#even growing artists have more to offer than this contrived shit

[especiallyhaytham]

You know what really sucks about art history and AI?

These days, I can't go on Google and look up "Renaissance" or "Rococo" or "Baroque" art without the results being absolutely littered with shitty, modernized AI pictures. If I'm studying 18th-century portraiture, I'm looking for themes and motifs specific to the period (composition, shape, emotionality, emphasis, etc), so I can better understand the cultural values of an era, and then deconstruct and experiment with them in my own art. I don't want to see some generic hot girl in an inaccurate Marie Antoinette dress, or a Chad Napoleon that's even more ridiculous than the Jacques-Louis David propaganda. Jesus Christ. This garbage isn't even comparable in how awful it is, and it's infecting everything.

For reference, on the left is the work of Artemisia Gentileschi, an actual Baroque artist (click for full size), up against "Baroque Style" from a website selling AI prints. Ew. I won't even explain how Not Baroque the image on the right is, it's so bad it's actually criminal.

Examining historical art periods in modern works is one thing, but this shit isn't even trying. This is another reason why AI isn't art. You can click a button and make something aesthetically pleasing, but you learn nothing. You evoke nothing. You say nothing. There is not a single ounce of value to be had here, other than demonstrating our culture's most superficial ideals, your complete lack of personality, and absolutely no foundational knowledge or intuition. It's a joke is what it is. Artists are trying to do actual work over here, you're just a waste of air.

[monkey-network]

Good Stuff: Best of 2020

I don’t need to say much about how this year sucked. What matters is that if you’re reading this, congrats because you made it through and you’ll know that animation in 2020 has certainly made its marks as much this year as it did the last. Effort was still made to provide some of the best entertainment imaginable, and I’m here to provide the TOP TEN BEST entertainment I’ve experienced and loved this year. With that said, let’s get to it…

10. Sonic Rebuilt

I’ll admit, I don’t like the Sonic Movie. It was not a good film to me & while I’m holding out for the sequel, I genuinely never want to see it again. But like Biden to Trump, the people behind Shrek Retold gave us a reanimated telling of the Sonic 1996 OVA. Like Shrek Retold, it offers a compelling new light to the OVA and while the original is much cleaner, and it’s not the most hype thing to come from Sonic overall, the imaginative cauldron of artists that put into this makes it far more rewatchable. 

9. Central Park

I knew after watching Bob’s Burgers that creator Loren Bouchard would eventually make a musical cartoon and I’m glad I was right. Central Park is a first for me where it’s an animated musical that isn’t a film or only occasional like Steven Universe or Adventure Time and while it isn’t the best plotwise, the numbers themselves were heartfelt and sometimes catchy. There’s a struggle in being episodic and serialized, and it’s a slow burn to connect with the characters, but this was admirable in its experimentation and I’m interested in the direction season two will go.

8. Interspecies Reviewers

The first horny anime I can safely say was never an off-putting or one-note gag fest; that’s gotta count for something. The momentum of this series never truly dies and even when there were a couple times where I just wasn’t feeling it, they pull me back with something ten-fold entertaining. Fresh variety is what I can describe this series at its best, it knew how to keep things going and growing even when it’s otherwise formulaic. All the while, this series never felt tasteless; it really felt structured and gallantly clear-minded in what it wants to show. Plus, it has Crimveal who next to Steven Universe is the best boy of 2020. Of course this show ain’t for everyone but my god, it does so much right for me upon most ecchi stuff.

7. Primal

I wanna believe this was what Genndy Tartakovsky always wanted to make after Samurai Jack ended (well, the 2nd time). This show really exhibits his many techniques in direction, like you can tell this is his work if you’ve seen his other shows. Primal always feels like the culmination of all that’s he towards as a man of animation. Even with the roars and the harsh sounds of violence, this is the only cartoon that never says anything but conveys everything so vibrantly. This admittedly isn’t my favorite piece from Genndy, but it definitely made it’s way to the top three.

6. Team Fabulous 2 Reanimated/Suponjibobu Anime

We got a tie here because these I especially felt brought people together. Suponjibobu brought people together to celebrate Spongebob Squarepants like never before, making it as legendary this year as Mr. Krabs Overdoses on Ketamine. A beginning to a series long in the making and can hopefully go for more as animation on Youtube has certainly delivered. 

The Team Fabulous 2 Collab was where a community came together to honor the creator to one of the most recognized fanworks for a game that has stood the test of time. Like Sonic Rebuilt, it’ll never replace the original but god damn it’s like the stars aligned, especially after we were dealt with another loss this year, where we could appreciate TF2 for the culturally powerful game that it is.

5. Crash Bandicoot, It’s About Time

I’ll say again but this game feels like a dream. A good, fresh looking, fun to play Crash Bandicoot game that feels like the gamiest game this year after all the discourse surrounding Last of Us 2 and plenty other shit surrounding the game industry, Nintendo included. Like, I just gotta appreciate this. It’s by no means the greatest Crash game, the completion journey is horrifying, but my god it was a great game to jump into again and again. It feels like a testament to what Crash can be in the modern era and I certainly want more of it. Bugsnax is objectively game of the year if not Hades, but Crash 4 is my personal GOTY. 

4. Glitch Techs

It’s the gamer equivalent to Men in Black, that’s enough of a seller. From the people behind Fanboy & Chum Chum, it’s genius well-animated, realized, and not immediately dated. It’s a mind-boggling crime Nickelodeon isn’t treating this show better because it deserves recognition as an innovative idea. It does a lot right and it’s a worthwhile action series up there with Rise of the TMNT that’s worth the risk to give it more of an audience as opposed to just thinking it’ll be the next Spongebob. If it’s future is anything, I enjoyed this series and there’s nothing like it.

3. Wolfwalkers

This was an animated film with the most personality to me in a long while, with the most memorable look to it, compelling leads, and animation that really made its mark in the moments that mattered. I’ll agree with other reviewers that, outside Mebh who is the greatest and besterest girl of 2020, it's a simple story but it’s effectively simple. Beside the 3rd act which was noticeably long, the moments flow one after another fluently and you really get the struggle between two immediate friends that are shackled with responsibilities their parents didn’t want to put on them. Like Netflix’s Klaus, it all comes together like a beautifully seasonal tapestry. Worth watching and supporting is the best I can tell you for this film.

2. Elinor Wonders Why

This is my most personal of personal choice for the list; like True and the Rainbow Kingdom, it’s the one that helped pick me up after being in a slump for most of this year. I’ve always had an interest in understanding the fundamentals of nature, and this show encourages thinking about the wonders of science, where something as simple as a feather can make you wonder of its many shapes, abilities, and functionality. It appealed to me in the best way that it does more than represents your existence but deep down represents why you are the way you are with your interests and the flexibility of your outlook. I wish it was number one but it did enough to make the top of this list.

1. Keep Your Hands Off Eizouken

I mean what else could be number one? This is the most ‘anime’ anime I have ever seen. The story, characters, and world building are at their most realized. I can’t imagine anyone other than Science Saru, with the based Yuasa, animating this with the style it has. Every episode is an engaging puzzle to every 4th episode where it all culminates with the in-universe final product of our Eizouken trio. It’s so compellingly meta it hurts as I could gush about every single detail that went into this series both in universe and the real behind the scenes. But what makes this the greatest is how nothing feels contrived, everything in this anime exists for something and the obstacles our characters face are things you’d definitely face in you were in there shoes. It’s energy is what really carried me through this year and I can safely say this is one of my all time favorites. And it really says don’t give up believing and working for better things to come, because if art like this can be made nearly flawlessly, it’s always worth carrying on to see something just as great if not greater. That’s why this is a masterpiece to me...

Then again...