYO LAB 2019 T.O.C BAND feat. 冨田恵一 (冨田ラボ) / 西田修大 + 中村佳穂プロジェクト / Meetz Twelve / SMTK / アオイヤマダ https://www.tokyolab.tokyo/

9/27(金) 豊洲 PIT (18:00/19:00) "This Is My Truth Tell Me Yours" 20th Anniversary Show Manic Street Preachers / ASIAN KUNG-FU GENERATION https://www.creativeman.co.jp/event/manic-street-preachers/

9/27(金) 銀座 SONY PARK (20:00-21:00) Park Live さとうもか https://www.instagram.com/p/B2oW0TfgAeo/ ワンドリンクオーダー

9/28(土)-29(日) 上野恩賜公園 (10:00-18:00) TAIWAN PLUS 2019 [9/28] 李英宏 aka DJ Didilong / 9m88 / 巴賴 / 生祥樂隊 [9/29] Tizzy Bac / 宇宙人 Cosmos People / 雷擎 / DSPS https://taiwan-plus.jp/exhibition/2019

9/28(土)-29(日) 下北沢ケージ (11:00-19:00) GOOD VIBES NEIGHBORS [9/28] オカモトレイジ (OKAMOTO'S) / CYK (Nari、Kotsu、Naoki Takebayashi、DJ No Guarantee) / tofubeats -DJset- / 社長 (SOIL&"PIMP"SESSIONS) / 一十三十一 -Clubset w/Dorian+Kashif- [9/29] TOMMY / 柴田ひかり / xiangyu / Kenmochi Hidefumi / 踊Foot Works -Minimal Live Set- https://goodvibes.town/shimokitazawa201909/news/new3.html 入場無料

9/28(土) 日比谷野外大音楽堂 (16:45/17:30) eastern youth https://smash-jpn.com/live/?id=3150

9/28(土) 八王子 RIPS (18:00/18:30) Nothing Japan Tour 2019 Nothing / PALM / malegoat http://www.icegrillsnerds.com/?pid=144602106

9/29(日) 下北沢 ERA (17:30/18:00) Nothing Japan Tour 2019 Nothing / 揺らぎ http://www.icegrillsnerds.com/?pid=144602106

9/30(月) 代官山 蔦屋書店 (19:00/19:30) Devendra Banhart https://wmg.jp/devend-rabanhart/news/84180/

[↑ 9月 | ↓ 参考]

[10月]

10/1(火) 渋谷 TOWER RECORDS (19:00-) Devendra Banhart ニュー・アルバム「MA」発売記念イベント http://towershibuya.jp/2019/09/13/138248

10/2(水)-3(木) 六本木 Billboard Live TOKYO (2公演) Salyu http://www.billboard-live.com/pg/shop/show/index.php?mode=detail1&event=11614&shop=1

10/3(木) 渋谷 HOME (20:10/20:30) Tengil Japan Tour 2019 Tengil / wombscape https://tokyojupiterrecords.com/post/185746984247

10/4(金) 原宿 TOT STUDIO (19:00/19:30) Lori Scacco & Certain Creatures Japan Tour 2019 http://www.artuniongroup.co.jp/plancha/top/news/lori-scacco-certain-creatures-japan-tour-2019/

10/4(金) 中目黒 solfa (22:00-) OverALL Daisuke Tanabe / submerse / kafuka http://www.nakameguro-solfa.com/schedule/overall-2/

10/5(土) 新宿区立新宿文化センター (11:00-) -shin-音祭 ASAYAKE 01 / betcover!! / bonobos / GRAPEVINE / haruru犬love dog天使 / Kaco / KAKATO (環ROY & 鎮座DOPENESS) / MONO NO AWARE / MUSIC FROM THE MARS / あらかじめ決められた恋人たちへ / サンガツ / □□□ / 国府達矢バンド / 玉手初美 / 原きよ + 市瀬薫 / 真心ブラザーズ / 室井雅也 https://shin-onsai.com/

10/5(土) 千葉県佐倉市 志津図書館 (16:00-) 本気BOOKフェス2019 宮内優里 https://www.library.city.sakura.lg.jp/viewer/info.html?id=235

10/5(土) 銀座 SONY PARK (17:00-18:00) Park Live Polaris https://www.instagram.com/p/B28ojBBgXS8/ ワンドリンクオーダー

10/6(日) 調布 多摩川児童公園自由広場 (13:00-21:00) CHOFU RIVER SIDE CINEMA 2019 18:00からボヘミアン･ラプソディ上映 https://outdoortheater-japan.com/

10/6(日) 大宮 more records (17:30/18:00) Lori Scacco & Certain Creatures Japan Tour 2019 http://www.artuniongroup.co.jp/plancha/top/news/lori-scacco-certain-creatures-japan-tour-2019/

10/7(月) 新代田 FEVER (19:00/19:30) The Fur. "Best Comedy" Japan Tour 2019 The Fur. / Luby Sparks / SaToA http://fastcut.jp/feature/the-fur-best-comedy-japan-tour-2019/

10/8(火) 渋谷 O-WEST (18:00/19:00) The Get Up Kids Japan Tour The Get Up Kids / HUSKING BEE https://smash-jpn.com/live/?id=3146

10/9(水) 渋谷 O-WEST (18:30/19:30) The Get Up Kids Japan Tour https://smash-jpn.com/live/?id=3146

10/9(水)-10(木) 渋谷 WWW X (18:00/19:00) Men I Trust Tokyo Show 2019 https://smash-jpn.com/live/?id=3173 来日延期

10/11(金) 赤坂 BLITZ (18:00/19:00) Hot Chip "Bath Full of Ecstasy Tour" https://smash-jpn.com/live/?id=3179

10/11(金) 銀座 SONY PARK (20:00-21:00) Park Live BimBamBoom https://www.instagram.com/p/B3MZ7UtgmkD/ ワンドリンクオーダー

10/12(土)-13(日) 富士山麓 朝霧アリーナ ふもとっぱら 朝霧JAM [10/12] THE ALEXX / BIM / Cornelius / Harvey Sutherland (solo live set) / Hot Chip / Hothouse Flowers / Keefer / Men I Trust / MONO NO AWARE / T字路s / VaVa [10/13] BADBADNOTGOOD / Bohemian Betyars / cero / Gilles Peterson / Jamila Woods / Kikagaku Moyo / OGRE YOU ASSHOLE / Penguin Cafe / Safeplanet / Tamikrest / くるり / ハナレグミ / ザ・ぶどうかんズ from シャキーン！ / 折坂悠太 (合奏) https://asagirijam.jp/timetable/ 開催中止

10/12(土)-13(日) 京王多摩川 多摩川河川敷 もみじ市 2018 [10/12] 高野寛 / コトリンゴ / Dear Scots! [10/13] 山崎ゆかり (空気公団) / 栗コーダーカルテット / tico moon http://momijiichi.com/2019/5062 14日に代替開催準備

10/12(土)-13(日) 六本木ヒルズアリーナ 福島フェス [10/12] RAG FAIR / チャラン・ポ・ランタン / 津吹みゆ / 福島フェス・オールスターズ [10/13] TOKYO No.1 SOUL SET / 原田直之 / bonobos / 福島フェス・オールスターズ http://fes.fukushima.jp/stage.php 開催中止&振替開催検討中

10/12(土)-14(月/祝) 日本橋 三井ホール Montreux Jazz Festival Japan 2019 [10/12] BADBADNOTGOOD / The Five Corners Quintet [10/13] Kurt Rosenwinkel & Caipi featuring Pedro Martins / ものんくる [10/14] 小坂忠 with 中納良恵 (EGO-WRAPPIN') / Marisa Monte https://www.montreuxjazz.jp/ 12,13日開催中止

10/12(土)-14(月/祝) 和泉多摩川 河川敷 TAMARIBA2019 [10/12] 前夜祭としてDANCE TRUCK TOKYO [10/13] Frasco / kolme / Makoto Okazaki / Sawa Angstrom / エルモアスコッテーズ / カタオカセブン / ハルカトミユキ / メロウ・イエロー・バナナムーン / 熊川みゆ / 斉藤アリーナ [10/14] ATHENS / sankara / xiangyu / マッシュとアネモネ / 内田珠鈴 / 日梨Record https://www.tamariba.info/pages/623278/music 開催中止

10/12(土) 千葉 ヘビーデューティー秘密基地 (11:00/11:30) 全感覚祭19 -NEW AGE STEP- bacho / BLACKSMOKERS / Discharming man / FAAFAAZ / GEZAN / GOMA & The Jungle Rhythm Section / GOTOU / THE GUAYS / the hatch / ICHI / Jin Dogg / KID FRESINO / killie / KK manga / LEARNERS / mouse on the keys + セノオGEE + 飛田雅弘 + 本澤賢士 / NOT WONK / THE NOVEMBERS / OKAMOTO'S / penisboys / People In The Box / The Physics House Band / SPARTA LOCALS / STUTS / Tohji / VELOCITYUT / VMO / WETNAP / YAKUSHIMA TREASURE (水曜日のカンパネラ×オオルタイチ) / オオルタイチ / ミツメ / やっほー / 青葉市子 / 折坂悠太 (合奏) / 幾何学模様 / 切腹ピストルズ / 知久寿焼 / 寺尾紗穂 / 原田郁子 (クラムボン) / 山本精一 & 東京13Channel / 林以樂 (SKIP SKIP BEN BEN) http://bit.ly/2Oslpmf 開催中止

10/12(土) 上野恩賜公園 野外ステージ (14:00/15:00) 片想い 3rd Album『LIV TOWER』Release Party "片想インダ公園2019" 片想い / ふちがみとふなと (guest: エマーソン北村) https://kakubarhythm.com/live/post/7582 開催中止

10/12(土) 甲南大学ネットワークキャンパス東京 (18:00-) エトガルケレットとシーラゲフェン http://etgar-shira-jp.strikingly.com/ 開催中止

10/12(土) 狛江 多摩川河川敷 (18:00-20:00) DANCE TRUCK TOKYO Aokid / KAMOSU / 小暮香帆 / 白井剛/米澤一平 / テニスコーツ / 向雲太郎 http://dance-truck.jp/tokyo/info-komae.php 開催中止

10/12(土) 落合 soup (19:00/19:30) Lori Scacco & Certain Creatures Japan Tour 2019 http://www.artuniongroup.co.jp/plancha/top/news/lori-scacco-certain-creatures-japan-tour-2019/ 開催中止

10/13(日) 八王子いろいろ (11:00/12:00) MATSURI 2019 A PAGE OF PUNK / And Protector / ANGRY NERD / control / DAIEI SPRAY / Dead Ex / DEAD STOCK / DEEPSLAUTER / DIEGO / does it float / either / FAAFAAZ / falls / FILTER / FOUR TOMORROW / FRIDAYZ / FUCKER / The Hathaways / GORO GOLO / HORSE&DEER / I LIKE YOUNG GIRL / KONCOS / KUNG-FU GIRL / The Leif Ericsson / malegoat / MAPPY / MORETHAN / Morning Morgantown Band / NINJA BOYZ / No edge / number two / OFFICE VOIDS / RAIN MAKER / SAGOSAID / THE SATISFACTION / THE SENSATIONS / SHIPYARDS / SHORT STORY / Sleepless / STARVINGMAN / THE STEADYS / SUMMERMAN / Teenage Slang Session / THROW YOUR LIGHTS / tranquil life / TURNCOAT / THE WELL WELLS / without / yellow gang / The Yesterdays / ジャポニカソングサンバンチ / チーターズマニア / やっほー https://matsuri2019.blogspot.com/ 開催中止

10/13(日) 吉祥寺 WARP (12:00-14:30) The Physics House Band Japan Tour 2019 Extra Show in Tokyo The Physics House Band / 突然少年と川崎昭 (mouse on the keys) https://twitter.com/ARAYAJAPAN/status/1182581743695478785?s=20

10/13(日) 渋谷ストリーム (12:00-21:00) フイナムとビームスのライブ [メイン] CHAI / WONK / YAKUSHIMA TREASURE / スチャダラパー / ペトロールズ [フリー] MONJU N CHIE / xiangyu / 大比良瑞希 / ジオラマラジオ / YUMI https://www.beams.co.jp/special/hnf/ https://www.houyhnhnm.jp/news/294994/

10/13(日) 下北沢 lete (19:00/20:00) Grand Salvo http://www.l-ete.jp/

10/13(日) 渋谷いろいろ (23:30/24:00) SHIBUYA全感覚祭 - Human Rebellion - GEZAN / bacho / BLACKSMOKERS / Discharming man / GOTOU / THE GUAYS / the hatch / Have a Nice Day! / KID FRESINO / killie / KK manga / mouse on the keys / NOT WONK / THE NOVEMBERS / penisboys / STUTS / Tohji / WETNAP / VMO / ミツメ / やっほー / 青葉市子 / 踊ってばかりの国 / 折坂悠太 (合奏) / 幾何学模様 / 切腹ピストルズ / 原田郁子 http://bit.ly/2MytjrF https://twitter.com/jusangatsu

10/14(月/祝) 恵比寿 LIQUIDROOM (11:30/12:00) EMOTIONAL RIOT AGATHA / bacho / bed / Climb The Mind / eastern youth / The Firewood Project / GEZAN / Hello Hawk / killie / KONCOS / KOTORI / LOSTAGE / mouse on the keys / NOT WONK / PENs+ / SEMENTOS / TheSpringSummer / Teenager Kick Ass / toddle / uri gagarn / 1inamillion / 999999999 / 塩入冬湖 (FINLANDS) / 突然少年 http://www.loft-prj.co.jp/fes/riot/

10/14(月/祝) 六本木 Billboard Live TOKYO (2公演) Kiefer http://www.billboard-live.com/pg/shop/show/index.php?mode=detail1&event=11610&shop=1

10/14(月/祝) 鎌倉 John (13:30-17:30) 佐藤洋美 "PAPER VIEW" 宮内優里 http://kyassaba.net/news191010/ 入場無料

10/14(月/祝) 渋谷 TOWER RECORDS 7F (16:00) Penguin Cafe ソロピアノ・ライブ＆サイン会 https://tower.jp/store/event/2019/10/003062

10/14(月/祝) 八丁堀 七針 (18:00/18:30) Grand Salvo Grand Salvo / muffin / 池間由布子 http://www.ftftftf.com/

10/15(火) 鶯谷 東京キネマ倶楽部 (18:00/19:00) Penguin Cafe Japan Tour 2019 https://smash-jpn.com/live/?id=3224

10/18(金) 赤坂 草月ホール (18:30/19:00) バカリズムライブ番外編「バカリズム談」 http://slush-pile.jp/

10/18(金) 銀座 SONY PARK (20:00-21:00) Park Live Sparrows / submerse https://www.instagram.com/p/B3ebgPEAZWm/ ワンドリンクオーダー

10/18(金) 渋谷 CIRCUS Tokyo (23:00-) Machinedrum Japan Tour 2019 -CIRCUS TOKYO 4th Anniversary- http://circus-tokyo.jp/event/machinedrum-japan-tour-2019/

10/19(土)-20(日) 多摩センター NEW TOWN betcover!! / BROTHER SUN SISTER MOON / DÉ DÉ MOUSE & Akinori Yamamoto from LITE / Jurassic Boys / KUDANZ / Maica_n / Mom / Nagie Lane / NakamuraEmi / ninoheron (uri gagarn/group_inou) / [.que] / ROTH BART BARON / TheWorthless / Yuki Murata / おどるんたたくん / カネコアヤノ / ザ・なつやすみバンド / パソコン音楽クラブ / マーライオン / よしむらひらく / ラッキーオールドサン / 荒川ケンタウロス / 有馬和樹 / 磯野くん (YONA YONA WEEKENDERS) / 王舟 / 大比良瑞希 / 沖ちづる / 君島大空 / 国府達矢 / 五味岳久 (LOSTAGE) / 錯乱前戦 / 笹川真生 / 柴田聡子 / 永原真夏 / 羊文学 / 前野健太 / 眉村ちあき / 渡會将士 https://newtown.site/

10/19(土) 渋谷 o-nest (17:30/18:00) Efrim Manuel Menuck / Kevin Doria Japan Tour 2019 Efrim Manuel Menuck / Kevin Doria / Velladon http://indie-asia.com/?p=742 GY!BEとGrowingの人

10/19(土) 新代田 FEVER (18:30/19:00) ジオラマラジオ 1st ep. "img" release live ジオラマラジオ / uri gagarn / SaToA http://www.fever-popo.com/schedule/2019/10/19/

10/20(日) 赤坂 草月ホール (18:30/19:00) 漫才三唱 銀シャリ / 三四郎 / カミナリ http://slush-pile.jp/

10/22(火/祝) 代々木公園 (12:00-18:00) True Colors BEATS Uncountable Beats Festival ermhoi / Juana Molina / Milo Moya / Monaural mini plug / Santiago Vazquez / xiangyu / YAKUSHIMA TREASURE / コムアイ / 岩崎なおみ / 大友良英 / 角銅真実 / 勝井祐二 https://truecolors2020.jp/santiago-vazquez-ja/

10/22(火/祝) 八丁堀 七針 (17:30/18:00) Efrim Manuel Menuck / Kevin Doria Japan Tour 2019 http://www.ftftftf.com/#1022

10/22(火/祝) 渋谷 WWW (17:30/18:30) Hei Tanaka 1stアルバム「ぼ〜ん」リリースツアー 「ぼ〜んツアーだい！」 https://www-shibuya.jp/schedule/010935.php

10/22(火/祝) 渋谷 7th floor (17:30/18:30) yumbo x かえる目 https://7ep.net/events/yumbo_kaeru/

10/23(水) 渋谷 WWW X (18:30/19:30) Beat Compañero/波動の交わり Juana Molina / Miloo Moya / Santiago Vazquez / YAKUSHIMA TREASURE https://www-shibuya.jp/schedule/011738.php

10/25(金) 代官山 LOOP (18:30/19:30) Yuck X Luby Sparks 2019 https://spaceshowermusic.com/news/103465/

10/26(土)-27(日) 代々木公園 (10:00-17:00) earth garden “秋” 2019 http://www.earth-garden.jp/event/eg-2019-autumn/artist/

10/26(土)-27(日) 渋谷 宇田川町空き地 (18:00-20:00) DANCE TRUCK TOKYO Abe"M"ARIA / 五十嵐結也 / 川村美紀子 / きたまり / しでかすおともだち / 白井剛/Dill / 灰野敬二 / 東野祥子 / メガネ（座） / 森下真樹/森下スタンド / 山川冬樹 / ロクディム http://dance-truck.jp/tokyo/info-shibuya.php

10/26(土)-27(日) 逗子 池子の森自然公園 400mトラック 池子の森の音楽祭2019 beipana / GEN NAGASHIMA / Half Mile Beach Club / KEIZOmachine!＆NATACHA / LUNASUN (近田春夫＆OMB) / Major Force / notremusica orchestra / Otoji＋Ray＋関島種彦 / Sauce81 / shiba@FreedomSunset / ZEN 101 / かもめ児童合唱団 / ぎがもえか / ナカコー＋勝井祐二＋沼澤尚＋Kamiyann / 川床 / 兒玉峻 / 柴田杏里 / 平川温泉旅館 / 浮(buoy) http://www.ikegomorifes.com/

10/26(土)-27(日) 桜台 pool Basic Function Festival [10/26] Zayaendo plays Ueno Action / 角銅真実 with 巌由美子 / 夏の大△+ju sei [10/27] 大城真+川口貴大+大蔵雅彦 / ユタカワサキ+山形一生 / 正直鹿サイエンス / 中村ゆい+knd https://twitter.com/ooooshiroooo

10/27(日) 吉祥寺 キチム (16:30-20:00) キチムの夜市 http://www.kichimu.la/file/yoichi7.htm

[↑ 9月 | ↑ 10月]

[参考]

来日情報 http://nme-jp.com/liveevent/ http://matome.naver.jp/odai/2137796788764948701

Tokyo Gig Guide http://www.tokyogigguide.com/

TOWER RECORDS インストアイベント http://tower.jp/store/event/

HMV インストアイベント http://www.hmv.co.jp/st/event/ http://recordshop.hmv.co.jp/cate/event

フェスまとめ http://www.festival-life.com/festivals

clubberia https://www.clubberia.com/ja/events/

ゲーム音楽の演奏会、コンサート情報 http://www.2083.jp/concert/

イベント：CINRA http://www.cinra.net/event

[lmmendez]

2018, un recuento musical

Lo mejor de lo que pude escuchar, en orden aleatorio:

Marianne Faithfull - Negative Capability: https://www.youtube.com/watch?v=ndseNmYb4s0

Fire! - The Hands: https://www.youtube.com/watch?v=Dpe0EnD9870

Jason Sharp - Stand Above the Streams: https://www.youtube.com/watch?v=0Vc2qbOSBd0

Carla Bozulich - Quieter: https://carlabozulich.bandcamp.com/album/quieter

Efrim Manuel Menuck - Pissing Stars: https://www.youtube.com/watch?v=WH6LD9aZ0IM

Meg Baird & Mary Lattimore - Ghost Forests: https://www.youtube.com/watch?v=cVpg4CcBpu8

Senyawa - Sujud: https://www.youtube.com/watch?v=FOP-lzob-M0

Félicia Atkinson - Coyotes: https://feliciaatkinson.bandcamp.com/

Stuart A. Staples - Arrhythmia: https://www.youtube.com/watch?v=bjY8IwjtPkY

Ian William Craig - Thresholder: https://ianwilliamcraig.bandcamp.com/album/thresholder

Daughters - You Won’t Get What You Want: https://www.youtube.com/watch?v=KqntnTfFcHE

Eli Keszler - Stadium: https://www.youtube.com/watch?v=xNLdBYvpiJk

Low - Double Negative: https://www.youtube.com/watch?v=jvEozu4Obfs

The Ex - 27 Passports: https://www.youtube.com/watch?v=dzFUjOksyME

The Brian Jonestown Massacre - Something Else: https://www.youtube.com/watch?v=FCsaFEu7JxA

Hookworms - Microshift: https://www.youtube.com/watch?v=TALpcCFupmw

Tirzah - Devotion: https://www.youtube.com/watch?v=c2EIDPpzXUE

The Body - I Have Fought Against It, But I Can’t Any Longer: https://www.youtube.com/watch?v=Lvqi0Ietsmw

No Age - Snares Like A Haircut: https://www.youtube.com/watch?v=B7WiAVLqJOc

Mount Eerie - Now Only: https://www.youtube.com/watch?v=FOqrnQdXhUs

Las Ligas Menores - Fuego Artificial: https://www.youtube.com/watch?v=2KnDY0D8ijg

Brigid Mae Power - The Two Worlds: https://www.youtube.com/watch?v=ZMFLRowlFGo

Pendant - Make Me Know You Sweet: https://westmineral.bandcamp.com/album/make-me-know-you-sweet-ouest099

Adam Stafford - Fire Behind The Curtain: https://www.youtube.com/watch?v=gzayD7LIpRE

Miss Red - K.O.: https://www.youtube.com/watch?v=rRPARG-ZjBU

Pusha T - DAYTONA: https://www.youtube.com/watch?v=L7-0ugujS2U

Juliana Daugherty - Ligth: https://www.youtube.com/watch?v=c6UyzyLfgkA

Park Jiha - Communion: https://www.youtube.com/watch?v=90hQltLDSBs

*La mejor canción chilena: El sueño pesa (ft. Chini Ayarza) de Niños del Cerro: https://www.youtube.com/watch?v=1gU_589413k

[abibeur]

New album from ALL HANDS_MAKE LIGHT, I’m very excited!!

[dustedmagazine]

A year of pissed-off, bummed-out music: Jonathan Shaw’s year in review

Photo of Agrimonia by Victor Sanchez

I’m not making any grandiose claims about the “greatness” or the “best-ness” of any of these records. But they’re the records I kept coming back to, throughout the year — the ones that refused to fall off the queue, that insisted that I listen, closely and attentively.  

The list also gravitates toward the slow and really, really heavy. This year, if a record’s sounds weren’t loud and pissed off or bummed out, it didn’t have much chance of holding my attention. Heavy, pissed and bummed were my affective baselines, as U.S. politics and culture spiraled around an ethical nadir. Music has never been an escape for me. It’s life’s soundtrack. And life has a dire, desperate feel these days. The records respond accordingly.  

Agrimonia’s Awaken is the record I played most often this year, and I played those by YOB and Thou almost as frequently. The others are in no particular order, but I spent a lot of time with all of them.

Agrimonia — Awaken (Southern Lord)

Awaken by Agrimonia

Awaken is a remarkably potent blend of crust’s politico-cultural ethos and metal’s volume and riff worship. The band’s roster combines decades of experience gigging in Gothenburg’s fecund metal and punk scenes, and their confidence and deftness shows. It’s a passionate, exciting record, egregiously underappreciated.  

YOB — Our Raw Heart (Relapse)

Our Raw Heart by YOB

To call this LP “heartfelt” might be a bit too on the nose. Still, Mike Scheidt’s heavyweight bout with near-fatal illness has imbued YOB’s riffing with a nakedly emotional impact. The band still brings the heavy, but they do so with palpable humility and humanity, and that’s a real artistic accomplishment. 

 Thou — Magus (Sacred Bones)

Magus by Thou

An absolute knockout: all the scabrous, desolate noise you could want out of a sludge record, and an outsized load of smarts, too. Thou released a ridiculous amount of new music this year, but this record is the motherfucker. Unrelentingly intense and full of ideas.

  Candy — Good to Feel (Triple B)

Good To Feel by CANDY

The remarkable hardcore record, Good to Feel finds a way to get to the other side of nihilism by taking it seriously. Careful with this one—it leaves a mark. And the band are among the best live acts in heavy rock right now.

 Efrim Manuel Menuck — Pissing Stars (Constellation)

Pissing Stars by Efrim Manuel Menuck

Menuck is one of the founders of Godspeed You! Black Emperor, and that band’s sonic grandiosity is occasionally registered on this solo LP. But most of the sounds are bleak, angry or emotionally tapped out. It’s pretty harrowing stuff. Menuck attempts to bring the record’s tone around to hope, and the title track almost gets there. Almost.

 The Armed — Only Love (Self released)

ONLY LOVE by The Armed

An impossibly exciting hybrid of hardcore’s provocation, electro’s technical spazz-out and noise rock’s information overload. It’s hard to get a handle on exactly who these Detroit-based pranksters are, and what they intend by presenting the world with these sounds. But the sounds themselves are undeniable.

 Material Support — Terror Prone Nation (Aklasan Records)

Terror Prone Nation by Material Support

The year’s sharpest political punk, Terror Prone Nation couples ideological clarity with memorable melody. Vocalist Jackie commands the songs with a voice that’s clear and compelling. She knows that the words are what matter, but she can shout with the best of them. “Tear it down and start again.” Right on.

 Moloch — A Bad Place (Feast of Tentacles)

A BAD PLACE LP by MOLOCH

At once unendurably ugly and utterly transfixing, this is the sound of the earth ball rolling around the rim of a rusting, crumbling sewer pipe. Depending on how you’re situated, A Bad Place is either the worst record to play when you’re feeling shitty, or the only record to play.

 Screaming Females — All at Once (Don Giovanni)

All At Once by Screaming Females

As on all Screaming Females records, Marissa Paternoster’s guitar-hero antics dominate. But All at Once also demonstrates the range of her gifts as a singer, and the record’s ongoing thematic interest in image (on the Internet, self-image and identity, and in visual arts) makes for a cohesive and stimulating set of inventively written songs. And the solos burn it down.

 Primitive Man / Unearthly Trance — Split LP (Relapse)

Split w/ Unearthly Trance by Primitive Man

This is one of those rare split LPs that feels like a complete record, as both bands explore the relation between doom metal and harsh noise. Primitive Man’s tracks are much more oriented to experimentation with noise, while Unearthly Trance absolutely destroy their side of the record with four songs of soul-shattering metal. Among the heaviest records of the year, by whatever metric you want to use.  

Also, a special shout-out to Philadelphia’s own Moor Mother, who threw down the loudest, smartest and most searing live show I saw this year, among a bunch of loud, smart and searing shows. If you haven’t seen Moor Mother do her thing, stop fucking around and go. Here’s a taste:

Peace.

 Jonathan Shaw