#esp fantasy ones

[timothylawrence]

crazy how you can make a post abt violent racism in a game and ppl will still say ‘it deserved game of the year tho’

[monstermonger]

Quiet corners 🐈‍⬛

[xiewho]

no time to celebrate

[archersartcorner]

I think the Bad Kids deserve to cry a lil. As a treat. IT’S CATHARTIC!!!!!!!!!!!

[aberfaeth]

this is not going to be well articulated but i think the reason i and lots of other people feel a bit weird about certain aspects of tonights ep is that like. the ratgrinders have literally never posed a genuine threat to the bad kids in any aspect of their lives—social, academic, relationships, even their physical wellbeing, any of it. they bodied the last stand, they bodied the dragon fight. the closest thing to a bad thing happening this season was kristen almost getting expelled and that was all bobby dawn who wasnt even a part of the battle! like i genuinely cant relate to people feeling catharsis at the RGs going down bc i was just sat there like. what did they even do other than be kind of a general annoyance and a little bitchy lmfao

[daemon-in-my-head]

As much as some of the stuff in Realms lore is messed up or has some very clear very outdated views on shit, the way they wrote evil cults and their motivations is actually pretty nice nd I'll give em that.

Like we've got Shar, lady of loss, who appeals to all those people who experienced something unimaginable and want to forget that experience.

Bane, a self made guy, who appeals to all those who came to resent the status quo nd were made to feel powerless, who's cult establishes the idea that everyone can become the game master and rise as long as they're dedicated enough but also gives excuses to the already powerful for abusing their power.

Myrkul who appeals to people in a similar way Shar does, but he has and grants the ability to reverse the loss. Reunite with those you lost before you arrive in the afterlife yourself. Don't fear death because your life will continue the same way it was before even if you die. Basically my guy offers a solution to the whole being afraid of death bit

But the most fucked up one is arguably Bhaal, who targets a very spefic group of people that deem life to be hopeless and death to be the better choice, and introduces them to the idea that this warped mindset is a fact and by killing someone you show them mercy and you can become their hero.

Like these are definitely not the healthiest claims those cults make, and any 'normal' individual would look at u like u have issues if you presented these ideas to them. Still, for a (not very) small group of people, these thoughts validate them in their feelings and struggles and offer a twisted understanding. And that is why recruitment works, and these definitely not-so-nice cults manage to survive and thrive at times. Because they very purposefully target individuals that could be easily manipulated if offered nothing more than some sort of understanding or recognition, and then they built on that. Very much like real life cults did and do in order to establish themselves and gain following.

Like very much fucked up but I can see very well why these cults work, why people join them and how they manage to manipulate their followers into blind loyalty and going above and beyond. The gods they serve and their lil libraries nd stuff may be dorky at times but the cults themselves are nothing besides absolutely terrifying. 11/10 no notes.

[nyatbinary-81]

@vulpixisananimal sifstem art jumpscare!! more specifically i got bored and decided to mess around with sif and mal's outfits.

[gods-favorite-autistic]

Live footage of me everytime a fantasy high edit crosses my fyp

[xyrishi00]

draw my friends WoL ( •̀ ω •́ )✧

[oopsallmabari]

....why are the youtube comments so mad lol don't y'all like to have fun. don't we like to have fun here

[dolly-bug]

hey look at weird fish i caught

she is so so pretty i love her <3

[clerichs-xi]

revenge for @kitariafilaree with their character Ronin!

[metabolizemotions]

Maybe Station 19 was like an experimental cubist painting.

There were too many stories to be told and too many people trying to tell them, from too many perspectives, with too many styles…

Each viewer saw a different picture.

It was the show that tried to capture the zeitgeist and represent the under-represented. Also the show that often struggled. With the tones and textures. With representing w/o tokenizing. B/w laughing with and laughing at. B/w realism and romanticizing. B/w deliberate and arbitrary. B/w educating and entertaining. B/w what they consider profane and sacrosanct.

At times, it touched our hearts deeply. At times, it frustrated us to no end.

Not every story was given the respect, sensitivity and intricacy it was due.

One moment could lead to a profound understanding of an aspect of a lived life some of us had never known; while the next could be a moment that was beyond confounding - about an aspect of ourselves that made us feel slighted, diminished and even erased.

It had often been an exercise in empathy to find our common humanity at the intersectionality of stories. Yet, the scale of empathy often skewed too far in favor of some characters with the differing standards, narrative frames and plot armors. Ironically yet reasonably turning people off these very characters they wanted people to root for. A persistent dissonance and disconnect.

But it was also the show that didn’t shy away from the ugly, the raw, the uncomfortable and messy parts of our shared human experience. The tribulations of oppression. The perils of ambition. The tests of morality. The trials of friendship and love. That we would make mistakes, but we could also make amends. That we're not defined by our worst. That our best lives could still be in front of us despite the current struggles. That sometimes life sucks but having your people with you makes it more bearable.

I would think it an interesting journey for the diversity of people behind, on, and in front of the screen. The evolving stories, evolving characters, evolving storytellers, an evolving fandom - all amidst an evolving media landscape.

It was probably not an easy show to make. The show had a bewilderingly lack of support from abc or shondaland. Diversity seemed to be both good for promotion (when there was any) and the reason for the prejudice against it.

Just as it had not been an easy show to watch - so biased, inconsistent and self-contradictory. Like when they kept telling us about the family spirit and deep friendships yet somehow spent more time showing otherwise. Or when the writing of systemic sexism was somehow inherently sexist.

Personally, I don’t think characters belong to the writers alone. Besides the usual constraints, the characters were often adjusted back and forth to fit the plots. We’ve also learnt how network execs' dislikes, writers’ personal experiences were factored into the stories. I fully respect the writers’ artistic rights. But actors who embodied the characters for years have a unique understanding too. Viewers also have their personal takes about what were true to characters. It's ok to agree to disagree.

There had been sparks of brilliance, but often extinguished too soon. It has been confounding how the greys-verse did not capitalise on its vast potential, esp. S19. Even while both shows share a show-runner. Grey's anatomy could have lent its scale while Station 19 could have injected renewed energy back into its mothership. Both shows could have been better for it.

Although the characters have the foundation of distinct and interesting backstories, their development often did not fully utilise the narrative potential and the talents of the cast. I’m sure the crew was also competent and hardworking. But somehow some elements b/w n within the shows seemed to just cancel each other out instead of amplifying their impact. IMO 704 and 709 were a few exceptions.

But I'll always be glad S19 existed and we got a S7. I believe they had tried their best to wrap up and give closure to everyone invested in the show. I truly appreciated the hard work given the circumstances even when I personally didn't agree with some takes.

In the end, I really do want to remember it as the show with heart, the show that made us laugh and cry and the show that tried. The show that's unique - in both its merits and flaws. I’ll definitely miss the characters. One last time - 19!

[fictionadventurer]

I made the mistake of reading the online samples of Emily Wilde's Encyclopaedia of Faeries and now I'm distressed because I can't get more.

[alackofghosts]

from on thy wondrous works i will meditate by mary oliver

[lycansprites]

One of my favorite things is how fandom collectively decides certain fantasy races would be better improved if they just had tails (and tendencies).