#frickcollection

[boywithflowersartgallery]

A collection of 200 high-resolution digital images of Frick Collection ▶️https://boywithflower.gumroad.com/l/lwdco ▶️https://www.boywithflowers.com/product/frick-collection/ ▶️https://www.patreon.com/posts/74801669 Get more digital paintings. https://boywithflower.gumroad.com/ https://www.boywithflowers.com https://www.patreon.com/boy_with_flowers_art_gallery

[hanorganaas]

sunday afternoon nyc adventure dump featuring a sneaky picture taken of tudor historys answer to regina george: thomas cromwell #sunday #nycadventures #frickcollection #thomascromwell #centralpark https://www.instagram.com/p/CmCzNJJuYe5/?igshid=NGJjMDIxMWI=

[andreahamiltonblog]

Joseph Mallord William Turner

“For Turner, colour was never an autonomous phenomenon or an aesthetic end in itself; he used it to establish ephemeral effects, which allowed him to leave traditional depiction behind. This was highly radical. He was convinced that his paintings were of great relevance to the world, and I have for many years been inspired by the sense of confidence communicated through his work and the idea that the ephemeral could carry meaning into society.” – Olafur Eliasson, Tate 2014

Joseph Mallord William Turner was the outstanding British painter of his generation. He challenged the conventions of the time, with new techniques and subject matter. Turner often shocked his contemporaries with his loose brushwork and vibrant colour palette. His work often portrays the development of the modern world.

In ‘The Lungernsee by Moonlight,’ as in other works from his Swiss series, Turner deals heavily in contrast, using mustard yellows and earthy greens against mauve and ultramarine shadows to trace the path of reflected light from the waxing crescent moon. All of this is soothed by the sea-green reflections in the lake’s luminous waters. His technique of building up colour over layers of translucent washes and flecks of paint help refine this subtle evocation of twilight, making it feel at once tranquil and energetic. 

Turner had a lifelong fascination with the sea. His depiction of the sea is everchanging, like the sea itself. Sometimes his paintings delight in its calmer face, revelling in tranquil surfaces reflective of golden sunlight. But he was also fascinated by the sea’s potential as a destructive force: his canvases include terrifying waves, storms and shipwrecks.

1. Joseph Mallord William Turner, The Lungernsee by Moonlight, 1848, The Paul G. Allen Collection, Christie’s

2. Joseph Mallord William Turner, Norham Castle, Sunrise, Tate

3. Joseph Mallord William Turner, Waves Breaking on a Lee Shore at Margate, c. 1840

4. Joseph Mallord William Turner, Yacht Approaching the Coast, c. 1840-5

5. Joseph Mallord William Turner, The Scarlet Sunset, c. 1830-40

[bricehammack]

#Zepbound

#NewYorkCity

#Manhattan

#TheFrickCollection

@frickcollection

#BarkleyLHendricks

#Steve

#Magna

#Acrylic

#OilOnLinen

#BriceDailyPhoto

[autumncottageattic]

frickcollection

reproduction of Viggo Johansen's "Glade Jul" (Happy Christmas), 1891, Hirschsprung Collection, Copenhagen

[trascapades]

🎨#ArtIsAWeapon #ExhibitClosing “Barkley L. Hendricks: Portraits at the Frick" closes at #FrickMadison on Sunday, January 7, 2024

📍Frick Madison

945 Madison Avenue, #NYC 10021

www.frick.org/exhibitions/hendricks

https://www.frick.org/exhibitions/hendricks

"This 2023 presentation celebrates the remarkable figurative work of Barkley L. Hendricks (1945–2017) through a focused selection of portraiture drawn from private and public collections. This pioneering American artist, who counted the Frick among his favorite museums, continues to inspire artists and designers today...

Barkley L. Hendricks revolutionized contemporary portraiture with his vivid depictions of Black subjects that emphasize the dignity and individuality of his sitters. Beginning in the late 1960s, his work drew from and challenged traditions of European art, and The Frick Collection—with its iconic portraits by Rembrandt, Bronzino, Van Dyck, and others—was one of his favorite museums.

Through a selection of some of Hendricks’s finest portraits displayed in the context of the Frick’s holdings, this exhibition celebrates and explores the remarkable work of this pioneering American painter with an unprecedented display of paintings drawn from private and public collections. Organized by #AimeeNg, Curator at the Frick, and Consulting Curator #AntwaunSargent, Barkley L. Hendricks: Portraits at the Frick considers the complex place of European painting in Hendricks’s art and the evolving role of the Frick in modern American culture."

🎥Reposted from @frickcollection

"Watch as Curator Aimee Ng and Consulting Curator Antwaun Sargent introduce 'Barkley L. Hendricks: Portraits at the Frick...' The show presents fourteen of the finest portraits by the American painter displayed in the context of the Frick—one of his favorite museums—and explores the enduring legacies both of Hendricks’s pioneering work and of the museum itself.

Learn more at the link in bio.

—

Produced by the Frick’s Media Production Team

#BarkleyLHendricks #BarkleyHendricks #BlackArtists #Artists #BlackPortraiture #BlackGirlArtGeeks #FrickMuseam #FrickMadison

[bargainsleuthbooks]

The Magnolia Palace by #FionaDavis #HistoricalFiction #BookReview #GildedAge #2022Books #FrickCollection

I love historical fiction that has dual timelines, and #TheMagnolaPalace by #FionaDavis has two timelines: 1920 and 1966, both settled on the house of steel magnate Henry Clay Frick. #HistoricalFiction #BookReview #AudiobookReview #FrickCollection

Eight months since losing her mother in the Spanish flu outbreak of 1919, twenty-one-year-old Lillian Carter’s life has completely fallen apart. For the past six years, under the moniker Angelica, Lillian was one of the most sought-after artists’ models in New York City, with statues based on her figure gracing landmarks from the Plaza Hotel to the Brooklyn Bridge. But with her mother gone, a…

[shoedaydreams]

What the Frick?!? We finally get to visiting the #FrickMadison and I stupidly take some pictures before I realize you shouldn’t. 🤦‍♀️ these are The Four Seasons by Boucher. In "Spring." a youth adorns his lover's hair with flowers. A group of voluptuous bathing nudes represents "Summer." In "Autumn." a young man offers a bunch of grapes to his fashionable beloved. And in "Winter," Boucher showcases a frosty background, vividly evoking the silence of a landscape buried under snow. But my favorites were Jean-Honoré Fragonard's Progress of Love, a series of canvases depicting the four stages of love. They’re so sweet and floral and romantic. .... #UnderGlassCollection #ShoeDaydreams #CuratedCloset #TheClosedDoorCollection #SophisticatedPrecious #TheCarnelianKitten #art #artist #exhibit #museum #madisonavenue #frickmuseum #fragonard @frickcollection (at Frick Madison) https://www.instagram.com/p/CnLTMpcubrB/?igshid=NGJjMDIxMWI=

[leyhejuhyunghan]

Rijksmuseum Johannes Vermeer (Dutch, 1632–75), Mistress and Maid, ca. 1666–67, The Frick Collection, New York. and Quadriceps, a large muscle group that includes the four prevailing muscles on the front of the thigh.

Rijksmuseum Johannes Vermeer (Dutch, 1632–75), Mistress and Maid, ca. 1666–67, The Frick Collection, New York. and Quadriceps, a large muscle group that includes the four prevailing muscles on the front of the thigh. 

https://blog.naver.com/artnouveau19/222917511762 https://www.rijksmuseum.nl/en/whats-on/exhibitions/vermeer https://twitter.com/frickcollection/status/1587539232817545228

https://en.wikipedia.org/wiki/Quadriceps

Rijksmuseum

@rijksmuseum

The 

@frickcollection

's captivating "Mistress and Maid" will be loaned to the landmark Vermeer exhibition at the Rijksmuseum next year! We can't wait for the two women to arrive in Amsterdam. 

 Johannes Vermeer, Mistress and Maid, ca. 1666–67 https://www.rijksmuseum.nl/en/whats-on/exhibitions/vermeer https://twitter.com/rijksmuseum/status/1587429751391666177

Rijksmuseum 

The The Frick Collection's captivating "Mistress and Maid" will be loaned to the landmark Vermeer exhibition at the Rijksmuseum next year! We can't wait for the two women to arrive in Amsterdam.

The painting explores the relationship between mistresses and maids and the writing and receiving of letters. It demonstrates Vermeer's technical virtuosity: bravura strokes suggest the pleating of the yellow mantle; shorter, bold strokes signify the flickering light reflected on the glassware; and dots of impasto convey the shimmer of the pearls.

Johannes Vermeer, Mistress and Maid, ca. 1666–67, The Frick Collection, New York. Photo: Joseph Coscia Jr.

 More about the Vermeer exhibition: https://www.rijksmuseum.nl/en/whats-on/exhibitions/vermeer

_____

Het Rijksmuseum krijgt de prachtige ‘Dame en dienstbode’ in bruikleen van The Frick Collection, New York, voor de tentoonstelling Vermeer volgend jaar! We kunnen niet wachten de twee dames te mogen ontvangen in Amsterdam.

Het schilderij toont de relatie tussen minnaressen en dienstmeisjes en het schrijven en ontvangen van brieven. Het demonstreert Vermeers technische virtuositeit: virtuoze streken suggereren de plooiing van de gele mantel; kortere, krachtige lijnen duiden op het flikkerende licht dat op het glaswerk wordt weerspiegeld; en impasto-stippen brengen de glinstering van de parels over.

 Johannes Vermeer, Dame en dienstbode, ca. 1666–67, The Frick Collection, New York. Foto: Joseph Coscia Jr.

 Meer over de Vermeer tentoonstelling: www.rijksmuseum.nl/vermeer https://www.facebook.com/rijksmuseum/photos/pcb.10166722203075177/10166722180605177/

The Frick Collection

@frickcollection

·

The Frick Collection's "Mistress and Maid" will be loaned to the landmark Johannes Vermeer exhibition at the 

@rijksmuseum

 next year! Learn more about Vermeer at https://bit.ly/3TUtvTL or check out our new Vermeer Reading List from the #FrickLibrary: https://bit.ly/3WnnznG

https://twitter.com/frickcollection/status/1587539232817545228

The Frick Collection is at Frick Madison (New York).

The Frick Collection's captivating "Mistress and Maid" will be loaned to the landmark Johannes Vermeer exhibition at the Rijksmuseum in Amsterdam next year!

While Vermeer often set his interior scenes in light-filled spaces decorated with paintings, tapestries, or wall maps, the dark background of this painting focuses attention on the action taking place: A maid passes a letter to her seated employer, who is so struck by what the maid has said that she has dropped her pen and raised a hand to her chin in a gesture of concern or surprise. The mistress-and-maid theme was a popular subject for Dutch genre scenes of the seventeenth century, as was the drama and intrigue around the exchange of letters.

Learn more about Vermeer at Frick.org or check out our new Vermeer Reading List from the Frick Art Reference Library: https://www.frick.org/blogs/farl/reading_list_vermeer_new_perspectives?fbclid=IwAR2mAjrAP1QGETeNPGfOWcTllj4upWMqzHSZYU8VNEqEAE_vFChZzGQVuL8

—

Johannes Vermeer (Dutch, 1632–1675), Mistress and Maid, ca. 1666−67. Oil on canvas, 35 1/2 x 31 in. (90.2 x 78.7 cm). The #FrickCollection, New York

https://www.facebook.com/frickcollection/photos/a.109947881179/10160724091346180/

Johannes Vermeer (Dutch, 1632–75)

Johannes Vermeer (/vərˈmɪər, vərˈmɛər/ vər-MEER, vər-MAIR, Dutch: [vərˈmeːr], see below; also known as Jan Vermeer; October 1632 – 15 December 1675) was a Dutch Baroque Period[3] painter who specialized in domestic interior scenes of middle-class life. During his lifetime, he was a moderately successful provincial genre painter, recognized in Delft and The Hague. Nonetheless, he produced relatively few paintings and evidently was not wealthy, leaving his wife and children in debt at his death.[4]

Vermeer worked slowly and with great care, and frequently used very expensive pigments. He is particularly renowned for his masterly treatment and use of light in his work.[5]

"Almost all his paintings", Hans Koningsberger wrote, "are apparently set in two smallish rooms in his house in Delft; they show the same furniture and decorations in various arrangements and they often portray the same people, mostly women."[6]

His modest celebrity gave way to obscurity after his death. He was barely mentioned in Arnold Houbraken's major source book on 17th-century Dutch painting (Grand Theatre of Dutch Painters and Women Artists) and was thus omitted from subsequent surveys of Dutch art for nearly two centuries.[7][a] In the 19th century, Vermeer was rediscovered by Gustav Friedrich Waagen and Théophile Thoré-Bürger, who published an essay attributing 66 pictures to him, although only 34 paintings are universally attributed to him today.[2] Since that time, Vermeer's reputation has grown, and he is now acknowledged as one of the greatest painters of the Dutch Golden Age.

Similar to other major Dutch Golden Age artists such as Frans Hals and Rembrandt, Vermeer never went abroad. Also, like Rembrandt, he was an avid art collector and dealer.

https://en.wikipedia.org/wiki/Johannes_Vermeer

Quadriceps

The quadriceps femoris muscle (/ˈkwɒdrɪsɛps ˈfɛmərɪs/, also called the quadriceps extensor, quadriceps or quads) is a large muscle group that includes the four prevailing muscles on the front of the thigh. It is the sole extensor muscle of the knee, forming a large fleshy mass which covers the front and sides of the femur. The name derives from Latin four-headed muscle of the femur.

https://en.wikipedia.org/wiki/Quadriceps

Stephan Leyhe sustains serious knee injury

Ski Jumping 13 Mar 2020 https://www.fis-ski.com/en/ski-jumping/ski-jumping-news-multimedia/news/2019-20/stephan-leyhe-sustains-serious-knee-injury

The 28-year-old fell after the landing and suffered an ACL tear and partial tears of both menisci in his left knee.

"The surgery went very well. The ACL was replaced by the quadriceps tendon and the injured menisci were fixed. Stephan Leyhe will have to remain in the hospital for a few more days before he will be able to start with the rehabilitation", explained knee specialist Dr. Manuel Koehne.

[menportraitsseries]

Agnolo Bronzino (1503-1572) Portrait de Lodovico Capponi, 1550–55. Huie sur toile 116.5 x 85.7 cm Frick Collection Madison  

Angelo di Cosimo ou Agnolo di Cosimo dit le Bronzino ou Agnolo Bronzino est un peintre maniériste italien, fils adoptif et apprenti de Pontormo, et élève de Girolamo Genga. Il devrait son surnom à son teint sombre ou à la couleur de ses cheveux. Son disciple et fils adoptif, Alessandro Allori, était également surnommé « il Bronzino ». Il a eu sa part dans les débats qui ont animé les artistes de l'époque sur la supériorité de la peinture ou de la sculpture. Ardent défenseur de la peinture, le Bronzino réalise un tableau à deux faces, le Nain Morgante, où il représente un homme de face et de dos, pour démontrer la capacité de la peinture à faire sentir les volumes de la chair. ll entre au service des Médicis en 1539 pour les décorations du mariage de Côme de Médicis et d'Éléonore de Tolède pour laquelle il décorera toute une chapelle du Palazzo Vecchio et dont il fera le portrait en 1545. Ses portraits offrent l'image officielle de la cour des Médicis. Ils sont l'expression d'un pouvoir aristocratique, hors des contingences matérielles.

Lire plus....

[habituallychic]

I hate change but sometimes it’s better to embrace it rather than fight it. Today I previewed the temporary location of the @frickcollection in the Marcel Breuer building on Madison Avenue. I’ve always liked the warmth of the materials used in this Brutalist building and I can’t think of a better place for the collection to reside while the mansion on 70th Street is under renovation for the next two years. They really did an amazing job placing the art, sculpture, objects, and furniture in the best locations throughout the three floors. It opens to the public on March 18 and advance reservations are required. I hope you’ll give this change a chance before you dismiss it. You can see my full tour in Stories. #frickmadison #frickcollection #uppereastside #changeisgood #art #nyc (at Frick Madison) https://www.instagram.com/p/CMA30hTDCr0/?igshid=13u69cru9o0sg

[artchretien]

«Tentation du Christ sur la montagne», Duccio (1255-1319), 1308.

[qhli1210]

My mission: Be A Supporter For the Most Complete Artist Exhibition In the World www.dashuaisun.com #newartdealers#Artwork#gallery#watercolor#artoftheday #metmuseum #frickcollection #画家#美术#chinesecontemporary#instart#fineartists#figurativeartist#markmaking#MetSketch#paintingprocess#curators#livingwithart #ArtDaily#passion#art#artist#artworks#Repost#ArtCollector #SellArt#LoveArt #serie https://www.instagram.com/p/BwHVRnHpK-c/?igshid=17jzh3dzpepli

[tartanandteacups]

Instagram.com/katherineajohnson

[mfg1990-blog]

This carriage was built by Brewster & Company in New York City around the year 1810. This was called the Four Spring Basket Phaeton and was designed to be driven by women. @frickcollection @frickpgh #thefrickcollection #frickcollection #frickmuseum #frickcarandcarriagemuseum #carriage #carriages #basket #brewsterandcompany #horsedrawn #horsedrawncarriage #pittsburgh #pittsburghpa #newyork #newyorkcity #nyny #nyc #ny #history #vintage #1810 #1810s #1800s (at The Frick Pittsburgh) https://www.instagram.com/p/BxVT71QJaj4/?igshid=vlbwst6t89lc