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swiftgronmasterpost · 4 years

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Late Stage Swiftgron Part 2 (things get loud with babe):

April 18, 2018 - Dianna posts to Instagram about “commitment issues”:

April 20, 2018 - Babe (a song that Taylor wrote in the Red era) about a lover with shall we say “commitment issues”.

Later when the Babe music video is released people (even non Gaylors) notice that it is nearly a shot for shot remake of the I’m Not The Only One music video that Dianna starred in back in 2014.

What’s more psychotic is that the song Babe itself is only three minutes and 35 seconds long:

But the music video has had a full minute and 4 seconds to it to make it the exact same length as the I’m Not The Only One music video. I do think that this is pretty hard evidence that Dianna did step out on Taylor at some point back in 2012. I do not think, however, that it was the chronic issue that the fandom seems to think it was. This is the only song that appears to be about Dianna that accuses her of cheating. The breakup songs on 1989 do not insinuate that the relationship ended due to cheating. In fact, in Style Taylor says “I’ve been there too a few times” when it comes to being with other people.

I actually theorize that the track was not released on Red because Taylor wrote it while upset and hurt, and then they reconciled and worked it out. I think Taylor didn’t release it at the time because she forgave Dianna for the indiscretion and they moved on from it as a couple. I think in her heart of hearts at the time Taylor did not want to put Dianna “on blast” that way.

I think down the road in 2018 they’re obviously long broken up, and have long moved on from the slights of old and Taylor let Dianna know she was going to release the song. Dianna’s “commitment issues” post makes it seem as if it’s a bit of an inside joke between them and Dianna is poking fun at herself and the old and forgiven incident. At least that’s how the situation reads to me.

Taylor posts a cute video talking about the song with a cheeky smile and a heart to ig:

Another theory I’ve been mulling over is the possibility that Dianna and Taylor hooked up some time in 2018 prompting Taylor to paint herself as the other woman (as Dianna would be cheating on Winston making Taylor the other woman) in the mv. There’s no hard evidence for it but it’s possible...

June 6, 2018 - Dianna posts a now deleted selfie and rant about how amazing KIlling Eve is (this post was deleted late summer/early fall 2020 for no apparent reason):

It’s probably a coincidence but her shirt reads, “SANS SOLEIL” which means, “without sun” in French. Karlie is known as “sunshine” in the Gaylor Swift Cinematic Universe.

June 9, 2018 - The aforementioned Babe music video is released

Let me show you just how similar this music video is to I’m Not the Only One:

first, you should know that YES taylor came up with the concept for the music video:

the second thing you should know is that the babe track is 3 minutes and 35 seconds long but the babe music video is 4 minutes and 39 seconds long:

you know what else is EXACTLY 4 minutes and 39 seconds long?

that’s right…the music video that she’s basically copying in the babe mv that starred dianna way back in 2014

opening shot:

kiss goodbye (at almost the same timestamp):

similar shots at the same timestamp:

and again:

and again (these are also basically the stills used for the mv before you click play):

both women driving at the same fucking timestamp (y’all taylor swift is insane holy shit):

in the store shopping at the same fucking timestamp no she is literally unwell someone get her into a facility now:

cheating happens at the same timestamp (seriously tay get help✌️):

here’s another similar shot of my babies at the same timestamp;

cheating husband coming home, same timestamp:

very similar shot of the husbands walking up to the door at the same fucking timestamp (i get it taylor you’re laughing at us from the prison cell now):

similarities that happen at different timestamps

wifey drinking out by the pool:

wifey fiddling with ring:

cheaters drinking it up together:

wifies drinking it up as well (several times both in the mv):

wives do away with the husband’s clothes (Dianna burns them while jennifer dumps them outside in the front lawn):

Pretty much the only thing that’s different about the music videos is the ending. the babe cheater gets dumped while dianna takes her cheater back but ofc we know how taylor likes to change the endings (like she did with love story) or at least to try to change the ending (peter losing wendy).

July 13, 2018 - Taylor visits home and posts to IG with the lyric from style “Take me home” as the caption:

Taylors on the Rep tour and we get this series of surprise songs I consider to be Dianna songs:

“Ours” - Foxborough, MA July 28th

“Out of The Woods” - Toronto, Canada August 3rd (Karlie’s birthday)

“Come Back… Be Here”- Toronto, Canada August 4th (august 4th 2014 Taylor wears one of the Style mv outfits)

“This Love” - Atlanta, Ga., Aug. 10

These shows are all in succession I think it could be a coincidence or perhaps Taylor’s reaction to Karlie’s engagement announced on July 24, 2018...

August 25, 2018 - Karlie shows up to rep tour in Nashville and Taylor plays Better Man 💀

August 31, 2018 - secret song is Swiftgron “Begin Again”

February 24, 2019 - Swiftgron reunion? at the Vanity Fair Oscar Party both Dianna and Taylor are there and they both post to Instagram about it(Dianna posts two days later):

She also comments to a friend that they stayed out until 3AM.

Taylor’s post:

March 7, 2019 - Dianna sees Fleabag at SoHo House:

April 9, 2019 - Dianna posts with a caption about being 13 years old, unrequited love, and 143 in reference to the show Pen15:

June 14, 2019 - Taylor adds “Woman” by Mumford and Sons to her ME! playlist - the song is rumored to be about Dianna written by her (now ex) husband Winston Marshall:

September 7, 2019 - Taylor is noted to be at a Fleabag performance in London at the at Wyndham Theater.

September 23, 2019 - Dianna posts about Phoebe Waller Bridge (who wrote Fleabag, and EPs Killing Eve among other things):

October 5, 2019 - SNL!!!!! - Taylor is the musical guest on SNL while Phoebe Waller Bridge hosts and DIANNA IS IN ATTENDANCE with a VIP guest pass (can only be granted by a cast member, host, or musical guest) and also noted to be “in Swift’s inner circle” at the afterparty:

Taylor performs Lover:

And with huge lesbian energy she also performs False God:

(if it weren’t for DIanna showing up at SNL I probably wouldn’t have even gotten interested in Swiftgron so you have this holy night to thank for my blog @swiftgron-get-married as well as this timeline!)

A blog contributor reached out to someone (non-biased, I know some Kaylors reported that DIanna was there for PWB but that isn’t what this person said) who was at the performance on Twitter and this is what they had to say about the night:

“Dianna was definitely paying attention”

Other fan reports state that Dianna made a face when Taylor sang “magnetic force of a man”:

December 13, 2019 (Taylor’s 30th Birthday) - Dianna adds the song Got It Bad (which is an incredibly sensual song) to a Playlist entitled T 2017 on her private spotify account Some time in late 2019/early 2020 - Ashley (re)follows Dianna on Instagram February 2020 - Dianna and Taylor are both in London at the same time

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doomtodivide · 3 years

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Imagining The Future: Bastille's New Era Analysis

Hello all! The following is taken from the first of my new era update posts on r/Bastillecult. I highly reccomend reading all the posts on there!

Last time I had a few solid guesses with the whole Goosebumps EP transition period, so I figured I would try my luck with this new era. I've broken everything down into a few categories that should hopefully flesh out a sketch of possibilities

Aesthetic: The new logo has a very sleek design. This complete change in aesthetics is very noticable. Bad Blood was filled with literature references, a cozy and nerdy looking dan, and more earthy looking tones. Wild World focused on nihilism, movie references, and an all too realistic dystopian city aesthetic. Doom Days focused on escapism, partying, fucking, and a red and home-y vibes. The lack of color and the clean and sleek look points towards it being a more future oriented era.

Triangle: For a deeper background, I highly recommend reading u/casperwyomingrex 'spost.

The WW era triangle and this new triangle are technically called deltas. While I am by no means a geometry person, I’ve been told by a few math nerds that these triangles are technically not possible in certain plains and spaces, making them impossible. While it is likely that Bastille just needed to explore just slightly outside the normal definition of a triangle to match this aesthetic, the impossible triangle t-shirts hint that there is significance to having “impossible” triangles. This hints that there may be more in common between the WW Era and the Future Era, ie. a dystopian society.

Dystopia: Bastille created an entire dystopian corporation for WW. I remember them saying somewhere they hated the promo and touring process for this album, leading them to switch up the process for DD and the Goosebumps EP. With the record label change and covid shaking up the world, this opens up the opportunity for them to have a redo with this era, especially considering it is a fan favorite era. Many people have pointed out that hint has a vibe similar to black mirror, a sci-fi dystopian show, which would fully support a sci-fi dystopian aesthetic era.

Sound: Though the clip is only 8 seconds long, it gives us some hints about the new era. Bastille once again uses synths for sound, creating a reference to Sci Fi sound effects. The clip mirrors the effect of oscillators to create things like laser sound effects, teleportation, warping, and other “space” noises. I find the juxtaposition of Sci-fi interesting; it was most popular in the early 1900s, meaning Bastille is referencing the past, yet it focuses on the future, which in the lense of Sci-fi, would mean the 2000s and beyond.

In the lens of broadcasting, short interludes are used throughout advertising to the point where many people don’t even think about this. A lot of them are used to hook us in and signify a certain company or thing. In advertisements they are used to signify the company’s presence and to worm the product into our brain. In casinos they are used as a dopamine reward. News stations use them to signify the station. This especially could be relevant in a dystopian society. I’m mentioning this because the clip doesn’t sound full enough to be a song, rather an intro to a news station segment. I find this especially notable considering WW had a news anchor. Looking back, a few videos from wild world could hold significance. This video

has a sci-fi esc clip in the intro.

In Previous Context: In the context of ReOrchestrated, Bastille is no longer letting imposter syndrome or shitty opinions stop them from what they want to do. Meaning they are going full force into the future. There's one specific time during the ReOrch doc where the boys talk about how ReOrch made them realize they could try new shit, even if management thinks it will fail. Dan has spoken in a few interviews now about being excited about collabing (and mentioning relinquishing control to others in the ReOrch doc), a few artists have come forward about working with Dan. While it’s unlikely that every collab we’ve theorized about will go through, Dan Wilson and Ryan Tedder seem to be confirmed in the roster based off of their interviews

When considering the past, a lot of previous songs focus on nostalgia; for example, in Fake it “We can never go back / We can only do our best to recreate.” Post ReOrch and DD, Bastille has worked up enough confidence to push into making their own future, one unlimited by nostalgia and fear.

In the Context of the Goosebumps EP, Inception and Vanilla Sky are both referenced. Both of these movies mark the first time* (to my knowledge

) that futuristic sci-fi has been referenced in Bastille. There is significant overlap with dreaming and time travel, something that could definitely be applied to this era. While it could be coincidental, Bastille has been quite purposeful with using references to add to the era’s aesthetic (see Aesthetic section). Referencing them during a transition period points towards both the literal future (new era) and a new aesthetic.

*Cosmos: War of the Planets and twilight zone have both been referenced but fall into a different category of sci-fi than Vanilla Sky and Inception

In Regards to Distraction Tactics Space Week and WW, alot of it holds very similar aesthetics. This video

from WW also holds a similar aesthetic. Considering DT is linked through space and WW is linked through dystopian this might MIGHT be related.

Hints: It wouldn’t be a new Era without Dan “Soon” Smith teasing us a bit, so here are a few highlights. In this interview

, Dan says “I want to tell you but I can’t! We just want to reflect on the future…” The No Bad Days tweet and the #ToTheSky post likely plays a part in the new era, but the 8 second clip does not have any immediate hints. The art installation in the #ToTheSky post originally caught my interest when it was posted. James Turrel, the artist that created the installation, uses light as a medium to create art. The installation, called the Space That Sees, is described as an “allegory of light that we generate from inside and light that comes from outside: the emergence into space where light comes forth as in a dream." While I have no fucking clue how to interprete this allegory, I imagine space, light, and dreaming will become key players in the new era. A few other notable works of his are the Raethro Pink and Alta Pink, both of which are pinkish purplish white triangles light projections surrounded by inky blackness. The use of Bastille’s triangle logo and a flash of light purple light means there are likely deep ties between the new era and James Turrel’s creations; furthermore, he also acquired a dormant cinder cone volcano to turn into an a museum/observatory using light apertures to observe the solar system, adding further ties to the space and light themes.

Meaning: "You Don't Predict The Future. You Imagine It" I have purposely not used predict in this analysis so I don’t jinx this era. I’ve found a few variations of this saying (You Can’t Predict The Future. But You Can Create It), but all of them seem to point towards creating the future instead of guessing. I imagine not many of my predictions of this era will not be accurate because I am not the one imagining it. I feel like this might also point towards being conscious about what you want out of the future instead of merely guessing where the tides will take you. This could also be like that one story of a kid's drawings turning into real creatures because of the kid imagining it. I feel like “future” and “imagine” point deeply towards sci-fi because of the creative inventions that will take us there. This could also connect to the theory that the survivin’ coin is linked to A.A., and this statement being a motto to help someone escape addiction. Personally, I feel like this clip is the beginning of some sci-fi choose your own adventure video game, but that's my own opinion.

My Personal Crazy Conclusion: It wouldn’t be a post from me without me shooting out some crazy theories. A Light Cult Utopia. That's right. It would be the opposite of WW, meaning it would be new territory for Bastille and it would break a mold (ReOrch doc). It would also give Dan the ability to be more positive then he has been in the past, while also allowing for his normal cynical undertones. Bastille is purposeful with their references, meaning the Jonestown reference in DD might have a bit more purpose behind it. The lighter colors used in the clip would point to happiness. Considering utopias are “imagined” it would fit the phrase in the clip. Sci-fi would also fit into this as being imagined. Considering there are a few space references, I imagine that humans have imagined perfect spacecraft, further fitting sci-fi and a utopian society. Also, Dan collabed with Future Utopia on the track “What’s In A Name?” That's right, what’s in a name? The name being Future Utopia? An entire new era being the name? That right cultists, Dan ”Soon” Smith snuck this under our noses the entire time that bastard.

Summary Statement: This new era will likely bring collabs from an entirely new approach. A Sci-fi dystopian (or utopian) world, one focused on dreaming, light, and space will likely be the aesthetic for this era.

Loose ends: I am only one human, meaning I physically could not rewatch Inception and Vanilla Sky while also researching James Turrel, so there might be a few things I missed in my brief look at them. If anyone would like to read 1984 by George Orwell through the whole dystopian thing, there might be a few connections there.

Based on some things I’ve heard from a little birdy, expect some big non-album projects that tie in with this era and other things….

Special thanks to u/0verjoyed and @ ja9zimm on twitter

#bastille band #bastille #bastillecult #dan smith #kyle simmons #chris woody wood #will farquarson #long post

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ourheroictommo · 5 years

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i know it frustrates you but you have to come t terms with reality of louis fandom. the pre sale, the way the tour is going to sell out is a clear indication all his fans love him. love him enough to shell out big bucks and show up often more than one show. yes its hard for you to stomach the people who don't care for el. i'm not talking about larries only. just a large group of fans who love louis and WMI and don't think once about her. maybe just accept it. seeing how great the Walls era is

Anon, I know that and I’m ok with that - because there is a huge difference between being a fan of Louis and caring only about Louis and not anyone else or just not caring about his private life in general, and being a conspiracy theorist or a nasty hater who cyberbullies people Louis loves.

If you don’t care about Eleanor, it’s totally ok. The only one you have to care if you are a fan of Louis is Louis himself. All the rest - his friends, family members, coworkers, formers bandmembers, his girlfriend and his son - are optional. So if you are not interested in any of them and Louis’ relationships with any of them - just don’t follow them, blacklist them and move on with your life. That’s how normal fan behaviour looks like.

But creating conspiracy theories about Louis’ life is not normal. Harassing his girlfriend isn’t normal. Creating hate sites about his girlfriend isn’t normal. Calling her names isn’t normal. Shitting on her looks isn’t normal. Claiming that she is bad for Louis, that she doesn’t support him, that she hates him and he hates her isn’t normal. Saying that Louis’ songs that he explicitly said are about her are not in fact about her isn’t normal. That’s what I’m speaking against to. Because it’s not a normal healthy fan behaviour - it’s conspiracy theorism and cyberbullying!

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shark-myths · 7 years

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Dizzy On Dreams

With the concept of dreaming showing up on almost every Mania track, I’ve been itching to dig into this metaphor that Pete has used so consistently over the years. Then I thought about IOH being framed and styled as entirely within a dreamscape; then I thought, what is Folie a Deux, a shared madness, but a dream shared by two—a madness outside of reality? And remember when Pete said of Patrick, on one of his many pre-hiatus blogs, I think I dreamt him?

And then I was like, fuck. I need to write this post.

Three days later, Pete posts THIS on Twitter, framing the whole tour and possibly even the concept of touring as a dream? HOW IS A GIRL SUPPOSED TO COPE WITH THIS SHIT HONESTLY?????

So hello and welcome to shark-myths’ DREAM EXTRAVAGANZA!

Lines like FUCT’s I’m sleeping on your folks’ front porch again, dreaming show us an early romantic association with the phrase. It lays early groundwork for the use of ‘dream’ as referring to an imaginary, might-have-been, wish of a relationship that is not grounded in reality. That is not grounded in waking life. (I woke up, no luck, if you’ll permit a brief time-traveling leap to Mania—and I do devoutly believe this is how Mania is meant to be used, as a time-traveling cipher to fill out more context for earlier songs and themes, earlier joyous, unsustainable madnesses from Pete’s life.)

One of the first really meaty appearances of the word is in notorious gay anthem Gin Joints. (The Petericks definitely made out inside a crashed car; some theories place the Van Crash on the way to the Grand Theft Autumn video shoot as the likeliest time point for their first kiss, as memorialized on the cover of FUCT.) Gin Joints gives us this: We’re making out inside crashed cars, we’re sleeping through all our memories. I used to waste my time dreaming of being alive, now I only waste it dreaming of you. This gives us an early division between his lived life and whoever (*coughPATRICKcough*) he’s dreaming of/with.

Next, IOH. It’s 2007 and, in his suicide song, Pete writes, You are the dreamer and we are the dream. This is generally read as a loving message to the fans, a reading that I fully support. The definition it gives us, of the band and/or the Petericks being the dream, is what I’m going to go with for most of this analysis.

Next significant invocation is of course, Disloyal Order, the anthemic opener for Folie, their most ambitious, artistic, and personal record yet. The record opens: I’m coming apart at the seams, pitching myself for leads in other people’s dreams. (And does this evoke the stitch line from Hold Me Tight or Don’t for anyone else? Just saying.) Disloyal Order, with the boycott love/detox just to retox chorus, is one of my all-time Peterick jams. The drug use metaphor that is so incredibly linked with Patrick alone it prominently in the realm of #trysttheory. Significant is the ‘someone else’s dreams’: it tells us Pete is focusing on a relationship, a shared and aspirational happiness he can only conceive of in dreamspace, that does not belong to him. Let’s just go ahead and assume he’s thinking about Patrick. The numbness and the blurry headedness of this song also speak to the pill addiction and other maladaptive coping Pete was relying on during this time period. He was erasing himself, trying to disappear into dreams that he hates himself for having. He was sick with what he could not have, with what he was trying to make work instead—sick on reality (Young and Menace, anyone?). And he sings about how sick he is, in Disloyal Order and throughout the album.

America’s Suitehearts, of course, is played entirely as a dream/nightmare/alternate reality. The video and the alternate personas of the boys gives us that much. And Pete writes why won’t the world revolve around me? In my dreams, trees grow all over the streets. Then the song turns into the anthem of I’m in love with my own sins; you can bow and pretend you don’t know you’re a legend; time just hasn’t told anyone else yet; I’m sorry, I just let my love loose again. What do we think this song is about guys. What sin i n p a r t i c u l a r.

And even before Disloyal Order, FAD opens with the hidden pre-track Lullabye, a song tied closely with the album art and with many people’s reaction to the stitch line in Hold Me Tight Or Don’t. The chorus is pure hope, but tinged so sad: it’s not what it seems in the land of dreams. Don’t worry your head, just go to sleep—when you wake up the world will come around. To me, this song seems to speak almost directly to the questions asked in America’s Suitehearts. It reminds Pete of the reality—that whatever he shares with Patrick is not what he wants it to be, whether it’s sex or just intimate friendship—and it also shows his hope that maybe, one of these times, he’ll wake up and reality will come around to what he’s dreaming of.

You ready to kick things up a notch post-hiatus? We need, like, the Mario Kart star song playing double-time here, because this is a new intensity level. Like, fucking grab onto something. The albums are about to transition from gay reading to gay reality.

Because what is the first SRAR single but My Songs? Besides, in the mean time, I’m just dreaming of tearing you apart. Pete is becoming bolder and more explicit about what he’s dreaming of. He writes too, now the world can never get me on my level, as if saying—even with all we’ve been through, hiatus and not talking and everything, I still love you this much. There is no dose of reality that will talk me out of this dream. All these years and I’m still dreaming of tearing you apart. The whole song speaks very aptly to the idea of secret trysting in the pre-hiatus years too, doesn’t it?

Oh, fucking Where Did The Party Go. We were the kids who screamed ‘we weren’t the same’ in sweaty rooms, now we’re doomed to organizing walk-in closets like tombs speaks to clearly to the passage of time and the way their lives have changed, how fame and age have changed them, and to nostalgia for the Van Days era Pete has always glorified in his writing. Then: so let’s fade away together one dream at a time.

My. Fucking. Heart.

As we move into post-hiatus material, you’ll notice that very often, the dreaming of becomes dreaming with in implication—Pete is identifying a collaborator, a fellow dreamer. How many times do u want me to scream TRYST THEORY ‘cuzzzzzz…

The Mighty Fall: Your crooked love is just a pyramid scheme and I’m dizzy on dreams. But if you ask me two’s a whole lot lonelier than one. Baby we should have left our love in the gutter where we found it. ‘Cause you think your only crime is that you got caught. IF THIS ISN’T ABOUT TRYST THEORY I WILL TURN IN MY BADGE AND TIN HAT, GUYS. Our love—this is not Pete watching from a closet, anymore. This is a Pete who held in his hands what he wanted most in the world and has seen it sullied or slipped away or ruined. The loneliness of trysting and each pretending they don’t want more, believing the other doesn’t either. The idea of their love being a gutter-thing pulling up associations of queerness/social taboo and infidelity. The idea of crimes and getting caught. And Pete, not caring that the trysts would never pay out on the full bid of his aching heart, because he’s dizzy on dreams. His reasoning is shot and he’s outside of reality again, so intoxicated on the moments they do share. Our drugstore cowboy. Our self-identified medicine man.

And finally, we close out the album with this: I need more dreams and less life.

😭😭😭😭😭

I CANNOT

On Pax-Am, the track Demigods (which is, imo, an incredibly important Pete-reflecting-on-himself song) gives us the question: what if it were all a dream? What is we were demigods? They’d take to our knees, raging at the half of our sins. Someone who can think about something other than blowjobs and secret sinful queerness pls offer an alternate explanation because I’m having a heart attack. If they were demigods, they’d still be half-human. They could do anything, but they’d still have to answer to the human world, wouldn’t they? And if we knew even the half of their sins…

Cue AB/AP, the Gayest Album So Far. The title track gives us I wish I dreamt in the shape of your mouth/but it’s your thread count I really care about, which is explicitly about sex. As you’re drifting off to sleep, all those dirty thoughts of me, they were never yours to keep. If this is directed at Patrick, it’s the idea that when they slip off to sleep together—in every sense of the phrase, but especially in the sense of entering dreamspace, the sometimes-shared fiction that they can enjoy for a few hours: that they are together, that they love each other out loud to each other and everyone else—that when they slip into this, it is never yours to keep. Our boy cannot set down what he knows of reality. Not even here. Altar boys (once sacred, once holy), altered boys (who they are now), we’re the things that love destroys. AB/AP is so gay and so seeded with small hopes and so, so sad. I absolutely believe that the Pete who wrote it believed he had been destroyed.

I have a lot to say on the song Centuries and the theme Pete plays with about immortality through embracing gay love—Immortals, all his references to the afterlife, all of his Pete Pan/Lost Boys fuckery has this thread—but for now, let’s talk just about mummified my teenage dreams and who we think his teenage dreams were about. The idea of legends/demigods and gold comes back here, and he evokes the concept mistake, which is a way he often writes about trysting. And: I was only born inside my dreams; I am the opposite of amnesia. Pete won’t let himself be forgotten, won’t let Patrick forget. He’s only felt wholly, truly alive and realized in those moments where they were together, or where he dreamed they were.

Uma Thurman: I slept in last night’s clothes and tomorrow’s dreams. Is Patrick tomorrow’s dreams? If you went to your own home for the night, rather than someone else’s, you wouldn’t be left wearing last night’s clothes…

Immortals: I’ll be the guard dog of all your fever dreams, I’m the sand in the bottom half of the hour glass (meaning: something that’s already gone past), I try to picture me without you but I can’t. Also, the line you pull the blackout curtains down (just not for long) seems like Patrick denying feelings, moving away from Pete and the tryst—plunging them into daylight, reality, wakefulness. Denying him at daybreak and all that Judas-y stuff. And then returning, again and again, to the shared and darkened space of dreams.

And then. And then there’s fucking Mania.

Young and Menace: Woke up on the wrong side of reality, and there’s a madness coursing right through me. Is Pete saying he’s tired of this waking life reality that doesn’t hold space for him and Patrick to be together? Is that the madness he means—that he’s ready to throw caution to the wind and really ask for, and believe he deserves, to love Patrick out loud for the first time?

Champion: I’m back with a madness… I got nothing but dreams inside.

Last of the Real Ones: I’m here at the beginning of the end of infinity with you. I’m done with having dreams, the thing that I believe, you drain all the fear from me.

Wilson (Expensive Mistakes): on the wrong side of paradise (evokes Y&M, the idea that he’s on the wrong side of something that could be so perfect and good.) There’s nothing more cruel than to be loved by everybody but you.

Hold Me Tight Or Don’t (and the all caps here is consistent across sources and deliberate, I think—like. Pete is not being subtle anymore and he wants us to know it.) I just pinch myself, no longer comatose. I woke up, no luck. I woke up, no luck. …I want to sleep on every piece of fuzz and stuffing that comes out of you.

Hold Me Tight, Or Don’t. Is Mania Pete’s way of saying—I don’t want to wait anymore? Let’s not just pretend, let’s have it all? Even if he’s growing out of the idea of running away down south from all of their problems, is he asking Patrick for—whatever version of a big poly happy ending he can have? Is he saying, I’m tired of pretending I don’t love you? I’ve taken too many hits off this memory and now I need more? We were never just friends? Hold ME TIGHT or DON’T????

ARE YOU GUYS WITH ME HERE????? BC I AM D Y I N G

Some gems from related themes for my true believers out there:

Grand Theft Autumn: when I wake up, I’m willing to take my chances on the hope I forget that you hate him more than you notice I wrote this for you.

Reinventing The Wheel To Run Myself Over (the lyrics of which are written by Patrick, so it doesn’t fit as well with this obsessively deep dive into Pete’s interiority, but let’s acknowledge it in the canon): I can’t wake up to these reminders of who I am

I’m Like A Lawyer: me and you, setting in a honeymoon, if I woke up next to you (AAAAAAAH)

She’s My Winona: Never the same person when I go to sleep as when I wake up (likely about the fickleness of media coverage and the vagaries of fame, etc)

w.a.m.s.: when all the others were just stirring awake, I’m trying to trick myself to fall asleep again

20 Dollar Nose Bleed: Who will I be when I wake up next to a stranger?

Alone Together: I’ll check in tomorrow if I don’t wake up dead

Novocaine: I am your worst, I am your worst nightmare

Thank you for joining me for a thorough screechy documentation of Pete’s use of the dream metaphor and how I think it relates to Peterick! Hit me up with your own thoughts and theories and let me know if you’ve got any meta requests! More to come, and check out my lyrics meta and/or tryst theory tags to tide you over.

Brought to you by Fyne Purveyors of Bandom Crafts, the manufacturers of Tryst Theory ™, and our mother organization, the Peterick Institute

#lyrics meta #peterick #fob #fall out boy #pete wentz #tryst theory #mania #dreams metaphor #fall out boy meta #fob meta

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idthellyeah-blog · 4 years

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My Daily Affirmations

(I opened for Tig Notaro in September of 2011 at a very cool little bar in Omaha called The Sydney. Its the same place I did my first stand up set and a lot of drugs. I love it dearly. Tig was great, such an awesome comedian. It was in the era of OK Party Comedy where we had a good relationship with a comedy tour manager who would try and route people our way even though we couldn't offer tons of money or much of anything else. Those were truly the best times.)

(To be read in the morning after waking up before your morning bath, not during!)

IDT,

Today is the day! It’s time to harness some forward momentum and make some positive life changes. Like the movie Click starring Adam Sandler…the part where he realizes that dying from being fat is scary and awful and he quits being a dick to his hot wife and sexy kids…not the other stuff. Try to avoid thinking about how you cried in front of your friends the first time you watched the movie Click, you will just spend the rest of your day thinking about the consequences of owning a magical remote control, rather than making positive forward progress.

Today is the day that you start all of the personal and professional projects you have been putting off. No more time wasting! Remember that documentary you watched on Netflix about an all natural juice diet (That fat man became so much less fat!)…you are starting that diet today! At the very least put a juice in your Amazon queue and check on it once every couple of months. What about the other documentary about cutting processed foods out of your diet to cure your diseases and become a better human being? You are starting that today as well (at this point you resemble a sad pregnant teenager, but without all of the glamour). Stop enjoying food and start hating yourself more! What about the documentary you watched about ethnic genocide in Africa? You should probably not do that today, that was terrible and sad…but keep that in your mind so you avoid any genocides while making juice and eating food from Trader Joe’s (sidenote: double check to make sure Trader Joe was not involved in any African genocides)

All of those barely started screen plays, sketches, and dragon sex fantasy novels? Today is the day you finally make an honest effort to become a “real” writer and finish ALL OF THEM! That will require you not being a lazy idiot, so change everything about yourself. Your best chance at getting super rich is the pitch for the movie you came up with called “Jesus! Hockey?” Tagline: Jesus Doesn’t Save…He Scores” Everyone wants to see a movie about Jesus returning to Earth from space to play hockey. Think The Mighty Ducks meets Encino Man meets that Bible movie (see if we can’t get Sandler to play Jesus…he would be PERFECT!). The sketch you wrote about “The Negro League of Extraordinary Gentlemen” (MLK, Reggie Jackson, Eli Whitney, Fredrick Douglas, and Tyrese)? You might need to re-think that one. Maybe just Tyrese…if all else fails just stick with what you know and love...sexy dragons.. Today is the day your dreams come true!

Get in front of the bathroom mirror and read the following out loud to yourself in a non-hysterical voice (for once):

- I will be healthy and happy.

- I will not eat in the bath tub while taking a bath, or if I do I will not tell anyone about it (even if it makes total sense and cuts out the middle man known as the dishwashing machine).

- I am sailing on the river of wealth (probably the river from that Billy Joel song).

- I will do laundry today because at this point everything in my closet is covered in gross stuff, eventually you’re going to wear a black t-shirt that has your seed on it to a bar and no one will think it is quirky.

- I will be calm and relaxed in every situation.

- I will avoid the happy couples with kids or dogs that walk around my neighborhood, their judgement gazes bring down my victory thoughts.

- I am surrounded by love.

- I am also surrounded by bugs. Yuck.

- History is fiction, God can’t touch us now....we’re out of his jurisdiction..

- I will stop taking my frustrations out everyone named Travis, it isn’t their fault their name is super fun to yell in a Southern accent..

- I will be successful in whatever I do.

- I will stop telling people about my Illuminati conspiracy theories that places the blame on former Minnesota Twins outfielder Kirby Puckett…Kirby Puckett is dead so it’s kind of a dickhead thing to say.

- I will practice both the male and female parts in Meat Loaf’s “Paradise By The Dashboard Lights”. You never know when you’ll be asked to perform either…especially in corporate job interviews.

- Everything is getting better every day (except for most things).

After reading these out loud, make sure you don’t have any shit in your teeth, drink one quick rum and Gatorade in the tub…and go out and make today the best today ever.

Love,

Ian Douglas Terry

(find out if they’re making a sequel to Click…if they aren’t, write it)

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