#frippertronics

[schibborasso]

frippertronics frippertronics frippertronics frippertronics ... Zur Erzeugung von „Frippertronics“ werden zwei Tonbandgeräte (Revox A77) benutzt: Das erste Gerät zeichnet das Eingangssignal des Instruments auf. Das Tonband durchläuft sodann das zweite Gerät. Von dort wird das Signal wiedergegeben und dem Eingangssignal im ersten Bandgerät beigemischt.

[spaceintruderdetector]

"Reel" Frippertronics with Reel to Reel Tape Decks! (Ambient Guitar Techniques)

[waxyflexibility]

Brain Eno

[mirko57]

Frippertronics: How Robert Fripp and Brian Eno brought looping to life https://t.co/N1UB0PVcCv https://t.co/n4uxiuKcIw

[fard-rock-blog]

Frd Rock Classic: (No Pussyfooting)

Artista: Eno & Fripp Etichetta: EG Anno: 1973 Album uscito a novembre del 1973, (No Pussyfooting) documenta la prima di una lunga serie di collaborazioni tra Brian Eno e Robert Fripp. Il primo, venticinque anni, neo transfuga dai Roxy Music, il secondo, ventisette, in pausa dai King Crimson, dopo l’uscita del quarto album Island. Per i due musicisti, questa collaborazione sarebbe stata seminale…

[rastronomicals]

8:18 PM EDT October 10, 2023:

King Crimson - "Frippertronics" From the bootleg Beatlive (Recorded October 13, 1981)

Last song scrobbled from iTunes at Last.fm

Recorded at the Markthalle, Hamburg Germany

--

[popsixsquishcicerolipschitz]

February 5, 2010

Azita Youssefi first made a name for herself on a national scale as the bassist for Chicago’s neo-no wave trio Scissor Girls. After their break-up, she formed the excellent Bride of No No, who released one album before splitting up. Their self-titled posthumous follow-up was released this year by Atavistic with far too little fanfare. Azita moved on by releasing Enantiodromia, a solo album of piano-based tunes which found her much closer to the singer-songwriter tradition than that of New York’s no wave pioneers or the Chicago avant-rock scene. What remained constant, however, is Azita’s distinctive and commanding vocal stylings.

There’s a lot of creative potential to be found in the deceptively simple act of repetition. Under the moniker of Animal Hospital, Kevin Micka explores this with little more than an arsenal of effects pedals and other assorted guitar gear. Micka’s method in adding layers of loops on top of one another until a song emerges resembles in concept a Facebook-era Frippertronics. But the songs that Animal Hospital crafts are hospitable enough so as not to require a deep technical knowledge of their experimental underpinnings. Micka’s sonic surges, usually summed up under that broad umbrella term of post-rock, range from thunderous, crushing, doom-drenched blasts to spacey, twinkling soundscapes to light, mathy riffs running in rings of recurrence. Whatever atmosphere they reflect, Animal Hospital’s songs are always evocative.

[frankbrodauf]

[I advance masked] [Andy Summers & Robert Fripp] [LP] [1982] What happens when two extraordinary guitarists, each playing a completely different style, produce an album together? The result is a masterpiece called "I advance masked"! . Sometimes you think you can hear "The Police", at other times it sounds like "King Crimson" and all in all this album is full of great sound pearls. . Robert Fripp plays like a god, the fantastic Frippertronics captivate everyone! Andy Summers plays so loose, casual and dreamy in a way that is captivating, exciting and rousing at the same time. . By the way, the two exceptional artists, who are so different from each other, have known each other since their school days. Perhaps that is the reason why they harmonise so well on this album. In addition to the grandiose guitar work, both are also masters of various synthesizers, which they use skilfully to conjure up beautiful but also exciting and sometimes pleasantly restless and sometimes gloomy sound paintings. . An album with a wow effect! . . . . .

[spaceintruderdetector]

An Index Of Metals VI   1975

top 40 material for sure

[amanita-rubescens]

There's something so incredibly intimate and erotic about one person playing a guitar while the other person runs it through synthesizers and tape loops, twisting knobs and modifying the sound in real time

[flavia-draws]

HEY RUSH FANS WE MISSED AN IMPORTANT DAY YESTERDAY

alright reblog if you listened to lakeside park yesterday

[guitarguitarworld]

King Crimson Polytonal Guitar and Whole tone scale 3rds example and Lesson

King Crimson/Fripp Polytonal Guitar and Whole tone scale 3rds Lesson

 CLICK SUBSCRIBE! King Crimson/Fripp Polytonal Guitar and Whole tone scale 3rds Lesson Please watch video above for in depth analysis: PDF FILE KING CRIMSON FRIPP GUITAR EXAMPLE: King Crimson-Fripp-Polytonal-GuitarDownload In this short study/etude we look at how to compose in the style of Robert Fripp and King Crimson with the whole tone scale’s major 3rds and employing polytonality with a…

[the-hottest-band-tournament]

Round one

New Order

Formed in: 1980

Genres: Post-punk

Lineup: Bernard Sumner – Vocals, guitars, melodica, synthesizers & programming

Peter Hook – 4- and 6-stringed bass

Gillian Gilbert – Synthesizers and programming, guitars

Stephen Morris – Drums, synthesizers and programming

Albums from the 80s:

Movement (1981)

1981-1982 EP (1982)

Power, Corruption & Lies (1983)

Low-Life (1985)

Peel Sessions 1982 EP (1986)

Brotherhood (1986)

Peel Sessions 1981 EP (1987)

Substance (1987)

Technique (1989)

Propaganda: 

King Crimson 

Formation: 1968

Genres: progressive rock, art rock, post-progressive 

Lineup: Adrian Belew – electric guitar, Roland GR-300 guitar synthesizer, vocals

Robert Fripp – electric guitar, Roland GR-300 guitar synthesizer, devices (Frippertronics)

Tony Levin – Chapman Stick, bass guitar, backing vocals

Bill Bruford – drums, Simmons electronic drums, slit drum, percussion

Albums from the 80s:

Discipline (1981)

Beat (1982)

Three of a Perfect Pair (1984)

The Compact King Crimson (1986)

Propaganda: Prog rockers who became unexpected hitmakers in the 80s. Adrian Belew and Tony Levin had a real art-school charm to their looks.