#entertaining but completely lost the plot in the second season (and it was flimsy to begin with)

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uh scream

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Who’s your favorite character of tua and why

I enjoy most of the characters in Umbrella Academy, but my favorite is Five! As for why, there are a lot of reasons, but I think, writing-wise it's because I don't know what he will do at any given moment, but I trust where he's going. This is a difficult balance to pull off, but I'll try to explain exactly what I mean and why I feel that way.

Firstly, I don't know what he'll do, which makes him interesting to watch. He's full of contradictions in many ways, he's very resourceful, and he's written as someone who is extremely smart. (Though another thing I find interesting is that unlike with many other "genius" characters, intelligence--as in knowledge or ability like with his scribbling-on-the-walls math--isn't his primary trait, at least not to me. Before that I would say that he is at least determined, as well as resourceful in a way that isn't linked strictly to book smarts. Instead, he's driven on sustained desperation that "geniuses" never seem to get in media, and even though he's so smart and generally competent, his plans often or always fail, which I actually made a whole post about. Even further, we know he's 58, so his knowledge is based not only on natural ability, but also a lot of work and time, which is also not the general presentation. We know he's smart, but figuring out time travel took him a whole lifetime.) Anyway, even his power set is...fluidly defined. I don't know what plans he will make, or what side effects will follow--only that, based on past experience, side effects will follow. As such, I'm very entertained watching him constantly pivoting and coming up with new ideas and plans, especially since I think he gets more plot turns than anyone else in the series, or at least is a more active force in those turns.

His choices also showcase the desperation that is at the core of him, and the moral greyness that comes from it. He's not bound by normal considerations like most of the others are; often, he doesn't even consider them. What might be off-limits to others isn't off-limits to him (which is like his powers in a funny kind of way). But really, it all stems from the fact of having lost everything with his 45-year stint in the apocalypse and the loneliness that comes from that. It's an interesting philosophical thought experiment. What are morals in a dead world? What are a few thousand people compared to the end of humanity? What are we if everything else gets stripped away?

And for Five, the answer is not in the violence we've seen him commit, but instead the love he shows. He was presented as a prickly genius who is smarter than everyone and knows everything (like he says to Allison in ep 1) and who is also a time-travelling assassin hardened by decades in a wasteland. We expect competence, cold calculation, and a near-complete lack of empathy. But then we meet Dolores, and we learn that he's doing everything for his family, and we see that everything he does is for love of other people. Specific other people, sure, but love nonetheless. And he isn't cool about it, isn't aloof; he's lost it all before, and he's desperate, and nothing he does--despite what most shows tell you about geniuses--really fixes any problem completely, and especially not the relationships that got broken when he left.

Yet even despite all that, he's also predictable in a way that lets me trust him. Obviously, as an audience, we see how pressing and devastating the apocalypse is. It's the end. Yet none of the other characters understand that the way we do, or the way Five does. His ultimate goal is to stop that from happening and protect his family, and given his life experience, I know that there is nothing that will stop him as long as he's around. I trust that his character will make decisions towards an end goal that I agree with as the audience, and that as long as that remains true, I know that even if I don't know where he's going with a plan, I can at least trust his intent. Even with the Commission, where he worked as an assassin and presumably murdered innocents, the end goal is great enough that it makes sense. Moreover, though, is that once we see that his motivation is for love and to protect, not from a place of sadism or superiority, and that he will even listen to others to find a less violent workaround (as with Luther in s1), I trust his intentions even more.

That's part of what makes the murder of the Board, and then the aftermath, so interesting: it's a study in contradiction, the urge to be violent and feel seen and effective and successful, contrasted with a sense of guilt and remorse and an understanding that it's not the best version of himself. He's warring with those instincts, but the writers have portrayed him in a way that allows for understanding and sympathy.

For another thing, as I think @the-aro-ace-arrow-ace mentioned, given his unique standing as both 13 and 58, he can't really have a romantic relationship to pull him away like the others can, nor do I think he would if he could, considering the timespan the show tends to give him. He's not really in the mindset for romance at all, and especially not a romance that would distract him from his goals. Not only was Dolores an extension of his own mind for a long time, but also was one he was willing to abandon, first going with the Handler, then again towards the end of season 1. Not only does this make his goals less likely to be swayed from what I, as an audience member, consider to be important, but also romance as the sort of "love at first sight, I will prioritize you over everyone else without any real merit behind it" is always a bit flimsy to me. Maybe I'm a little too aromantic to get it, but I generally find it a bit distracting at best unless done really well. (I did like Raymond and Allison as a couple. I thought that was done really well, where they had time and chemistry and respect for each other, and I enjoyed the time they spent together. It doesn't hurt that Allison is my second favorite, but it stands well even besides that. It's just a good relationship.)

Finally, all of that plays into Five's relationships with others. He isn't good at being a social creature (understandable), yet that's what he values most: his family. He wants to be empathetic--and in many cases he can be--but he's battling his own inability to be understood. He doesn't even fully understand himself in the world he left when he was a child. In a very real sense, he can't do what has become most important to him--not that his siblings are the best role models for communication. It makes sense, then, that he was able to seemingly connect with Reginald. Five wants to connect with the people he missed and felt like he wronged, no matter if he actually was in the wrong or not. He so often gets ignored/misunderstood/considered crazy that even as someone just watching that conversation, it felt cathartic for him to be listened to and taken seriously, even if I think Reginald is the absolute worst and that the best thing for him to do would be to stay dead. Five thought he was being the most rational of his siblings in that supper, but he didn't realize that his biases were as strong or stronger, and just had a different root. His relationships with others are his strongest desire/goal/motivator, but he has such a distorted perception of the way the world works on a daily, interpersonal level and also who he is in that world, that he can't really make it work right, and that's really neat to watch.

In my mind, also, what Five is looking for isn't actually his family from 2019. It isn't even his family from 2002, or at least not just them. I think that what he wants is to be who he was when he left, before he got stuck in the apocalypse. He wants his family because he loves them--I don't doubt that, and I don't want to discredit it--but also because I think in some sense he believes that if he can just be with them again, he can make things the way they used to be, the way he used to be. He's kind of like Luther in that regard, except that Luther is beginning to move on, and Five is stuck in it. The tragedy in this, of course, is that he's the time traveller here, and no matter what time he goes to, his only choice is forwards for himself. He can't go back, even if he reaches the exact moment he left. This, of course, is speculation--or analysis, if we use the kinder term--but I think it shows how much can be read into his character based on his choices and narrative arc, and that in itself is interesting whether it was intended or not.

So, that's an overly long answer to your question! It's Five because I think he's interesting, and I think he's interesting because the writers have backed themselves into a corner where he kind of has to be. I hope that was what you were looking for!