#g.o.a.t.

[bennyboybenniest]

How we feeling about this, Docm77 girlies?

[jonzykid]

🐐x 🐐

[augustswife]

a beautiful man.

[chaptertwo-thepacnw]

1990s

[jjjstcxm]

The Answer.

[antifainternational]

Reminder for our Canadian followers: Christine Sinclair is antifa.

[eda19951001]

I see the fs fandom is still the same toxic af waste pool as it was the last quad. Sighs in disappointment.

Have some Yuzu pics to break up the hate train.

[canadachronicles]

Thank you for everything, Sincy!

[yellowcerber]

Time to grind for the name of the G.O.A.T.

[deadweedart]

he's just a simple tomato farmer, there's nothing to look here.

[mereallycan]

Edvin Ryding is masterful. There's something about watching him that is so ✨art ✨. Art in the sense of transporting you and bringing you into another world and consuming and subsuming you to see what the artist sees and letting you wholly and fully submerge into the experience so much so it takes on its own life and "3D realness", that you can feel and touch, and has the full attention of your senses and emotions with unmistakeable and fierce ferocity. That you are able to form complex, dynamic relationship, (and not even only in projected relatability) with the art material regardless of what it is. That you are able to experience it in an alive living, breathing, form with a pulse and a heartbeat. Edvin does that. Edvin really does that, unfailingly and beautifully every time. (And since this is about me seeing him right now in young royals) He comes on screen and you're with him at Hillerska and you see Willie and Willie alone and you're fully seeing Willie in all his complex, complete glory and you're immersed and transported and undoubtedly convinced and transfixed.

And then there's actors that leave you wanting and dry and thirsty. There's actors that you read lines from a script along side with all the while that they are on screen, and you can just always see"think" their next course of action and see that they are almost holding their breath, all rigid and stiff. There's actors that keep you on earth, in your own clothes, in front of a screen watching them technically interprete other given directions. Actors that you can tell started walking into a run at the sound of action.

Whereas with Edvin, it's so effortlessly seamless and smooth, it's like he's meant to be walking into the room because he's been walking a long while to enter into it like he intended, he feels the room with such sura and his undeniable presence and feels right at home, not out of place there, not even like he's front of a camera. Edvin is so intuitive and internalizes his characters brilliantly. He's so self directed and innovative and inventive and intelligent and expressive and it's refreshing like soaking fully in a body of water, he's the freshest breathe of air with the most amazing talent and unprecedented skillful performances. He's fully given to and lost in his character that even his voice, at every pitch, his breathe, at every inhale and exhale, his every element, purposeful and powerful, every part and piece of his body, at every second is totally the character, with such fluidity and innateness and natural flow.

With him it's never a sprinkle or a squeeze or a waste or misuse of source material, it's always a platter, the deepest and richest of experience no matter the brush he's been handed or the colour or medium he's painting with. Everything is meaningful and useful and worthy and wonderful. And for that I'm grateful. I'm grateful for him and his genius as an artist that showcases the power and beauty of art and what it represents, maximizing and and utilizing every stroke so meaningfully and masterfully and experiencing his art makes you feel something and everything in the fullest, highest, strongest, overwhelmingly intense, ,"Alice-in-wonderlandesque" escape type of way.

Watching that shift and drop in energy and hold everytime he shares screen used to grind my gears and make me scream internally, but today, today, I choose to see it as reason to be grateful for him and about him.

Tl-dr watching actors trying to act, making an awful attempt at it, and watching Edvin embody and be his character and experiencing him and his performances is something I'm thankful for today.

[chaptertwo-thepacnw]

chicago 1990s

[herewegobebe]

KEY 키 - G.O.A.T. (Greatest Of All Time) IN THE KEYLAND [Recap]

[penginlord]

Actually I really liked the Bottercup v. G.O.A.T. fight, expessially with how both robots really embodied what they were, and their designers.

The G.O.A.T. was built to destroy all it walked across, and was designed by a man who overengineers(/pos). It's built like a tank, meant to protect people riding it and destroys what's behind it, but is slow. Perhaps because of its weight, or it's over engineered-ness, or simply the fact that it never expected to meet robot resistance.

The Bottercup is a whimsical looking, matching the weird whimsy of the Buttercups. It's light, fast, deathly thin, and bears a large explosive payload. It's built for one purpose and one purpose only: to kill the G.O.A.T.. But it was also incredibly resilient, surviving being bugged, and Mumbo was able to restart it.

Even though when they collided and the Bottercup blew itself to smithereens, it undeniably won that encounter because it fulfilled it's purpose: It stopped the G.O.A.T. And although the G.O.A.T. seemed unscathed, it was beyond repair due to the Bottercup.

10/10 amazing robot fight, will watch again.

(also the panic over the butterfly bombers was absolutely great. Separate post? Maybe??)

[thefalloutwiki]

Fallout 3: G.O.A.T.

“Who is indisputably the most important person in Vault 101: He who shelters us from the harshness of the atomic wasteland, and to whom we owe everything we have, including our lives?”

- G.O.A.T., Fallout 3

At age 16, every resident of Vault 101 takes the G.O.A.T. to determine their future job placement.

You can read more about the various results of the G.O.A.T. here:

https://fallout.wiki/wiki/GOAT