#exhibition panel printing singapore

[werkzproductionss]

Event backdrops in Singapore are essential for creating a polished and professional ambiance at any gathering. These backdrops are available in various styles and designs, tailored to fit the specific theme of the event. Whether it's a wedding, conference, or gala, Singapore's event backdrops are crafted with high-quality materials to ensure a visually striking display. The attention to detail and customization options make these backdrops a popular choice for event planners aiming to create a memorable and cohesive look.

[lcurham]

SEAPAVAA poster - expanded cinema in the Asia Pacific

There’s a book from 2017

Jurriëns, Edwin. Visual Media in Indonesia : Video Vanguard. Abingdon, Oxon: Routledge, an imprint of the Taylor & Francis Group, 2017. Print.

There is an exhibition catalogue for this work By Krisna Murti https://www.youtube.com/@TheKrisnart

Learning to queue up to the ants (status queue) = Belajar antri kepada semut : performance video installation, Soemardja Gallery-Bandung Institute of Technology, December 10-23, 1996.

https://www.cobosocial.com/dossiers/krisna-murti-interview/

Experimental Film Forum in Singapore https://expcinema.org/site/en/directory/experimental-film-forum

2010 A new festival is born in Singapore. The first edition of Experimental Film Forum, subtitled 'Experiments in progress...' will be held next May 20-23 at the Substation Theatre. Highlights include a programme of local experimental films curated by filmmaker Victric Thng with emphasis on the work of Tania Sng; a workshop and screening on S8 films directed by Russel & Gozde Zehnder; a panel on the history of experimental films in Southeast Asia, the recent spate of experimental films and the direction of experimental cinema; and a symposium on distribution and the 'Human Frames' project by Lowave co-founder and filmmaker Silke Schmickl.

https://www.objectifs.com.sg/experimental-cinema-in-southeast-asia-panel-discussion/

EYE Film conference 2022

Umi Lestari - Indonesian cinema scholar

Kultursinema as a method - Mahardika Yudha - program in Arkipel - Jakarta Intl Doc and Experimental Film Festival - Arkipel due May

Southeast Asia film festival Thailand December https://www.southeastasiafilmfestival.com/

2017 - experimental film in Manila

https://www.gmanetwork.com/news/lifestyle/artandculture/600799/fdcp-s-xperimento-pelikula-to-screen-13-experimental-films-for-free/story/

FDCP’s Xperimento Pelikula to screen 13 experimental films for free - Xperimento Pelikula" curates 30 years of avant-garde works from Miko Revereza, Melchor Bacani III, Rox Lee, Ramon Jose "RJ" Leyran, John Torres, Yason Banal, Tad Ermitano, Raya Martin, Tito & Tita, Martha Atienza, Jon Lazam, Cesar Hernando, Eli Guieb III, and Jimbo Albano.The films were made in workshops held by the Mowelfund Institute and Goethe Institut Manila in the '80s and '90s, which Shireen Seno of Los Otros and Merv Espina of Generation Loss sifted through.

Los Otros, building experimental film in the Philippines

https://www2.bfi.org.uk/news-opinion/sight-sound-magazine/interviews/los-otros-shireen-seno-john-torres-interview-experimental-film-community-philippines

Asian Film Symposium https://www.objectifs.com.sg/afs2015/

Singapore, Substation

Video art histories south east Asia 

https://asialink.unimelb.edu.au/arts/resources/stories-and-insights/the-rise-of-video-art-in-east-asia

Refocusing on the Medium: The Rise of Video Art in East Asia at OCAT Shanghai, assembled 25 works from key protagonists in video art from Japan, Korea, Taiwan, Hong Kong, and mainland China. 

OCAT Shanghai, 27 December 2020 – 21 March 2021Artists

Katsuhiro Yamaguchi, Nam June Paik, Yoko Ono, Keigo Yamamoto, Kim Kulim, Takahiko Iimura, Shigeko Kubota, Park Hyunki, Soungui Kim, Wang Gongxin, Ellen Pau, Chen Shaoxiong, Geng Jianyi, Zhu Jia, Yuan Goang-Ming

Curator

Kim Machan (Director, Media Art Asia Pacific MAAP Brisbane)

Publication date: May, 2021, commissioned by Asialink Arts.

https://www.maap.org.au/collaborator/kim-machan-2/

Bangkok experimental video https://en.bacc.or.th/archive/336.html

Running for a long time, curator Komson Nookiew

https://knookiew.blogspot.com/

Asst Prof Komson Nookiew Fine Art Department,
 King Muangkut's Institute of Technology, Ladkrabang, Bangkok


Experimental film festival 2012 beff https://expcinema.org/site/en/directory/bangkok-experimental-film-festival

[tsasocial]

Indian textile players to announce new launches and developments at Gartex Texprocess India new Delhi 2024

Anticipating a boost in the manufacturing sector, the signing of the FTAs, the recent growth in the textile exports, bundled with the Indian government’s focus on making India a ‘global manufacturing hub’ has set up encouraging prospects for the stakeholders of the Indian textile value chain. This optimistic industry outlook is also evident in the spirit of the textile technology and apparel manufacturing players participating in the upcoming Gartex Texprocess India which is scheduled from 1 – 3 August 2024 at Yashobhoomi (IICC), Dwarka, New Delhi.

Regardless of the global economic and political landscape, the recent surge reported in textile exports and apparel at 9.59% and 9.70% respectively, in May 2024 as cited by the Confederation of Indian Textile Industry (CITI), marks a positive sign uplifting the spirits of the Indian textile players. As per IBEF, the market for Indian textiles and apparel is projected to grow at a 10% CAGR to reach USD 350 billion by 2030 with the exports expected to reach USD 100 billion. The Indian textile sector is further expected to be strengthened by innovations from the manufacturers of fabrics, garments and apparel, textile machinery companies, allied industries and future plans and policies from the Indian government.

As India’s leading expo covering garment and textile manufacturing, denim, accessories, textile printing technologies, and more, Gartex Texprocess India is slated to showcase 600+ brands, spread over an area of 15,000 sqm at Yashobhoomi (IICC), Dwarka, New Delhi. Besides India, the upcoming edition will demonstrate global excellence in textile solutions from countries like China, Italy, Japan, Singapore, Taiwan, and the USA.

The show floor is sold out with leading Indian brands like AT Inks, Aura Technologies, BABA Textile Machinery, Benz Embroidery, Britomatics India, Chetna Fashions, DCC Print Vision, Jaysynth Dyestuff India, and True Colors amongst others. International brands like Baoyou, Brother, Datatex, Dupont, Jack, Kansai, SinSim, Siruba, Yumei, and more will also add a global touch to the show.

New Product Launches:

The three-show days are lined up with more than a dozen of new product launches and the exhibitors showcasing their latest offerings. Some of the unmissable product launches will be from brands like: Amtex Dye Chem Industries, Behariji Enterprises, Codeverse Technologies, Creative Industries, LNJ Denims, Panchsheel Enterprises, Pro-Pioneer Eco Technologies, Rainbow Denim, Ranjan Fabrics, R&B DENIMS, SBT Textiles, Sitaram Spinners, Stas Biochem, Studio Next Technology, True Colors, The Tenth House, Venus Denims, Vertex Edge Tech, Vinod Denim and more.

Show Highlights:

The first edition to be organised at the state-of-the-art expo centre – Yashobhoomi, IICC, Dwarka, New Delhi

200+ exhibitors presenting 600+ brands from 7 countries

Featuring curated-zones for product categories like ‘Knitting, Sewing Machinery, Digital Printing, Embroidery, Fabrics & Trims.’

Expansion of the Trims segment with new exhibiting companies

International brands directly participating in the show

Curated knowledge-sessions with a panel consisting of Government officials from the concerned Ministries, industry experts and innovators from the textile associations and businesses

Exhibitors Perspective on Government Schemes:

As India shines in its glory of being the world’s 3rd largest producer of textiles raw materials like cotton, jute, silk and wool, it also embodies the strength of manpower, infrastructure, low production costs and innovations needed to push the contours of the Indian textile landscape. In an attempt to gather the view of the participating companies on the government schemes and initiatives – many of them shared that schemes and initiatives like PLI, ATUFs, RoDTEP & RoSCTL, NTTP, NHDP, PM MITRA Parks, Handloom Weavers’ Comprehensive Welfare Scheme, Integrated Skill Development Scheme (ISDS), schemes for MSMEs and amongst others, have served to be beneficial for not only growing their businesses but also expand the technical skillsets resulting in a healthy business atmosphere.

As the preparations for the event gear up, Mr Raj Manek, Executive Director and Board Member of Messe Frankfurt Asia Holdings Ltd shared: “I think India is evolving as a beacon of innovations and economic resilience. With the upcoming edition of Gartex Texprocess India 2024, the momentum has been set to present the transformations in textiles right from the textile manufacturing machinery, garment, fabric and denims to trims and accessories and lots more. Sustainability and Innovations in textiles are at the heart of the show and I am pleased to share that the participating Indian and international companies will display an unparalleled quality of products and finesse.”

Mr Gaurav Juneja, Director of MEX Exhibitions Pvt Ltd, added: “With the recent growth recorded in the textile exports and focus on boosting the manufacturing sector in India – it will take textile under its stride creating more business and job opportunities. Gartex Texprocess India has been known for presenting an exceptional showcase of innovations from the textile industry, primarily in textile manufacturing machinery, garments, fabrics, denim, screen printing solutions and accessories. In the upcoming edition in August, we are excited to share that our esteemed exhibitors are ready to display their latest innovations and many of them are also launching their new products which makes it a must-attend industry event for the textile enthusiasts and professionals.

Organized by Messe Frankfurt Trade Fair India Pvt Ltd and MEX Exhibitions Pvt Ltd, Gartex Texprocess India is a leading exhibition in the textile industry.

[chemicalsmaterial]

Global Decor Paper Market Scope in 2022

Global Decor Paper Market will exhibit a CAGR of 5.6% for the forecast period of 2022-2029

Global Decor Paper Market Analysis and Insights:

Decor paper is used in getting quality finishes on wooden materials after impregnating. They are available in a variety of colors and weights. Recently, the machine-smoothed décor paper has gathered some steam among consumers. Flooring, paneling, and furniture surfaces are just a few of the primary application areas for the décor paper. The need for light-resistant, chemically inert décor paper has increased significantly with the rising demand for home décor. Furthermore, changing certification and standards criteria for products in wood-working markets vary from country to country. This has made a large bearing on the growth trajectories in the decor paper market.                                   

Accelerating urbanization and consumer preferences toward modern product designs in home décor acts as a driver in the growth of the global decor paper market. Shortage of raw materials for decor paper production prove to be a challenge. However,    fundamental shift of demand for home décor amid the pandemic is expected to provide opportunities for the market. Stringent government norms & regulations regarding deforestation can prove to be a restrain for the market growth.

The global decor paper market report provides details of market share, new developments, and product pipeline analysis, the impact of domestic and localized market players, analyses opportunities in terms of emerging revenue pockets, changes in market regulations, product approvals, strategic decisions, product launches, geographic expansions, and technological innovations in the market. To understand the analysis and the global decor paper market scenario, contact Data Bridge Market Research for an Analyst Brief; our team will help you create a revenue impact solution to achieve your desired goal.

Get full report: https://www.databridgemarketresearch.com/reports/global-decor-paper-market

Global Decor Paper Market Scope and Market Size:

On the basis of product type, the global decor paper market is segmented into absorbent Kraft paper, print base paper, UNI paper, base paper for foil production, edge banding paper, and others. In 2022, the print base paper is expected to dominate the market because it is highly loaded with white and color pigments that provide high opacity, and also possesses good absorbency and better-wet strength.

On the basis of weight, the global decor paper market is segmented into less than 65 GSM, 65-80 GSM, 81- 100 GSM, and above 100 GSM. In 2022, less than 65 GSM is expected to dominate the market as they are economical and lightweight, which is perfect for fast printing.

On the basis of color, the global decor paper market is segmented into white, cream, beige, brown, grey, and black. In 2022, brown color is expected to dominate the market as it gives good surface finishing and more of a natural look in home décor.

Global Decor Paper Market Country Level Analysis:

The countries covered in the decor paper market report are the U.S., Canada and Mexico in North America, Germany, France, U.K., Netherlands, Switzerland, Belgium, Russia, Italy, Spain, Turkey, Rest of Europe in Europe, China, Japan, India, South Korea, Singapore, Malaysia, Australia, Thailand, Indonesia, Philippines, Rest of Asia-Pacific (APAC) in the Asia-Pacific (APAC), Saudi Arabia, U.A.E, South Africa, Egypt, Israel, Rest of Middle East and Africa (MEA) as a part of Middle East and Africa (MEA), Brazil, Argentina and Rest of South America as part of South America.

Get Sample Report here: https://www.databridgemarketresearch.com/request-a-sample/?dbmr=global-decor-paper-market

Competitive Landscape and Decor Paper Market Share Analysis:

The decor paper market competitive landscape provides details by competitor. Details included are company overview, company financials, revenue generated, market potential, investment in research and development, new market initiatives, global presence, production sites and facilities, production capacities, company strengths and weaknesses, product launch, product width and breadth, application dominance. The above data points provided are only related to the companies’ focus related to decor paper market.

 Key Players:

Koehler Paper SE,

KÄMMERER Paper GmbH,

SURTECO GmbH,

Onyx Papers,

BMK GmbH,

Pura Group,

Felix Schoeller Holding GmbH & Co KG,

Impress Surfaces GmbH,

Ahlstrom-Munksjö,

Major TOC of the Report:

Chapter One: Introduction

Chapter Two: Market Segmentation

Chapter Three: Market Overview  

Chapter Four: Executive Summary

Chapter Five: Premium Insight

Chapter Six: COVID-19 Impact on Global decor paper Market

 Get TOC here: https://www.databridgemarketresearch.com/toc/?dbmr=global-decor-paper-market

 About Us:

Data Bridge Market Research set forth itself as an unconventional and neoteric Market research and consulting firm with unparalleled level of resilience and integrated approaches. We are determined to unearth the best market opportunities and foster efficient information for your business to thrive in the market.

Contact:

Data Bridge Market Research

Tel: +1-888-387-2818

Email: Sopan.gedam@databridgemarketresearch.com

[londonphotos2019-blog]

Week 10: Hope Gallery

(Links used for photos because Tumblr continuously deleted my post because of photos)

Lucas Foglia Human Nature

https://www.prixpictet.com/portfolios/hope-shortlist/lucas-foglia/

1.   Choose one series of photos and explain why and for whom you think these photos were taken.

I think these photos were taken to show people, especially those who live in wasteful first world areas, a different way of interacting with our planet. Each photo contains one or more person’s relationship with the nature around them. None of these are actions we typically see in our daily routines.

2.   What, overall, can you understand about life in this part of the world from this exhibit?

These photos are all taken in different parts of the world. Each photo tells us something different and specifically unique to the place they were taken. The first photo is taken in Virginia, USA and shows a woman bathing naked in mud. When I first saw this photo, Virginia is the last place I would have guessed it was taken since nudity, especially in this context, is not common in the United States, especially in a conservative state like Virginia. The photo below is taken in Singapore, and although I did not know where exactly this photo was taken, I knew it wasn’t in the United States because our cities do not mix concrete with greenery in this way. The middle four photos were the most presumptuous locations, except for the photo of the inmate in the garden. I assumed the photo capturing solid lava had to be near a Volcano and possibly Hawaii. The last photo, like the first, is an anomaly in American culture because of our taboos towards nudity. Even if the geographic location wasn’t somewhat identifiable, the actions occurring were unique.

3.   How do the information panels (the larger texts, and the labels beside the works) affect the way you read/understand the photos? To what extent can you understand what is going on in the images without the texts?

The information panel confirms that these photos were taken as a response to the damage done by humankind. While the text is informative, the message is easily understood just by looking at the photos. However, the panel also says that we have a need for wild places which I hadn’t thought about until reading the text. I saw these captures relationships as anomalies rather than an absolute.  

4.   Is there anything in this exhibition that you find problematic or that you think is worth of praise, or both? What makes it so – style, subject matter, a combination of both, other?

I think it is problematic how I viewed the subject’s behavior as eye opening in regard to our environment and the all-consuming worry about climate change. I think these photos are worthy of praise because they capture alternative ways of living from the same people/areas we wouldn’t expect it from. It is also worth praise that the actions in each photo is interesting. For example: the inmate gardening

Ivor Prickett

https://www.prixpictet.com/portfolios/hope-shortlist/ivor-prickett/ip_end-of-the-caliphate_4-2/

a)    analyze closely how the subjects are depicted– what has the photographer chosen to include/ exclude from the photo? Look at camera angle/lighting/focus etc. How does this influence the way you understand the message of the photo?

Because the men holding the child are all wearing black shirts, there is more focus on the boy’s skin. The photographer has chosen to include the boys naked bottom as well as the skin to skin contact with the man holding him. This influences the way we understand this photo because it resembles how a parent holds their child. The photographer also includes the camouflage print apparel and the full war zone landscape behind the subjects. These factors give context to the situation occurring. Although this is clearly a military setting, no weapons are visible in this photo, but we can assume they must have been present. The photographer most likely excluded these because this photo is presenting a rescue and feels safe.

b)   what is the relationship between the photographer and the subject(s) in these photos?

The photographer is documenting the aftermath of a brutal war. He does not appear to be completely removed from the situation or it’s emotional fallout. The photographer searched for his own emotional healing in the return of hope and happiness in his subjects.

Margaret Courtney-Clarke

https://www.prixpictet.com/portfolios/hope-shortlist/margaret-courtney-clarke/margaret-courtney-clarke-cry-sadness-1-2/

a)    analyze closely how the subjects are depicted– what has the photographer chosen to include/ exclude from the photo? Look at camera angle/lighting/focus etc. How does this influence the way you understand the message of the photo?

The photographer excludes any clear indication of tourist buses in the area. This influences the way I look at this photo because I didn’t assume these two women are preforming a job. I thought this photo captured a genuine moment of cheerful dancing between friends. This made me think that bad situations don’t automatically mean unhappiness. However, knowing that these women are flagging down tourists lessens the sincerity of their actions.

b)   what is the relationship between the photographer and the subject(s) in these photos?

The photographer is, in fact, one of the tourists these women are trying to flag down. The photographer finds beauty in their culture and their ways, but she is not a part of it. In the panel the photographer states that she keeps coming back to visit.

Shahidul Alam

https://www.prixpictet.com/portfolios/hope-shortlist/shahidul-alam/sa_5_mothers-pride-2/

a)    analyze closely how the subjects are depicted– what has the photographer chosen to include/ exclude from the photo? Look at camera angle/lighting/focus etc. How does this influence the way you understand the message of the photo?

The photographer chooses to include and focus on the children’s writing. This is because their writing shows their education which I view as a very positive thing. One of the side effects of poverty is usually poor education. The photographer also includes a screen behind the woman. I assume this is included so we can observe the luxury this school has by possessing technology.  

b)   what is the relationship between the photographer and the subject(s) in these photos?

The photographer and this woman, Hajera, are long friends. The photographer has watched her friend grow from terrible tragedy into a strong and resilient woman who gives to others. This photo shows the respect the photographer has for her friend by capturing her intelligence and selflessness.

Winner

Lucas Foglia Human Nature because I feel that this series is a beautiful representation of how Humans could interact with the earth we have been taking for granted.

[werkzproductionss]

Hoarding sticker printing in Singapore is an effective way to transform construction sites into engaging advertising spaces. These stickers are designed to be durable and weather-resistant, ensuring long-lasting displays that can capture public attention. With vibrant colors and high-resolution graphics, hoarding stickers not only provide information about ongoing projects but also serve as powerful marketing tools. Singapore's printing services offer customized hoarding stickers that cater to specific branding and promotional needs, making them a popular choice for businesses looking to maximize visibility.

[eventscompaniesinsingapore]

The Singapore Airshow Holds Firm

The 2010 Singapore Airshow has been described by some commentators as "hot, but no sizzle." With the aerospace industry in recovery mode and airlines wrestling with capacity and demand issues it is not surprising that orders were few and far between. This time around the show was marginally smaller than two years ago but it still had plenty of activity and anticipation of new or future business. Overall the show can best be described as in a "holding pattern" with hope that when growth returns the 2012 event will once again provide a positive boost to the aerospace industry.

In terms of exhibitors there were 800+ exhibitors from 40 countries, visitor numbers have been estimated at 50,000 visitors with 1,200 registered press and media. The mix of exhibitors tended to reflect the perception of the region with a high proportion of Military and Defence companies, Commercial Aviation Companies, Engine Manufacturers, Suppliers and related companies. In addition there was a smaller proportion of Business and Corporate Aviation Manufacturers and operators. Some notable big absentees included BAE Systems and SAAB Aero who did not exhibit on this occasion, both having had large booths/ pavilions in 2008. Time will tell if this was a prudent move or not, to take such drastic action in South East Asia can mean that it could take a very long time to re-establish good relations and secure future orders.

Since the Singaporeans parted company with Reed Exhibitions in 2006 Aviation Week seized the opportunity to become the "Official" media partner for the Singapore Airshow and publish the Official Show Daily. For the 2010 show Air Transport World and Aviation International News (AIN) are listed as "supporting" publications with AIN also publishing a Show Daily. Without a Show Daily from Flight International (owned by Reed) it meant that Aviation Week and AIN had a major opportunity to secure the "Lions share" of any advertising. International Aerospace also produced a Show Daily and Asian Defence Journal published a "one off" show "Focus". Aviation Week and AIN were far and away the main "print" choices for any advertiser wishing to target visitors to the show. It should be noted that Flight International did produce a digital copy of Flight Daily News together with a number of online updates, Twitter and iphone applications to deliver news from the show.

In terms of advertising the 2010 Singapore Airshow followed the current trend of a reduction in levels of advertising and publicity. The level of advertising compared to the 2008 Singapore Airshow appeared to be reduced especially in the Show Dailies. The trend was for a 7% reduction in advertising levels although when rate increases are factored in the reality is that the levels of advertising either remained stable or were marginally reduced.

The level of "on-site" official advertising and sponsorship appeared to hold up well with many sponsors and billboards placed around the show. Compared with the 2008 Singapore Airshow there was a major reshuffle of locations (on the part of the advertisers) indicating that some billboard advertisers re-evaluated their locations after the first show at the new exhibition site. Closer examination of the advertisers indicated that a considerable proportion of the billboards may have been on a "contra" basis, particularly those billboards from publications. Many advertisers from previous shows renewed their advertising for the 2010 show while new billboard and panel advertisers such as Israel Aircraft Industries, Aviall, Certis CISCO, Goodrich, ITT, SDV and Rolls Royce added to the level of on-site advertising.

[duraslidesingapore]

Stainless Steel Signs Manufacturer

Stainless Steel Signs are notice boards which are erected or installed at a desired place or location, and their single function is to pass on any relevant information. Stainless steel is used in the manufacture of these types of sign because they are extremely rustproof and have an exceptionally long functional life. Stainless steel signs may be powder coated, painted, brushed and etched, and is particularly more pleasing to the eye when the latter two finishes are applied.

Lettering is another way of achieving a successful sign, and fixing letters to backgrounds can be done in a variety of ways. Originally writing or text was chiselled into marble stone or wood to create a contrast but now this is achieved by letters made from materials such as stainless steel, aluminium, bronze or resin.

The typefaces and finishes which are achievable are almost limitless, and any potential for reproduction is well within the capabilities using modern sign making techniques. Custom made or bespoke signage is completely unique, and signs created of this nature can end up looking like absolutely anything the customer requires. Bespoke signs are ideally suited to retail outlets and one off projects, or for someone who likes to stand out from the crowd and show some individuality.

The signs may be fixed so as to appear as if they are hanging on nothing, or invisible fixing. Or the fixings can be made a feature of with decorative cover screw heads of stainless or chrome bolt heads for instance. There are many different types of signs in everyday use and some of these can include A boards & display cases, Digital printing, Post & panel signs, Hoardings, Door signs and nameplates, Safety signs and Exhibition graphics. Other types of sign include suspended signs.

These types of sign are held by rods through the ceiling and are fixed to a solid bulkhead. Materials can be brushed or blasted stainless steel, aluminium, glass or even a mixture of all three. Freestanding signs can be erected and installed just about any where there is enough room for them to stand, and when they are not needed or needed somewhere else they can be very simply relocated.

Duraslide customize, fabricate and install stainless steel products to your requirement. In order to achieve and ensure complete quality control, we do virtually all of our own fabrication in-house. Our projects are seldom contracted out to other companies that may cut corners, compromising quality and craftsmanship. In addition, our attention to detail is to the highest degree and we are able to offer some of the shortest lead times in industry.

In Order To Find Out More Details On Stainless Steel Supplier Singapore Please Be Touch With Us Today Onwards..!

[werkzproductions]

Benefits Of Stage Backdrop Printing For Your Corporate Events

The use of event backdrop is becoming a more and more popular way to make corporate events in Singapore stand out. A strategically and creatively designed backdrop can be a great way to promote your brand and increase ROI.

Why Should You Invest in Backdrop Printing For Exhibition Singapore?

The backdrop for stages or events is one of the most important elements of any live event. It sets the tone for the entire event and it is what audiences will remember. A stage backdrop is basically a large printed canvas that hangs from the ceiling and covers a stage’s back wall. It can be used to set a mood, create an atmosphere, or highlight certain aspects of performance.

The cost of backdrop printing can vary depending on what type of material you want your backdrop to be printed on, how large it needs to be, and how many colors are included in the design. Also, it can somewhere depend on the size of the stage you’re setting up for your exhibition singapore.

The benefits of stage backdropprinting are clear. The backdrops are made out of durable materials, so they can withstand being set up and taken down repeatedly. This is perfect for schools, churches, and other organizations that need to make use of their stage space frequently.

Backdrops for exhibition singapore can be used for a variety of purposes. For example, it can be used to promote a band’s upcoming concert or to provide decoration for a school’s play production. Backdrop printing is also great for corporate events because it provides the perfect atmosphere while also being cost-effective and easy to assemble.

Differences Between Exhibition Panel Printing Vs. Exhibition Panel Rental

There are a few key cost differences to take into account when deciding between printing backdrops for your exhibition singapore or renting it from a third-party company. Remember, printed panels are generally more expensive than rented panels. Also, if you opt to print your panels, you will need to factor in the cost of renting a printer and the time it takes to print the panels.

On the other hand, if you choose to get Stage Backdrop on rental, you can enjoy a more stress-free and easy-going event setup experience. The rental company will come and set up the stage background for you. However, there will be delivery and set-up fees associated with the rental service.

[dublincomicarts-blog]

€5 and up patrons on Patreon can now listen to our summer ‘17 DECAF panel! Also included is a PDF of slides displayed during the talk!

GO YOUR OWN WAY: Finding the roadmap to your creative career

Hosted by Karen Harte with Meg Hyland, Holly Pereira and Giovana Medeiros.

Karen Harte is a graphic designer and illustrator from Dublin. Her personal illustration work usually hinges around humour, popular culture and feminism. In 2016 she created her first comic about the life of Delia Derbyshire and recently created the Mine Anthology, a collection of work from comic artists and illustrators, in support of the Repeal the 8th movement.

Instagram    karenharte.com    Twitter

Meagan Hyland is an Art Director and illustrator currently working in Dublin. Outside of office hours, her personal work has led from Tumblr fame with her 'Meagan's Movie Alphabet' series to exhibitions in New York, Los Angeles, London and San Diego Comic Con. She regularly contributes work to Gallery 1988 and Hero Complex Gallery exhibitions in Los Angeles and has created licensed prints for Ghostbusters, Bob's Burgers, Alice in Wonderland and Rick & Morty. She is a co-founder of the Dublin chapter of Ladies, Wine & Design a monthly salon night devoted to championing female creatives from around Dublin and this year she contributed her hand lettering skills to Abbey Sy's 'Hand Lettering A-Z' book. She is currently looking forward to a day off.

Meagan Hyland    Twitter    

Holly Pereira is an illustrator, animator, signwriter and muralist based in Dublin. After graduating in 2004 with a degree in Fine Art from NCAD, she practiced as a painter for 7 years, exhibiting in solo and group shows in Dublin, London, Berlin and Singapore. Tired of the starving artist life in 2011, she meandered into the shady world of illustration and graphic design. Not content with stationary images, she returned to education in 2013, where she studied animation in Ballyfermot College. She set up her company, Hyper Pictures, in 2015, where she works on a wide range of projects. These include commercial illustration for advertising, signwriting, greeting card design, murals and window drawing, and animation for short films and music videos. Major passions include experimental animation, vintage typography, sequential art and comics. She also loves chips.

Hyper Pictures    Instagram    Twitter

Giovana Medeiros was born in the late 1980s in Criciuma, a city in the south of Brazil. She graduated in Fashion Design in her hometown, but later on pursued her dream and studied Illustration at BCFE in Dublin, where she lived for three years. She worked for several years creating print designs for apparel, but since 2011 has been dedicating herself to becoming a full time illustrator. Although her work is mostly focused on the children’s universe, it has also been applied to a series of different mediums such as books, magazines, textiles, games, apps etc. Aside from her work as an illustrator, she dedicates her free time towards creating autobiographical comics, discovering new recipes, drinking coffee and travelling.

Giovana Medeiros    Twitter    Instagram

[werkzproductionss]

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Decorative High-Pressure Laminates Market Size, Trends and Opportunities 2020 - 2023

Market Highlights

The Decorative High-Pressure Laminates Market is projected to be valued at USD 14,857 million by the end of 2023 and register a CAGR of 5.3% during the forecast period. Decorative high-pressure laminates (HPLs) are manufactured by saturating numerous layers of Kraft papers with phenolic resin and are fused with pressure and heat. A layer of printed decor paper is placed on the top of the Kraft paper before applying pressure.

Also Read http://www.marketwatch.com/story/n-vinylformamide-market-size-industry-share-future-trends-challenges-growth-and-regional-forecast-to-2024-2019-11-26

HPL is the direct descendent of the original plastic laminate. It is one of the most durable decorative surface materials and is available with superior performance properties including fire and wear resistance. Medium-density fibreboard (MDF) or particleboard is the preferred substrate as they provide a durable, stable, consistent, and economic foundation. HPL is the preferred choice for horizontal surfaces including countertops, flooring, and desktops, owing to their superior durability.

The adoption of HPL in furniture and cabinets is increasing on account of an upsurge in the use of ready-to-assemble furniture and cabinets. Moreover, HPL is highly robust and versatile; and offers an aesthetic look for both horizontal and vertical applications in residential and office furniture. HPL is highly resistant to external stress such as crack, heat, abrasion, and moisture, which further help in the effective manufacturing of furniture and cabinets.

HPL finds widespread applications in the residential sector. It is one of the safest and hygienic materials used in the architecture, construction, and designing of home interiors. Moreover, it offers anti-fungal and anti-bacterial properties, which help to ensure that the furniture manufactured using HPL in the kitchen such as tabletops, vanities, countertops, and flooring are microbe-free.

However, the only bottleneck in the growth trajectory of the global decorative high-pressure laminates market is the fluctuating raw material prices. Nevertheless, enhancement in the printing techniques with advanced graphics and manufacturing of eco-friendly laminates are expected to offer lucrative opportunities to the market players operating in the global market.

Key Players

Formica Corporation

Greenlam Industries Limited

Merinolaminates

Stylam Industries Limited

Pfleiderer

Wilsonart LLC

OMNOVA Solutions Inc

Abet Laminati S.p.A.

Panolam Industries International Inc

Fundermax

Regional Analysis

The Decorative High-Pressure Laminates Market Size in Asia-Pacific is expected to register significant growth at a CAGR of 5.61% during the review period. This is attributed to the increasing investments in the emerging economies of South-East Asia including Thailand, Indonesia, Singapore, and Myanmar for infrastructural development. In addition, the developing countries are growing at a rapid pace in terms of population and economy, which ultimately results in the growth of per capita consumption and is further expected to boost the product demand during the review period.

China is the leading country in the region and was valued at USD 1,783.7 in 2018 and is projected to exhibit a notable CAGR of 5.10% in the coming years. This is attributed to the increasing disposable income which leads to an increase in the spending on home interiors. Moreover, the expanding construction industry is expected to propel regional market growth. Furthermore, the Indian market was valued at USD 672.5 million in 2018 and is projected to register a CAGR of 5.61% during the review period on account of increasing construction activities, government investments, and increasing purchasing power of the consumers. Moreover, the presence of leading manufacturers in the country such as Greenlam Industries Limited, Merinolaminates, and Stylam Industries Limited is projected to boost the regional market growth.

In 2018, North America and Europe were the major contributors to the global market growth, wherein North America being the second-largest. In the coming years, the growth of these regional markets is expected to be at a moderate rate due to the saturated growth of the commercial and residential sectors. However, the high consumption of HPL in the renovation of home interiors and flooring in the commercial sector is expected to drive the growth of the regional markets in the following years.

Segmentation

The Global Decorative High-Pressure Laminates Market has been segmented on the basis of application, end-users, and region.

Based on application, the global decorative high-pressure laminates market has been bifurcated into furniture & cabinets and flooring & wall panels.

On the basis of end-users, the global decorative high-pressure laminates market has been classified into residential, commercial, and transportation.

The Global Decorative High-Pressure Laminates Market has been studied across five key regions, namely Asia-Pacific, North America, Europe, Latin America, and the Middle East & Africa.

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NOTE: Our team of researchers are studying Covid19 and its impact on various industry verticals and wherever required we will be considering covid19 footprints for a better analysis of markets and industries. Cordially get in touch for more details.