#from a logical and denial filled standpoint

[risetherivermoon]

next episode will either be the funniest thing theyve ever pulled, or the saddest shit in the world, either way, im excited

[magos-dominus]

FFVII: REMAKE Exists to Mock Your Pain

This is a post about Aerith Gainsborough.

If you are wondering, this is not a post about shipping.  It is also very long. 

I do talk about the love triangle from a narrative construction and game design standpoint, though. If that interests you, go ahead. If not, scroll on.

+++ Open Spoilers for FFVII (1997) and FFVII: REMAKE +++

So, my reading of FFVII’s infamous Love Triangle has always been that, in the text, there, uh…

Isn't one.

Not really.

The structure of the entire narrative and the trajectory of Cloud's and Tifa's character arcs are built around the two of them baring their vulnerabilities at each other in a rare moment of acceptance, connection, and understanding. You might argue that we never see them physically intimate, here them say those three little words, or even engage in a few PDAs, that the nature of their relationship isn’t clear.

But to be honest?

Who cares that we don’t?

Something we can learn from Good Omens is that, if two characters have to kiss or fuck or say ‘I love you’ to convince you that they’re head over heels for each other, the story is either poorly written or you don’t really understand the meaning of the word.

I have a higher opinion of this game than that, and I want to have a high opinion of you, gentle reader.

The Lifestream Sequence is the emotional climax of the game’s narrative. The rest is simply clean up and denouement. However, that fact does beg the question: "What then, is the narrative purpose of Aerith's attraction to Cloud?"

To start, it's not a connection to Zack Fair, given that in the OG he's more plot device than person. So, what is it then?

I'd argue, that through a combination of incident and design, the Triangle exists at the crux of two competing narrative threads, held in tension by the fact that, as an audience, we share our perspective with the POV character, Cloud in this instance, and the plot works through him to us, most of the time. These two narrative threads are:

Establishing and foreshadowing Cloud's romantic feelings for Tifa as present and important to him and his character.

Getting the audience, not Cloud, to fall in love with Aerith Gainsborough.

If you’ll allow me to put my Doylist hat on for a moment, I have some trivia for you.

As an interesting hiccup of human psychology, the wad of soggy bacon that is your brain is incapable of distinguishing, on an emotional level, between real people and fictional ones. This is why you can start to feel like, after watching the same streamer or listening to the same podcast for long enough, you might start to feel like the hosts are your friends, even if you logically know that isn't true. It is the fundamental psychological reason fiction can resonate with us, despite us knowing it’s, fundamentally, an entertaining lie. Video games, as an interactive medium, can dig into this phenomenon like no other form of storytelling. With Aerith, you might have spent 20 to 30 hours with her by the time you get to the Forgotten Capital. You’ve laughed and fought and maybe cried with her across two continents and a trio of plot arcs. She’s a person the audience has, via Cloud, shared a whirlwind, globe-spanning adventure.

The reason that its her death, out of all the other fictional deaths we’ve experienced, out of all the deaths within FFVII itself, that hurts the most, is because that, by the time she leaves the Temple of the Ancients on her own, she doesn’t just feel like Cloud’s friend.

Its over just when she feels like she’s become yours.

Not content to simply to explore the grieving process of its own characters, FFVII reaches out to take something from you, and have you grieve with them.

A recurring and oft-pointed-out design decision is the empty space left by Aerith after she dies. Holes in group formations, gaps in menus, etc. Places where she used to be. A reminder of the loss, or more optimistically, a commentary on how she’s still with the party in spirit.

I would argue that it might just as easily be you in that space. AVALANCHE is a rag-tag group of misfits bound together by their grief, and when you leave the Forgotten Capital, you’ve been blooded. You’re trauma-bonded to the group now, and you’re all there, shoulder-to-shoulder to do right by your fallen friend.

It’s a gimmick that appears on the ludic level as well. Cloud’s various panic attacks, out-of-body experiences, and struggles for control are experienced by the audience through the mechanics. Sephiroth manipulates Cloud by disrupting, blocking, and limiting your connection to him. he isn’t just denying Cloud agency, he’s reaching out through the fourth wall to deny you your own.

To personally victimize you.

Once you leave the Forgotten Capital, the dialogue choices vanish. You are no longer Cloud’s co-pilot. The trauma and grief has severed that connection you had with him. You can’t do anything to help or guide him anymore. He’s on his own and you, along with Tifa, have to watch him slip out of your grasp and into the hands of an enemy all three of you are powerless to fight.

Final Fantasy VII isn’t a video game.

Final Fantasy VII is an elaborate mouse trap masquerading as a late-90′s JRPG, and Aerith Gainsborough, part-time human, full-time hello kitty monster truck, is an insidiously crafted piece of fine Swiss Gouda. It is designed, from script to visuals to music, to fill your heart to bursting and then run it over with a sixteen-wheeler; then leave you reeling for long enough that you don’t hear the tell-tale crunch of rubber-on-asphalt as it backs up over your pulped torso for good measure.

Which brings us to REMAKE. Namely, why did they cut a lot of scenes from the OG’s script that heavily featured Aerith flirting with Cloud? Or suggested there might be something there, between them, to the audience? It’s for the same reason that Sephiroth no longer has his trademark slow-burn rise to the center of the stage.

Those plot points no longer served their narrative purpose.

REMAKE is, functionally, a pseudo-sequel. A retelling that exists in conversation with a past version of itself, and is constructed with the assumption that the audience is, at least passingly, familiar with its legacy. 

Sephiroth doesn’t get a mysterious build-up because everyone already knows who he is and what he’s about, he and Aerith are familiar with at least a broad-strokes version of the script because the audience already knows it by heart, Cloud gets headache flashbacks of scenes from the OG when we see something we know will be picked up down the line, and Aerith isn’t pushed as hard as a love interest to the audience because we’re already attached to her at the hip.

Aerith seemingly knows about her fate, and while the game leans heavily on suggesting Tifa and Cloud’s shared romantic feelings, even moreso than the original did in this segment, it still holds space for Cloud to pursue Aerith, should you choose. However, she all but talks past him and directly to the audience in her Chapter 14 Resolution scene, warning us away and signposting an oncoming tragedy so that we might brace for it when the time comes and spare us any unnecessary pain.

Her character development gets fast tracked too, through knowledge granted from the Arbiters, she grows quickly towards her late-disk-one identity as the Last Ancient. She gets a piece of the closure with Zack she might get at the Gold Saucer on her date with Cloud, a chance to say goodbye to the last bit of her normal life before she was able to fully embrace the fact that it was gone. She even gets the closing speech this time, last words usually reserved for the protagonist.

But that’s what she is at the end of REMAKE, isn’t it? The only one on the same playing field as Sephiroth and the only one who might be on the same page as the audience. Equal parts the Aerith that just left Midgar and the Aerith that we saw leave for the Forgotten Capital back in 1997, on a mission to protect her friends from the danger that lay on the path she knew she had to walk. 

All of us now get to walk that path on more time.

Maybe this time we’ll get to walk it with her. Maybe this time we’ll get that happy ending. Hell, maybe Zack makes it out fine too and we get that heartfelt reunion our hearts bled for when finished Crisis Core. Maybe yours is still bleeding.

Maybe, maybe, maybe.

The Arbiters subplot exists to taunt us with these possibilities, to roll back our grief from acceptance to bargaining to denial, if we ever reached those stages to begin with. I can almost see our girl getting to go home this time, safe and happy and surrounded by her newfound misfit family, free of the crippling loneliness that’s haunted her entire life.

But to be honest?

All I can see is a better mouse trap.

[missfay49]

Sanders Sides Theory 01/15/20

You want a long theory? HERE’s A LONG FREAKIN THEORY.  

To build off an earlier post of mine here, I believe we can reverse engineer the function of the next Side by analyzing the roles of the current known Sides in the context of their correlating sin.  I’ve included some flower meanings based on the shirt release but couldn’t identify them all from the photos available.  Please reach out to me if you have identified all the flowers.

Pride!Logan

Logic / Craves Stability / Reaction to adversity is to Double down

Logan is proud, but not about just anything.  He values intelligence, critical thinking, and the lofty goals of exploration: re: the astronomy class hype, and “what really is at the bottom of the ocean?” He prides himself in being right 100% of the time and utilizes information to do so.  

When he missuses the word “infinitesimal” it is devastating to him.  It is brought up repeatedly in subsequent episodes and culminates in him feeling like one mistake will prevent him from ever being taken seriously again. He hates being wrong, because he believes that if he’s wrong, C!Thomas will literally fail at life, becoming destitute and homeless.  The stakes are real.  

He needs to ensure success, which is why he first pushes C!Thomas to pursue more traditional careers.  His arc is about accepting that success in life can take on different forms.

Sloth!Virgil

Anxiety (Paranoia) / Reaction to adversity is to Give up

Virgil is often seen promoting activities that would be considered lazy, i.e. going back to bed in the middle of the day, staying home when they could go out, doing less work, trying fewer new things.  His makeup is a dramatized symbol for lack of sleep.  There are multiple instances showing him reluctant to spend more time even just in the presence of the other Sides; “Now I’m gonna go be cool, somewhere else.”  Ducking out is the pinnacle of sloth.

But sloth as a behavior is just a symptom of the actual condition: social anxiety and mild paranoia. Check out my short paranoia theory here.  Virgil resorts to inaction as a defense against feeling insecure about something. Wanted to go to that party, but you’re too nervous to talk to new people?  Well, actually, just stay in.  It’s safer and you need your rest.  

That’s why Virgil’s arc is not about finding the motivation to do things; that would only work if laziness was the true problem.  Instead, his arc is about learning to think through fears and overcome them, so C!Thomas can do what he actually wants, which is to be more social.  

Gluttony!Patton

Morality / Flower: Blue Forget-me-not / Craves Community / Reaction to Adversity is to Fake-it-til-you-make-it

Patton is about cravings. Food, pets, friends; he wants it all. He’s about enjoying everything life has to offer, gosh-darn the consequences.  He wants friends so badly he’s consistently willing to sacrifice his own well-being to put them first.  The concept of morality often focuses on giving instead of receiving.  It’s a way to prove to them that he’s a good friend, and therefore worth keeping around.  What seems like sacrifice is actually a careful prioritization of his favorite thing to indulge in: acceptance.  Being happy all the time is not just a show for the other Sides, it’s for C!Thomas’ friends as well.  People don’t want to be around someone who’s sad, right?  Gotta be happy, so they stick around.  

Forget-me-nots are about happy memories and we already know Patton is a sucker for nostalgia.  One of his favorite things are memories, so he goes to extreme lengths to make lots of good memories with his friends.  Patton’s arc will ultimately be Not about diminishing his craving for friendship but realizing that he can be his most authentic self without losing them.  He can loosen the rules that he internalized.  Real friendship does not require perfection.  

Greed!Deceit

Self-Preservation / Flower: Yellow Sunflower / Reaction to adversity is Sowing Discord

Deceit, like Logan, is also focused on C!Thomas’ success.  The difference is, he could not care less what that success looks like, only that C!Thomas gets it.  Where Logan is all about careful planning and preparedness, Deceit is about taking risks and seizing opportunities.  How can C!Thomas get the most out of life?  No, don’t worry about other people.  There is only C!Thomas.  

Deceit’s objective is to eliminate the consequences of C!Thomas’ mistakes and increase the rewards for his effort.  He will do whatever it takes, whether that’s coaching C!Thomas to lie to others, or to be more honest with himself.  His stance is that since our society is built on lies, we should be willing to use lies to navigate it.  Deceit believes that if C!Thomas is honest to himself about what he wants, he’ll pursue it even at the risk of losing people along the way.  Simply put, Deceit must learn that no one makes it alone.  The sunflower symbolizes false riches, and this explains why Deceit’s assumption is wrong.  We all depend on others to reach our full potential, and a world where C!Thomas has gained everything by discarding or disadvantaging others is one C!Thomas wouldn’t want to live in.  It’s more difficult, but it’s worth it in the end to work with other people instead of around them.  

Lust!Roman

Creativity / Flower: Red Rose / Reaction to adversity is Denial

It’s easy to see that Roman is all about finding that special someone.  Red roses symbolize love.  He’s dashing, brave, and often combats mythical creatures, not for fun (although it is fun), but to prove his manliness to a potential mate!  But this Side is actually one of the most complicated. He believes himself to be the most handsome Side, and he better be, because it is his duty to secure the end-all-be-all of C!Thomas’ life: romantic love.  Someone to spend your life with, grow old with.  The initial conflict between Roman and Anxiety is entirely because having Anxiety around would theoretically lower his chances of securing a relationship.  Once he saw that Anxiety could do what needed to be done in “Accepting Anxiety”, he was able to let go of that worry.

But remember, Roman is also about Self-Love.  The creativity that he pumps out isn’t art for art’s sake; it’s to bring himself joy and to fill that hole in his heart with some kind of excitement.  If he can’t throw all his passion at a person, he’ll throw it onto the stage.  That’s why each time his work is criticized, he’s confronted with the fear that it’s all just a distraction anyway.  Yes, he is objectively good at acting and enjoys it, but part of C!Thomas uses all these creative projects to feel something he isn’t getting anywhere else.

The Roman angst dates aaaall the way back to the Valentine’s Day Episode, wherein C!Thomas decided that platonic love was important to acknowledge, too.  Roman had already stated in the first episode that he would focus on loving himself.  But maybe on that particular Valentine’s day, C!Thomas stopped trying so hard to find romance.  Maybe he fell back on what he already had, the love of his friends, and thought to himself, this could be enough.  And each time an opportunity to feel true passion comes up again, C!Thomas rejects it. First when trying to rekindle things with the ex-boyfriend, then with the big call-back.  C!Thomas is putting his love life on hold to deal with other things right now, and it’s wearing on Roman.  

The worst part is that it’s entirely possible, maybe even likely, that Roman (and therefore C!Thomas) isn’t sure what will happen once he’s found someone.  RE: Episode #1 – his greatest fear is rejection.  

In “Am I Original?” C!Thomas states that if he only ever listened to Roman, he would be setting himself up for heartbreak.  That’s why Roman makes the final ruling in the court room.  That’s why he quietly accepts it every time they make a decision away from love (with impromptu exceptions – “PICK IT UP!”).  He both wants and fears love at the same time.  Roman’s arc isn’t really about what he needs to do differently, but about what C!Thomas needs to let him do for himself.  His stories aren’t about him getting his way and then finding out he took it too far. They’re about him not getting anything at all.  Once he gets the green light from C!Thomas, he will do what he’s always done; Throw caution to the wind in the pursuit of love.  

Envy!Remus

Creativity / Flower: Green Dahlia / Reaction to adversity is Acting out for Attention

All the “Dark” Sides were pushed away for one reason or another, but it seems to hit Remus particularly hard.  It’s not fair that his brother should be chosen over him.  He considers himself not even just as good as Roman, but in many ways better at being creative!  His range is limitless, and he is confident in his abilities, unlike his brother.  He should be the main Creativity, not that crybaby!  

Remus tries over and over again to make C!Thomas notice him.  He gives everything he’s got into each new idea, hoping that this one will be ‘the one’ to earn him C!Thomas’ recognition, but it never does.  Remus embodies envy.  It is his driving force; ALL he wants is consideration for his ideas.  

Since Remus feels envious, C!Thomas does too.  If Remus wants to reach new heights of fame, so must C!Thomas!  From Remus’ standpoint, Roman isn’t getting the job done, so he’ll just have to keep throwing idea-after-horrifying-idea at C!Thomas until he gets through to the man.  

Wrath!X?

Now for the hard part: figuring out what’s missing.  (You can check out my earlier Anger Theory here.)

Let’s summarize how the other Sides use their traits real quick:

Logan is proud of his intelligence that he uses to gain financial security.

Virgil is slothful as a result of his desire to feel safe.

Patton is gluttonous as the result of his goal to make C!Thomas feel happiness and enjoy life in the moment.

Deceit is greedy as a result of his goal to help C!Thomas navigate this world and come out on top.

Roman is lustful as a result of his goal to secure a loving, stable relationship for C!Thomas.

Remus is envious as a result of his goal to get C!Thomas to make a lasting mark on the world like so many have before.

For most of the Sides, the sin is directly related to the Sides’ function.  It’s their method of achieving their goals.  But there appears to be an outlier.  Logan seems different.  He doesn’t need to be proud in order to be intelligent, at least on the surface.  But, maybe that’s not true.  Maybe if he didn’t feel proud when he learned new things, he would have no motivation to seek out information in the first place.  Therefore, pride is essential to Logan’s function.  

All the Sides rely on their sin to accomplish their goals.  They first have a goal, a job that they are supposed to complete for C!Thomas.  Then, the sin is their method of executing that job.  The function of the Side comes before the sin.  

So, if wrath is the means, what is the goal?  What does C!Thomas need to be angry about in order to accomplish it?

What are all the instances where we see C!Thomas (not the individual Sides) get mad, even a little?

TOAwLS - C!Thomas gets frustrated with Anxiety popping up even when nothing’s wrong.

TMvTH - C!Thomas gets mad at Logan and Patton for pelting him with conflicting goals.

GU - C!Thomas acts mad at Patton for dreaming too much, but really, he’s lashing out at Patton because the others are pushing him too far in the other direction.  

MOP2 - C!Thomas rudely disregards Logan for disrupting nostalgia-time.

SVS - C!Thomas gets mad at himself for considering lying to his friends.

If we’re being honest, this is a short list, and some of these don’t even really qualify as anger.  He’s more just kind of experiencing frustration as he works through things.  The most angry he gets is when it affects real people in his life; Lee and Mary Lee’s wedding.  He feels terrible about it, but he’s angry for two reasons here.  First, that the scheduling conflict even exists, because it’s denying him an important opportunity.  Second, because the situation caused him to confront a truth about himself that he’s never been comfortable with.

But we have one more example to work with; the Aside.  In ATHD? - C!Thomas got mad at Rico for past feelings that weren’t even specifically against C!Thomas.  We don’t see it, but we see the effects.  C!Thomas is so angry with himself for lashing out, and it tells us that he’s had a lot of anger before that he never released.  Anger about being in the closet when he was younger.  There are plenty of hints in the episode on this theme:

Roman calls C!Thomas a snowflake.

This shot from the movie: “You must learn to control it.  Fear will be your enemy.”

And most importantly, the lines “Don’t let them in, don’t let them see”.  Patton did purposely sing those lines of the Frozen song “Let it go”, which has often been correlated to coming out of the closet, because that was directly tied to the theme of the premier Aside.  

C!Thomas had so conditioned himself to defend his sexuality that even the mention of past prejudice was enough to set him off, causing him to overreact in the situation with Rico. He was transported back to a time when he was still closeted, afraid to come out because of people like Rico’s younger self.  Now that he’s older, he feels anger toward the people he knew back then, and he took that anger out on Rico.  

Let’s take a step back for a second.  What is C!Thomas’ ultimate goal for himself?  Balance. And what is C!Thomas’ ultimate goal for others?  Love and understanding.

C!Thomas got as angry as he did because this isn’t just about him anymore.  The prejudice that he remembered and was reacting to is something that people continue to face all the time.  As much as he struggled, he’s empathetic enough to know that others must be struggling, too, and his anger at Rico was actually anger at prejudice.  

When the last Side is revealed, it will signal that the arc is closing and the series will eventually be coming to an end.  Will the series have made its mark?  Way back in IIADS!!, Anxiety unintentionally suggested, “using your platform to positively affect your audience the same way Disney did with you”  It’s not just about C!Thomas anymore.  It’s about you.  Us.  

The biggest effect C!Thomas could have on his audience is self-actualization; becoming the most he can be and doing the most good for others that he possibly can.  Prejudice is an issue that has personally affected him and clearly affects his audience.  Fighting prejudice is a cause worth getting angry about, WORTH showing a little wrath.

Logan and Virgil have affected how C!Thomas takes in information.  Deceit and Patton affect how he moves through that world.  Roman and Remus affect how he wants his work to be seen on a personal level.  But Wrath will be how C!Thomas affects the world at large.  Wrath will lead the charge for affecting real change.  Wrath will close out the series and launch a generation of inspired viewers to go out into their own worlds and fight for their freedoms.  Wrath will be our hero.

~

Thanks so much for reading! This has gone on long enough, so I’m adding some bonus theories in the links below tomorrow with other things I noticed during the research for this post.  Hope you enjoyed it!

Bonus Theory now here!

Bonus BONUS Theory now here!

[ecotone99]

[SF] ‘The greatest secret in the world’

As you might imagine, everything changed when the aliens came. They shut down all the corrupt governments and ended the eternal cycle of sectarian violence plaguing mankind. They solved world hunger and eliminated diseases in just a few weeks. Then these mysterious visitors from outer space taught humanity how to harness an endless source of untapped power. That eased a myriad of problems facing humanity by extending our natural resources. Despite these amazing actions, there were still plenty of people who didn’t trust them. That might be a natural instinct but it was hard to argue with monumental acts of kindness.

Several underground resistance organizations tried to undermine or topple our new global authority but one-by-one, they failed. The aliens were infinitely more astute than us. They saw the sedition plots coming and put a stop to them. It was the first time in history our world knew universal peace but some stubborn individuals had a difficult time adjusting to it. The idea of ‘occupied benevolence’ left a bad taste in their mouth, even if it elevated our entire society immensely as a whole.

The aliens were somewhat aloof. That was theorized to be from the significant evolutionary distance between our species. Some didn’t care about it. After all, they offered us a wealth of positive experiences; with no expectation of reward or reciprocation. Despite the universal windfalls we received, there were still some highly vocal skeptics who suspected dark, unmentionable motivations behind their altruistic actions. It stemmed from a universal fear of the unknown.

With every major problem in the world eliminated, many would’ve assumed they were finished helping us. Instead, they doubled down and offered an unbelievable opportunity to experience fond memories again with pets we’d lost. A few years earlier the idea would’ve seemed utterly impossible but they had challenged the realm of possibility too many times. They offered to allow each of us the privilege so we could relive the love and affection we’d felt for them, one more time. What better way to convince the lone holdouts that they had nothing but the best of intentions?

With this amazing opportunity, came a very predictable outcome. Humans are greedy. Many asked if the same process could extend to dead humans. It seemed perfectly reasonable. We are all biological creatures, right? If they have the ability to resurrect a lost pet from yesteryear, why couldn’t they also raise our dead relatives and loved ones? Despite that rational logic, the forthcoming answer was a swift, firm, and unconditional ‘no’. Our extraterrestrial benefactors quickly denied the request. They even went so far as to forbid us from asking follow up questions about it. Human resurrection was ‘off the table’.

There was no explanation offered but the severe reaction was more unsettling than the disappointment of the denial itself. It was in stark contrast to their overwhelming willingness to help us previously. Their emotional response raised more than a few eyebrows. Those puzzled by their extreme reaction eventually came to the dismissive conclusion that ‘they operate in mysterious ways’.

It wasn’t smart to bite the hand that feeds.

Naturally, millions of people eagerly took advantage of the unusual offer. There was a limit of one animal resurrection per person. Another stipulation was that the pet had to be deceased for at least 5 years before the process could take place. Their ‘official’ explanation was that since we only receive one ‘renewal’, a mandatory waiting period insured that we would be satisfied with our choice.

Those who received this ‘second life’ gift from our extraterrestrial hosts were ecstatic. They verified the aliens had definitely brought back their beloved pet. There was no question since the resurrected animals bore the same loyalty and loving personality traits as before. Of course in time the ones brought back would live out a full lifespan and then die again. This time, it was permanent. There was no recourse. The idea was to give humanity one more chance to bond and spend time with their beloved ‘buddy’ before saying a final goodbye. Even they couldn’t offer eternal life.

Private discussions among the curious fixated on possible reasons for the alien’s baffling reaction to the request to resurrect the dead. Was it a logistical or resources issue with having too many humans alive if they brought back everyone’s loved ones? Was it a technical matter of it not being possible? Was the idea distasteful or unethical to them to reanimate dead humans? None of those possibilities seemed like it would be an issue for such an advanced race.

They had expanded food production nearly twenty-fold. They had easily reanimated hundreds of millions of lower mammals and pet reptiles for our enjoyment. From a creative standpoint, human beings were not much more biologically advanced or complex than cats and dogs. Lastly, it didn’t seem like their blanket refusal was related to ‘taste’ or ‘ethics’ since they didn’t appear to view life through the same social lens we do. It was something else, totally unknown and even those who never question the motives of our benevolent rulers, were starting to feel uneasy.

Just as they had intercepted many misguided plots to resist their rule, the aliens also became aware of humanity’s growing discomfort over the big ‘no’. It was the focal point and rallying cry of the resistance. In a mystery I never expected to learn the justification for, I was summoned to their headquarters to act as an ‘ambassador and go-between’. Like everyone else, I had found the solitary refusal to be very curious, but I had never dwelled upon it, and I had never conspired against them. Perhaps they knew that.

“We understand that there is a growing wave of discussion about our decree to forbid requests about bringing back deceased human beings. We have studied your inner thought patterns and recognize that you trust our benevolence. We wish for you to exhort to your species that our reason for this refusal is in the best interests of humanity to accept without further question or suspicion. We understand that human beings are naturally curious creatures and that the only thing we will not grant you, becomes the most tantalizing. Despite this ‘Pandora’s box’, we need you to convince your peers to accept it.”

I was stunned, honored, frightened, and even more perplexed. It was ‘good’ to be regarded highly by the de-facto rulers of the planet, but they were also asking me to accept things on blind faith. I was just as curious as everyone else. I just accepted that if they didn’t want us to know their reasons, we would probably never know.

“May I ask a few questions to better prepare for the daunting task you have assigned me?”

The alien who addressed me earlier nodded in affirmative.

“I realize you haven’t shared your justification for this decision, for complex reasons that you obviously do not wish to share. That being said, if I could have some greater level of clarity, I would be able to understand why my blind acceptance is necessary. From that, I can form a plan to help others accept it too.” I waited for some form of encouragement but received none.

“Are you protecting our society from a deeper truth that you feel many of us could not handle?”

The alien speaker nodded slowly. It was a start. I worried that I might not be able to handle the details they revealed to me either. Through dense apprehension, I soldiered on. My next question cut deeper into the real meat of the matter.

“Is resurrection of human beings even possible as they have been for our pets?”

Their representative shook his head. The implications were devastating. It implied that not only could they not bring the dead back, but those people who had died (and everything they had ever been), was completely lost, forever. It really was a terrible thing to learn from a species far in advance of our own. I inhaled deeply and pondered my next question. I wasn’t even sure if I wanted to know any more. Confirmation of eternal nothingness was far worse than not knowing for certain.

The alien seemed to be analyzing my thoughts. They possessed a certain level of clairvoyance but no one knew how much. It was difficult to read his expressionless face but I sensed an almost human level of empathy and compassion. Before I could summon the courage to ask another question, he addressed me.

“The reason we must avoid this request is because humans who have died aren’t ‘dead’ in the same sense your pets are. They transition into another life-form which most of you wouldn’t recognize or accept. We... are your dead. After passing on, our spirits are drawn to another realm. This is the eternal form we take. In my past life, I was your uncle. Humanity has such a strong perceived notion about the afterlife that we felt you were not ready for the undiluted truth. In ancient times we were promised to inherit the Earth. We came back to fulfill that destiny and transform mankind to the next level. To be successful, it must be undertaken with a steady hand.”

“Uncle Raymond?”; I choked out the bittersweet words in disbelief. My mind was filled with emotion. Tears welled up in my eyes and I fought back the awkward urge to fling my arms around my favorite ‘alien’ relative. Everything was going to be alright. I vowed to work diligently with ‘them’ to help ease humanity through the difficult transition into our next phase. In time, they could accept the whole truth. Until then, I had to keep the greatest secret in the whole world.

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