#erica warner

[lesbianjackies]

❤︎︎ character list ❤︎︎

key: bolded - characters i enjoy writing for | italics - characters i’ve written for before

❥ 10 things i hate about you

cameron james, kat stratford, bianca stratford, patrick verona, michael eckman, mandella

❥ marvel

natasha romanoff, bucky barnes, steve rogers, carol danvers, stephen strange, sam wilson, gamora, gwen stacy, tony stark, kate bishop, loki laufeyson, may parker, peter parker (tasm & mcu), peter quill, pietro maximoff, wanda maximoff, thor odinson, yelena belova

❥ pirates of the caribbean

jack sparrow, will turner, elizabeth swann

❥ grishaverse

alina starkov, the darkling / aleksander morozova, malyen oretsev, genya safin, david kostyk, zoya nazyalensky, nikolai lantsov, kaz brekker, inej ghafa, jesper fahey, nina zenik, matthias helvar, wylan van eck

❥ the school for good and evil

agatha of woods beyond, sophie of woods beyond, tedros of camelot, hort of bloodbrook, hester of ravenswood, anadil of bloodbrook, dot of nottingham, rafal

note: sophie x hort x reader is a fav

❥ the hunger games

katniss everdeen, peeta mellark, gale hawthorne, haymitch abernathy, finnick odair, johanna mason

❥ harry potter

harry potter, ron weasley, hermione granger, ginny weasley, fred weasley, george weasley, draco malfoy, neville longbottom, luna lovegood, cedric diggory, oliver wood, theodore nott, daphne greengrass, blaise zabini, tom riddle, james potter, sirius black, remus lupin, lily evans, regulus black, mary macdonald, dorcas meadowes, marlene mckinnon

❥ miss peregrine’s home for peculiar children

jacob portman, emma bloom, enoch o’connor (MOVIE ONLY), olive abroholos elephanta (MOVIE ONLY), millard nullings (BOOK ONLY), hugh apiston (BOOK ONLY), fiona frauenfeld (BOOK ONLY), bronwyn bruntley (BOOK ONLY)

note: i will write for book- or movieverse jacob & emma. please specify which you would like when requesting or i will default to bookverse.

❥ shatter me

juliette ferrars, aaron warner, kenji kishimoto, nazeera ibrahim

❥ the folk of the air

jude duarte, cardan greenbriar

❥ percy jackson

percy jackson, annabeth chase, grover underwood, thalia grace, jason grace, piper mclean, leo valdez, frank zhang, reyna avila ramirez arellano

❥ avatar: the last airbender

katara, sokka, zuko, azula, mai, ty lee

❥ a series of unfortunate events

violet baudelaire, klaus baudelaire, duncan quagmire, isadora quagmire, quigley quagmire

❥ newsies

jack kelly, davey jacobs, katherine pulitzer, crutchie morris, spot conlon

❥ frankenstein

victor frankenstein, the monster, elizabeth lavenza, henry clerval

❥ little women

jo march, meg march, beth march, amy march, theodore laurence

❥ star wars

anakin skywalker, obi-wan kenobi, padme amidala, luke skywalker, leia organa, han solo, rey, finn, kylo ren, poe dameron

❥ my babysitter’s a vampire

ethan morgan, benny weir, sarah fox, rory keaner, erica jones

❥ yellowjackets

shauna shipman, lottie matthews, misty quigley, taissa turner, van palmer, natalie scatorccio, jackie taylor, laura lee, mari, akilah, jeff sadecki

[read-alert]

Happy Lesbian Visibility Week! 📚📖🏳️‍🌈

Again, I'm not 100% certain these all feature characters who identify specifically as lesbians, especially given that I haven't read them yet, but they are all sapphic. Full titles under the cut!

Treasure by Rebekah Weatherspoon

Fingersmith by Sarah Waters

A Little Kissing Between Friends by Chencia C Higgins

Cheer Up! Love and Pompoms by Crystal Frasier

Alice isn't Dead by Joseph Fink

How to Excavate a Heart by Jake Maia Arlow

The Girl from the Sea by Molly Knox Ostertag

How to Succeed in Witchcraft and Aislinn Brophy

D'Vaugh & Kris Plan a Wedding by Chencia C Higgins

Stud Like Her by Fiona Zedde

Second Night Stand by Karelia & Fay Stetz-Waters

Juliet Takes a Breath by Gabby Rivera

The Art of Saving the World by Corrine Duyvis

The Final Strife by Saara el-Arifi

Siren Queen by Nghi Vo

The Divines by Ellie Eaton

Light from Uncommon Stars by Ryka Aoki

The Dyke & the Dybuk by Ellen Galford

The Perks of Loving a Wallflower by Erica Ridley

Boyish² Butch x Butch Yuri Anthology by Akizora Sawayaka, Hanakage Alt, Nekobungi Sumiro, et al

Dykette by Jenny Fran Davis

Fun Home: A Family Tragicomic by Alisom Bechdel

A Masc for Purim by Roz Alexander

Chlorine by Jade Song

Our Wives Under the Sea by Julia Armfield

Ice Massacre by Tiana Warner

Black Water Sister by Zen Cho

The Seafarer's Kiss by Julia Ember

The Little Homo Sapiens Scientist by SL Huang

The Siren, the Song, and the Spy by Maggie Tokuda-Hall

Those Beyond the Wall by Micaiah Johnson

Mangos and Mistletoe by Adriana Herrera

[astralios]

hiiii , i'm still looking for partners to roleplay with on discord !! below are some of the plots & dynamics i really want w / specific muses . make sure to read my rules just in case we're compatible . like this and i'll come to you . <3 tw : mentions of ( healthy ) age gap .

( p.s. muse list is also available on my carrd . )

➩ emilio perez , aka pedro pascal . behavioral analyst inspired from criminal minds .

behavioral analyst x criminal : classic cat and mouse goose chase . emilio is hellbent on capturing your muse and will do anything to get them . however , for some reason , whenever there comes an opportunity. . . he fails . their relationship is more in depth than he thought .

behavioral analyst x agent : your muse is a new agent on the team / assigned to partner with emilio . maybe they start off on the wrong foot or maybe the chemistry is through the roof on first sight . much potential here !

preferred pairing : f / nb .

➩ ezra ashworth , aka henry golding . an archaeologist .

your muse is an archaeologist as well / historian / researcher . your muse knows ezra's reputation , wants nothing to do with him yet they want this chance to discover something amazing in his expedition . they stay away as much as possible but your muse can't help but feel something towards him. . .

your muse is the enemy of ezra . they have never gotten along , will never get along . ezra is a lying scumbag , but when ezra comes to your muse for help , your muse is unsure what to do . something in them allows him to fucking come in .

preferred pairing : f / nb .

➩ danica stephens , aka anne hathaway . erotica author .

your muse is danica's muse . nothing sexual has ever happened between them before . it was purely work related until. . . feelings started to brew . perhaps they have gotten too close physically . a one night stand happens ? now it's awkward and they both need to navigate what's going to happen .

your muse is a huge danica fan . they attend her fan signs . there may be an age gap . danica finds your muse interesting and even gives them exclusive merchandise . one night , they drink too much. . .

preferred pairing : m / nb .

➩ erica warner , aka renee rapp . fashion designer .

your muse is the hottest celebrity on the news right now ! they're literally everywhere . for the met gala or some other big event , they need the most amazing dress . they surprisingly pick erica . during the sketches , and the fittings , something brews more between them .

fashion designer rivalry ! they used to attend the same university . rival students competing for the top designer of their class . classic enemies to lovers . <3

preferred pairing : f / nb .

➩ jacob tripathi , aka dev patel . white - hat hacker .

hacker x hacker ! who's the best at their job ? it seems like your muse and jacob are having some friendly competition . what happens when your muse suddenly disappears ?

this muse is quite flexible !

preferred pairing : f / nb .

➩ yiwoo lee , aka choi beomgyu . professional esports player .

preferred pairing : any .

with yiwoo constantly traveling due to his job , the relationship has been on the rocks . your muse breaks up with him but yiwoo is determined to get them back . lots of angst , possibly makeup s*x .

classic fan x celebrity trope . your muse likes yiwoo a lot as a fan . when they meet , sparks fly .

➩ noel park , aka song kang . journalist .

preferred pairing : any .

your muse is a notable figure / heir or heiress / someone in the public eye and noel is tasked with writing an article about your muse .

your muse is a criminal . noel writes about their crimes but lately , the police have been catching onto them because of noel .

➩ lina delgado , aka ana de armas . ceo of a publishing house .

preferred pairing : m / nb .

your muse is an author or aspiring writer . lina's publishing house is the most notorious of publishing houses . when a deal is made between them , after a night of celebration , and a few champagne glasses. . . your muse is looking very different in lina's eyes .

maybe an age gap ? your muse is younger than lina yet she can't help but be attracted to them .

➩ jessie takemura , aka anna sawai . assassin .

preferred pairing : any .

assassin x assassin ! similar to jacob's plot , this is healthy competition . friendly banter ensues between them two . then something happens and jessie is in trouble . your muse helps her out .

jessie is hired to take your muse out . she can't do it .

[disneytva]

Walt Disney Studios Sets Trailer and New Key Art For Diary Of A Wimpy Kid Christmas: Cabin Fever Slated For December 8 On Disney+

Disney+ is ready to stuff the “naugtiest, nicest, wimpiest Christmas ever,” debuting the official, zanily festive trailer for Diary of a Wimpy Kid: Christmas Cabin Fever, streaming exclusively on the platform on December 8.

The winter holidays are turning out to be especially stressful for Greg Heffley this year. After accidentally damaging a snowplow while making a snowman with best friend Rowley Jefferson, Greg worries he won’t get the new video game console he so desperately wants for Christmas. To make matters worse, he gets snowed in with his family, including his grumpy older brother Rodrick and annoying younger brother Manny.

“Diary of a Wimpy Kid Christmas: Cabin Fever” features the voices of Wesley Kimmel (“The Mandalorian”), Erica Cerra (“Power Rangers”), and Hunter Dillon (“Deadpool 2”)

Directed by Luke Cormican (Warner Bros Animation “Teen Titans Go!) and written and produced by Jeff Kinney with score by John Paesano, Bardel Animation will provide animation services, “Diary of a Wimpy Kid Christmas: Cabin Fever” is produced by 20th Century Animation trought Walt Disney Studios.

[l-ii-zz]

oc voice claims? Hehehehe

UUUUGGGGG I WANT TO TALK ABOUT IT!!!

BUT I WANT TO INTRODUCE A LITTLE SOMEONE FIRST!!!

OKAY OKAY UMMM

I can share you the voice claims of the ocs of mine that you already know:

For ODI! Ben Norris, who does Rogier's voice in Elden Ring!

For LU! AURORA's sweet and angelical voice! (+ her accent is just.....HHHHNNGGG)

For URANIA! Pippa Bennet Warner, who does Malenia in Elden Ring!

For TIP! Olivia D'Abo! Who conveniently does Tak's voice too C:

For HAN! I love Charlotte's voice for her, by Jennifer Cody!

For MEG! Erica Schroeder, who voices Blaze in Sonic 06!

For DOE! Melina's soft and calmed voice!, from ER as well :3

For AMYGDALA!! Varre's voice fits him PERFECTLY and no one can tell me otherwise!!

I haven't introduced NASSANDRA yet, BUT, for her! Sofia Lamb's voice, from Bioshock 2!

The Little one is mute, so no voice claims for it! :')

Another Plus! I headcanon Tallest Miyuki with Florence's voice!!

[sporadiceagleheart]

Today's joy with Rachel Joy Scott Friday edits is for missing kids I hope soon they be found and Brought back home safe and sound Madeleine McCann, Inga Gehricke, Summer Wells, Haleigh Cummings, Morgan Nick, Ben Needham, Timmothy Pitzen, Baby Lisa Irwin, Baby Sabrina Aisenberg, Kayla Berg, Mary Boyle, Jennifer Joyce Kesse, Amy Lynn Bradley, Asha Jaquilla Degree, Brian Randall Shaffer, Brandon Swanson, Lars Joachim Mittank, Maura Murray, Kyron Richard Horman, Rebecca Coriam, Evelyn Grace Hartley, Frederick Valentich, Lauren Spierer, Marjorie West, Margaret Ellen Fox, Joshua Guimond, LeeAnna Warner, Tara Leigh Calico, Cherrie Ann Mahan, Nyleen Kay Marshall, Phoenix Coldon, Laureen Ann Rahn, Johnny Gosch, Sara Anne Wood, Rebecca Reusch, BRANDON LEE WADE, Katrice Lee, Adele Marie Wells, William Tyrrell, Rene Hasee, Jane Beaumont, Dennise Jeannette "Denny" Sullivan, Ember Skye Graham, Tricia J. Kellett, Donnis Marie "Pinky" Redman, Renee Aitken, Dulce Maria Alavez, Jonathan Allen, Victoria Allen, Mylette Josephine Anderson, Erica Nicole Baker, Ava Grace Baldwin, Amber Renee Barker, Brittney Ann Beers, Tammy Lynn Belanger, Alessia Vera Schepp, Livia Clara Schepp, Ilene Rebecca Scott, Mary Lou Sena, Natasha Marie Shanes, Kathleen Ann "Kathy" Shea, Crystal Ann Tymich, Anna[1] Christian Waters, Holly Ann Hughes, Ashley LaShay Jones, Sofia Lucerno Juarez, Amber Jean Swartz-Garcia, Brooklinn Felyxia Miller, Marjorie Christina "Christy" Luna , Lorie Lynn Lewis, Sheri Lynn Johnson, Lauren Maria Pico Jackson, Hattie Yvonne Jackson, Janice Kathryn Pockett, Alice Pereira, Sabine Morgenroth, Daniela Moreno, April Ann Cooper, Catherine Barbara "Cathy" Davidson, Mary Rachel Bryan, Hazel X. Bracamontes, Melissa Lee Brannen, Edna "Bette Jean" Masters, Shaina Ashly Kirkpatrick,

[meta-squash]

Squash's Book Roundup 2023

Last year I read 67 books. This year my goal was 70, but I very quickly passed that, so in total I read 92 books this year. Honestly I have no idea how I did it, it just sort of happened. My other goal was to read an equal amount of fiction and nonfiction this year (usually fiction dominates), and I was successful in that as well. Another goal which I didn’t have at the outset but which kind of organically happened after the first month or so of reading was that I wanted to read mostly strange/experimental/transgressive/unusual fiction. My nonfiction choices were just whatever looked interesting or cool, but I also organically developed a goal of reading a wider spread of subjects/genres of nonfiction. A lot of the books I read this year were books I’d never heard of, but stumbled across at work. Also, finally more than 1/3 of what I read was published in the 21st century.

I’ll do superlatives and commentary at the end, so here is what I read in 2023:

-The Commitments by Roddy Doyle -A Simple Story: The Last Malambo by Leila Guerriero -The Hero With A Thousand Faces by Joseph Campbell -Uzumaki by Junji Ito -Chroma by Derek Jarman -The Emerald Mile: The epic story of the fastest ride in history through the Grand Canyon by Kevin Fedarko -Venus by Suzan-Lori Parks -The Hearing Trumpet by Leonora Carrington -Sacred Sex: Erotic writings from the religions of the world by Robert Bates -The Virginia State Colony For Epileptics And The Feebleminded by Molly McCully Brown -A Spy In The House Of Love by Anais Nin -The Sober Truth: Debunking the bad science behind 12-step programs and the rehab industry by Lance Dodes -The Sailor Who Fell From Grace With The Sea by Yukio Mishima -The Aliens by Annie Baker -The Criminal Child And Other Essays by Jean Genet -Aimee and Jaguar: A Love Story, Berlin 1943 by Erica Fischer -The Master And Margarita by Mikhail Bulgakov -The Mustache by Emmanuel Carriere -Maldoror by Comte de Lautreamont -Narrow Rooms by James Purdy -At Your Own Risk by Derek Jarman -Escape From Freedom by Erich Fromm -Countdown: A Subterranean Magazine #3 by Underground Press Syndicate Collective -Fabulosa! The story of Britain's secret gay language by Paul Baker -The Golden Spruce: A true story of myth, madness and greed by John Vaillant -Querelle de Roberval by Kevin Lambert -Fire The Bastards! by Jack Green -Closer by Dennis Cooper -The Woman In The Dunes by Kobo Abe -Opium: A Diary Of His Cure by Jean Cocteau -Worker-Student Action Committees France May '68 by Fredy Perlman and R. Gregoire -Capitalist Realism by Mark Fisher -The Sound Of Waves by Yukio Mishima -One Day In My Life by Bobby Sands -Corydon by Andre Gide -Noopiming by Leanne Betasamosake Simpson -Man Alive: A true story of violence, forgiveness and becoming a man by Thomas Page McBee -The Artist's Reality: Philosophies of Art by Mark Rothko -Damage by Josephine Hart -Schoolgirl by Osamu Dazai -The Passion According to G.H. by Clarice Lispector -The Sex Revolts: Gender, Rebellion and Rock n Roll by Simon Reynolds and Joy Press -The Traffic Power Structure by planka.nu -Bird Man: The many faces of Robert Straud by Jolene Babyak -Seven Dada Manifestos by Tristan Tzara

-The Journalist by Harry Mathews -Bullshit Jobs by David Graeber -Moscow To The End Of The Line by Venedikt Erofeev -Morvern Callar by Alan Warner -The Poetics Of Space by Gaston Bachelard -A Boy's Own Story by Edmund White -The Coming Insurrection by The Invisible Committee -Jesus' Son by Denis Johnson -Notes From The Sick Room by Steve Finbow -Artaud The Momo by Antonin Artaud -Doctor Rat by William Kotzwinkle -Recollections Of A Part-Time Lady by Minette -trans girl suicide museum by Hannah Baer -The 99% Invisible City by Roman Mars -Sweet Days Of Discipline by Fleur Jaeggy -Breath: The new science of a lost art by James Nestor -What We See When We Read by Peter Mendelsund -The Cardiff Tapes (1972) by Garth Evans -The Ark Sakura by Kobo Abe -Mad Like Artaud by Sylvere Lotringer -The Story Of The Eye by Georges Bataille -Little Blue Encyclopedia (For Vivian) by Hazel Jane Plante -Blood And Guts In High School by Kathy Acker -Summer Fun by Jeanne Thornton -Splendid's by Jean Genet -VAS: An Opera In Flatland by Steve Tomasula -Sorry I'm Late, I Didn't Want To Come: One introvert's year of saying yes by Jessica Pan -Whores For Gloria by William T. Vollmann -The Notebooks by Jean-Michel Basquiat, Larry Walsh (editor) -L'Astragale by Albertine Sarrazin -The Decay Of Lying and other essays by Oscar Wilde -The Immortal Life Of Henrietta Lacks by Rebecca Skloot -Open Throat by Henry Hoke -Prisoner Of Love by Jean Genet -The Fifth Wound by Aurora Mattia -The Communist Manifesto by Karl Marx -My Friend Anna: The true story of a fake heiress by Rachel DeLoache Williams -Mammother by Zachary Schomburg -Building The Commune: Radical democracy in Venezuela by George Cicarello-Maher -Blackouts by Justin Torres -Cheapjack by Philip Allingham -Near To The Wild Heart by Clarice Lispector -The Trayvon Generation by Elizabeth Alexander -Skye Papers by Jamika Ajalon -Exercises In Style by Raymon Queneau -Tender Buttons by Gertrude Stein -The Feather Thief: Beauty, Obsession, and the Natural History Heist of the Century by Kirk Wallace Johnson

~Some number factoids~ I read 46 fiction and 46 nonfiction. One book, The Fifth Wound by Aurora Mattia, is fictionalized/embellished autobiography, so it could go half in each category if we wanted to do that, but I put it in the fiction category. I tried to read as large a variety of nonfiction subjects/genres as I could. A lot of the nonfiction I read has overlapping subjects, so I’ve chosen to sort by the one that seems the most overarching. By subject, I read: 5 art history/criticism, 5 biographies, 1 black studies, 1 drug memoir, 2 essay collections, 2 history, 2 Latin American studies, 4 literary criticism, 1 music history, 2 mythology/religion, 1 nature, 4 political science, 2 psychology, 5 queer studies, 2 science, 1 sociology, 1 travel, 2 true crime, 3 urban planning. I also read more queer books in general (fiction and nonfiction) than I have in years, coming in at 20 books.

The rest of my commentary and thoughts under a cut because it's fairly long

Here’s a photo of all the books I read that I own a physical copy of (minus Closer by Dennis Cooper which a friend is borrowing):

~Superlatives and Thoughts~

I read so many books this year I’m going to do a runner-up for each superlative category.

Favorite book: This is such a hard question this year. I think I gave out more five-star ratings on Goodreads this year than I ever have before. The books that got 5 stars from me this year were A Simple Story: The Last Malambo by Leila Guerriero, Capitalist Realism by Mark Fisher, The Emerald Mile by Kevin Fedarko, The Mustache by Emmanuel Carriere, The Passion According to GH by Clarice Lispector, trans girl suicide museum by Hannah Baer, The Fifth Wound by Aurora Mattia, Mammother by Zachary Schomburg, and Blackouts by Justin Torres. But I think my favorite book of the year was The Fifth Wound by Aurora Mattia. It is an embellished, fictionalized biography of the author’s life, chronicling a breakup that occurred just before she began her transition, and then a variety of emotional events afterward and her renewal of a connection with that person after a number of years had passed. The writing style is beautiful, extremely decadent, and sits in a sort of venn diagram of poetry, theory, fantasy and biography. My coworker who recommended this book to me said no one she’d recommended it to had finished it because they found it so weird. I read the first 14 pages very slowly because I didn’t exactly know what the book was doing, but I quickly fell completely in love with the imagery and the formatting style and the literary and religious references that have been worked into the book both as touchstones for biography and as vehicles for fantasy. There is a video I remember first seeing years ago, in which a beautiful pinkish corn snake slithers along a hoop that is part of a hanging mobile made of driftwood and macrame and white beads and prism crystals. This was the image that was in the back of my head the entire time I was reading The Fifth Wound, because it matched the decadence and the strangeness and the crystalline beauty of the language and visuals in the book. It is a pretty intense book, absolutely packed with images and emotion and ideas and preserved vignettes where reality and fantasy and theory overlap. It’s one of those books that’s hard to describe because it’s so full. It’s dense not in that the words or ideas are hard to understand, but in that it’s overflowing with imagery and feelings, and it feels like an overflowing treasure chest. Runner-up:The Mustache by Emmanuel Carriere. However, this book wins for a different superlative, so I’ve written more about it there.

Least favorite book: Querelle de Roberval by Kevin Lambert. I wrote a whole long review of it. In summary, Lambert’s book takes its name from Querelle de Brest, a novel by Jean Genet, and is apparently meant to be an homage to Genet’s work. Unfortunately, Lambert seems to misunderstand or ignore all the important aspects of Genet’s work that make it so compelling, and instead twists certain motifs Genet uses as symbols of love or transcendence into meaningless or negative connotations. He also attempts to use Genet’s mechanic of inserting the author into the narrative and allowing the author to have questionable or conflicting morals in order to emphasize certain aspects of the characters or narrative, except he does so too late in the game and ends up just completely undermining everything he writes. This book made me feel insulted on behalf of Jean Genet and all the philosophical thought he put into his work. Runner-up: What We See When We Read by Peter Mendelsund. This graphic designer claims that when people read they don’t actually imagine what characters look like and can’t conjure up an image in their head when asked something like “What does Jane Eyre look like to you?” Unfortunately, there’s nothing scientific in the book to back this up and it’s mostly “I” statements, so it’s more like “What Peter Mendelsund Sees (Or Doesn’t See) When He Reads”. It’s written in what seems to be an attempt to mimic Marshall McLuhan’s style in The Medium Is The Massage, but it isn’t done very well. I spent most of my time reading this book thinking This does not reflect my experience when I read novels so I think really it’s just a bad book written by someone who maybe has some level of aphantasia or maybe is a visual but not literary person, and who assumes everyone else experiences the same thing when they read. (Another runner-up would be The Hero With A Thousand Faces by Joseph Campbell, but I think that’s a given because it’s an awful piece of revisionist, racist trash, so I won’t write a whole thing about it. I can if someone wants me to.)

Most surprising/unexpected book: The Mustache by Emmanuel Carriere. This book absolutely wins for most surprising. However, I don’t want to say too much about it because the biggest surprise is the end. It was the most shocking, most unexpected and bizarre endings to a novel I’ve read in a long time, and I absolutely loved it. It was weird from the start and it just kept getting weirder. The unnamed narrator decides, as a joke, to shave off the moustache he’s had for his entire adult life. When his wife doesn’t react, he assumes that she’s escalating their already-established tradition of little pranks between each other. But then their mutual friends say nothing about the change, and neither do his coworkers, and he starts spiral into confusion and paranoia. I don’t want to spoil anything else because this book absolutely blew me away with its weirdness and its existential dread and anyone who likes weird books should read it. Runner-up: Morvern Callar by Alan Warner. I don’t even know what compelled me to open this book at work, but I’m glad I did. The book opens on Christmas, where the main character, Morvern, discovers her boyfriend dead by suicide on the kitchen floor of their flat. Instead of calling the police or her family, she takes a shower, gets her things and leaves for work. Her narrative style is strange, simultaneously very detached and extremely emotional, but emotional in an abstract way, in which descriptions and words come out stilted or strangely constructed. The book becomes a narrative of Morvern’s attempts to find solitude and happiness, from the wilderness of Scotland to late night raves and beaches in an unnamed Mediterranean city. The entire book is scaffolded by a built-in playlist. Morvern’s narrative is punctuated throughout by accounts of exactly what she’s listening to on her Walkman. The narrative style and the playlist and the bizarre behavior of the main character were not at all what I was expecting when I opened the book, but I read the entire book in about 3 hours and I was captivated the whole time. If you like the Trainspotting series of books, I would recommend this one for sure.

Most fun book: The Emerald Mile by Kevin Fedarko. This book was amazing. It was like reading an adventure novel and a thriller and a book on conservationism all wrapped into one and it was clearly very passionately written and it was a blast. I picked it up because I was pricing it at work and I read the captions on one of the photo inserts, which intrigued me, so I read the first page, and then I couldn’t stop. The two main narratives in the book are the history of the Grand Canyon (more specifically the damming of the Colorado River) and the story of a Grand Canyon river guide called Kenton Grua, who decided with two of his river guide friends to break the world record for fastest boat ride down the Colorado River through the Grand Canyon. The book is thoroughly researched, and reaches back to the first written record of the canyon, then charts the history of the canyon and the river up to 1983 when Grua made his attempt to race down the river, and then the aftermath and what has happened to everyone in the years since. All of the historical figures as well as the “current” figures of 1983 come to life, and are passionately portrayed. It’s a genuine adventure of a book, and I highly recommend it. Runner-up: Summer Fun by Jeanne Thornton. It asks “What if Brian Wilson of the Beach Boys was actually a trans woman?” Actually, that’s not quite it. It asks “What if a trans woman living in poverty in southwest America believed to an almost spiritual level that Brian Wilson was a trans woman?” The main character and narrator, Gala, is convinced that the lead singer of her favorite band, the Get Happies, (a fictional but fairly obvious parallel to the Beach Boys) is a trans woman. Half the book is her writing out her version of the singer’s life history, and the other half is her life working at a hostel in Truth Or Consequences, New Mexico, where she meets a woman who forces her out of her comfort zone and encourages her to face certain aspects of her self and identity and her connection with others. It’s a weird novel, and definitely not for everyone, but it’s fun. I was reading it on the train home and I was so into it that I missed my stop and had to get off at the next station and wait 20 minutes for the train going back the other way.

Book that taught me the most: Breath: The new science of a lost art by James Nestor. In it, Nestor explores why humans as a general population are so bad at breathing properly. He interviews scientists and alternative/traditional health experts, archaeologists, historians and religious scholars. He uses himself as a guinea pig to experiment with different breathing techniques from ancient meditation styles to essentially overdosing on oxygen in a lab-controlled environment to literally plugging his nose shut to only mouth-breathe for two weeks (and then vice-versa with nose breathing). It was interesting to see a bunch of different theories a laid out together regarding what kind of breathing is best, as well as various theories on the history of human physiology and why breathing is hard. Some of it is scientific, some pseudoscience, some just ancient meditation techniques, but he takes a crack at them all. What was kind of cool is that he tries every theory and experiment with equal enthusiasm and doesn’t really seem to favor any one method. Since he’s experimenting on himself, a lot of it is about the effects the experiments had on him specifically and his experiences with different types of breathing. His major emphasis/takeaway is that focusing on breathing and learning to change the ways in which we breathe will be beneficial in the long run (and that we should all breath through our noses more). While I don’t think changing how you breathe is a cure-all (some of the pseudoscience he looks at in this book claims so) I certainly agree that learning how to breath better is a positive goal. Runner-up: The Sober Truth by Lance Dodes. I say runner-up because a lot of the content of the book is things that I had sort of vague assumptions about based on my knowledge of addiction and AA and mental illness in general. But Dodes put into words and illustrated with numbers and anecdotes and case studies what I just kind of had a vague feeling about. It was cool to see AA so thoroughly debunked by an actual psychiatrist and in such a methodical way, since my skepticism about it has mostly been based on the experiences of people I know in real life, anecdotes I’ve read online, or musicians/writers/etc I’m a fan of that went through it and were negatively affected.

Most interesting/thought provoking book: Mammother by Zachary Schomburg. The biggest reason this book was so interesting is because the little world in which it exists is so strange and yet so utterly complete. In a town called Pie Time (where birds don’t exist and the main form of work is at the beer-and-cigarettes factory) a young boy called Mano who has been living his childhood as a girl decides that he is now a man and that it’s time for him to grow up. As this happens, the town is struck by an affliction called God’s Finger. People die seemingly out of nowhere, from a hole in their chest, and some object comes out of the hole. Mano collects the things that come out of these holes, and literally holds them in order to love them, but the more he collects, the bigger he becomes as he adds objects to his body. A capitalist business called XO shows up, trying to convince the people of Pie Time that they can protect themselves from God’s Finger with a number of enterprises, and starts to slowly take over the town. But Mano doesn’t believe death is something that should be run from. This book is so pretty, and the symbolism/metaphors, even when obvious, feel as though they belong organically in the world. A quote on the back of the book says it is “as nearly complete a world as can be”, and I think that’s a very accurate description. The story is interesting, the characters are compelling, and the magical realist world in which the story exists is fascinating. Runner up: trans girl suicide museum by Hannah Baer. This is a series of essays taken (for the most part) from Baer’s blog posts. They span a chunk of time in which she writes her thoughts and musings on her experience transition and transgender existence in general. It is mostly a series of pieces reflecting on “early” stages of transition. But I thought it was really cool to see an intellectual and somewhat philosophical take on transition, written by someone who has only been publicly out for a few years, and therefore is looking at certain experiences with a fresh gaze. As the title suggests, a lot of the book is a bit sad, but it’s not all doom and gloom. A lot of the emphasis is on the important of community when it comes to the experience of starting to transition and the first few years, and the importance of community on the trans experience in general. I really liked reading Hannah Baer’s thoughts as a queer intellectual who was writing about this stuff as she experienced it (or not too long after) rather than writing about the experience of early transition years and years down the line. It meant the writing was very sharp and the emotion was clear and not clouded by nostalgia.

Other thoughts/commentary on books I don’t have superlatives for:

I’m glad my first (full) book read in 2023 was A Simple Story: The Last Malambo by Leila Guierrero. It’s a small, compact gem of a book that follows the winner of an Argentinian dance competition. The Malambo is a traditional dance, and the competition is very fierce, and once someone wins, they can never compete again. The author follows the runner-up of the previous year, who has come to compete again. It paints a vivid picture of the history of the dance, the culture of the competition, and the character of the dancer the author has chosen to follow. It’s very narrowly focused, which makes it really compelling.

The Hearing Trumpet by Leonora Carrington could have easily won for most fun or most interesting book. Carrington was a surrealist writer and painter (and was in a relationship with Max Ernst until she was institutionalized and he was deported by the Nazis). In The Hearing Trumpet, an elderly woman called Marian is forced by her family to go live in an old ladies’ home. The first strange thing about the place is that all of the little cabins each woman lives in is shaped like some odd object, like an iron, or ice cream, or a rabbit. The other old women at the institution are a mixed bag, and the warden of the place is hostile. Marian starts to suspect that there are secrets, and even witchcraft involved, and she and a few of the other ladies start to try and unravel the occult mysteries hidden in the grounds of the home. The whole book is fun and strange, and the ending is an extremely entertaining display of feminist occult surrealism.

Sacred Sex: Erotica writings from the religions of the world by Robert Bates was a book I had to read for research for my debunking of Withdrawn Traces. It was really very interesting, but it was also hilarious to read because maybe 5% of any of the texts included were actually erotic. It should have been called “romantic writings from the religions of the world” because so little of the writing had anything to do with sex, even in a more metaphorical sense.

Every time I read Yukio Mishima I’m reminded how much I love his style. The Sailor Who Fell From Grace With The Sea almost usurped The Temple of the Golden Pavilion as my favorite Mishima novel. I’m fascinated with the way that Mishima uses his characters to explore the circumstance of having very intense feelings or reactions towards something and simultaneously wanting to experience that, while also wanting to have complete control and not feel them at all. There’s a scene in this novel where Noboru and his friends brutally kill and dissect a cat; it’s an intense and vividly rendered scene, made all the more intense by Noboru desperately conflicted between feeling affected by the killing and wanting to force himself to feel nothing. The amazing subtle theme running through the book is the difference between Noboru’s intense emotions and his desire/struggle to control them and subdue them versus Ryuji’s more subtle emotion that grows through the book despite his natural reserve. I love endings like the one in this book, where it “cuts to black” and you don’t actually see the final act, it’s simply implied.

In 2016 or 2017, I ran lights for a showcase for the drama department at UPS (I can’t remember now what it was) that included a bunch of scenes from various plays. I remember a segment from Hir by Taylor Mac, and a scene from The Aliens by Annie Baker. In the scene that I saw, one of the characters describes how when he was a boy, he couldn’t stop saying the word ladder, and the monologue culminates in a full paragraph that is just the word “ladder.” I can’t remember who was acting in the one that I saw at UPS, but that monologue blew me away, the way that one word repeated 127 conveyed so much. This year a collection of Annie Baker’s plays came in at work so I sat down and read the whole play and it was just incredible. I’d love to see the full play live, it’s absolutely captivating.

Narrow Rooms by James Purdy was a total diamond in the rough. It takes place in Appalachia, in perhaps the 1950s although it’s somewhat hard to tell. It follows the strange gay entanglement between four adult men in their 20s, who have known each other all their lives. It traces threads of bizarre codependency, and the lines crossed between love and hate. The main character, Sidney, has just returned home after serving a sentence for manslaughter. On his return, he finds that an old lover has been rendered disabled in an accident, and that an old school rival/object of obsession has been waiting for him. This rival, nicknamed “The Renderer” because of an old family occupation, has been watching Sidney all their lives. Both of them hate the other, but know that they’re destined to meet in some way. Caught in the middle of their strange relationship are Gareth, Sidney’s now-disabled former lover, and Brian, a young man who thinks he’s in love with The Renderer. The writing style took me some time to get used to, as it is written as though by someone who has taught themselves, or has only had basic classes on fiction writing. But the plot itself is so strange and the characters are so stilted in their own internality that it actually fits really well. Like The Mustache, this book had one of the strangest, most intensely visceral and shocking endings I’ve read in a while. It was also “one that got away.” I read it at work, then put it on my staff picks shelf, and only realized after someone else bought it that I should have kept it for myself.

The Passion According to G.H. by Clarice Lispector blew my mind. I really don’t want to spoil any of it, but I highly encourage anyone who hasn’t read it to do. The build in tension is perfect and last 30 pages are just incredible. Lispector’s style is so unique and so beautiful and tosses out huge existential questions like it’s nothing, and I love her work so much.

Moscow To The End Of The Line by Venedikt Erofeev was another really unexpected book. It’s extremely Russian (obviously) and really fun until suddenly it isn’t. The main character, a drunkard, gets on a train from Moscow to Petushki, the town at the end of the line (hence the title), in order to see his lover. On the way, he befriends the other people in his train car and they all steadily get drunker and drunker, until he falls asleep and misses his stop. Very Russian, somewhat strange, and I was surprised that it was written in the late 60s and not the 30s.

Dr. Rat by William Kotzwinkle was what I expected. Weird in a goofy way, a bit silly even when it’s serious, and rather heavy-handed satire. The titular Dr Rat is a rat who has spent his whole life in a laboratory and has gone insane. The other animals who are being tested on want to escape, but he’s convinced that all the testing is for the good of science and wants to thwart their rebellion. Unfortunately, all the other animals who are victims of human cruelty/callousness/invasion/deforestation/etc around the world are also planning to rebel, connection with each other through a sort of psychic television network. It’s a very heavy-handed environmentalist/anti-animal cruelty metaphor and general societal satire, but it’s silly and fun too.

Confessions Of A Part-Time Lady by Minette is a self-published, nearly impossible to find book that came into my work. It’s self-printed and bound, and was published in the 70s. It is the autobiographical narrative of a trans woman who did drag and burlesque and theatre work all across the midwest, as well as New York and San Francisco, from the 1930s up to the late 60s. It was originally a series of interviews by the two editors, who published it in narrative form, and it includes photos from Minette’s personal collection. It’s an amazing story, and a glimpse into a really unique time period of gender performance and queer life. She even mentions Sylvia Rivera, specifically when talking about gay activism. She talks about how the original group of the Gay Liberation Front was an eclectic mix of all sorts of people of all sexualities and genders and expressions. Then when the Gay Activists Alliance “took over”, they started pushing out people who were queer in a more transgressive or unusual way and there was more encouragement on being more heteronormative. She mentions Sylvia Rivera and Marsha P Johnson, saying “I remember Sylvia Rivera who founded STAR – Street Transvestite Action Revolutionaries. She was always trying to say things – the same kinds of things Marsha P Johnson says in a sweeter way – and they treated her like garbage. If that’s what ‘order’ is, haven’t we had enough?”

Whores For Gloria by William T Vollmann was exactly as amazing as I thought it would be. I love Vollmann’s style, because you can tell that even though the characters he’s writing about are characters, they’re absolutely based on people that he met or saw or spoke to in real life. The main character, Jimmy, is searching for his former lover, Gloria, who has either died or left him (it is unclear for most of the novel). He begins to use tokens bought from sex workers (hair, clothes, etc) to attempt to conjure her into reality, and when that doesn’t work, he pays them to tell him stories from their lives, and through their lives he tries to conjure Gloria. This novel’s ending had extremely similar vibes to the ending of Moscow To The End Of The Line.

Prisoner Of Love by Jean Genet was a lot to take in. It was weird reading it at this moment in time, and completely unplanned. It’s just that I have only a few more books to read before I’ve made my way through all Genet’s works that have been translated into English, and it was next on the list. Most of the book focuses on Genet’s time spent in Palestine in the 70s and his short return in the 80s. He also discusses the time he spent with the Black Panthers in the US, although it’s not the main subject of the book. Viewing Palestine from the point of view of Genet’s weird philosophical and moral worldview was really interesting, because what he chooses to spend time looking at or talking about is probably not what most would focus on, and because even his most political discussions are tinged with the uniquely Genet-style spirituality (if you can call it that? I don’t know what to call it) that is so much the exact opposite of objective. It’s definitely not a book about Palestine I would recommend reading without also having a grasp of Genet’s style of looking at the world and his various obsessions and preoccupations, because they really do inform a lot of his commentary. It was also written 15 years after his first trip to Palestine, partly from memory and partly from journal entries/notes, which gives it a sort of weirdly dreamlike quality much like his novels.

Blackouts by Justin Torres was so amazing! It blends real life and fiction together so well that I didn’t even realize that most of the people he references in the novel are real historical figures until he mentioned Ben Reitman, who I recognized as the Chicago King Of The Hobos and Emma Goldman’s lover. The book follows an unnamed narrator who has come to a hotel or apartment in the southwest in order to care for a dying elderly man called Juan Gay. Juan has a book called Sex Variants, a study of homosexuality from the 1940s which has been censored and blacked out. Back and forth, the narrator and Juan trade stories. The narrator tells his life story up until the present, including his first meeting with Juan in a mental hospital as a teenager. In turn, Juan tells the story of the Sex Variants book and its creator, Jan Gay (Ben Reitman’s real life daughter). The book explores the reliability of narrative, the power of collecting and documenting life stories, and of removing or changing things in order to create new or different narratives.

Again, Clarice Lispector rocking my world! Generally I can read a 200-ish page novel in somewhere between 2 and 4 hours depending on the content/writing style. Near To The Wild Heart took me 9 hours to read because I kept wanting to stop and reread entire paragraphs because they were so interesting or pretty or philosophical. The story focuses on Joana, whose strange way of looking at the world and going through life makes everyone sort of wary of her. This book is so layered I don’t really know how to describe it. So much of it is philosophical or existential musings through the vehicle of Joana. Unsurprisingly, it’s a beautiful book and I highly recommend it.

I’m just going to copy/paste my Goodreads review for Skye Papers by Jamika Ajalon: This book had so much potential that just…fell short. I could tell that it was written for an American audience but the way the reader/Skye is “taught” certain British terms and/or slang felt a bit patronizing. The characters were fleshed out and interesting and I liked them a lot but the plot crumbled quickly in the last half of the book Things sped up to a degree that felt strange and unnatural, the book’s pacing was inconsistent throughout. Perhaps that was deliberate considering the reveal at the climax, but if it was, it should have been utilized better. If the inconsistent pacing wasn’t deliberate, then it just made the book feel strange to read. There were moments were I felt like there should have been more fleshing out of certain character relationships. Even with the reveal at the end and the explanation of Pieces’ erratic/avoidant behavior, I wish there had been more fleshing out of the relationship or friendship between her and Skye at the beginning, when Skye first arrives in London. Characters who seemed cool/interesting got glossed over and instead there was a lot more dwelling on Skye walking around or busking or just hanging out. I could have gone without the last 30 or so pages after the big reveal, where Skye went back through everything that happened with the knowledge she (and the reader) had gained. It dragged on and on and at that point I felt like the whole story was so contrived that I just wasn’t interested anymore. A friend who read this book before I did said she thought it was an experimental novel that just hadn’t gone far enough, and I completely agree with her. I think if the style with the film script interludes went further, into printed visuals or more weirdness with the interludes, more experimental style with the main story, or something, it would have been really good. It just didn’t push hard enough.

The Feather Thief by Kirk Wallace Johnson was a fun little true crime novel about a young flautist who broke into a small English natural history museum in 2009 and stole hundreds of thousands of pounds worth of preserved rare bird skins dating back to the 19th century. He was a salmon fly-tying enthusiast and prodigy, and old Victorian fly designs used feathers of rare birds. The book first goes through the heist and the judicial proceedings, then examines the niche culture of Victorian fly-tying enthusiasts and obsessives, and then chronicles the author’s attempts to track down some of the missing birds. It was a quick, easy read, but fun and an unusual subject and I quite enjoyed it.

In 2024 I don’t plan on trying to surpass or even reach this year’s number. I’m going to start off the year reading The Recognitions by William Gaddis, then I’m going to re-read a number of books that I come across at work or in conversation and think Huh, I should reread that one of these days. So far, the books I am currently planning to reread: Sometimes A Great Notion by Ken Kesey, As I Lay Dying by William Faulkner, The People Of Paper by Salvador Plascencia, Mrs Dalloway by Virginia Woolf, The Mustache by Emmanuel Carriere, McGlue by Otessa Moshfegh, Long Day’s Journey Into Night by Eugene O’Neil, Acid Snow by Larry Mitchell, and Nightwood by Djuna Barnes.

[waterfall7290]

Jeremy and Cults that Kill (1988 book)

Sources: the 1991 police report; jeremywadedelle.com

Here's a 1988 hardcover copy of Cults that Kill:

I tried to go further than Ash and find out what copy Jeremy could have really had, and I went as far as contacting the actual author of the book, who unfortunately said this:

"There are  2  editions of Cults That Kill, a hardcover edition and a paperback version. Both were published in 1988 by Warner Books according to the copyright page. However in   2014 I took back the rights and re-published it myself on Amazon."

He attached pictures of the hardcover version (the one pictured above) and the paperback version (the black and purple one you see in the screenshot from Ash's website). Both were published in 1988 so... yeah, that was a fail!

At least I was glad to find that the Cults that Kill mention was factual (coming from the police report) and not another unsourced "fact" reported by The Jeremy Story. However, since I don't like to make posts about the Jeremy matter unless I really have something new to add, I'll give a little historical background as to why - I believe - Jeremy may have been interested in reading Cults that Kill and why the book was a success at the time. Because even though Ash, on his website, said that "[Jeremy] was also reading up on Satanism and Cults as many adolescents did in the past, and still do nowadays", I think there was something culturally bigger behind it.

The following research is the same one I made for a citation I put in PART 2 of No more "Later Days"... we ain't playing games around here!

Mass hysteria: the Satanic Panic

From Wikipedia (‘Satanic Panic’): “The Satanic panic is a moral panic consisting of over 12,000 unsubstantiated cases of Satanic ritual abuse (SRA, sometimes known as ritual abuse, ritualistic abuse, organized abuse, or sadistic ritual abuse) starting in the United States in the 1980s, spreading throughout many parts of the world by the late 1990s, and persisting today. The panic originated in 1980 with the publication of Michelle Remembers, a book [...] which used the discredited practice of recovered-memory therapy to make sweeping lurid claims about satanic ritual abuse [...]. The allegations, which afterwards arose throughout much of the United States, involved reports of physical and sexual abuse of people in the context of occult or Satanic rituals. In its most extreme form, allegations involve a conspiracy of a global Satanic cult that includes the wealthy and elite in which children are abducted or bred for human sacrifices, pornography, and prostitution. [...] The panic affected lawyers, therapists, and social workers who handled allegations of child sexual abuse. [...] By the late 1980s, therapists or patients who believed someone had suffered from SRA could suggest solutions that included Christian psychotherapy, exorcism, and support groups whose members self-identified as "anti-Satanic warriors". [...] In the 1990s, psychologist D. Corydon Hammond publicized a detailed theory of ritual abuse drawn from hypnotherapy sessions with his patients, alleging they were victims of a worldwide conspiracy of organized, secretive clandestine cells who used torture, mind control and ritual abuse to create alternate personalities that could be "activated" with code words. [...] Media coverage of SRA began to turn negative by 1987, and the "panic" ended between 1992 and 1995.”;  From ksat.com (‘Explaining satanic panic: South Texas Crime Stories’): “Joseph Laycock, an associate professor of religious studies at Texas State University, spoke with reporter Erica Hernandez about the term satanic panic. “In the sixties, you began to have this concern about cults, that sort of cults had infiltrated America and were brainwashing people,” Laycock said. “[...] Then these groups trying to claim that Satanists are sort of seducing our children and taking over America. [...] So it began as kind of a conspiracy theory in the 1970s. And by the 1980s, this had reached the point where people were actually being accused of crimes and actually being, in some cases, convicted for it. [...] So what would happen is somebody would say, I know about Satanism, and usually this would just be some weirdo who had no actual credentials [...] and for $1,000 I will run a seminar to train police, [...] And they would always give out sort of these are satanic symbols to be on the lookout for. And it would always be, you know, like the ACDC logo or sort of different like heavy metal bands that people were interested in the eighties or even things like yin yangs or, you know, crescent moons and things like that. But the attitude of the police was kind of, well, this must be a serious problem, because why else am I spending my weekends, you know, listening to all of this? So that also was a factor that kind of amped up that satanic panic.”.

Jeremy himself ended up in trouble when Cults that Kill was found during a locker search. Also, Faye Barnett, his English teacher, remembered (pages 9, 25-26 of the police report) one day she had found an unsigned note which appeared to be "satanic in nature", and which she thought Jeremy may had written, though there was no proof for it:

It is unclear whether the note mentioned in these two parts was the same one, but it doesn't change the fact that even these statements from the police report confirm that the Satanic Panic was very present when Jeremy was alive; and that this may have been the reason why not only Jeremy was interested in reading about it, but that it was also what got his - I believe innocent - interest mistaken for something to be worried about; as even ssheps, in the section 'The Interview - Interview with RHS Employee Regarding Jeremy' of his website, mentioned:

Maybe you already knew about this, maybe you didn't... learning about history never hurts!

Waterfall

ABOUT THIS BLOG

[lcstinfantasy]

i don't think i ever made a post about my muses sexualities....so here is a list lol

canon muses:

hayley james - straight

lydia martin - straight

lucas scott - straight

brooke davis - bi-curious

stu matcher - pansexual

tatum riley -straight

Eli Hale - bisexual

john b routledge- pansexual

sarah cameron - pansexual

rafe cameron - pansexual

steve harrington - bisexual

eddie munson - pansexual

nancy wheeler - bisexual

chrissy cunningham - bisexual, more women leaning

robin buckley -lesbein

joyce byers - straight

Carol Perkins - straight

jonathan byers - bisexual

tara carpenter - straight

sara carpenter - straight

ethan landry - bisexual

quinn bailey - straight

dom torretto - straight

jokob torretto - bisexual

taylor jewel - straight

billy loomis - bisexual

campbell eliot - bisexual

sam eliot - homosexual

allie pressman - straight

abel teller - straight

thomas teller - pansexual

isaac lahey - bisexual

erica reyes - straight

OC CHARACTERS

sage thomspon - straight

juniper thomspon - bisexual

hope whittemore - straight

noah armstrong - bisexual

eric armstrong - pansexual

bree armstrong - straight

katherine bell - straight

elijah moran - pansexual

ethan moran - bisexual

naya gomez - straight

matthew evans - bisexual

daniel james - bisexual

kendall floyd - bisexual

joseph taylor - straight

kira huges -straight

kai coleman  - bisexual

hanna pittman  - straight

miko young - pansexual

jasper wooley - pansexual

eden wolfe - pansexual

sterling herrman - bisexual

pete warner - bisexual

dixie adams - straight

lily danberry - straight

julia danberry - straight

nick danberry - pansexual

davina davidson - straight

hayley davidson - straight

madison lewis - straight

russel lewis - bisexual

talon lewis  - straight

tatum lewis - bisexual

dani sanchez -straight

maya sanchez - straight

celeste lovegood - straight

samuel johnson - bisexual

paisley johnson - demisexual

nate felix -pansexual

andy darnell - bisexual

astrid sullivan - straight

carter ramsey - bisexual

willow anderson - straight

ivy greene - straight

Nate Felix  - bisexual

Dakota Roth - bisexual

wesley henson -  - bisexual

roxanne roca - straight

jolene devin cooper - straight

colby ireland roberts - straight

myles james boyce - straight

kyro javier gomez - pansexual

Dalton Winter Richmann - bisexual

Shepard Knight Richmann - bisexual

vincenza "vince" lucciano - pansexual

wren nicole caruso - bisexual

james oliver alexander - bisexual

elinor brooke henderson - pansexual

rowan grey - bisexual

alfie reynolds - bisexual

reign grey - straight

dillon combs - straight

test muses/by request:

faye rainee munson -straight

asher poe munson - bisexual

milo michael larson - bisexual

fallon marie larson - straight

declan felix larson - bisexual

adeline blair cameron - straight

davina claire - straight

[botchedandecstatic]

Books Read/Reread, January/February 2023

Kashana Cauley, The Survivalists Erica Berry, Wolfish: Wolf, Self, and the Stories We Tell About Fear Joanna Ebenstein, The Anatomical Venus: Wax, God, Death & the Ecstatic* Judith Butler, What World Is This: A Pandemic Phenomenology Bianca Stone, What Is Otherwise Infinite Christy Wampole, The Other Serious: Essays for the New American Generation Justin T. Clark, The Zero Season Erik R. Seeman, Death in the New World: Cross-Cultural Encounters, 1492-1800 Arundhati Roy, The God of Small Things* Suzan Lori-Parks, The America Play and Other Works Alexandra West, The 1990s Teen Horror Cycle: Final Girls and a New Hollywood Formula Alexandra West, Films of the New French Extremity: Visceral Horror and National Identity Elvia Wilk, Death By Landscape* Janet Malcolm, Still Pictures: On Photography and Memory Erin L. Thompson, Smashing Statues: The Rise and Fall of America's Public Monuments Michael E. Bell, Food for the Dead: On the Trail of New England's Vampires Roland Barthes, Sade/Fourier/Loyola* Hanif Abdurraqib, A Little Devil in America: In Praise of Black Performance Umberto Eco, Travels in Hyperreality Raymond Williams, Culture and Politics Lily Hoang, A Bestiary Nikolai Gogol, Dead Souls Joel Warner, The Curse of the Marquis de Sade: A Notorious Scoundrel, a Mythical Manuscript, and the Biggest Scandal in Literary History Aldo Leopold, A Sand County Almanac Cormac McCarthy, The Passenger Cormac McCarthy, Stella Maris * = reread

[ulkaralakbarova]

Bruce Wayne faces a deadly menace from his past, with the help of three former classmates: world-renowned martial artists Richard Dragon, Ben Turner and Lady Shiva. Credits: TheMovieDb. Film Cast: Bruce Wayne / Batman (voice): David Giuntoli Richard Dragon (voice): Mark Dacascos Lady Shiva (voice): Kelly Hu Ben Turner / Bronze Tiger (voice): Michael Jai White O-Sensei (voice): James Hong Axe Gang Leader (voice): Eric Bauza Jade (voice): Jamie Chung Rip Jagger (voice): Chris Cox Schlangenfaust (voice): Robin Atkin Downes Lady Eve (voice): Grey DeLisle Jeffrey Burr (voice): Josh Keaton Silver St. Cloud (voice): Erica Luttrell King Snake (voice): Patrick Seitz Film Crew: Characters: Bob Kane Executive Producer: Michael Uslan Executive Producer: Bruce Timm Producer: Sam Liu ADR Editor: Kelly Ann Foley Production Supervisor: Bobbie Page Executive Producer: Sam Register Producer: James Krieg Characters: Bill Finger Original Music Composer: Joachim Horsley In Memory Of: Denny O’Neil Administration: Frances E. Chang Characters: Martin Pasko Characters: Walt Simonson Characters: Steve Englehart Other: Greg Emerson ADR Editor: Patrick J. Foley Online Editor: Darren Griffiths Casting: Wes Gleason Writer: Jeremy Adams Foley Mixer: Aran Tanchum ADR Editor: David M. Cowan Producer: Kimberly S. Moreau Executive In Charge Of Production: Peter Girardi Executive In Charge Of Production: Brian E.S. Jones Character Designer: Jon Suzuki Characters: Chuck Dixon Editor: Bruce King Character Designer: Aluir Amancio Post Producer: Julie Osborn Characters: Tom Lyle Production Manager: Marlene Corpuz Animation Director: Seo Seon Jong Visual Effects Production Manager: Sharon Yvonne Lopez Supervising Dialogue Editor: Mark A. Keatts Production Manager: Ed Adams ADR Editor: Michael Garcia Line Producer: Angela O’Sullivan Character Designer: Dusty Abell Character Designer: Tina Duong Graphic Designer: Brenna Kraus Post Producer: Kip Brown Post-Production Manager: Marissa Llano Administration: Liz Carroll Post-Production Manager: Brittany Canasi Movie Reviews: JPV852: Has its moments I guess and liked the 1970s-like styling though another animated movie where Batman is merely there to help sell rather than a major factor in the story. Gets a bit repetitive towards the end to the point I was kind of dosing off but didn’t mind the animation and the voice acting was okay. **3.25/5** SWITCH.: ‘Batman: Soul of the Dragon’ was a chance to reinvent an old and potentially interesting character and launch him into its modern canon. However, Warner Bros. has to start taking chances on movies with other heroes in them besides Batman if it wants its lesser-known properties to get some time in the spotlight. – Jake Watt Read Jake’s full article… https://www.maketheswitch.com.au/article/review-batman-soul-of-the-dragon-pushing-the-boundaries-of-batman-fatigue

[tomorrowedblog]

Friday Releases for June 28

Friday is the busiest day of the week for new releases, so we've decided to collect them all in one place. Friday Releases for June 28 include Horizon: An American Saga, Service Merchandise, Across the Tracks, and more.

Horizon: An American Saga

Horizon: An American Saga, the new movie from Kevin Costner, is out today.

In the great tradition of Warner Bros. Pictures’ iconic Westerns, “Horizon: An American Saga” explores the lure of the Old West and how it was won—and lost—through the blood, sweat and tears of many. Spanning the four years of the Civil War, from 1861 to 1865, Costner’s ambitious cinematic adventure will take audiences on an emotional journey across a country at war with itself, experienced through the lens of families, friends and foes all attempting to discover what it truly means to be the United States of America.

Fancy Dance

Fancy Dance, the new movie from Erica Tremblay, is out today.

Since her sister’s disappearance, Jax (Lily Gladstone) has cared for her niece Roki (Isabel Deroy-Olson) by scraping by on the Seneca-Cayuga reservation in Oklahoma. Every spare minute goes into finding her missing sister while also helping Roki prepare for an upcoming powwow. At the risk of Jax losing custody to Roki’s grandfather, Frank (Shea Whigham), the pair hit the road and scour the backcountry to track down Roki’s mother in time for the powwow. What begins as a search gradually turns into a far deeper investigation into the complexities and contradictions of Indigenous women moving through a colonized world while at the mercy of a failed justice system.

The Vourdalak

The Vourdalak, the new movie from Adrien Beau, is out today.

When the Marquis d’Urfé, a noble emissary of the King of France, is attacked and abandoned in the remote countryside, he finds refuge at an eerie, isolated manor. The resident family, reluctant to take him in, exhibits strange behavior as they await the imminent return of their father, Gorcha. But what begins simply as strange quickly devolves into a full fledged nightmare when Gorcha returns, seemingly no longer himself…

A Quiet Place: Day One

A Quiet Place: Day One, the new movie from Michael Sarnoski, is out today.

Experience the day the world went quiet.

A Sacrifice

A Sacrifice, the new movie from Jordan Scott, is out today.

Inspired by Nicholas Hogg’s 2015 novel Tokyo Nobody, A Sacrifice is an emotionally turbulent story that follows American social psychologist Ben Monroe who is investigating a local Berlin cult connected to disturbing events. While he immerses himself in his work, his rebellious teenage daughter, Mazzy, becomes embroiled with a mysterious local boy who introduces her to the city’s underground party scene. As their two worlds head toward a dangerous intersection, Ben will need to race against the clock in order to save his daughter.

Daddio

Daddio, the new movie from Christy Hall, is out today.

DADDIO celebrates the power found in those rare moments of pure human connection, even with the most unlikely person. This highly contained, yet kinetic character-study – encapsulated in one single cab ride – explores the complexities inherent to the secrets we keep, particularly the ones locked away on our phones. It’s about truth and illusion, how we so effortlessly substitute one for the other out of survival. It’s about the hurtful memories of childhood, how past trauma can manifest itself in profound ways. It’s about the dance between the pain and poetry that is the human experience.

WondLa

WondLa, the new TV series from Bobs Gannaway, is out today.

No amount of training could prepare Eva for what she’d find beyond her bunker walls.

Service Merchandise

Service Merchandise, the new album from Previous Industries, is out today.

Across the Tracks

Across the Tracks, the new album from Boldy James and Conductor Williams, is out today.

Samurai

Samurai, the new album from Lupe Fiasco, is out today.

MEGAN

MEGAN, the new album from Megan Thee Stallion, is out today.

[kwebtv]

Band of Gold - ITV - March 12, 1995 - December 1, 1997

Crime Drama (18 episodes)

Running Time: 60 minutes

Stars:

Geraldine James as Rosemary "Rose" Garrity (Series 1–3)

Cathy Tyson as Carol Johnson (Series 1–3)

Barbara Dickson as Anita Braithwaite (Series 1–2)

Samantha Morton as Naomi "Tracy" Richards (Series 1–2)

Tony Doyle as George Ferguson (Series 1–2)

David Schofield as DCI David Newhall (Series 1–2)

Rachel Davies as Joyce Webster (Series 1–2)

Richard Moore as Granville 'Curly' Dirken (Series 1–2)

Ray Stevenson as Steve Dickson (Series 1–2)

Fiona Allen as DI Erica Cooper (Series 3)

Supporting

Ruth Gemmell as Gina Dixon (Series 1)

Ace Bhatti as Dez (Series 1–2)

Lena Headey as Colette (Series 2 - 3)

Anthony Milner as Bob (Series 1)

Adam Kotz as Vinnie Marshall (Series 1 & 3)

Judy Browne as DS Kershaw (Series 1)

Laura Kilgallon as Emma Johnson (Series 1–3)

Stephen MacKenna as Ian (Series 1)

Darren Tighe as Smiley (Series 2)

Rebecca Callard as Tula (Series 2)

Darren Warner as Lloyd (Series 3)

Judy Brooke as Julie (Series 3)

Danny Edwards as Sherrie Goodman (Series 3)

Alicya Eyo as Jae (Series 3)

Kern Falconer as Insp. Henryson (Series 3)

Ifan Meredith as Little Charlie (Series 3)

[disneytva]

Walt Disney Studios Announces "Diary Of A Wimpy Kid Christmas: Cabin Fever" Slated For December 8th only on Disney+.

The original animated adventure, “Diary of a Wimpy Kid Christmas: Cabin Fever,” the latest animated movie based on Jeff Kinney’s wildly successful book series, will premiere December 8, 2023, exclusively on Disney+.

“Diary of a Wimpy Kid Christmas: Cabin Fever” will stream December 8, 2023, exclusively on Disney+.

The winter holidays are turning out to be especially stressful for Greg Heffley this year. After accidentally damaging a snowplow while making a snowman with best friend Rowley Jefferson, Greg worries he won’t get the new video game console he so desperately wants for Christmas. To make matters worse, he gets snowed in with his family, including his grumpy older brother Rodrick and annoying younger brother Manny.

“Diary of a Wimpy Kid Christmas: Cabin Fever” features the voices of Wesley Kimmel (“The Mandalorian”), Erica Cerra (“Power Rangers”), and Hunter Dillon (“Deadpool 2”)

Directed by Luke Cormican (Warner Bros Animation “Teen Titans Go!) and written and produced by Jeff Kinney with score by John Paesano, Bardel Animation will provide animation services, “Diary of a Wimpy Kid Christmas: Cabin Fever” is produced by 20th Century Animation trought Walt Disney Studios.

[clickvibes]

Cartoon Network and Max Reveal All-Nigerian 'Iyanu' Cast

Cartoon Network Africa and Max, the streaming service from Warner Bros. Discovery, have unveiled the all-Nigerian voice cast for their upcoming animated series, "Iyanu: Child of Wonder." The show, Lion Forge Entertainment’s adaptation of Dark Horse Comics / YouNeek Studios’ popular graphic novel series “Iyanu: Child of Wonder” by award-winning Nigerian creator and producer Roye Okupe which is set to premiere in 2025, features a diverse cast of talented actors and actresses who bring the characters to life. African Movie Academy Awards winner and Nollywood actress Adesua Etomi-Wellington (King of Boys, Gangs of Lagos) will voice Olori, who Vogue named as one of their 14 global superstars in 2019 alongside Scarlett Johansson, Deepika Padukone and Vanessa Kirby; set to play Toye’s father Kanfo is one of Nollywood’s foremost leading men, Blossom Chukwujekwu (Falling, Stolen Lives) who has multiple wins and nominations across Nigeria’s award shows like the Africa Magic Viewers’ Choice Awards, Best Of Nollywood Awards, Golden Movies Awards, among others; Nigerian-born entertainer and author of Màmá, It's A Girl Stella Damasus (Gone) plays Sewa; Shaffy Bello (The Score, Battleground), a Best of Nollywood Awards nominee, has signed on to voice Emi – The One Mother; and esteemed actor Ike Ononye (Doc Martin, The Lovers) will voice Elder Alapani. The 2D animated series takes place in the magical kingdom of Yorubaland and centers around Iyanu, a teenage orphan girl who studies Yoruba history and ancient arts but yearns for a normal life. One day, she unknowingly triggers her divine powers, which have not been seen since the Age of Wonders. With newly discovered superpowers, Iyanu joins forces with two other teenagers as they embark on a remarkable journey to discover the truth about the evil lurking in her homeland. Throughout her adventure, she’ll uncover the truth about her past, her parents, and her ultimate destiny to save the world. Brandon Easton (Transformers: War for Cybertron: Seige, Marvel’s Agent Carter) headed the writers' room, with Okupe serving as the executive producer, writer, and director on multiple episodes. The show’s Executive producers are David Steward II and Matt Heath from Lion Forge Entertainment, Erica Dupuis of Impact X Capital, Ryan Haidarian of Forefront Media Group and Doug Schwalbe. Iyanu is slated for release in the US on Cartoon Network and Max in 2025 and has a 26 episode, two season order. Source: Max https://www.awn.com/news/cartoon-network-and-max-reveal-all-nigerian-iyanu-cast Read the full article

[petnews2day]

Warner Bros.'s 'The Cat In The Hat' Animated Feature Will Hit Theaters On March 6, 2026

New Post has been published on https://petn.ws/OWjLN

Warner Bros.'s 'The Cat In The Hat' Animated Feature Will Hit Theaters On March 6, 2026

Warner Bros. Pictures Animation (WBPA) has shared details regarding its upcoming animated feature adaptation of Dr. Seuss’ The Cat in the Hat, scheduled to hit theaters on March 6, 2026. The film is being written and directed by Alessandro Carloni (director, Kung Fu Panda 3) and Erica Rivinoja (writer, Trolls, Cloudy with a Chance of […]

See full article at https://petn.ws/OWjLN #CatsNews