#flwright

[adelepportfolio]

Art History Response to Stimulus ‘Patronage’

 The S.C. Johnson Wax Headquarters 1936-1950, designed by Frank Lloyd Wright

 The Headquarters for the domestic cleaning and care product manufacturers, S.C. Johnson are based in Wisconsin, USA. In Wright’s typical prairie style, the building reflects the surrounding landscape whilst incorporating radical structures for the time influenced by his engineering background, these include: the columns in the Great Work Room, each able to hold a mass of 12 tonnes; windows and skylights made of Pyrex tubing; and the structure of the research tower, utilising the cantilever principle, allowing maximum lighting on all floors and a brilliant environment for experimentation. 

 These design choices are all direct reflections of the building’s patronage. Wright's relationship as a designer for a manufacturing company mirrors the relationship between S.C. Johnson and their customers, the need for their products to be revolutionary, resulting in maximum comfort for clients. A commercial patronage, S.C Johnson display their power and wealth through the modern design and construction of the buildings. The low ceilinged entrance creates greater appreciation for the natural lighting and vast height of the Great Work Room; pushing past the traditional idea of separate offices or stalls, office workers sit in the large communal space with small trees and plants between desks, resulting in higher employee satisfaction and higher quality work. This format was incredibly ahead of its time for a building designed in the 1930s; the ethos that led the design of the S.C Johnson Wax Headquarters has largely resulted in their worldwide success today.

[matthewlgarsky]

Stuart Richardson House This past thanksgiving weekend my family and I got to visit my brother and sister in-law in New Jersey. Just few blocks over from where they live sits this beautiful hidden treasure tucked in between East Orange and Montclair. This one of the last 3 Grank Lloyd Wright home left in New Jersey. Designed : 1941 Built : 1951 Architect : Frank Lloyd Wright . . . #fllwfoundation #franklloydwrighthomes #franklloydwrighthouse #flwright #midcenturymodern #midcenturymodarchitecture #usonian #usonianarchitecture #moderism #moderist #architecture #architecturephotography #mcm (at Stuart Richardson House) https://www.instagram.com/p/CW8Y0AoFCbc/?utm_medium=tumblr

[ciophoto]

Day 159 of 365 - Happy Birthday Frank Lloyd Wright - Born on June 8, 1867, the famous architect, with his students, designed and built this magnificent winter home, studio and design school in the Arizona desert. The site is now a UNESCO World Heritage Site. Picture taken during my visit in 2009. #flwright #flwsites #franklloydwright #happybirthday #365photography #365photochallenge2022 https://www.instagram.com/p/CekSCKIuxiH/?igshid=NGJjMDIxMWI=

[archi-fied]

Falling Water House by F L Wright

[kaylinann3-blog]

Cloquet, MN

[pascalchantier]

Vortex temporum, 2018 #pascalchantier #art #kunst #arte #contemporaryart #artcontemporain #artwork #collage #arteveryday #visualart #artlife #artlovers #composition #photomontage #photooftheday #picoftheday #photography #fotografie #digitalart #vortex #time #tempus #temps #espacetemps #newart #kunstwerk #collageart #nyc #guggenheim #flwright https://www.instagram.com/p/Bd-fXh_B1DZ/?utm_source=ig_tumblr_share&igshid=1ecm890dcqcey

[jonathankatwhatever]

I had a series of understandings this morning, but they’re now jumbled because I barely slept. Example: I could categorize sexual couplings by equivalencies and symmetries. So for example, m-f can rotate to oral as an extension of kissing - which I dont think f-F do like they could and should, which I’m trying to express as a consequence of the gender across relationship with m-M, not as a judgement. I could have said m-M dont kiss well, but that’s an extrapolation, not something I’ve tested.

So for example, there are pairings, and these can expand to triangles which dont fully close. Like a guy divided in two, serviced bottom, by a girl, joined top in a kiss. That turns the communication across into an alternating flow: blow one, information flows up and down that guy across to other, who can then be serviced by hand or another mouth if you want complications. A double penetration is different because equal involvement requires a shift of position, either of the guys or of the girl. That makes 4 positions because the communication in each involves different ends of her with different degrees of freedom.

A gangbang is like a carousel in which focus shifts discretely within the blur of over-stimulus. Until it loses focus. That’s the appeal.

Took a short break, thought about how Harkness was daughter-in-law to the builder of Harkness Hall. I loved that place. My friend Patti was trying out to be a carilloneur, and the practice carillon was only available at odd hours. I escorted her a few times. Her banging on the wooden handles. Checking out the bells. It’s the only actual gothic stone, not steel structure at Yale. FLWright said he wanted to live in it so he wouldnt have to look at it. Put downs used to have art. And her bitch pack in St. Louis. I stopped at Kennedy + knowing that’s the best part of the coast. Never thought about the threads in the house and grounds.

Forms of grounds. Shades of brown.

I realized my male friends are hard m outside, fit and often muscular, but on the trans scale inside, though they dont seem aware of it. That can flip same or reverse, out and in. The number of twists possible gets large fast: awareness has a radiative quality. Should have been obvious: awareness defines by what it is not aware of because any awareness is separate to some extent, and that separateness is like the way the negatives sneak into my head. That’s a function of various separation axioms, which are now arise mechanically, which makes them consequences in the model which generates not merely ZF but others, as updated and extended. The hard part is still expressing that the - and this is very hard for me - orderings exist within a field or area of not-orderings which extend toward a limit of fixed, so not only countable but countable efficiently, which allows different limits as needed.

I have no idea if that was good. I havent thought about that area of explanation for a long time. Applying Not at the identity level. This is starting to connect to patterns, which is one of the grails.

My brother soothed me with physical demonstrations today. He can now clench his right side into ideal pose, which I have to say looks pretty good, with definition appearing more and the extensions having softened the tone of my muscles and the stretching working the skin to contract. That pose today is the one I’ve been looking for; it tightens the lower rib cage and stiffens the entire right side perspective into idealized man form. He was very happy. Then he showed me he figured out how to balance on the right foot by holding his left leg and fully extending and retracting it multiple times. That was a shock. The stuff he can do across himself is amazing.

That’s a layering I’ve largely set aside; the halves within and their identifications. My left hand is my brother’s hand, which is why I’ve long associated it with you. I just didnt have sufficient density of labels populated yet. My right became mine because I became so deeply involved in the transition across handedness. I had no choice but to become involved because the visible triangular was through me. And I associate the other triangular with you. That’s always been where it pointed, and then you became that pointer, which is hands, which are my favorite of your extremities. I’m typing while toasting bread: the 13 disappears into the selection of direction. I just saw it: the scale closeup enlarges and slows so you can see you racing around the house, with you not just getting smaller as the scale away enlarges but maintaining a sufficient pulse to identify where you are when it’s slow enough to see where you are, as that appearance of you shrinks so the pulse disappears into the directional cue with the slightest adjustment or sensitivity.

I connect this to CM64. Never thought I’d type the naive level model statements again. That invokes a process by which you run around the outside, which requires a more stationary existence for the house. It can be rotating, which mean this can be invoked by rotating the house and you running against it like a treadmill, so you adjust where you are by whether you go faster or slower than or the same as the counter-rotation. That is literally just varying counting speeds, which occurs because those speeds occur within an informational limit. That limit then becomes your capability to run as 13 against the treadmill. That sets a strategy of intentional slowing to allow the treadmill to rotate to the place you want the long way around. That seems to be crucial: it rotates the ++ quadrant through the others within each step, where step would be you start to run to stop the wheel so it halts you where you need to be, dropping in like an angel from above. This exactly matches the experimental manner of determining light speed: rotating mirrors until the stream is continuous over a long enough stretch that you deem it the limit, or equivalent extrapolations. Anything less invokes Not. That works within areas and thus within volumes, etc.

Amazing how fast my legs have been softening in tone as I’ve been extending. Extending the structures of my right leg has been torturous. Right leg, left side of brain, which puts you on the right. I’ve been extending my hands and feet as the restrictons have settled there, which shows progress in process not only result. The stuff my brother is doing ... whoa, I missed the cross-connection: who is my left side brain? That’s the same issue as above: I’m in there because I had to be in there, so much of this has been a process of getting me out of there so my brother unifies as I unify as we unify together.

Why CM64? Because I just realized that contains the lower case versions and mixtures that define the core transitive identity matrix. Here it renders as CM, cm, Cm, and cM. The first is an enlarging bigger than the second or the second is going the other way, and shrinking or enlarging relative to the other defines the C as the endpoints where choice occurs, big or little. This reduces M to m because the model interior function goes into the points. The second is small c, large M, which says choice within the model interior function. That enables the cross relationships, which draws the hypotenuse, which connects to the layers alternating like a cake in squares. I’ve never done that before with that degree of clarity. This allows application of different C’s: choice, context, counting, color, capability. It’s more obvious to pick a letter like C than to use a symbol to indicate that it’s ordinal and cardinal, meaning it counts across choice, context, etc. and within choice, context, etc.

[galbencearch]

[theory] [ask] Experiences living in/visiting FLWright & Le Corbusier (other important architects too) buildings via /r/architecture http://ift.tt/2taFzIu

[faircoast]

The house across the street. #flwright #oakpark

[glrlbr]

Frank Lloyd Wright, Young Architecture, 1931

Principles of organic architecture

[erniejerni]

Every great architect is -- necessarily -- a great poet. He must be a great original interpreter of his time, his day, his age.

Frank Lloyd Wright