#fine art oil painting techniques

[sweetscraftsandfineart]

VP 11. 24 X 18 oil on canvas. New and Original technique. No title, it is what you see. Please send me a message or ask telling what you see in it, I love to hear the different interpretations 💜💜

[ornithologyorthodoxy]

11/8/23

[oilartwork]

This oil painting tutorial offers a comprehensive guide to creating a stunning portrait of a lady with an ermine on canvas. The tutorial is designed to provide aspiring artists with step-by-step instructions on how to create a realistic and visually striking painting that captures the essence of this iconic subject. The tutorial covers a range of techniques, including color mixing, brushwork, and shading, and provides detailed guidance on how to achieve a sense of depth and dimensionality in the painting. With clear and concise instructions, this tutorial is suitable for artists of all skill levels, from beginners to advanced practitioners. Whether you are looking to improve your painting skills or simply want to create a beautiful work of art, this oil painting tutorial is an excellent resource that will help you achieve your artistic goals.

[creativesopengallery]

The Head of the Virgin in Three-Quarter View Facing Right (ca. 1510–1513) drawing in high resolution by Leonardo da Vinci. Original from The MET Museum

[bluastro-yellow]

I went to an art lyceum but they didn't teach me how to use brushes. I wish I was kidding

[careercrafty]

How To Turn Your Artistic Passion Into A Profitable Stream Of Income.

It's no secret that making money as an artist can be a difficult realm to navigate. The most successful and rich artists seem to be those who have already died. However, it can be done when you're still alive! Here are some simple ways that you can make a living off your art.

7 Different Ways To Earn Money With Your Artwork

Sell Original Artwork.

Sell Art Prints.

Sell At An Art Fair.

Make use of Instagram's shop tool.

Open An Etsy Store For Your Art.

Offer The Option Of Commissions.

License Your Artwork.

Guide to Teaching sophisticated Art ebook

However, there is a secondary market which covers everyone who has ever learned art from another art teacher - because the student can check how well or how poorly they were taught.

This is useful for them because it directs them to join our art course and learn advanced oil painting techniques so they can create to their highest potential.

How to buy this ebook

[kyleemm2]

Art Supplies I'd Give to JJK Characters [Protagonist Edition]

My credentials: I make art and I can do what I want.

Yuji Itadori: mechanical pencil- easy to use, easy to manage, forgiving, but he always forgets to bring extra lead and erasers. He'd draw cutesy things and anime characters.

Megumi Fushiguro: charcoal pencils- intense and moody, somewhat forgiving, but you reach the end result faster, less rendering required in comparison to pencil, and much more artistic and professional-looking end piece. He'd make abstract pieces that no one understands but he doesn't care that no one understands.

Choso Kamo: acrylic markers- not always easy to get the hang of, but once you do, you’ll create pieces that are rich in color and texture. I feel like he'd like the big chunky Krink markers. You'd KNOW he'd draw stylized portraits of his brothers!

Nobara Kugisaki: gouache paint- trendy, fun, easy to use, always reliable. Despite their popularity, they're still a viable medium! I feel like she'd paint a lot of Studio Ghibli screenshots.

Satoru Gojo: sumi ink- a classic medium that is always fun to use that yields a classy, minimalistic look. He'd definitely draw Digimon characters in classic Japanese style.

Suguru Geto: willow charcoal- soft and also minimalist, easy to use but can get a little messy when not handled properly. He'd make a lot of soft landscapes and simple still lifes.

Maki Zenin: ink pens- can’t go wrong with ink pens, they’re versatile and deliver beautiful results when used properly. She'd probably draw portraits.

Toge Inumaki: spray paint- unassuming at first, but when in use, they cannot be ignored! He'd do pop art and graffiti-styled works.

Panda: finger paints- do this really need an explanation? Fun, easy to use, and can pack a punch when taken seriously. He'd make self-insert drawings, no matter what the project would be.

Yuta Okkotsu: collage art- when done right, collages can evoke intense visual appeal while also reducing waste. Given that his CT is mimicry, using pieces already produced seems fitting. He'd make abstract stuff that tells a story or expresses his feelings.

Utahime Iori: oil paint- arguably the classiest fine art medium around, requires patience and technique but yields the richest and more alluring end results. Landscapes, portraits, anything beautiful.

Shoko Ieri: photography- why make something out of art supplies when you can capture the beauty of the world in real time? It’s always good to snap a memorable photo before it’s too late. She'd photograph her friends and herself and anything she finds interesting.

Kento Nanami: dry pastels- while they tend to require some skill to produce quality pieces, the technique is worth it. And if you’re a fellow pastel fiend, you know how pricey Sennelier is. Nanami uses the high-quality shit. He'd do still life art of things in his home for the sake of convenience, but he'd probably want to do seascapes if he ever made it to Malaysia :c

lmk if u agree or disagree. i have an antagonist edition coming as well

[mybeingthere]

Carl Olof Larsson ( 1853 - 1919) was a Swedish artist whose paintings , watercolors and drawings often show the life of his family in and around their house in Sundborn , Sweden. Carl and his wife, had eight children and are considered the founders of what is now considered "typically Swedish" living style, whose key elements are brightness, bright colour and lively, cheerful functionality. Their house is now a museum.

Carl Larsson grew up in poverty. When he was 13, his teacher encouraged him to study at the Royal Academy of Fine Arts in Stockholm. To pay for his studies, he was forced to work part-time. For example, he worked as a retoucher for a photographer. After he was awarded a royal medal in 1876, his financial situation improved somewhat.

In 1877 Larsson was able to make his first trip to Paris. His third trip to France in 1882 took him to the artists' colony of Grez-sur-Loing near Fontainebleau, where he made numerous watercolors of the surrounding nature. Here he met Karin Bergöö , who soon became his wife. The couple returned to Sweden for the wedding. "This was a turning point in Larsson's life. In Grez, Larsson painted some of his most important works, but now in watercolors, and very different from the oil painting technique he had used before," says the book Carl and Karin Larsson - Their Life and Their Art... edited by Michael Snodin and Elisabeth Stavenow-Hidemark .

[descenacre]

Art Tutorial (aliased brush, oil painting look)

I've been using Pikmin Echo as a springboard for myself to practice new art techniques!

I had a few people ask me how I draw backgrounds in paint dot net, so I quickly drew this image you see below!

Now, there isn't one process I use, I mostly freehand it straight from the noggin to the paper. I barely use references, and I really should use them more often!!

But this should show an outline of generally what's going on in my mind when I'm doodling a doodle :)

Step 1: Choose sky color

I personally like to use either a light blue or a light orange!

This reference uses a light orange so I'll steal it.

Step 2: block the main contrast out with a big brush

There is a foreground and a background to this scene, a clear light and dark.

It's much easier to work with a blocked out pattern! It's like the sketching equivalent in this technique.

By the way, I'm using an aliased brush because I'm a pixelart nerd (so retro 🤓☝️) and also because it makes selecting blocks of color much less messy! But trust me, it will look soft in the end :)

Step 3: Look for blocks of common color

I see big patches of blue and orange when I squint my eyes, so I plot those in!

Look at how the light comes from the top right, it illuminates the trees on one side!

Step 4: Look for hue variations in the lights

Natural colors are never going to be flat or homogeneous--theres variations everywhere!

Add in greenish, reddish, bluish and yellowish patches, and even if at first it's a little scary to stray from such bold colors, I promise, gray is essential to making a truly vivid image!

Step 5: move on to the darks

The tree trunks in the left shade looked blue to me! So I toss in some blue splotches.

Don't worry if it looks messy. You can always clean up your messes later <3

Step 6: Fine detail in the very back

Going just like a traditional painter, painting the back first is perfect because you will later paint over the back layers with the front ones, creating realistic layers of texture!

It is much easier to go back to front than the reverse.

Think about the shape design and the flow of all of the elements.

The mountains curl up and down in very specific ways, and the trees look like circles from very far away, with leafless outliers few and far between.

Step 7: let's take a break from the canvas and do homework

learning how to simplify incredibly complicated shapes is crucial!

Trees, grass, rocks, everything in nature has very complicated structure, but you can simplify them very much!

With newfound respect for the complexity of nature, start noting down the elements of your scene in more detail.

You can move your reference around and crop it so that it's easier to perfectly replicate what you wish to draw....but....

personally, I like to use the reference more for vibes and just ad lib the rest!

Study the general shapes of your reference, and apply them in new, unique ways!

I hope this tutorial was helpful for you!

Please feel free to rb this post with any art you make with this! I'll be excited to see what you create :)

Thanks for reading!

[troxlerfx]

hello!! i am troxler (trox if you're nasty) and you might know me from my xwitter @ broadcastrelay or my old experimental art blog @hand-in-hand-again .

this blog is sfw. i have a more reblog-heavy nsfw sideblog, @heartshapedsignal , where i can place aesthetics, rb art that i like, Cronenbergpost & generally toss up more intense horror things & keep this one somewhat more tidy + personal-art-oriented. follow my alt if you please; although it's unlikely i'll ever post anything too explicit, there is nsfw/🔞 potential, so again, heartshapedsignal is 🔞 just to be safe!!

i have a throne account here if you'd like to support my work by helping with supplies & thereby earn my eternal gratitude:

commissions are currently closed & i will update here & on xwitter if that changes!!

i do have discord if you'd like to chat, you can DM me for my username. i'm vision impaired & it's a little easier for me than tumblr DMs (scalable font. properly mapped keyboard that allows me to hit the right keys occasionally. you know 👁️)

i am sometimes slow to respond to messages, but i don't expect you to be available all the time either--i answer things when i have a moment, & i assume others do too ✌️ i have the temperament of a displaced 11th century anchorite, am simply not adapted to the tone & pace of centralized social media.

i also unfortunately cannot voice call or stream/screen share because i am a millennial (just kidding, it's because my phone is almost 9 years old & it overheats when i check my e-mail)

learn a bit more about me under the cut ✂️

i was dropped into this simulation in the early 80s, i'm a disabled artist (vision impaired - [ask me about my atrophied optic nerves] - & have some other physical Issues so i use a cane) & my wife and i host two black cats, roughly 35% of a mannequin, and a whole lot of dolls.

all my art is trad/physical media (haven't figured out a way to make digital art accessible yet. maybe someday!!) i like to sculpt in epoxy, plastilene, polymer & stone clay, i like to mold & cast in resin, make & customize various types of dolls, & build puppets; i do custom framed work, mixed media & textile stuff like sewing & embroidery; i paint in oil, acrylic, watercolor, gouache & water soluble graphite & i love ink, markers, crayons & whatever cheap & weird stuff i can get my hands on.

i have a particular affection for props, prop replicas & hypothetical in-universe items, & i like things that are handsome, durable & believable. i'm versatile & innovative, & i'm at my happiest when i'm exploring technical processes. i have quite a bit of knowledge about techniques & materials. i love a challenge!! currently all my sewing is done by hand, i have trouble controlling pedal-operated machines.

my favorite thing is horror coated in a fine layer of nostalgia & sprinkled with history. that seems highly specific, but you'd be surprised how many things fit the criteria. i tend to fixate on characters & concepts & do a lot of art about it - a habit i developed while i was re-teaching myself to draw after the changes to my eyesight. my output is largely therapeutic. sometimes people like it. maybe you will too!!

a good amount of my work is fanart & will be tagged as such/otherwise linked to the appropriate project, original work will be specified & have its own tag.

at the moment i make a lot of work related to the independent psychological horror unfiction project Welcome Home, created by ' partycoffin ' here on tumblr.

that's all for now!! 👁️‍🗨️📺

[pwlanier]

[From the collection of S. Karakasha] Alexey Konstantinovich Charugin (b. 1961). ^Night. 2006 Oil on canvas, 80×80 cm. @ In the lower right corner, the author's signature with a brush: ~A. Charugin. ~ On the back there is the author's signature, name, technique, size and date. ^^Artist. Graduated from the Moscow Art Institute named after Surikov in 1985. Since 1981, he has been participating in exhibitions in Russia and abroad. Member of the Moscow Union of Artists since 1990. In 2004, he was awarded a silver medal, and in 2013 - a gold medal of the Russian Academy of Arts. In 2005, he received the Prix du public "Discovery of the Year" award in Switzerland. In 2007-2009, he painted the Transfiguration Cathedral of the Nikolo-Ugreshsky Monastery in the city of Dzerzhinsky, Moscow region. The works are in the collections of the MMSI, the Yekaterinburg Museum of Fine Arts, the Russian Museum of Decorative and Applied Arts and private collections of the USA, France, Switzerland, Belgium, Spain, Greece, the Netherlands and Russia. ^^Stanislav Karakash (1943–1921) was the director of the Central Exhibition Hall of the Manege. He managed to ensure the artistic environment of Moscow, and over time the Russian province, stable development for 20 years, up to the death of the Manege building in the fire of 2004.

Nikitskiy

[sweetscraftsandfineart]

VP 12. 24 X 18 oil on canvas. New and Original technique. No title, it is what you see. Please send me a message or ask telling what you see in it, I love to hear the different interpretations 💜💜

[famousinuniverse]

Art - Vietnamese Schoolgirls by David Sweet

Vietnamese Art

Art in Vietnam exists from as early as 8000 BCE, in the form of clay pottery, known as neolithic art, forming an integral part of Vietnamese culture. But art as we see it now, is not just limited to pottery, but can be seen in the form of dance, cinema, paintings, architecture etc. It would not be wrong to say that Vietnamese art has come a long way from where it began and is now popular worldwide.

A Painting in Vietnam of Multiplt Deities, French Influences in Vietnamese Art 

During the rule of Chinese from 111 BC to 939 AD, the art forms in Vietnam were majorly influenced by chinese techniques. Calligraphy was adopted in the country. Poetry and paintings were inspired by landscapes and birds. In 19th century, after being influenced by Chinese culture for a long time, the introduction of French art forms was wholeheartedly embraced by the culture of Vietnam. Porcelain, lacquer and terracotta shifted to silk, lacquer, and oil to add French touch to the paintings. Vietnamese historical events were depicted in the form of paintings.

Vietnamese art is thriving each day and growing immensely popular internationally due to its richness and fine intricate work. It is a perfect blend of eastern (Chinese) and western (French) culture, and adds a touch of Vietnamese culture to give the world something unique and exotic.

[oilartwork]

Oil Painting Tutorial of Salvator Mundi - Oil on canvas

This oil painting tutorial showcases the exquisite artistry of Salvator Mundi, rendered on a high-quality canvas using the finest oil paints. The painting is a testament to the artist's skill and attention to detail, with every brushstroke imbuing the piece with a sense of depth and realism. The tutorial provides a comprehensive guide to the techniques and methods employed by the artist, allowing aspiring painters to learn from the master and hone their own craft. Whether you are a seasoned artist or a beginner, this tutorial is an invaluable resource for anyone seeking to improve their oil painting skills and create stunning works of art.

[creativesopengallery]

Vincent van Gogh's Terrace in the Luxembourg Gardens (1886) famous painting

[beyourselfchulanmaria]

Stanisław Wyspiański ( Polish, 1869-1907)

Study of a Girl in a Chair, 1899

Pastel; 60 x 46 cm. (National Museum, Warsaw, Poland)

He was a Polish playwright, painter and poet, as well as interior and furniture designer. A patriotic writer, he created a series of symbolic, national dramas within the artistic philosophy of the Young Poland Movement. Wyspiański was one of the most outstanding and multifaceted artists of his time in Europe. He successfully joined the trends of modernism with themes of the Polish folk tradition and Romantic history. Unofficially, he came to be known as the Fourth Polish Bard (in addition to the earlier Three Bards: Adam Mickiewicz, Juliusz Słowacki, and Zygmunt Krasiński).

Wyspiański’s artistic output is very eclectic. Among dramas and poetry, one can find there views of Cracow (drawings, sketch-books, oil-paintings, pastel drawings), portraits and self-portraits, designs of stained glass windows and paintings, illustrations, graphic art, plans of furniture and interiors, development of Wawel. Drawings, such as 1890 self-portrait and drafts from his journeys across Europe and Poland, are among Wyspiański’s well-known works. He later created a herbarium by drawing plants. He was, however, most frequently using the technique of pastel; his first pastel drawings were produced between 1890 and 1894. They mainly present the artist’s family, friends and other artists. Wyspiański eagerly drew his children in everyday situations such as sleeping or feeding.

In 1906 Wyspiański became professor of the Academy of Fine Arts in Kraków, he was also a member of the City Council. In his last years Wyspianski’s health condition deteriorated, as a result, he underwent medical treatments in Rymanów and Bad Hall. Then he settled in his small cottage in a village of Węgrzce. He died of then incurable syphilis. His funeral took place in Kraków and became a national manifestation. Wyspiański was buried in the Crypt of the Distinguished in the Skałka Church.