and that’s his whole personality thanks yun
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minor oc doodles from today
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Chen Chen - First Light
I like to say we left at first light
with Chairman Mao himself chasing us in a police car,
my father fighting him off with firecrackers,
even though Mao was already over a decade
dead, & my mother says all my father did
during the Cultural Revolution was teach math,
which he was not qualified to teach, & swim & sunbathe
around Piano Island, a place I never read about
in my American textbooks, a place everybody in the family
says they took me to, & that I loved.
What is it, to remember nothing, of what one loved?
To have forgotten the faces one first kissed?
They ask if I remember them, the aunts, the uncles,
& I say Yes it’s coming back, I say Of course,
when it’s No not at all, because when I last saw them
I was three, & the China of my first three years
is largely make-believe, my vast invented country,
my dream before I knew the word “dream,”
my father’s martial arts films plus a teaspoon-taste
of history. I like to say we left at first light,
we had to, my parents had been unmasked as the famous
kung fu crime-fighting couple of the Southern provinces,
& the Hong Kong mafia was after us. I like to say
we were helped by a handsome mysterious Northerner,
who turned out himself to be a kung fu master.
I don’t like to say, I don’t remember crying.
No embracing in the airport, sobbing. I don’t remember
feeling bad, leaving China.
I like to say we left at first light, we snuck off
on some secret adventure, while the others were
still sleeping, still blanketed, warm
in their memories of us.
What do I remember of crying? When my mother slapped me
for being dirty, diseased, led astray by Western devils,
a dirty, bad son, I cried, thirteen, already too old,
too male for crying. When my father said Get out,
never come back, I cried & ran, threw myself into night.
Then returned, at first light, I don’t remember exactly
why, or what exactly came next. One memory claims
my mother rushed into the pink dawn bright
to see what had happened, reaching toward me with her hands,
& I wanted to say No. Don’t touch me.
Another memory insists the front door had simply been left
unlocked, & I slipped right through, found my room,
my bed, which felt somehow smaller, & fell asleep, for hours,
before my mother (anybody) seemed to notice.
I’m not certain which is the correct version, but what stays with me
is the leaving, the cry, the country splintering.
It’s been another five years since my mother has seen her sisters,
her own mother, who recently had a stroke, who has trouble
recalling who, why. I feel awful, my mother says,
not going back at once to see her. But too much is happening here.
Here, she says, as though it’s the most difficult,
least forgivable English word.
What would my mother say, if she were the one writing?
How would her voice sound? Which is really to ask, what is
my best guess, my invented, translated (Chinese-to-English,
English-to-English) mother’s voice? She might say:
We left at first light, we had to, the flight was early,
in early spring. Go, my mother urged, what are you doing,
waving at me, crying? Get on that plane before it leaves without you.
It was spring & I could smell it, despite the sterile glass
& metal of the airport—scent of my mother’s just-washed hair,
of the just-born flowers of fields we passed on the car ride over,
how I did not know those flowers were already
memory, how I thought I could smell them, boarding the plane,
the strange tunnel full of their aroma, their names
I once knew, & my mother’s long black hair—so impossible now.
Why did I never consider how different spring could smell, feel,
elsewhere? First light, last scent, lost
country. First & deepest severance that should have
prepared me for all others.
- First Light by Chen Chen
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HBO Max New Releases: January 2021
https://ift.tt/eA8V8J
It’s a new year and everyone wants to put the vile cesspool that was 2020 behind them. Thankfully, HBO Max is coming out swinging to make the transition out of the hellyear even easier. HBO Max’s list of new releases for January 2021 is positively packed with notable film releases and even a fun HBO Max Original or two.
For starters, Search Party season 4 will arrive to HBO Max on Jan. 14. This season of the show with a now-surprising lifespan finds Dory Sief in the thrall of a deranged stalker…right after getting off on murder charges. These Brooklynites lead such fascinating lives! The other major original or note is the HBO documentary Tiger, that premieres on Jan. 10 and will delve into the complicated history of golfing legend Tiger Woods.
The real story this month, however, are the movies. Perhaps emboldened by its success with Wonder Woman 1984, HBO Max is filling up its servers with as many Warner properties that it can find. The Dark Knight trilogy, Blade, Chinatown, The Exorcist, Mad Max: Fury Road, No Country for Old Men, and Pulp Fiction all arrive on Jan. 1. Poltergeist and Stephen King’s It (1990) make things spooky on Jan. 15. Then the month closes out with, quite simply, the greatest movie of all time: The Mummy (1999). The downside here is that some of these are limited engagements, with the aforementioned WW1984, Blade, Ocean’s Eleven, and more all leaving at month’s end.
Still, January 2021 will provide plenty of filmic fun on HBO Max. Here is the full list for your perusal.
HBO Max New Releases – January 2021
January 1
12 oz. Mouse, Seasons 1-2
42nd Street, 1933
All the President’s Men, 1976
Apple & Onion, Season 1B
The Autobiography Of Miss Jane Pittman, 1974 (HBO)
Batman Begins, 2005
Batman Beyond
Batman Beyond: The Return of the Joker, 2000
Batman: Bad Blood, 2016
Batman: Death in the Family, 2020
Batman: Hush, 2019
Batman: The Animated Series
Blade, 1998
A Better Life, 2011 (HBO)
Charlie and the Chocolate Factory, 2005
Dog Day Afternoon, 1975
Check It Out! with Steve Brule
Chinatown, 1974
Codename: Kids Next Door
The Color Purple, 1985
The Conjuring, 2013
Courage the Cowardly Dog
Craig of the Creek, Season 2
The Crocodile Hunter: Collision Course, 2002 (HBO)
The Dark Knight, 2008
The Dark Knight Rises, 2012
Dim Sum Funeral, 2009 (HBO)
Ed, Edd n Eddy
El Amor No Puede Esperar (Aka Love Can’t Wait), 2021 (HBO)
Happy Feet, 2006
The Electric Horseman, 1979 (HBO)
Escape from New York, 1981
The Exorcist, 1973
Flashpoint, 1984 (HBO)
The General’s Daughter, 1999 (HBO)
Gossip Girl
Green Lantern, 2011
Green Lantern: The Animated Series
Gremlins, 1984
Gremlins 2: The New Batch, 1990
The Grim Adventures of Billy & Mandy
Happily N’Ever After, 2007 (HBO)
Happily N’Ever After 2: Snow White, 2009 (HBO)
Happy-Go-Lucky, 2008 (HBO)
He Said She Said, 1991 (HBO)
Heaven Help Us, 1985 (HBO)
The Infamous Future, 2018
Jay And Silent Bob Strike Back, 2001 (HBO)
The Jellies
Justice League Dark: Apokolips War, 2020
Kong: Skull Island, 2017
Little Con Lili, 2021 (HBO)
Loiter Squad
Ma, 2019 (HBO)
Mad Max 2: The Road Warrior, 1983
Mad Max: Fury Road, 2015
Magic Mike, 2012
Mao Mao, Heroes of Pure Heart
March of the Penguins, 2005
Margaret, 2011 (Extended Version) (HBO)
Miracle On 34th Street, 1994 (HBO)
Miss Firecracker, 1989 (HBO)
Mulholland Dr., 2001
Mystic River, 2003
Nitro Circus: The Movie 3D, 2012 (HBO)
No Country for Old Men, 2007
The Notebook, 2004
Ocean’s 8, 2018
Ocean’s Eleven, 2001
Ocean’s Thirteen, 2007
Ocean’s Twelve, 2004
Pee-wee’s Big Adventure, 1985
Piter, 2021 (HBO)
The Producers, 1968
Pulp Fiction, 1994
Purple Rain, 1984
Ready Player One, 2018
Revenge Of The Nerds, 1984 (HBO)
Revenge Of The Nerds II: Nerds In Paradise, 1987 (HBO)
Revenge Of The Nerds IV: Nerds In Love, 2005 (HBO)
Rollerball, 2002 (HBO)
Se7en, 1995
Shallow Hal, 2001 (HBO)
Snowpiercer, Season 1
A Star is Born, 2018
Superman: Doomsday, 2007
Superman: Man of Tomorrow, 2020
Superman Returns, 2006
Swimfan, 2002 (HBO)
This Is Spinal Tap, 1984
The Three Stooges, 2012 (HBO)
TMNT, 2007
Tom Goes to the Mayor
The Trouble With Spies, 1987 (HBO)
Underclassman, 2005 (HBO)
V for Vendetta, 2005
Van Wilder: Freshman Year (Extended Version), 2009 (HBO)
Walk Of Shame, 2014 (HBO)
Warrior, Seasons 1-2 (HBO)
Willard, 1971 (HBO)
Worth Winning, 1989 (HBO)
You Can Count On Me, 2000 (HBO)
January 2
The High Note, 2020 (HBO)
January 4
30 Coins, Series Premiere (HBO)
January 8
Patriot’s Day, 2016
Scream, 1996
Squish, Season 1
January 9
The Alienist: Angel of Darkness, Season 2
Ben 10, Season 4A
The King Of Staten Island, 2020 (HBO)
January 10
Miracle Workers, Season 2
Tiger, Two-Part Documentary Premiere (HBO)
January 12
Against The Wild, 2014
Against the Wild 2: Survive the Serengeti, 2016
Alpha and Omega 5: Family Vacation, 2015
Alpha and Omega 6: Dino Digs, 2016
Batkid Begins: The Wish Heard Around the World, 2015
Blue Valentine, 2010
Book of Shadows: Blair Witch 2, 2000
Earth Girls Are Easy, 1989
An Elephant’s Journey, 2018
The Escape Artist, 1982
Get Carter, 1971
Hecho En Mexico, 2012
Hellboy: Blood and Iron, 2007
Hellboy: Sword of Storms, 2006
Hellboy: The Dark Below, 2010
Jennifer Lopez: Dance Again, 2016
The Killing of a Chinese Bookie, 1976
The Kingdom of Dreams and Madness, 2013
La Mujer de Mi Hermano, 2005
Leapfrog Letter Factory Adventures: Amazing Word Explorers, 2015
Leapfrog Letter Factory Adventures: Counting on Lemonade, 2014
Leapfrog Letter Factory Adventures: The Letter Machine Rescue Team, 2014
Leapfrog: Numberland, 2012
Lost and Delirious, 2001
Love and Sex, 2000
Lovely & Amazing, 2002
The Man Who Would Be King, 1975
Meatballs, 1979
The Men Who Stare at Goats, 2009
A Mermaid’s Tale, 2017
Mistress, 1992
Mother’s Day, 2012
Mud, 2013
Never-Ending Man: Hayao Miyazaki, 2016
Night is Short, Walk on Girl, 2017
No Eres Tu Soy Yo, 2011
Norm of the North: King Sized Adventure, 2019
Ollie & Moon, Seasons 1-2
Other Parents, Seasons 1-2
Pinocchio, 2012
Promare, 2019
Reservoir Dogs, 1992
Ride Your Wave, 2019
Righteous Kill, 2008
Sprung, 1997
The Spy Next Door, 2010
Tender Mercies, 1983
Thanks for Sharing, 2013
Turtle Tale, 2018
The Visitor, 2008
Vixen, 2015
January 14
Search Party, Max Original Season 4 Premiere
January 15
Stephen King’s It, 1990
One Flew Over the Cuckoo’s Nest, 1975
Poltergeist, 1982
Re:ZERO -Starting Life in Another World- Director’s Cut, Season 1 dubbed (Crunchyroll Collection)
Real Time With Bill Maher, Season 19 Premiere (HBO)
Roots (Mini Series), 1977
Si Yo Fuera Rico (Aka If I Were Rich), 2021 (HBO)
The Wayans Bros
January 16
Eve
Kill Bill: Vol. 1, 2003 (HBO)
Kill Bill: Vol. 2, 2004 (HBO)
January 19
Everwood
January 20
At Home with Amy Sedaris, Season 3
C.B. Strike, Season 1 (HBO)
C.B. Strike: Lethal White, Limited Series Premiere (HBO)
January 21
Gomorrah, Max Original Season 3 Premiere
Looney Tunes Cartoons, Season 1C
January 22
The New Adventures of Old Christine
Painting with John, Series Premiere (HBO)
January 23
Don’t Let Go, 2019 (HBO)
Person of Interest
January 24
Euphoria Special Episode Part 2: F*ck Anyone Who’s Not a Sea Blob, Special Episode Premiere (HBO)
January 26
Babylon 5
Real Sports with Bryant Gumbel (HBO)
January 29
¡Animo Juventud! (Aka Go Youth!), 2021 (HBO)
The Little Things
What I Like About You
January 30
The Mummy, 1999 (HBO)
The Mummy Returns, 2001 (HBO)
Pushing Daisies
The Scorpion King, 2002 (HBO)
January 31
Axios, Season 4 Premiere (HBO)
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Leaving HBO Max – January 2021
January 7
War Dogs, 2016
January 24
Wonder Woman 1984, 2020
January 31
Ad Astra, 2019
After Hours, 1985
Akeelah And The Bee, 2006
All Is Bright, 2013
America, America, 1964
Anchors Aweigh, 1945
The Arrangement, 1969
Bee Season, 2005
Before Sunrise, 1995
Before Sunset, 2004
Best Laid Plans, 1999
Bigger Than The Sky, 2005
Blade II, 2002
Blade, 1998
Blood Simple, 1984
Bridge To Terabithia, 2007
Bright Lights, Big City, 1988
The Change-Up, 2011
The Children, 2009
A Christmas Carol, 1938
Crash, 2005 (Director’s Cut)
David Copperfield, 1935
Days After Your Departure, 2019
Enemy Of The State, 1998
Everybody’s All-American, 1988
Father’s Day, 1997
Friday Night Lights, 2004
Get On Up, 2014
Guys And Dolls, 1955
High Society, 1956
Jeepers Creepers 2, 2003
Jeepers Creepers, 2001
Leprechaun 2, 1994
Leprechaun, 1993
Magnolia, 1999
The Man With The Golden Arm, 1955
Mars Attacks!, 1996
Martha Marcy May Marlene, 2011
Martin Lawrence You So Crazy, 1994
New Year’s Eve, 2011 (HBO)
Ocean’s Eleven, 2001
Ocean’s Thirteen, 2007
Ocean’s Twelve, 2004
On The Town, 1949
The Pelican Brief, 1993
Planet Of The Apes, 2001
Risky Business, 1983
Semi-Pro, 2008
Some Came Running, 1958
Something Borrowed, 2011
Splendor In The Grass, 1961
Walk The Line, 2005 (Extended Version)
When Harry Met Sally, 1989
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New Post has been published on Otaku Dome | The Latest News In Anime, Manga, Gaming, And More
New Post has been published on https://otakudome.com/hbo-max-january-2021-slate/
HBO Max January 2021 Slate
HBO Max has announced it’s January 2021 slate:
Spread the word, Upper Eastsiders — all six seasons of “Gossip Girl” are coming to HBO Max on January 1st. The month also brings the film premiere of Locked Down starring Anne Hathaway and Chiwetel Ejiofor, the second special episode of the Emmy®-winning drama “Euphoria,” the season four return of the beloved “Search Party,” and the two-part documentary “Tiger,” which illuminates the rise, fall and epic comeback of global golf icon Tiger Woods. Selena Gomez is back for seconds with a new season of “Selena + Chef,” and HBO Max is also serving up new episodes of “Looney Tunes Cartoons,” “Batman Beyond” and “Batman the Animated Series.”
On January 29, John Lee Hancock’s suspenseful psychological thriller “The Little Things” starring Academy Award winners Denzel Washington, Rami Malek and Jared Leto, premieres in theaters around the country and on HBO Max the same day. “The Little Things” will be available on HBO Max for 31 days from its theatrical release in the U.S. included at no additional cost to subscribers.
The third season of Italian crime drama “Gomorrah“ also joins the platform alongside both seasons of “Warrior” from Cinemax.
Catch up on the first season of the post-apocalyptic sci-fi thriller “Snowpiercer” when it arrives on HBO Max this month ahead of its Season 2 premiere on TNT. Or queue up a lineup of A-List movies including “The King of Staten Island,” the “Ocean’s” trilogy and “Ocean’s 8,” “The Notebook,” and Quentin Tarantino’s “Kill Bill: Vol 1″ & 2, “Pulp Fiction” and “Reservoir Dogs.“
And just a reminder as we get ready to ring in the new year: New and returning subscribers can sign up for a pre-paid offer and get 6 months of HBO Max at a discounted rate of $69.99 plus applicable taxes. Find out more at HBOMax.com.
TITLES COMING TO HBO MAX IN JANUARY
Exact Dates to be Announced:
Arthur’s Law, Max Original Series Premiere
The unemployed Arthur Ahnepol (Jan Josef Liefers) ekes out a bleak existence. Drawn from the strains of his unhappy marriage and bored to death, he makes a morbid plan: he wants his obnoxious wife to die. With the money from the life insurance there’s no obstacle for a restart with his beloved mistress. But an unwritten law dominates the life of the unlucky fellow: every problem solved by Arthur has a far worse effect. And so, he sets off an avalanche of disastrous events.
The Event, Max Original Series Premiere
An unprecedented look behind the scenes of the extraordinary events created by Wolfgang Puck Catering and legendary restaurateur Wolfgang Puck. From Renegade 83, each one-hour episode will follow various members of Puck’s team as they strive to amaze clients and surpass even the highest expectations.
Locked Down, Max Original Film Premiere
Just as they decide to separate, Linda (Anne Hathaway) and Paxton (Chiwetel Ejiofor) find life has other plans when they are stuck at home in a mandatory lockdown. Co-habitation is proving to be a challenge, but fueled by poetry and copious amounts of wine, it will bring them closer together in the most surprising way.
Perfect Life (fka Vida Perfecta), Max Original Season 1 Premiere
Maria, Esther and Cristina are three women in the middle of a life crisis. They have realized that the plans they had made for themselves haven’t really gotten them the long-promised happiness they yearned for. Together, they will find alternatives and make decisions that will lead them away from what society expects from them. They will soon realize that life doesn’t necessarily have to be what they always imagined.
Possessions, HBO Max Season 1 Premiere
The series tells the story of Natalie, a young French expatriate in Israel, who is charged with the murder of her husband on their wedding night. Karim, a French diplomat in charge of helping French citizens who have to deal with the Israeli authorities, slowly falls for Natalie. He cannot figure out whether the young lady is deeply lost and vulnerable, or dangerously manipulative. Obsessed with this case, Karim dives into Natalie and her family’s mysterious past.
Selena + Chef, Max Original Season 2 Premiere
The unscripted cooking series features the multi-platinum selling recording artist, actress, producer, entrepreneur, and philanthropist as she navigates unfamiliar territory: making delicious meals while stuck at home in quarantine.
January 1:
12 oz. Mouse, Seasons 1 & 2
42nd Street, 1933
All the President’s Men, 1976
Apple & Onion, Season 1B
The Autobiography Of Miss Jane Pittman, 1974 (HBO)
Batman Begins, 2005
Batman Beyond
Batman Beyond: The Return of the Joker, 2000
Batman: Bad Blood, 2016
Batman: Death in the Family, 2020
Batman: Hush, 2019
Batman: The Animated Series
Blade, 1998
A Better Life, 2011 (HBO)
Charlie and the Chocolate Factory, 2005
Dog Day Afternoon, 1975
Check It Out! with Steve Brule
Chinatown, 1974
Codename: Kids Next Door
The Color Purple, 1985
The Conjuring, 2013
Courage the Cowardly Dog
Craig of the Creek, Season 2
The Crocodile Hunter: Collision Course, 2002 (HBO)
The Dark Knight, 2008
The Dark Knight Rises, 2012
Dim Sum Funeral, 2009 (HBO)
Ed, Edd n Eddy
El Amor No Puede Esperar (Aka Love Can’t Wait), 2021 (HBO)
Happy Feet, 2006
The Electric Horseman, 1979 (HBO)
Escape from New York, 1981
The Exorcist, 1973
Flashpoint, 1984 (HBO)
The General’s Daughter, 1999 (HBO)
Gossip Girl
Green Lantern, 2011
Green Lantern: The Animated Series
Gremlins , 1984
Gremlins 2: The New Batch, 1990
The Grim Adventures of Billy & Mandy
Happily N’Ever After, 2007 (HBO)
Happily N’Ever After 2: Snow White, 2009 (HBO)
Happy-Go-Lucky, 2008 (HBO)
He Said She Said, 1991 (HBO)
Heaven Help Us, 1985 (HBO)
The Infamous Future, 2018
Jay And Silent Bob Strike Back, 2001 (HBO)
The Jellies
Justice League Dark: Apokolips War, 2020
Kong: Skull Island, 2017
Little Con Lili, 2021 (HBO)
Loiter Squad
Ma, 2019 (HBO)
Mad Max 2: The Road Warrior, 1983
Mad Max: Fury Road, 2015
Magic Mike, 2012
Mao Mao, Heroes of Pure Heart
March of the Penguins, 2005
Margaret, 2011 (Extended Version) (HBO)
Miracle On 34th Street, 1994 (HBO)
Miss Firecracker, 1989 (HBO)
Mulholland Dr., 2001
Mystic River, 2003
Nitro Circus: The Movie 3D, 2012 (HBO)
No Country for Old Men, 2007
The Notebook, 2004
Ocean’s 8, 2018
Ocean’s Eleven , 2001
Ocean’s Thirteen, 2007
Ocean’s Twelve, 2004
Pee-wee’s Big Adventure, 1985
Piter, 2021 (HBO)
The Producers, 1968
Pulp Fiction, 1994
Purple Rain, 1984
Ready Player One, 2018
Revenge Of The Nerds, 1984 (HBO)
Revenge Of The Nerds II: Nerds In Paradise, 1987 (HBO)
Revenge Of The Nerds IV: Nerds In Love, 2005 (HBO)
Rollerball, 2002 (HBO)
Se7en, 1995
Shallow Hal, 2001 (HBO)
Snowpiercer, Season 1
A Star is Born , 2018
Superman: Doomsday, 2007
Superman: Man of Tomorrow, 2020
Superman Returns, 2006
Swimfan, 2002 (HBO)
This Is Spinal Tap, 1984
The Three Stooges, 2012 (HBO)
TMNT, 2007
Tom Goes to the Mayor
The Trouble With Spies, 1987 (HBO)
Underclassman, 2005 (HBO)
V for Vendetta, 2005
Van Wilder: Freshman Year (Extended Version), 2009 (HBO)
Walk Of Shame, 2014 (HBO)
Warrior, Seasons 1 & 2 (HBO)
Willard, 1971 (HBO)
Worth Winning, 1989 (HBO)
You Can Count On Me, 2000 (HBO)
January 2:
The High Note, 2020 (HBO)
January 4:
30 Coins, Series Premiere (HBO)
January 8:
Patriot’s Day, 2016
Scream, 1996
Squish, Season 1
January 9:
The Alienist: Angel of Darkness, Season 2
Ben 10, Season 4A
The King Of Staten Island, 2020 (HBO)
January 10:
Miracle Workers, Season 2
Tiger, Two-Part Documentary Premiere (HBO)
January 12:
Against The Wild, 2014
Against the Wild 2: Survive the Serengeti, 2016
Alpha and Omega 5: Family Vacation, 2015
Alpha and Omega 6: Dino Digs, 2016
Batkid Begins: The Wish Heard Around the World, 2015
Blue Valentine, 2010
Book of Shadows: Blair Witch 2, 2000
Earth Girls Are Easy, 1989
An Elephant’s Journey , 2018
The Escape Artist, 1982
Get Carter, 1971
Hecho En Mexico, 2012
Hellboy: Blood and Iron, 2007
Hellboy: Sword of Storms , 2006
Hellboy: The Dark Below, 2010
Jennifer Lopez: Dance Again, 2016
The Killing of a Chinese Bookie, 1976
The Kingdom of Dreams and Madness, 2013
La Mujer de Mi Hermano , 2005
Leapfrog Letter Factory Adventures: Amazing Word Explorers , 2015
Leapfrog Letter Factory Adventures: Counting on Lemonade , 2014
Leapfrog Letter Factory Adventures: The Letter Machine Rescue Team , 2014
Leapfrog: Numberland, 2012
Lost and Delirious, 2001
Love and Sex, 2000
Lovely & Amazing , 2002
The Man Who Would Be King, 1975
Meatballs, 1979
The Men Who Stare at Goats, 2009
A Mermaid’s Tale, 2017
Mistress, 1992
Mother’s Day, 2012
Mud, 2013
Never-Ending Man: Hayao Miyazaki, 2016
Night is Short, Walk on Girl, 2017
No Eres Tu Soy Yo, 2011
Norm of the North: King Sized Adventure, 2019
Ollie & Moon, Seasons 1 & 2
Other Parents, Seasons 1 & 2
Pinocchio, 2012
Promare, 2019
Reservoir Dogs, 1992
Ride Your Wave, 2019
Righteous Kill, 2008
Sprung, 1997
The Spy Next Door, 2010
Tender Mercies, 1983
Thanks for Sharing, 2013
Turtle Tale, 2018
The Visitor, 2008
Vixen, 2015
January 14:
Search Party, Max Original Season 4 Premiere
In the new season, “Dory” (Alia Shawkat) is held prisoner by her psychotic stalker “Chip” (Cole Escola), who is determined to make Dory believe that they are best friends. Meanwhile, “Portia” (Meredith Hagner) is starring in a film about the trial, although not as herself; “Elliott” (John Early) has switched party lines to become a far-right conservative talk show host; and “Drew” (John Reynolds) is trying to escape his dark past by working as a costumed cast member in a theme park.
January 15:
Stephen King’s It, 1990
One Flew Over the Cuckoo’s Nest, 1975
Poltergeist, 1982
Re:ZERO -Starting Life in Another World- Director’s Cut, Season 1 dubbed (Crunchyroll Collection)
Real Time With Bill Maher, Season 19 Premiere (HBO)
Roots (Mini Series), 1977
Si Yo Fuera Rico (Aka If I Were Rich), 2021 (HBO)
The Wayans Bros
January 16:
Eve
Kill Bill: Vol. 1, 2003 (HBO)
Kill Bill: Vol. 2, 2004 (HBO)
January 19:
Everwood
January 20:
At Home with Amy Sedaris, Season 3
C.B. Strike, Season 1 (HBO)
C.B. Strike: Lethal White, Limited Series Premiere (HBO)
January 21:
Gomorrah, Max Original Season 3 Premiere
The iconic Italian crime series Gomorrah is based on Roberto Saviano’s bestselling book that examines the account of the decline of Naples under the rule of the Camorra.
Looney Tunes Cartoons, Season 1C
In this latest batch, Taz stars in his first full-length Looney Tunes Cartoons short when he takes on Bugs Bunny in a Roman coliseum. If Bugs makes it out of the arena, there will be plenty of foes waiting to match wits with him including Elmer Fudd, a leprechaun and Cecil Turtle. Daffy and Porky continue their misadventures from skydiving to solving the mystery of Porky’s missing pants! Fan-favorites Sylvester and Tweety along with Wile E. Coyote and Road Runner also come along for the ride in these ten all-new animated episodes. It’s an all-new year with all-new Looney!
January 22:
The New Adventures of Old Christine
Painting With John, Series Premiere (HBO)
January 23:
Don’t Let Go, 2019 (HBO)
Person of Interest
January 24:
Euphoria Special Episode Part 2: F*ck Anyone Who’s Not a Sea Blob, Special Episode Premiere (HBO)
January 26:
Babylon 5
Real Sports With Bryant Gumbel (HBO)
January 29:
¡Animo Juventud! (Aka Go Youth!), 2021 (HBO)
The Little Things
Academy Award winners Denzel Washington, Rami Malek and Jared Leto star in John Lee Hancock’s suspenseful psychological thriller “The Little Things” about two California sheriffs and their growing obsession with a suspect while embroiled in the search for a killer targeting women.
What I Like About You
January 30:
The Mummy, 1999 (HBO)
The Mummy Returns, 2001 (HBO)
Pushing Daisies
The Scorpion King, 2002 (HBO)
January 31:
Axios, Season 4 Premiere (HBO)
LAST CHANCE TO CATCH: SELECT TITLES LEAVING HBO MAX IN JANUARY
January 7:
War Dogs, 2016 (HBO)
January 24:
Wonder Woman 1984, 2020
January 31:
Ad Astra, 2019
After Hours, 1985 (HBO)
Akeelah And The Bee, 2006 (HBO)
All Is Bright, 2013
America, America, 1964
Anchors Aweigh, 1945
The Arrangement, 1969
Bee Season, 2005 (HBO)
Before Sunrise, 1995 (HBO)
Before Sunset, 2004 (HBO)
Best Laid Plans, 1999 (HBO)
Bigger Than The Sky, 2005 (HBO)
Blade II, 2002
Blade, 1998
Blood Simple, 1984 (HBO)
Bridge To Terabithia, 2007 (HBO)
Bright Lights, Big City, 1988 (HBO)
The Change-Up, 2011 (HBO)
The Children, 2009
A Christmas Carol, 1938
Crash, 2005 (Director’s Cut) (HBO)
David Copperfield, 1935
Days After Your Departure, 2019 (HBO)
Enemy Of The State, 1998 (HBO)
Everybody’s All-American, 1988 (HBO)
Father’s Day, 1997 (HBO)
Friday Night Lights, 2004 (HBO)
Get On Up, 2014 (HBO)
Guys And Dolls, 1955
High Society, 1956
Jeepers Creepers 2, 2003 (HBO)
Jeepers Creepers, 2001 (HBO)
Leprechaun 2, 1994 (HBO)
Leprechaun, 1993 (HBO)
Magnolia, 1999 (HBO)
The Man With The Golden Arm, 1955
Mars Attacks!, 1996
Martha Marcy May Marlene, 2011 (HBO)
Martin Lawrence You So Crazy, 1994 (HBO)
New Year’s Eve, 2011 (HBO)
Ocean’s Eleven, 2001
Ocean’s Thirteen, 2007
Ocean’s Twelve, 2004
On The Town, 1949
The Pelican Brief, 1993
Planet Of The Apes, 2001 (HBO)
Risky Business, 1983
Semi-Pro, 2008
Some Came Running, 1958
Something Borrowed, 2011 (HBO)
Splendor In The Grass, 1961
Walk The Line, 2005 (Extended Version) (HBO)
When Harry Met Sally, 1989
0 notes
First Light
I like to say we left at first light
with Chairman Mao himself chasing us in a police car,
my father fighting him off with firecrackers,
even though Mao was already over a decade
dead, & my mother says all my father did
during the Cultural Revolution was teach math,
which he was not qualified to teach, & swim & sunbathe
around Piano Island, a place I never read about
in my American textbooks, a place everybody in the family
says they took me to, & that I loved.
What is it, to remember nothing, of what one loved?
To have forgotten the faces one first kissed?
They ask if I remember them, the aunts, the uncles,
& I say Yes it’s coming back, I say Of course,
when it’s No not at all, because when I last saw them
I was three, & the China of my first three years
is largely make-believe, my vast invented country,
my dream before I knew the word “dream,”
my father’s martial arts films plus a teaspoon-taste
of history. I like to say we left at first light,
we had to, my parents had been unmasked as the famous
kung fu crime-fighting couple of the Southern provinces,
& the Hong Kong mafia was after us. I like to say
we were helped by a handsome mysterious Northerner,
who turned out himself to be a kung fu master.
I don’t like to say, I don’t remember crying.
No embracing in the airport, sobbing. I don’t remember
feeling bad, leaving China.
I like to say we left at first light, we snuck off
on some secret adventure, while the others were
still sleeping, still blanketed, warm
in their memories of us.
What do I remember of crying? When my mother slapped me
for being dirty, diseased, led astray by Western devils,
a dirty, bad son, I cried, thirteen, already too old,
too male for crying. When my father said Get out,
never come back, I cried & ran, threw myself into night.
Then returned, at first light, I don’t remember exactly
why, or what exactly came next. One memory claims
my mother rushed into the pink dawn bright
to see what had happened, reaching toward me with her hands,
& I wanted to say No. Don’t touch me.
Another memory insists the front door had simply been left
unlocked, & I slipped right through, found my room,
my bed, which felt somehow smaller, & fell asleep, for hours,
before my mother (anybody) seemed to notice.
I’m not certain which is the correct version, but what stays with me
is the leaving, the cry, the country splintering.
It’s been another five years since my mother has seen her sisters,
her own mother, who recently had a stroke, who has trouble
recalling who, why. I feel awful, my mother says,
not going back at once to see her. But too much is happening here.
Here, she says, as though it’s the most difficult,
least forgivable English word.
What would my mother say, if she were the one writing?
How would her voice sound? Which is really to ask, what is
my best guess, my invented, translated (Chinese-to-English,
English-to-English) mother’s voice? She might say:
We left at first light, we had to, the flight was early,
in early spring. Go, my mother urged, what are you doing,
waving at me, crying? Get on that plane before it leaves without you.
It was spring & I could smell it, despite the sterile glass
& metal of the airport—scent of my mother’s just-washed hair,
of the just-born flowers of fields we passed on the car ride over,
how I did not know those flowers were already
memory, how I thought I could smell them, boarding the plane,
the strange tunnel full of their aroma, their names
I once knew, & my mother’s long black hair—so impossible now.
Why did I never consider how different spring could smell, feel,
elsewhere? First light, last scent, lost
country. First & deepest severance that should have
prepared me for all others.
-Chen Chen
1 note
·
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“First Light” - Chen Chen
I like to say we left at first light
with Chairman Mao himself chasing us in a police car,
my father fighting him off with firecrackers,
even though Mao was already over a decade
dead, & my mother says all my father did
during the Cultural Revolution was teach math,
which he was not qualified to teach, & swim & sunbathe
around Piano Island, a place I never read about
in my American textbooks, a place everybody in the family
says they took me to, & that I loved.
What is it, to remember nothing, of what one loved?
To have forgotten the faces one first kissed?
They ask if I remember them, the aunts, the uncles,
& I say Yes it’s coming back, I say Of course,
when it’s No not at all, because when I last saw them
I was three, & the China of my first three years
is largely make-believe, my vast invented country,
my dream before I knew the word “dream,”
my father’s martial arts films plus a teaspoon-taste
of history. I like to say we left at first light,
we had to, my parents had been unmasked as the famous
kung fu crime-fighting couple of the Southern provinces,
& the Hong Kong mafia was after us. I like to say
we were helped by a handsome mysterious Northerner,
who turned out himself to be a kung fu master.
I don’t like to say, I don’t remember crying.
No embracing in the airport, sobbing. I don’t remember
feeling bad, leaving China.
I like to say we left at first light, we snuck off
on some secret adventure, while the others were
still sleeping, still blanketed, warm
in their memories of us.
What do I remember of crying? When my mother slapped me
for being dirty, diseased, led astray by Western devils,
a dirty, bad son, I cried, thirteen, already too old,
too male for crying. When my father said Get out,
never come back, I cried & ran, threw myself into night.
Then returned, at first light, I don’t remember exactly
why, or what exactly came next. One memory claims
my mother rushed into the pink dawn bright
to see what had happened, reaching toward me with her hands,
& I wanted to say No. Don’t touch me.
Another memory insists the front door had simply been left
unlocked, & I slipped right through, found my room,
my bed, which felt somehow smaller, & fell asleep, for hours,
before my mother (anybody) seemed to notice.
I’m not certain which is the correct version, but what stays with me
is the leaving, the cry, the country splintering.
It’s been another five years since my mother has seen her sisters,
her own mother, who recently had a stroke, who has trouble
recalling who, why. I feel awful, my mother says,
not going back at once to see her. But too much is happening here.
Here, she says, as though it’s the most difficult,
least forgivable English word.
What would my mother say, if she were the one writing?
How would her voice sound? Which is really to ask, what is
my best guess, my invented, translated (Chinese-to-English,
English-to-English) mother’s voice? She might say:
We left at first light, we had to, the flight was early,
in early spring. Go, my mother urged, what are you doing,
waving at me, crying? Get on that plane before it leaves without you.
It was spring & I could smell it, despite the sterile glass
& metal of the airport—scent of my mother’s just-washed hair,
of the just-born flowers of fields we passed on the car ride over,
how I did not know those flowers were already
memory, how I thought I could smell them, boarding the plane,
the strange tunnel full of their aroma, their names
I once knew, & my mother’s long black hair—so impossible now.
Why did I never consider how different spring could smell, feel,
elsewhere? First light, last scent, lost
country. First & deepest severance that should have
prepared me for all others.
10 notes
·
View notes
I like to say we left at first light
with Chairman Mao himself chasing us in a police car,
my father fighting him off with firecrackers,
even though Mao was already over a decade
dead, & my mother says all my father did
during the Cultural Revolution was teach math,
which he was not qualified to teach, & swim & sunbathe
around Piano Island, a place I never read about
in my American textbooks, a place everybody in the family
says they took me to, & that I loved.
What is it, to remember nothing, of what one loved?
To have forgotten the faces one first kissed?
They ask if I remember them, the aunts, the uncles,
& I say Yes it’s coming back, I say Of course,
when it’s No not at all, because when I last saw them
I was three, & the China of my first three years
is largely make-believe, my vast invented country,
my dream before I knew the word “dream,”
my father’s martial arts films plus a teaspoon-taste
of history. I like to say we left at first light,
we had to, my parents had been unmasked as the famous
kung fu crime-fighting couple of the Southern provinces,
& the Hong Kong mafia was after us. I like to say
we were helped by a handsome mysterious Northerner,
who turned out himself to be a kung fu master.
I don’t like to say, I don’t remember crying.
No embracing in the airport, sobbing. I don’t remember
feeling bad, leaving China.
I like to say we left at first light, we snuck off
on some secret adventure, while the others were
still sleeping, still blanketed, warm
in their memories of us.
What do I remember of crying? When my mother slapped me
for being dirty, diseased, led astray by Western devils,
a dirty, bad son, I cried, thirteen, already too old,
too male for crying. When my father said Get out,
never come back, I cried & ran, threw myself into night.
Then returned, at first light, I don’t remember exactly
why, or what exactly came next. One memory claims
my mother rushed into the pink dawn bright
to see what had happened, reaching toward me with her hands,
& I wanted to say No. Don’t touch me.
Another memory insists the front door had simply been left
unlocked, & I slipped right through, found my room,
my bed, which felt somehow smaller, & fell asleep, for hours,
before my mother (anybody) seemed to notice.
I’m not certain which is the correct version, but what stays with me
is the leaving, the cry, the country splintering.
It’s been another five years since my mother has seen her sisters,
her own mother, who recently had a stroke, who has trouble
recalling who, why. I feel awful, my mother says,
not going back at once to see her. But too much is happening here.
Here, she says, as though it’s the most difficult,
least forgivable English word.
What would my mother say, if she were the one writing?
How would her voice sound? Which is really to ask, what is
my best guess, my invented, translated (Chinese-to-English,
English-to-English) mother’s voice? She might say:
We left at first light, we had to, the flight was early,
in early spring. Go, my mother urged, what are you doing,
waving at me, crying? Get on that plane before it leaves without you.
It was spring & I could smell it, despite the sterile glass
& metal of the airport—scent of my mother’s just-washed hair,
of the just-born flowers of fields we passed on the car ride over,
how I did not know those flowers were already
memory, how I thought I could smell them, boarding the plane,
the strange tunnel full of their aroma, their names
I once knew, & my mother’s long black hair—so impossible now.
Why did I never consider how different spring could smell, feel,
elsewhere? First light, last scent, lost
country. First & deepest severance that should have
prepared me for all others.
Poem of the day: March 22, 2017
First Light // Chen Chen
2 notes
·
View notes
First Light by Chen Chen
I like to say we left at first light
with Chairman Mao himself chasing us in a police car,
my father fighting him off with firecrackers,
even though Mao was already over a decade
dead, & my mother says all my father did
during the Cultural Revolution was teach math,
which he was not qualified to teach, & swim & sunbathe
around Piano Island, a place I never read about
in my American textbooks, a place everybody in the family
says they took me to, & that I loved.
What is it, to remember nothing, of what one loved?
To have forgotten the faces one first kissed?
They ask if I remember them, the aunts, the uncles,
& I say Yes it’s coming back, I say Of course,
when it’s No not at all, because when I last saw them
I was three, & the China of my first three years
is largely make-believe, my vast invented country,
my dream before I knew the word “dream,”
my father’s martial arts films plus a teaspoon-taste
of history. I like to say we left at first light,
we had to, my parents had been unmasked as the famous
kung fu crime-fighting couple of the Southern provinces,
& the Hong Kong mafia was after us. I like to say
we were helped by a handsome mysterious Northerner,
who turned out himself to be a kung fu master.
I don’t like to say, I don’t remember crying.
No embracing in the airport, sobbing. I don’t remember
feeling bad, leaving China.
I like to say we left at first light, we snuck off
on some secret adventure, while the others were
still sleeping, still blanketed, warm
in their memories of us.
What do I remember of crying? When my mother slapped me
for being dirty, diseased, led astray by Western devils,
a dirty, bad son, I cried, thirteen, already too old,
too male for crying. When my father said Get out,
never come back, I cried & ran, threw myself into night.
Then returned, at first light, I don’t remember exactly
why, or what exactly came next. One memory claims
my mother rushed into the pink dawn bright
to see what had happened, reaching toward me with her hands,
& I wanted to say No. Don’t touch me.
Another memory insists the front door had simply been left
unlocked, & I slipped right through, found my room,
my bed, which felt somehow smaller, & fell asleep, for hours,
before my mother (anybody) seemed to notice.
I’m not certain which is the correct version, but what stays with me
is the leaving, the cry, the country splintering.
It’s been another five years since my mother has seen her sisters,
her own mother, who recently had a stroke, who has trouble
recalling who, why. I feel awful, my mother says,
not going back at once to see her. But too much is happening here.
Here, she says, as though it’s the most difficult,
least forgivable English word.
What would my mother say, if she were the one writing?
How would her voice sound? Which is really to ask, what is
my best guess, my invented, translated (Chinese-to-English,
English-to-English) mother’s voice? She might say:
We left at first light, we had to, the flight was early,
in early spring. Go, my mother urged, what are you doing,
waving at me, crying? Get on that plane before it leaves without you.
It was spring & I could smell it, despite the sterile glass
& metal of the airport—scent of my mother’s just-washed hair,
of the just-born flowers of fields we passed on the car ride over,
how I did not know those flowers were already
memory, how I thought I could smell them, boarding the plane,
the strange tunnel full of their aroma, their names
I once knew, & my mother’s long black hair—so impossible now.
Why did I never consider how different spring could smell, feel,
elsewhere? First light, last scent, lost
country. First & deepest severance that should have
prepared me for all others.
********************************************************************
I was absolutely stunned by this gorgeous poem published by the Academy of American Poets in honor of #wecomefromeverything. I hope it brings you a moment of contemplation in this crazy week.---Joey Reisberg, NE National Student Poet
8 notes
·
View notes
First Light
I like to say we left at first light
with Chairman Mao himself chasing us in a police car,
my father fighting him off with firecrackers,
even though Mao was already over a decade
dead, & my mother says all my father did
during the Cultural Revolution was teach math,
which he was not qualified to teach, & swim & sunbathe
around Piano Island, a place I never read about
in my American textbooks, a place everybody in the family
says they took me to, & that I loved.
What is it, to remember nothing, of what one loved?
To have forgotten the faces one first kissed?
They ask if I remember them, the aunts, the uncles,
& I say Yes it’s coming back, I say Of course,
when it’s No not at all, because when I last saw them
I was three, & the China of my first three years
is largely make-believe, my vast invented country,
my dream before I knew the word “dream,”
my father’s martial arts films plus a teaspoon-taste
of history. I like to say we left at first light,
we had to, my parents had been unmasked as the famous
kung fu crime-fighting couple of the Southern provinces,
& the Hong Kong mafia was after us. I like to say
we were helped by a handsome mysterious Northerner,
who turned out himself to be a kung fu master.
I don’t like to say, I don’t remember crying.
No embracing in the airport, sobbing. I don’t remember
feeling bad, leaving China.
I like to say we left at first light, we snuck off
on some secret adventure, while the others were
still sleeping, still blanketed, warm
in their memories of us.
What do I remember of crying? When my mother slapped me
for being dirty, diseased, led astray by Western devils,
a dirty, bad son, I cried, thirteen, already too old,
too male for crying. When my father said Get out,
never come back, I cried & ran, threw myself into night.
Then returned, at first light, I don’t remember exactly
why, or what exactly came next. One memory claims
my mother rushed into the pink dawn bright
to see what had happened, reaching toward me with her hands,
& I wanted to say No. Don’t touch me.
Another memory insists the front door had simply been left
unlocked, & I slipped right through, found my room,
my bed, which felt somehow smaller, & fell asleep, for hours,
before my mother (anybody) seemed to notice.
I’m not certain which is the correct version, but what stays with me
is the leaving, the cry, the country splintering.
It’s been another five years since my mother has seen her sisters,
her own mother, who recently had a stroke, who has trouble
recalling who, why. I feel awful, my mother says,
not going back at once to see her. But too much is happening here.
Here, she says, as though it’s the most difficult,
least forgivable English word.
What would my mother say, if she were the one writing?
How would her voice sound? Which is really to ask, what is
my best guess, my invented, translated (Chinese-to-English,
English-to-English) mother’s voice? She might say:
We left at first light, we had to, the flight was early,
in early spring. Go, my mother urged, what are you doing,
waving at me, crying? Get on that plane before it leaves without you.
It was spring & I could smell it, despite the sterile glass
& metal of the airport—scent of my mother’s just-washed hair,
of the just-born flowers of fields we passed on the car ride over,
how I did not know those flowers were already
memory, how I thought I could smell them, boarding the plane,
the strange tunnel full of their aroma, their names
I once knew, & my mother’s long black hair—so impossible now.
Why did I never consider how different spring could smell, feel,
elsewhere? First light, last scent, lost
country. First & deepest severance that should have
prepared me for all others.
~Chen Chen
1 note
·
View note
and here are the rest of my ocs, the side characters! they finally got nicer designs, AND a new guy!
info on them under the cut
Kong Jiong
> Kong Haili’s and Kong Mao’s father.
> Born and raised alongside the imperial family in Luoyang. Eldest of 5 children. Hails from a long lineage of famous imperial warriors--a natural-born fighter.
> A very prestigious and talented general, engineer, and guard. He took an oath to never marry into royalty--however, he ended up breaking this oath after falling in love with an imperial woman. Though he knew his reputation would be ruined with the marriage, but he chose to go through it anyways and excommunicated himself to avoid the remainder of family from being punished.
> He joined in the Coalition against Dong Zhuo despite not being allied with any particular faction. He wished to restore his name and find a safe leader that would protect his family and village. He was well-known by and on good terms with each warlord.
> Dutiful, serious, brave, stern, a natural leader; gentle and loving at heart. A big teddy bear around his children.
> ???-196. Was caught in a fire and slain by Lu Bu while trying to defend Xiapi.
> 5′11″ (180 cm)
> Faction: None
> Weapon: Zhanmadao
> Theme: OVERWERK - Canon Pt. II
> Fun fact: whittles wood as a hobby. He enjoys making little chimes and figurines for his and the village’s children.
Kong Mao
> Kong Haili’s older brother. He was adopted after fleeing from a cruel household at 6 years old.
> Greatly looked up to his father and trained to fight as well as him since he was a young age.
> Very charismatic, bold, brave, passionate, fiery, and loving. Excellent at keeping moral up, giving hope, and making others happy and comfortable. A huge family man. Very compassionate with peasants and villagers, making him quite popular among both soldiers and common folk.
> 178-208. Wounds were infected after returning from Chibi. Possibly was injured by Haili when they clashed. He wrote a letter to his sister on his deathbed.
> 6′1″ (185 cm)
> Faction: Shu
> Weapon: Spear-ended battleaxe
> Theme: Madeon - Finale
> Theme w/ Haili: Okami OST - Reset (English Cover)
> Fun fact: Both his and Haili’s existences were never known outside of their village until joining their respective factions.
Song Xingyu
> Xu Long’s childhood friend and wife; Haili’s daughter-in-law.
> Middle child of 3 siblings.
> Has an unusual appearance for one of Asian roots, and is very shy. This led her to be subject to teasing.
> Has star-shaped beauty marks under her left eye and light freckles.
> Very gentle, timid, compassionate, and nurturing. Gets anxious easily, and can be rather insecure.
> Doesn’t fight. Would only ever touch a weapon if there was no way for her to escape from something and she needed to protect her family.
> A tailor and designer. She used to work with her family in Shouchun, but later moved her business to Luoyang to support Xu Long. She’s rather popular with the locals for her work.
> 212-272. Passes of natural causes.
> 5′1″ (155 cm)
> Faction: Jin
> Theme: Hong Ting - A Bit of Gold
> Theme w/ Xu Long: Mindy Gledhill - I Do Adore
> Fun fact: Her hair is always in excellent condition. No one really knows how Xingyu does it.
Su Biao
> Xu Long’s closest friend, whom he met shortly after joining the army. They see each other as brothers.
> Second of 2 children. His older brother became a bandit who fled from the city and was never seen again.
> Comes from a criminal family. He joined the army in hopes of clearing their name and making himself a good person.
> EXTREMELY temperamental, possibly has anger management issues. Rowdy, reckless, proud, and always getting into fights. Even so, he is a very kind and very generous man who dotes on his friends. He’s surprisingly selfless, and loves to donate time and money to others. Can be a bit of a goof, too. Though feared for his temper, he’s popular for his kindness.
> After his parents were convicted and executed by the Sima for their crimes, Su Biao defected to Wu in a fit of rage.
> 209-245. Killed by Xu Long after attacking him recklessly on the battlefield.
> 5′8″ (173 cm)
> Faction: Jin, Wu
> Weapon: Meteor hammer
> Theme: Steve Aoki (ft. Linkin Park) - Darker Than Blood
> Fun fact: Had a massive crush on Xu Long shortly after they met.
26 notes
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View notes
art has been a bum lately so here are some MINOR OCs who exist for story-building purposes
Kong Jiong (unaffiliated): A renowned warrior and engineer from a long line of famous imperial soldiers. Kong Haili’s father. He was formerly a guard to Han Court officials, but married an imperial woman against protocol. To spare his family from punishment, he exiled himself from his home, and his wife went with him. He came across a very poor village off of Xiapi and settled there, helping the villagers by protecting and building up the community. He frequently battled the Yellow Turbans and even participated in the Anti-Dong Zhuo Coalition, earning himself a new and heroic reputation. Though he was serious, uptight, and seemingly cold, he was a very loving man. He was killed in 196 during the Yellow Turban Rebellion, never serving one set leader.
Kong Mao (Shu): A young, brave man with untamable passion. Kong Mao is Kong Haili’s adopted elder brother, brought into the family after he fled from his home and was found by Kong Jiong. After the destruction of his home, he was discovered and captured by northern tribes, but presumed to be dead by others. He allied himself with the tribes for several years, before he snuck away and fled towards the south. He soon met Liu Bei and his followers and, having the same compassion towards the common folk, joined his forces. He’s reckless and proud, but extremely caring and family-orientated; highly protective of his sister. He and Haili, after 10 years, reunite briefly during Chibi, but Kong Mao later dies from infected battle wounds.
Song Xingyu (Wei/Jin): Born and raised in Shouchun. Xu Long’s childhood friend, and later his wife. As a child, she was frequently targeted for her unnaturally dark appearance and beauty marks (under her right eye are a pair of moles that resemble stars). She was born into a family of tailors, giving her a natural gift for sewing and an eye for design. When Xu Long was 9, he had to move to Luoyang while Xingyu stayed behind. When they could, they wrote letters to each other. She’s extremely timid, soft-spoken, and jumpy, but is highly selfless, sweet, cares deeply for Xu Long and his family. After the death of his father, Xingyu managed to move her business to Luoyang, where she was able to formerly reunite with her dearest friend after many long years. She does not possess the ability to fight.
17 notes
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View notes
First Light
Chen Chen
I like to say we left at first light
with Chairman Mao himself chasing us in a police car,
my father fighting him off with firecrackers,
even though Mao was already over a decade
dead, & my mother says all my father did
during the Cultural Revolution was teach math,
which he was not qualified to teach, & swim & sunbathe
around Piano Island, a place I never read about
in my American textbooks, a place everybody in the family
says they took me to, & that I loved.
What is it, to remember nothing, of what one loved?
To have forgotten the faces one first kissed?
They ask if I remember them, the aunts, the uncles,
& I say Yes it’s coming back, I say Of course,
when it’s No not at all, because when I last saw them
I was three, & the China of my first three years
is largely make-believe, my vast invented country,
my dream before I knew the word “dream,”
my father’s martial arts films plus a teaspoon-taste
of history. I like to say we left at first light,
we had to, my parents had been unmasked as the famous
kung fu crime-fighting couple of the Southern provinces,
& the Hong Kong mafia was after us. I like to say
we were helped by a handsome mysterious Northerner,
who turned out himself to be a kung fu master.
I don’t like to say, I don’t remember crying.
No embracing in the airport, sobbing. I don’t remember
feeling bad, leaving China.
I like to say we left at first light, we snuck off
on some secret adventure, while the others were
still sleeping, still blanketed, warm
in their memories of us.
What do I remember of crying? When my mother slapped me
for being dirty, diseased, led astray by Western devils,
a dirty, bad son, I cried, thirteen, already too old,
too male for crying. When my father said Get out,
never come back, I cried & ran, threw myself into night.
Then returned, at first light, I don’t remember exactly
why, or what exactly came next. One memory claims
my mother rushed into the pink dawn bright
to see what had happened, reaching toward me with her hands,
& I wanted to say No. Don’t touch me.
Another memory insists the front door had simply been left
unlocked, & I slipped right through, found my room,
my bed, which felt somehow smaller, & fell asleep, for hours,
before my mother (anybody) seemed to notice.
I’m not certain which is the correct version, but what stays with me
is the leaving, the cry, the country splintering.
It’s been another five years since my mother has seen her sisters,
her own mother, who recently had a stroke, who has trouble
recalling who, why. I feel awful, my mother says,
not going back at once to see her. But too much is happening here.
Here, she says, as though it’s the most difficult,
least forgivable English word.
What would my mother say, if she were the one writing?
How would her voice sound? Which is really to ask, what is
my best guess, my invented, translated (Chinese-to-English,
English-to-English) mother’s voice? She might say:
We left at first light, we had to, the flight was early,
in early spring. Go, my mother urged, what are you doing,
waving at me, crying? Get on that plane before it leaves without you.
It was spring & I could smell it, despite the sterile glass
& metal of the airport—scent of my mother’s just-washed hair,
of the just-born flowers of fields we passed on the car ride over,
how I did not know those flowers were already
memory, how I thought I could smell them, boarding the plane,
the strange tunnel full of their aroma, their names
I once knew, & my mother’s long black hair—so impossible now.
Why did I never consider how different spring could smell, feel,
elsewhere? First light, last scent, lost
country. First & deepest severance that should have
prepared me for all others.
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Haili: 10, 14, 20, 35 | Long: 8, 19, 26, | Xingyu: 7, 24 | Jiong: 2, 37 | Mao: 12, 22
Ask prompt here!
Kong Haili:
10. What deadly sin would best represent your OC?> pride, big time
14. What foods does your OC like to eat? What are their least favorite foods? > her favorite is steamed fish, her least favorites would likely include super-sweet foods
20. If they came from their world to ours (if not already in our’s) how would they react? What would they do?> honestly? she’d probably be pretty freaked out. everything is incredibly bright, loud, cluttered, and chaotic. everyone is wearing strange clothes, and there is not a palace or soldier in sight. everything is city–there is no green. if she could, she would try to gather her bearings, get some info, and try to figure out a way home.
35. How is your character’s imagination? Daydreaming a lot? Worried most of the time? Living in memories?> haili is always very busy, so her mind is usually focused on her work. for quite some time, her mind would almost always be either on-edge or wandering into her past.
Xu Long:
8. What is your OC’s theme song? > i was hoping to get this ask! xu long’s main theme is “silver lining” by hurts. the tune is surprisingly somber for an oc who is supposed to be optimistic, but this was used to represent the weight he feels on his shoulders and heart throughout his life.
19.What kind of music do they listen to? Do they have a favorite song?> in his canonverse, he likes listening to the guzheng! in modern au, i haven’t quite decided, though he probably wouldn’t be very picky–as of right now, i imagine he’d prefer just c-pop! with studying, chillstep, and with working out, anything uplifting/energetic.
26. Who is the most important person in their life? Why? Who is the least important to them (that still has an impact and why?)> you can’t make him pick just one! anyone in his family is the most important to him–his parents, his wife, his children, and his closest friends.> least important? this will sounds cold, but… it would likely be zhao bing. not that xu long doesn’t think that his old friend isn’t important, or that he never cared–it was quite the opposite, in fact–this answer is more geared towards many years after his death. xu long knows he can’t let himself hang onto what happened at wuzhang, so he decides that it’s best for him to let go of his departed friend. he lives for 30+ years after zhao bing’s death, after all.
Song Xingyu:
7.What element would your OC be?> water!
24. What is their outlook on life? What is their philosophy / what do they think in general about living?> xingyu doesn’t really have a philosophy. she just… lives because she’s alive. as time goes on, this ideal probably takes on a bit more of a maternal stance, thinking she lives to watch her family smile and grow.
Kong Jiong:
2.Does your OC collect anything? What do they collect?> nothing in particular!
37.What’s something that your character does, that other people don’t normally do?> though there are artisans that likely do this, jiong has a hobby of whittling wood or bamboo. it started when he was young, and he tried to make a little sculpture for one of his younger siblings.
Kong Mao:
12.How patient is your OC? How hot-headed are they?> out of all the other ocs, mao is definitely the most fiery and temperamental. he’s not dramatic about it, just on the wild side.
22.What kind of student were they/would they be in high school?> mao was never that “knowledgeable” of kid–at least, not like his father or sister. generic classes, sometimes struggles grasping some concepts, used to need tutoring. not always the greatest with getting his homework done, but he tries. can’t stand reading/studying out of a text book, very much so a hands-on learner. he was always much more of an athletics guy, and he did great with sports and activities. he does well with social studies, though!
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