#experimentadesign

[osanecif]

Bienal Experimentadesign despede-se hoje com conferências, exposição e livro

A última edição da Bienal Experimentadesign (EXD'17) vai decorrer hoje, em Lisboa, com conferências, o lançamento de um livro, com a história das nove edições, a exposição "Drawing in Stone" e o espetáculo audiovisual "Inside". Bienal Experimentadesign despede-se hoje com conferências, exposição e livro

[estudiodedecoracion]

Ed Annink

Ed Annink. Diseñador gráfico, de productos, curador y docente.

Ed Annink (1956, Utrecht – 2012, Amsterdam, Holanda) fue muy activo en diseño gráfico, ambiental y de muebles, donde se distinguió por la nitidez de sus proyectos, la poesía de su enfoque y la funcionalidad de sus productos.

De 1976 a 1978 Ed Annink estudió en la Escuela de Orfebrería en Schoonhoven.

De 1980 a 1985 siguió su formación como diseñador de muebles en la Real Academia de Arte y Diseño en La Haya, graduándose Cum Laude en el departamento de Diseño de Muebles y Arquitectura Interior.

Ed Annink fue cofundador y director creativo del estudio holandés Ontwerpwerk y realizó numerosos trabajos como director de arte y curador.

Creó productos para el mercado de consumo internacional con marcas como: Droog; Driade; Authentics; Royal VKB; Purple South; Kwantum y Nexus.

Siempre combinó la actividad del diseñador de productos, exposiciones y eventos con su papel como consultor y asesor para muchos institutos de diseño en los Países Bajos y en otras partes del mundo.

Pero Annink siempre involucró a otros y también buscó el contacto con diseñadores amigos y contemporáneos -en su mayoría diseños únicos o de pequeña producción- dentro de la gama del diseño holandés más radicalmente innovador.

En 1985 el Centraal Museum de Utrecht invitó a Annink a establecer una Sala/habitación de estilo posmoderno.

Ed Annink diseñó muchos de los objetos que expuso en esta sala, donde colocó un enorme espejo. Los visitantes se veían a sí mismos y a la vez los objetos también se veían reflejados.

Diseñó el piso, la mesa y el aparador; y en el medio de la habitación había un aspirador naranja esférico, como si el residente acabara de salir de la habitación.

Ed Annink agregó dos sillas del siglo XVIII de la colección del museo para indicar que cada diseño puede ser intemporal y atemporal.

Esta habitación es característica de la forma de trabajar de Annink. Sorprendente y alegre, es a la vez un incentivo para pensar/reflexionar sin ser pedante ya que “el diseño no puede florecer sin discusión y diálogo���.

A raíz de su muerte, a partir del 13 de octubre de 2012, esta sala se volvió a exhibir durante algunas semanas.

Gracias a la iniciativa de Ed Annink se publicaron libros, se organizaron exposiciones y se hicieron accesibles al público muchos archivos del patrimonio cultural holandés.

En abril de 2002 publicó el libro “Annink, designer” en Milán, y en septiembre de 2003 “Mentes brillantes, bellas ideas” fue el título del libro y la exposición comisariada por Annink para Experimentadesign biënnale en Lisboa, donde se combinaron las obras de Bruno Munari; Charles y Ray Eames; Martí Guixé y Jurgen Bey.

“Este título simboliza su entusiasmo e iniciativas“, dicen desde Ontwerpwerk, el estudio de diseño cofundado por Annink.

Fue co-fundador y presidente de los productos de la Fundación de la Imaginación, que iniciaba y organizaba proyectos de diseño y publicaciones internacionales.

Dirigió talleres internacionales para Vitra Design Museum y fue director del Máster de experiencia y diseño de escenarios funlab en el Design Academy of Eindhoven.

La última vez que Annink trabajó para el Centraal Museum de Utrecht tuvo lugar en el contexto de la segunda edición del “Manifiesto de Utrecht” en 2007-2008.

Como superintendente, fue responsable del contenido -junto con Max Bruinsma– de la exhibición de la obra de Gerd Arntz y Otto Neurath.

Uno de sus proyectos más recientes fue “Design Den Haag 2010-2018“, un programa de diez años para promover el diseño en la formulación de políticas europeas, consiguiendo forjar vínculos entre el diseño y el gobierno en Europa.

Esta investigación fue una de las muchas misiones de Ed Annink que, con su energía y generosidad constantes, pudo conectar diferentes mundos.

Ed Annink creó el programa de exposiciones para la primera edición en 2010 (en Den Haag y Berlín).

Para Max Bruinsma (crítico de diseño, curador y editor) Ed Annink era: “Alegre, juvenil, social, creativo y lleno de energía, Ed Annink fue un gran colega y amigo para muchos en el mundo del diseño holandés“.

Según Bruinsman tenía (al menos) dos talentos aparentemente opuestos; era un visionario apasionado y un gerente estricto. Una combinación rara, ciertamente en el campo cultural.

“Una de las muchas cosas que admiro en Ed es que él no solo tenía estas dos personalidades, sino que podía conectarlas de manera muy productiva. El hombre apasionado de ideas y el gerente enfocado asociaba lo lúdico y una logística sin fisuras“.

Centraal Museum (pág. web).

El diseñador industrial y curador Ed Annink.

TodosABCDEFGHIJKLMNOPQRSTUVWXYZ

A

Achille Castiglioni

Adolf Loos

Alessandro Mendini

Alfredo Häberli

Alvar Aalto

Andrea Branzi

Andrée Putman

Andreu Carulla

Andy Martin

Antonio Citterio

Arend Groosman

Arik Levy

Arne Jacobsen

Atelier Oï

Autoban

B

BarberOsgerby

Benjamin Graindorge

Benjamin Hubert

Bertjan Pot

Boca do Lobo

C

Carlo Alessi

Carlo Mollino

Carlos Tíscar

Charles Rennie Mackintosh

Charles y Ray Eames

Claesson Koivisto Rune

Claudio Colucci

D

David Adjaye

Dieter Rams

DimoreStudio

Doriana y Massimiliano Fuksas

Doshi Levien

E

Ed Annink

Edward van Vliet

Eero Aarnio

Eero Saarinen

Eileen Gray

Elena Manferdini

Elisabeth Garouste

Enrico Franzolini

Enzo Mari

Ettore Sottsass

F

Fabio Novembre

Federica Capitani

Fernando Mastrangelo

Filippo Mambretti

Finn Juhl

Formafantasma

Francesco Rota

François Bauchet

Frank Gehry

Frank Lloyd Wright

Fredrikson Stallard

G

Gabriella Crespi

Gae Aulenti

Gaetano Pesce

Geoffrey Harcourt

George Nelson

George Sowden

Gerrit Rietveld

Gio Ponti

Goula Figuera

Greg Lynn

H

Hans J. Wegner

Héctor Serrano

Hella Jongerius

Hermanos Campana

Hervé Van der Straeten

I

Ico Parisi

India Mahdavi

Inga Sempé

J

Jaime Hayón

Jasper Morrison

Jean Prouvé

Jean Royère

Jean-Louis Deniot

Jean-Marie Massaud

Jean-Michel Frank

Jens Risom

Joaquim Tenreiro

Joe Colombo

Johan Lindstén

Jonathan Adler

Joost Van Bleiswijk

Jörg Schellmann

Josef Hoffmann

Jurgen Bey

K

Kaare Klint

Karim Rashid

Kelly Wearstler

Kenya Hara

Kiki Van Eijk

Konstantin Grcic

L

Le Corbusier

Lex Pott

Lievore Altherr

Lindsey Adelman

Lucas Muñoz Muñoz

Ludovica y Roberto Palomba

Lukas Peet

M

Maarten Baas

Maarten Van Severen

Marc Newson

Marc Thorpe

Marcel Breuer

Marcel Wanders

Marco Acerbis

Marianne Brandt

Marie Christophe

Mario Bellini

Martin Szekely

Matali Crasset

Matteo Thun

Mattia Bonetti

Max Lamb

Michael Anastassiades.

Michele de Lucchi

Mies van Der Rohe

Miguel Milá

N

Nacho Carbonell

Nadadora

Naoto Fukasawa

Nendo

Nigel Coates

Nika Zupanc

Noé Duchaufour-Lawrance

O

Odosdesign

Oeuffice

Olivier Mourgue

Ora Ïto

OS and OOS

P

Paola Navone

Paolo Lomazzi

Patricia Urquiola

Patrick Jouin

Patrick Naggar

Patrick Norguet

Pedro Friedeberg

Peter Ghyczy

Peter Marino

Philip Michael Wolfson

Philippe Starck

Piero Fornasetti

Pierre Charpin

Pierre Paulin

Piet Hein Eek

Poul Kjaerholm

Q

Quentin de Coster

R

Ricardo Fasanello

Richard Hutten

Richard Sapper

Rick Owens

Rodolfo Bonetto

Rodolfo Dordoni

Ron Arad

Ron Gilad

Ronan & Erwan Bouroullec

Ross Lovegrove

S

Sacha Lakic

SANAA

Satyendra Pakhalé

Scholten & Baijings

Serge Mouille

Sérgio Rodrigues

Seung-Yong Song

Shiro Kuramata

Simone Simonelli

Snarkitecture

Sori Yanagi

Sou Fujimoto

Stefan Diez

Stefano Giovannoni

Studio Job

Studio Kaksikko

T

Tapio Wirkkala

Tejo Remy

Thomas Sandell

Tobia Scarpa

Tokujin Yoshioka

Tom Dixon

Toni Grilo

Tord Boontje

U

Ueli y Susi Berger

UUfie

V

Verner Panton

Vico Magistretti

Vincent Van Duysen

Vincenzo de Cotiis

Vladimir Kagan

Von Pelt

W

Warren Platner

William Plunkett

William Sawaya

X

Xavier Lust

Xavier Mañosa

Y

Yrjo Kukkapuro

Yves Béhar

Z

Zaha Hadid

Zanuso

from https://decorador.online/disenadores-destacados/ed-annink/

[connorrenwick]

Common Sense: An Exhibition of Products Made of Portuguese Stone

Common Sense, the fourth international presentation organized by experimentadesign, in partnership with Assimagra, is an exhibition that invited product designers to create products out of Portuguese stone. The exhibition brought together a handful of contemporary designers from around the world and the result is 11 pieces that are designed for everyday use in a multitude of scenarios in modern times, each out of stone. The designers taking part in the exhibition are Claudia Moreira Salles (Brazil), Campana Brothers (Brazil), Fernando Brízio (Portugal), Miguel Vieira Baptista (Portugal), Jasper Morrison (United Kingdom), Michael Anastassiades (Cyprus), and Ronan & Erwan Bouroullec (France).

Ronan & Erwan Bouroullec

Ronan & Erwan Bouroullec

Jasper Morrison

Jasper Morrison

Estudio Campana

From Guta Moura Guedes, curator of the project:

The 11 pieces presented demonstrate a strong emphasis on creativity and the ability to innovate, as well as the creation of different proposals from the invited designers. It is also interesting to see how the Brazilian designers decided to add materials from their country to the Portuguese stone, offering a new dimension to the project as a whole.

Estudio Campana

Michael Anastassiades

Michael Anastassiades

Michael Anastassiades

Michael Anastassiades

Claudia Moreira Salles

Claudia Moreira Salles

Claudia Moreira Salles

Fernando Brizio

Fernando Brizio

Fernando Brizio

Miguel Vieira Baptista,

Miguel Vieira Baptista,

Miguel Vieira Baptista,

Miguel Vieira Baptista,

Miguel Vieira Baptista,

Photos by Fernando Lazslo.

via http://design-milk.com/

from WordPress https://connorrenwickblog.wordpress.com/2017/08/22/common-sense-an-exhibition-of-products-made-of-portuguese-stone/

[dawnajaynes32]

5 Innovative Design Agencies that Call Lisbon Home

Celebrate design around the world with an entry in the HOW International Design Awards, the competition that recognizes creative excellence globally. The Best of Show wins a free trip to Boston (round-trip airfare, hotel & HOW Design Live conference registration included)! Enter today!

Lisbon attractions include a flourishing creative community bolstered by rich history, tech startups and innovative design agencies—including these five that call the Portuguese capital home. (Note: This piece was excerpted from the HOW magazine 2017 International Design Annual)

Heineken Grand Café interior by Upstairs

1. Upstairs

This award-winning studio brings together graphic design, interior design and packaging design in a magical way. Whether it’s creating projects for the Lisbon Airport or the Heineken Grand Café, the folks at Upstairs have worked on over 100 projects a year for the past decade, from offices located in the attic of an 18th century building. “Lisbon’s startup scene is very hot right now,” says Upstairs co-founder Manuel Vital. “Many new cafés and restaurants [have] opened up, and with the increased influx of tourists, the tourism and hospitality industries are booming; even if we do not feel directly influenced by what others are doing, we do feed off this entrepreneurial energy and collaborate with clients and friends on their own business adventures.”

Up next, the studio is developing new product ideas for Nomad Foods, a British packaged food company, and are wrapping up a book project for Portuguese lifestyle blogger Bárbara Leão de Carvalho. It’s also working on packaging for Super Bock, the biggest Portuguese beer brand. Still, some dreams have yet to be fulfilled. “We’d like to accomplish the longtime goal of branding and designing a hotel or hostel,” Vital says.

Festival Silencio Collateral by Upstairs

IADE Creative University advertising campaign by Upstairs

2. FunnyHow

True to its name, this design agency is armed with a sense of humor, both in its web presence and its design work. (Just visit FunnyHow’s website to see the design team dressed up in Goodfellas-style mafia costumes.) With clients including Heineken, Guinness and Johnnie Walker, it’s easy to understand why: It’s an extension of the team’s personality. “Wanna be the boss?” the agency asks on its  website. “You gotta have the guns.” This Lisbon design team, which was founded in 2010, touts themselves on unconventional brand communication, social media and guerrilla branding. They’ve done everything from playing on traditional Portuguese traditions to creating video-mapping projection animations, when they’re not sitting on the jury at Lisbon’s International Advertising Festival. The studio’s concept? Creating and organizing creative work for their clients, who are considered famiglia.

Advertising design by FunnyHow 

3. Magnésio

This design studio was founded in 2003. Since then, it’s grown to work on a range of projects, from office design at the multinational media and digital marketing company Dentsu Aegis Network to an anniversary exhibition of Lisbon’s Fragmentos architects. With many foundations and universities as clients, the group’s work is centered on the art and design industry, specifically through colorful web design, branding and logos, as well as book covers, from biographies to social studies.

Anniversary exhibition of Lisbon’s Fragmentos architects by Magnésio

Dentsu Aegis Network Office by Magnésio

4. Lisbon Project

This digital design, communication and development agency has been cultivating creative ideas since 2008. Set with the goal of “connecting brands to their customers,” Lisbon Project has two offices: one in Portugal and the other in Mozambique. By aiming for strategic thinking alongside design and digital development, the many graphic identity projects it has worked on include the stylish branding for Portugal Tastes, a company that specializes in marketing Portuguese products internationally. The design team blended national references like Lisbon streetlamps with a minimal aesthetic to create the logo. “Over the years, we have built trusting relationships with our customers that allow us to look for solutions that are increasingly creative, enriching and challenging,” they write on their website. Other projects include ceremony graphics and multimedia video projections for the country’s national holiday at the Portuguese Embassy in Maputo,work for Adidas and branding for the playful children’s brand Chicco.

Branding for Chicco by Lisbon Project

5. Experimentadesign

Founded in 1998, this group defines itself as a nonprofit cultural association that bridges design, architecture and project-based culture. Focusing on design and promotions, they work with everyone from international institutions to the local community. These are also the folks behind the EXD Biennale, a Lisbon-based design event that began in 1999, and includes conferences, exhibitions and urban interventions related to experimental design. This group aims to organize events that question how design can respond to the cultural challenges faced by contemporary society. And they help come up with the themes, such as “No Borders,” the 2013 focus of the design, architecture and contemporary EXD Biennale exhibition. Far from the status quo, their style is minimal, out-of-the-box and sometimes theoretical. One of their claims to fame is their project at the 2016 Venice Architecture Biennale, which focused on Portuguese marble and limestone in history and contemporary culture. The piece, titled “Resistance,” is part of an ongoing series dubbed “First Stone.” 

“Resistance,” Experimentadesign’s project for the 2016 Venice Architecture Biennale

Proud of your latest design work?

The judges of the HOW International Design Awards want to see it!

Early-Bird Deadline: Monday, August 14 @ 11:59pm EDT

ENTER NOW!

The post 5 Innovative Design Agencies that Call Lisbon Home appeared first on HOW Design.

5 Innovative Design Agencies that Call Lisbon Home syndicated post

[r27]

(via WORK: Still Motion - where stone becomes the medium for graphic design - Creative Review)

Five graphic designers – Sagmeister & Walsh, Jonathan Barnbrook, Ian Anderson, Pedro Falcão and Jorge Silva – have created art pieces using marble and limestone for exhibition Still Motion, which opens today at the Triennale de Milan during Milan Design Week. The designers were invited by experimentadesign and Assimagra, the Portuguese association for mineral resources to work with these materials, atypical in the world of graphic design, to explore the possibilities of exploring stone as a new medium on communication. Still Motion is on view from March 30 to April 9 2017

[dontreallyknowwhy]

[portugalconfidential]

Stepped into the Lisbon Gallery on Praça Principe Real in Lisbon. Mesmerized by these pots (one ceramic, one wood) by artist Fernando Brizola. Lisbon Gallery is organized by @experimentadesign. #art #design #experimentadesign #contemporaryart #fernandobrizia #gallery #lisbon #lisboa #portugalconfidential #everythingcoolinportugal (at Lisbon Gallery)

[osanecif]

Bienal Experimentadesign despede-se com ponte entre passado o futuro - diretora

A última edição da Bienal Experimentadesign (EXD´17), que decorre no sábado, em Lisboa, vai despedir-se fazendo uma "ligação fundamental entre o passado e o futuro", afirmou hoje à agência Lusa Guta Moura Guedes, que preside à organização. Bienal Experimentadesign despede-se com ponte entre passado o futuro - diretora

[ritafashiondays-blog]

Uma nova maneira de conhecer Lisboa e artistas portugueses, muito interessante!

 The Lisbonaire Apartments representa uma nova forma de visitar Lisboa. The Lisbonaire Apartments oferece 19 estúdios e apartamentos de um quarto, completamente mobilados, equipados e decorados segundo a divisa 100% Português, com todo o conforto e funcionalidades, tal como wi-fi e docking stations para iPod em todos os apartamentos. 

A new way to know Lisbon and portuguese artists, very interesting!

The Lisbonaire Apartments embodies a new way to visit Lisbon. The Lisbonaire boasts 19 studios and one bedroom apartments, fully furnished and decorated, subject to the idea of 100% Portuguese, with all the must-have utilities such as Wi-Fi and iPod docking stations in every apartment. 

[designreports-blog]

Visitei a exposição no passado fim de semana. Temas muito interessantes para qualquer interessado no design português mas algumas vertentes da exposição deixam “um certo sabor a pouco”.

[josemendespt]

AS FAR AS THE MIND CAN SEE EXPOSIÇÃO — PORTO Na linha directa das reflexões e investigações que o tema subscreve e direcciona, esta é uma exposição que vai reunir mais de 60 trabalhos de 29 designers de comunicação de todo o mundo. Os designers, escolhidos por um comissariado tripartido, trabalham sobre as plataformas de comunicação, que privilegiam e elegem para este projecto em particular, e apresentarão duas tipologias de propostas previstas no brief: ou obras interpretativas sobre o tema da relação entre a mente, o indivíduo e a criatividade ou peças de comunicação sobre como transmitir as várias dimensões do tema ao público em geral. A exposição tem duas apresentações geograficamente separadas, uma no Porto (AS FAR AS THE MIND CAN SEE) e outra em Lisboa (AS FAR AS THE EYE CAN’T SEE), tendo conteúdos distintos e complementares. A acompanhar o projecto é editado um jornal, que faz o acompanhamento da leitura das exposições, com textos e reflexões dos participantes sobre o tema.

[extrastudio]

Imaterial, an installation for Experimentadesign 05

extrastudio together with ydreams prepared “Imaterial”, an interactive installation for the opening night of Experimentadesign 05, at the Lisbon City Museum.

Assuming that built matter is urban life’s media, this project questions people’s relationship with the city. Challenging the citizen’s inhibition regarding interventions in heritage buildings, an opportunity is given to interact with them, altering their surface immaterially. Without any external stimuli interventions of different contexts are projected questioning the material understanding of these buildings. The outside surface of a heritage site was selected to display images originated by a projector peripheral to a computer connected to camera working as a sensor.

See more of “037 Imaterial” at www.extrastudio.pt.

[eatthatdesign]

#identity #red #lisboa #lisbon #experimentadesign #EXD (em Lisboa)

[osanecif]

Bienal Experimentadesign despede-se com conferências, exposição e livro

A última edição da Bienal Experimentadesign (EXD´17) vai decorrer a 30 de setembro, em Lisboa, com conferências, o lançamento de um livro com a história das nove edições, a exposição "Drawing in Stone" e o espetáculo audiovisual "Inside". Bienal Experimentadesign despede-se com conferências, exposição e livro

[blogsusana-blog]

INAGURAÇÃO DA EXPOSIÇÃO e ANTE-ESTREIA DO DOCUMENTÁRIO ACTION FOR AGE por Rui Simões

"Com base na metodologia projectual, em articulação com contributos de outras disciplinas especializados, o objectivo é desenvolver soluções centradas no utilizador que potenciem uma melhoria na vida dos idosos e constituam mais-valias efectivas.

Numa sociedade em transformação, em Action for Age o design assume em pleno a sua missão de disciplina reconfiguradora do nosso contexto vivencial – material, espacial, de comunicação, de interacção – harmonizando-o com as novas necessidades e exigências da contemporaneidade."

[osanecif]

Programa da experimentadesign sobre pedra portuguesa chega hoje a São Paulo

O programa Primeira Pedra, que tem como objetivo divulgar, pesquisar e desenvolver a pedra portuguesa, abre hoje ao público, em São Paulo, no Brasil, inaugurando assim o seu circuito fora da Europa, segundo a bienal experimentadesign. Programa da experimentadesign sobre pedra portuguesa chega hoje a São Paulo