#finn lyrics

[littleeliza-lotte]

Grace and Dónal’s final show

Please do not share outside of Tumblr

[mikeslawyer]

[reigobun]

green knight yay

[rotten-dan-art]

being alive with you is fun

[brilliantfantasticgeronimo]

thought to myself u know what. i havent watched falsettos enough. so here's a couple things i noticed in my latest impromptu rewatch (rewatch number 52th probably?? 67th?) + just some nice bits n parallel that are always Good (tm):

"he loves another" "i agree" with ("-man") going unsaid

the chess games following trina's song about stupid men and their little games

"that's the king. please protect him" That's marvin saying "please protect me. don't hurt me"

whizzer moves the pieces randomly in the revival but i like to imagine he's actually beating marvin at the game in the end... and the whole thing was him pretending to not know how to play, and that hurt marvin's ego more than anything

"now marvin, bend" as a sexy moment but later gets re-framed as a "unwillingness to change perspective" moment

"nothing is everything to me / except sex / and money" in that money whizzer is playing to marvin's insecurity that he's only sticking with marvin for his money- is so needlessly cruel (and thus such... delicious character writing lol)

"and he loves me so" that "so" at the end is sort of a "loves me so much" but also a dare. he loves me, so what can you even do about that?"

"ask me if i love him, it depends on the day"// "do i love him?… no"

"son with a brain, and nice bright mother" showing mendel is like marvin (+ many, many men) and wants a wife half just to do domestic labor for him (goes well with the "washing your laundry, washing your socks!" line)

"he loves his father" // "i love things i never had"

"im everything he wanted" here trina finally realizes how she was such a insecure woman for such a long time and why she could put up with so much / settle for so little ("love me for what i am, not what i try to be" etc)

i love that "what ive done to you is rotten" is the slap to trina, is not taking to jason about his sexuality, and is Also telling trina and jason he "never ever, wanted to love" them. triple treat of bad parenting lol (but our man gets there in the end #bless him)

"a man kid, you'll be kid, whatever your song" the kind of reversed coming out metaphor of it all. ugh. so good!! (also i always cry at this bit bc... i will never have this with my parents :) rip haha whoops)

"pretty boys are in demand" just a good line for the whole gay men dying everywhere + the 'dating frenzy' energy of the era

"im not a giant man" /"good" // "one day i hope to be / as mature as my son who is 12 and a half / and this tall… that's all i want to be, that's all"

"we'll spent BILLIONS of dollars" and then the actual thing plays the way it does

"making the most pathetical errors" as a metaphor for marvin's arc…. making constant errors in love but making a homerun at the end

"should i take this new promotion OR should i take this IBM job?" is an amazing, anti-corporate lyric that fits greatly w/ the most explicitly political (likely authorial) song in the musical that, imho, shouldn't have been cut in the revival. in hindsight tho i imagine the revival people felt very proud and """progressive""" when they made that cut lol is very much a typical liberal move: "cant have true emancipation or revolutions but u cant have some \~upward mobility in the job market xoxo". also on the same vein, cutting the line "i'll change my life, and hire a maid" from the og "and fire the maid" like it's this huge feminist moment lol ughhhh hh

(other line-cuts that frustrate me… "it's queer, mr. marvin", "i could use a little drink" and "i just bought a family" . i feel w/ all of these they tooks some "edge" of the OG characters and kind of attempted to make them "nicer". but it really just makes them a little flatter, a little less real) ( and also some scenes just plain make less sense (marvin's drink line leading to his outburst)

(but bc it's not All Bad sdklfj in fairness, i belie the whole "why don't we tell him, that we don't have the awnsers? (…) this is the start to his becoming a man" bit - is SUCH a great part for mendel, it goes so hard and from what i remember is not in the original falsettos? correct me if im wrong but if it was a new addition in the revival, imo it's a huge improvement to the scene flow… and dare i say, brings the whole climax together, and spells out The Aesop for people who hadn't gotten it by the end of Act 2) -"let me go, im not ashamed to have loved you" // "what's the matter trina, darling, why cant you let go?" -"feel all right for the rest of your life" The Message of the play implicit in it.. "even if it's cut short"

"you save lives, and i serve chicken fat / i can't fucking deal wit hthat" / "maybe is not dumb the way this whole thing ends / the food tastes really yummy!"

"it's about growing up, getting older, living on a lover's shoulder" /"but i confess, you grow up, you get old, you hate less"

"the ground shifting, the rules keeps changing" and it's when the set changes for the first time!!! (/eats all my walls)

"isn't it enough i love you every night?" "who?" // "we had trouble parking, just like on our second date" "i hyperventilate"

"good men never fail" // "but i can't help but feeling i've failed " proving once again those machista lessons marvin learned when young were wrong.... it's clear that him showing weakness at that moment to whizzer was The Right Thing To Do. and what the moment called for.

"the last little mountain ill climb" sound of music ref? maybe?

i only wanted to love and not be blamed " // "who would i blame my life on?"

[you-were-alone-too]

although im LIVING for what seems to be confirmation of gay mike and the fact that the lyrics suggest that he wants will to confess to him first... (see exhibits a and b below)

if we assume that these lyrics are decently accurate to mike's arc in s5, then we'll see mike struggle a lot with communicating his feelings and that he hopes will makes the first move, but i don't think that necessarily means that's how it's going to happen.

mike tries and fails to communicate his true feelings to el multiple times throughout the show, and the few times that he does manage to tell her how he feels are usually based on impulse or because she's on the verge of death (and as we know, they're not necessarily his true feelings).

it's important for mike to be the one to confess to will, not only for his own emotional growth, but also to show the audience that will is the only person that he's able to be his true self with (both platonically and romantically). even though he's been able to successfully express his true feelings to will in the past, he's only been able to do so under the guise of friendship. but any time his feelings could possibly be misconstrued as romantic, we can see him acting similarly toward will like he does el: by pulling away, acting impulsively, or lashing out (like at the airport when he doesn't hug will, or at the roller rink when he says they're just friends. this is probably because mike is worried that treating will in the same way as he's expected to treat his girlfriend could be seem as romantic).

will has already done his part to try and communicate his feelings to mike. although he DID lie by saying the painting is from el, we know that mike is eventually going to realize that will lied, so will's true feelings will still be understood by mike in the end, regardless of will's intention to push him closer to el instead.

this now puts the ball in mike's court, leaving it up to him to be the one that has to confess to will. and i think that these lyrics do a great job of showcasing mike's struggle to communicate his true romantic feelings. he's so used to repressing himself and his interests and tries so hard to be "normal" that he wants someone else that isn't as scared of being different (or at least less scared than him) to do the hard part first.

so i think that mike has to be the one to clearly confess his feelings and put himself out there. this season is going to force him on a journey of emotional growth and self-acceptance. finally, mike is going to be the first one to step out of line and risk it all, even if he thinks he might be rejected. he's going to fully accept himself, not just the fact that he's d&d-loving nerd, but also that he's gay and in love with his best friend

[etherealdany]

Don’t like him for obvious reasons, but one things on my mind…

I’ve noticed a lot of people calling Noah schnapp a bad actor, and don’t get me wrong I dislike the guy more than anything but like, did we all watch season 2 of ST? Like I hate how he’s misrepresenting Judaism but I always thought he was a good actor, like I heard apparently in season 1 when he auditioned he had to do season 2 scenes cause they’re obviously a lot more challenging (at the time I thought he was robbed of an Emmy) but now it seems to be common consensus he’s a bad actor? Like don’t get me wrong I hate the guy but shouldn’t we hate him for things he’s actually done?

[laylakeating]

IT'S ALL OVER NOW, ALL OUT TO SEA. @thetroubletones, i love you!

[nomilkinmyteaplease]

Hadestown UK Behind The Scenes

[witlesswitnesstm]

Thinking about how the lyric “Learning love is not a crime” from Falsettoland/It’s About Time has a double meaning.

It means Marvin accepting his sexuality: learning that the way he loves men is not wrong within itself. That’s something he struggled with for the whole trilogy up until this point.

I also think it means that learning how to love isn’t a bad thing either. Marvin is in his 30s or 40s, and he’s only starting to have stable and mostly healthy relationships during Falsettos Act 2. It shows that learning how to love healthily can start at any age.

God I love Marvin’s development.

[fakeoldmanfucker]

In honor of the new song and upcoming album and also because tumblr isn't letting me find my original post of this I'm reposting, with updated additions for Love From The Other Side and a couple new motifs, my almost-30-page document containing themes from across Fall Out Boy's discography and the lyrics that represent them. Have you ever wanted to see exactly how often Pete Wentz brings up summer, or fire, or any number of over 60 themes? Now you can!

[littleeliza-lotte]

Hadestown West End Recording 03/09/24

Not the best quality given that I was in the Grand circle, sorry about that.

*do not share outside of Tumblr*

[agentsnickers]

but i never planned on no one like you...

DO YOU SEE MY VISION??

[takemebacktowheniwassane]

"a healthy fruit is not to eat til' it rots!"

this lyric plagues my nightmares because what in the fuck did trina mean by this in the obc?? and/or am I even getting this lyric right??? or is my brain just demented

[elposting]

they always yell isnt that unfortunate????? when marvins here….. everybody’s yelling about the bar mitzvah!!!!! it’s not a wrestling match….. why are they sweating??????? it’s not a funeral!!!!! what’s so upsetting???????????

[human-ithink-yt]

I don’t think that going into Finn Wolfhard’s playlist is evidence. Let the guy live!

(I think everyone is just a little deprived of byler leaks)