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sunderingstars · 4 months

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✩ ‧₊˚ ⌞ OUTFIT & DESIGN MOTIFS ⌝

sampo analysis m.list

— what the stars reveal: half-character-study, half-analysis, waxing poetic, elation!sampo

— word count: 3.1k

— overview: (as of 2.2) a look at sampo’s outfit and design, as well as how it may link to an identity closely connected with the elation.

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For the sake of my own sanity, I’ll be splitting this analysis into clear-cut sections:

Snake Motifs

Binding Chains

Weapon

Hair

Color Palette

Shoes & Walking

Layers

Exposed Skin

Here’s his splash art for reference, although I’ll also be including other photos of his outfit:

✩ ‧₊˚ ⌞ SNAKE MOTIFS ⌝

One of the biggest aspects of Sampo’s outfit design are the snake bones littered across his clothing. From the scaled chain behind him to the shoulder guard that has a protrusion reminiscent of venom-dipped fangs, there is a lot of snake imagery present. Not just snake, however, but dead snake. It’s important to note that none of these pieces have skin or lively color — they’re all bones, bleached and picked clean. For me, this implies Sampo to be a skeleton character, a whisper of a dead or dying thing that still carries a last bit of venom in its fangs. Whether that “thing” is a metaphorical emotional state (centering themes of disillusionment and fatigue), a literal identity (centering themes of lessening power and lowering status), or a combination of both is up for interpretation. Either way, something inside him is decaying.

The snake — the living, hunting predator — is past its prime, stripping away over the years into something that barely resembles itself, the bones of an ancient and powerful thing. Emanator!Sampo may find himself slowly drawing away from the compulsive Elation first bestowed upon him, while Aha!Sampo may find Themself rotting into Their own mortal shell, the remains of what used to be a superficial avatar sticking to Their bones and sucking them clean; alternatively, the restrictions placed upon this mortal form of Sampo may cause Aha to be whittled down, only an echo of Their full strength. In another case, the silhouette behind the masks, the bones behind the meat, may have found himself steadily falling out of orbit with his larger mind, eventually ending up as nothing but a shadow of his former power as an Aeon — a skeleton, removed from the body when it was no longer needed. Or, perhaps, he is trying to keep the venom in.

(Note: His eyes are also snake-shaped like Baizhu’s from Genshin Impact!)

✩ ‧₊˚ ⌞ BINDING CHAINS ⌝

When looking at Sampo in a 360-degree view through the camera, something became apparent to me — the snake motifs (the spine and scales especially) seem to wrap around him tightly. In the splash art, this is a little difficult to tell (as the spine is flared out behind him), but here, they are tightly wrapped around multiple parts of his body:

Here, we see a fairly small part — a cuff wrapped around his upper forearm. This sticks out to me because it seems similar to a handcuff, or some kind of article of containment. It fits snugly, pressing in on his skin. There is also a similar wrapping around his thigh, showing that this is not a one-off design decision. There are multiple tight wrappings of containment around his body, which then implies a something in containment. Additionally, there’s the bone chains on his back:

They wrap around to the front, resting in the hollow of his neck. There are also two latches fastened to his back, giving the idea of the bones almost “hugging” him. Now, we are beginning to get a dual picture: a snake, slowly choking and constricting its prey, and a binding chain of bones, something meant to keep danger contained. We can see this even more clearly once the full picture comes together from different angles:

(These wrappings are even reminiscent of the symbol for Ouroboros, an ancient Gnostic and Alchemical symbol that represents the constant cycle of life, death, and rebirth, as well as the unity of all things material and spiritual. As I’ll discuss in its own dedicated analysis, this presence of the snake as a symbol of rebirth and unity may speak to a constant cycle of different emotions or consciousnesses within him — a loop he seemingly can’t escape. He is trying to live, but death ever looms in the background. Additionally, this points towards him trying to reconcile multiple facets of his being.)

The snake does not want to leave. It is cloying, constricting, containing at every waking moment, unwilling to relinquish the meat inside it. I believe the snake and the chains are one and the same: at the same time Sampo is being hurt and constricted, he is also being contained. The snake bones may represent Aha as a separate entity, the Elation as a addiction-filled Path, self-imposed rules from a more powerful past self, or even the “restrictions” placed on higher beings by virtue of existence.

An Emanator!Sampo may be constantly choked by the chains of his status, the realization that this Path isn’t the one he wants — disillusionment is hard to hold on to when surrounded by those who move from sorrow to joy at the drop of a hat. The gaze of an Aeon may constantly weigh on his shoulders like venom-tipped fangs waiting to strike, waiting to strip everything away from him once he becomes no longer “interesting.” Or perhaps that interest is the binding itself, the consuming, compulsive need to laugh, to operate on impulse, to push all feelings of doubt out before they can even be felt; the want to so desperately escape from Elation despite it clinging to him like a specter, regardless of his wants or needs. Emanator!Sampo may also be contained in his power, the same disillusionment that drives him to stray forcing him to hold back his true power, the truth that he could ruin everything he cares for with a single mistake. He doesn’t know what to do when the Elation grows ever tighter, ever higher, the bones of a rotting thing turning him rotten as well. He wants to escape but doesn’t know how.

(Perhaps, this desperation has rotted into hate which has rotted into vengeance, a dedication to using his life to push out the last of his venom, if only to stain an Aeon with Their own blood before falling away.)

Alternatively, an Aha!Sampo may find Themself now restricted by flesh and blood, feeling Themself to be a shadow, a dead skeleton of what They once were. For whatever reason, Their mortal form is forced to have restrictions, perhaps the same ones They face in Aeonic form. But it’s small. Too small. Ten thousand sizes too small, as it always is, and now They’re trapped for a longer time, forced by a looming threat to operate in the shadows, slowly hollowing out with the distance of consciousness and time.

Who are They, if not the masks? Who are They, if not an Aeon? Perhaps this is not even mask-related at all, but rather a silhouette who grew tired, determined to carve his own path when the stench of decay became too much. The Original, The Progenitor, far outlasted by feelings that grew too strong for his body to handle. He is not an Aeon, not a mortal, but somewhere between a bleached skull and a mouth full of venom. How can he spit out what is rightfully inside him? How can he cut the binds that tie him to an eldritch being he was never meant to be?

He does not want Elation, but Elation has always wanted him. How can he escape something so dedicated to swallowing him whole? How can he escape something so natural to his being? There is no clear answer besides one: if he does not find a way to escape, the only thing left of him will be bone.

✩ ‧₊˚ ⌞ WEAPON ⌝

Anyway! Haha! Isn’t he so silly? Let’s look at his weapon next:

It seems to continue the snake theme, with both sides of the blades marked with the same bright purple of the “fangs” on his shoulder guard. I don’t think it’s a mistake that these are the brightest colors of the outfit, but I’ll save that for later. For now, let’s focus on the dual nature of his weapon. Besides carrying on the snake theme, these are dual blades, able to be split apart and combined at a moment’s notice. To me, this seems like an indication of two “sides” to Sampo, two different personas that can be separated, combined, or interchanged at will. This could be an Emanator form, an Aeonic form, or simply another personality or “deeper” emotion behind the con-man persona.

I find this choice of weapon very fitting for him, as it capitalizes on the dexterity of both his personality and fighting style. It’s something that is easily able to be tossed from a distance, allowing him to damage enemies over time without getting too close to danger. There is also an inversion to its form, and while that could just be so he doesn’t scratch himself when throwing it, I also see its connection to the “inversion” of Sampo’s E6 and Aha’s splash art silhouette. There is an implication of inversion, mirroring, and duality with this weapon. Whatever power or consciousness he may be holding, there’s a good chance there are multiple dimensions to it, the kind of dimensions that exceed mortal standards.

✩ ‧₊˚ ⌞ HAIR ⌝

Something of note is the grey in his hair, a color often attributed to older and more powerful characters (Welt has a (albeit dyed) strand of grey hair and Acheron has grey strands as well). They are, however, at the bottom of his hair, like the (perhaps also dyed?) blue is trying to override it. This could speak to an attempt to find his own identity, to cast aside the bleached white of decaying bones and find some vibrance to live for. There’s also a lot of it compared to other characters. It’s not just one or two strands, it’s entire parts of his hairtips, with the implication even more may be white behind the blue. This would line up with what he says about being an “old timer,” most likely downplaying his own status to “just an old guy” when he is vastly more powerful than others realize.

Additionally, his hair obscures one of his eyes, always casting half of his face behind blue.

I feel this speaks to the idea of “multiple” sides, since one part of him is literally hidden from view. There’s the laughing, joking con-man we see, sure, but we don’t see the “hate” festering beneath, the potential despising of one’s own power and being. We don’t see the silhouette behind the masks. It wants to be free, most likely, of the chains that bind it, wants to step into the open with the clarity of rage, but it is not allowed. And so it stays, hidden behind blue. It stays, allowing the turquoise eye of a red-tinted mask to operate beyond, leaving itself to fester and rot into itself. Would we see an eye, if we pulled back that hair? Would we see something besides a wink here, a crease there? Would we find a matching color, or would we find blood red, a space infested with angry maggots? Would we perhaps find a hole? The blank, staring Nothing of Nihility? Only time will tell.

✩ ‧₊˚ ⌞ COLOR PALETTE ⌝

An interesting thing I noted while staring at pictures of this man’s splash art for way too long is the clash between colors. When dealing with the visible light spectrum, red and blue are on opposite ends. Red and blue are also popularized opponents, despite them not being true opposites on the color wheel. They can clash very jarringly, although the muted reds and blues (bordering on purples) used in Sampo’s outfit compliment each other better than in other combinations. Still, they stick out against each other, chafe against the backdrop of muted grays and blacks of dying bone. The red, often associated with blood, is also associated with Aha’s masks in this case, since most masks have a combination of white and red or red and orange to them (especially in Aha’s splash art). Additionally, blue is often associated with water and calm, which ties back to Sampo’s name “Koski” which means water rapids in Finnish. There is a clear conflict between these colors in Sampo’s outfit, the starkness of drying blood mingling with the attempted free-flowing blue of a new identity. The blue that is so strong in his hair, his mind, is slowly beginning to peek from beyond the red of the rest of his body — a solitary flower, perhaps, watered by the rain and allowed to cautiously, timidly, lean into the doorway of his being. Still, it is a battle. The red will not give up. The pain, the addictive nature of being consumed by the snake, has been there for so long it naturally attempts to obscure whatever new healing the blue brings. But the blue is persistent. And so, it stays.

All the while, the grey hangs in the background, shadow-like. The monochrome, the static, has been there longer than both the red and the blue, so ingrained into him that it’s easily overlooked for the war between blood and water. But it’s there. The bones of that ancient beast will never fade, stagnant as they are. That’s the thing about bones — they last. Even when the blood runs out and the water stops flowing, bones take the longest to decay. They symbolize longevity, perhaps too much of it. An immortality, perhaps, granted by Emanator or Aeon status, that refuses to disperse even as the mind begins to wither. Thus, the red and the blue arrive. They attempt to revitalize the dying bones, the winding snake, putting just enough contrast between them to create a spark, a single flicker of life — a turquoise of bright running water in the eyes, enough to see the world in better clarity.

(And then there is the glowing purple of the fangs, the looming threat, the contained power. Beyond everything else, the venom is still there. It has always been there, waiting to strike.)

✩ ‧₊˚ ⌞ SHOES & WALKING ⌝

The only thing I want to talk about here is the lack of footprints Sampo leaves behind (I just wanted a dedicated section for it). We can see clearly in the splash art that Sampo has regular soles that should make indents in the snow, yet his character never leaves footprints when walking through Belobog. To me, this indicates an otherworldly nature of being, or a lack of being there in the first place. This can fracture into several different theories, some of which being that it’s intentional on his part and he can manipulate his body and surroundings in a structural way; that it’s simply a byproduct of a higher being taking mortal form (and thus not fully “conforming” to all minutae of human bodies); and that it’s because he is a projection or puppet of some sort that was never really there to begin with. Whatever the case, this seems to be a strong indicator of higher status, whether that be Emanator, Aeonic, or something different. After all, no regular, unassuming guy would be able to so casually and effortlessly defy gravity to not leave footprints.

✩ ‧₊˚ ⌞ LAYERS ⌝

Man, this guy’s outfit is confusing. Sorry, I just had to get that off my chest. I’m just still not entirely sure what’s going on in his chest region, there seems to be a lot of straps and buckles and zigzags and windows. I’d like to say this still speaks to the idea of “containment,” as many layers like that would certainly feel constricting, but I also feel like it’s meant to be a “look” as a whole. The bottom layers being black and gray, then blossoming out into blue and red almost makes me think of a decaying animal, with the blood being exposed as well as some of the bone beneath. I also feel like it ties back into his “layered” personality, in which he has different feelings and personas he chooses to either show or hide at any given moment. His neck and hands are also covered (with the red gloves dipping below the black), perhaps further speaking to concealment. The snake motifs are also present on multiple layers, giving the feeling that this is a constriction that runs deep.

✩ ‧₊˚ ⌞ EXPOSED SKIN ⌝

I will say it: this man’s outfit is sluttyyy (affectionate). Despite the heavy themes of constriction and concealment, the encroachment of the colors and layers do not affect his forearms and hips. He very much has his “V” out to show the world, and I for one am not complaining. To me, this exposed skin feels like a breath of fresh air, something beyond the rotting, constricted animal for once. This seems to really be Sampo — the flesh and blood Sampo, the mortal, the guy who likes striking poses and probably gives great hugs. Yes, it is still strategic (probably trying to ramp up flirt appeal for when he tries to scam people) but it also seems genuine. Sincere. If the rest of his outfit is a constraining, dying bloodbath, then these pockets of skin are the eye of the storm, the places that seem to be untouched by the onslaught. Here, we see a human being. Not an Emanator or an Aeon or a byproduct of compulsive Elation, but a man. Just a man. Breathing, like everyone else. It’s nice.

My main takeaways from this outfit are:

The bones of an Aeon, with mortal and “Primum Mobile” restrictions combining to constrain.

The bones of an Emanator, slowly whittled away with time and the weathering of longevity bestowed by Elation.

The general themes of rot, decay, snakes, venom, constraint, and being suffocated.

Ouroboros, constant cycles, prey caught in a trap of potentially its own making.

Any combination of these!

(I also wrote this piece before really getting into the Doll!Sampo theory, but there is definitely an interpretation to be had regarding Sampo as a creation of Aha! The decaying animal and contradictory colors could represent the fight between Sampo’s “purpose” and who he really wants to be, as well as the chains of Elation choking his freedom of self-expression and want to be his own person. The consistency of constricting and containing bones could also speak to him being a “shadow” of Aha, the echo of a greater being while still powerful himself. If he was created in Aha’s own likeness, he would probably feel the pressure of always being in the shadow of his creator.

Additionally, many other parts of this analysis can still apply to Doll!Sampo, as I see him as at least Emanator status. Longevity would take even more of a toll on him here, since he would have lived so long being disregarded by others as a “toy.” I’ll probably elaborate more on this when I do a dedicated breakdown of my Doll!Sampo theory!)

A note I couldn’t find a good place for earlier: snake bones also imply shed skin, some siphoning off of a greater part of oneself to be reborn anew. Perhaps he is the dead and dying snake, preparing to molt into something even greater. That’s all!

The End! Overall, I feel like I realized a lot of potential things about Sampo going through the parts of his outfit one-by-one. I’m definitely more on board with the idea of being simultaneously constricted and constrained now! Ties that bind, and all that. I also didn’t realize just how much of a battle his outfit feels like until I really looked at it, and now I feel bad for the poor guy. Whatever his endgame identity is, he is not having a good time. I want to give him a hug :((

Also, I want to include this bonus concept art since it shows the snake motifs were a big aspect from the beginning:

Anyways, that’s all!

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.𖥔 ݁ ˖ જ⁀➴ thanks for reading to the end!

(volume warning)

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#⌞ ✎ sunder.writes ⌝#⌞ ✧ super.nova ⌝#⌞ 🎭 ⌝#hsr #honkai star rail #honkai: star rail #sampo #sampo koski #sampo hsr #hsr sampo #sampo honkai star rail #analysis #hsr analysis #hsr theory

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boundinparchment · 4 months

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FICS FOR GAZA

Although my schedule is a bit unforgiving, I'm still writing when I can, and thus I'd like to put that effort additionally into participating in @ficsforgaza via the "Sponsor a WIP" option.

There are several WIP that are (for now) exclusive to this list and it is my hope that these projects will encourage donations towards vetted fundraisers. Word counts will be set based on achievable goals per my schedule to avoid overwhelming myself and burning the candle at both ends. I may write more than the donated word count but will always seek to meet it.

(banner credit to @/saradika-graphics)

HOW IT WORKS

$1 = 100 words written!

Make a donation to a vetted fundraiser of your choosing and send me a screenshot of your donation minus identifying personal information along with the title of the WIP you're sponsoring. These screenshots are sent to ficsforgaza to verify that they aren't used for multiple writers. For every $1 donated with submitted proof, I'll write 100 words of that particular WIP.

This link leads to tagged posts of donation posts that have been verified.

Template:

"Hi Juni, here's proof of my donation to [insert donation title]. I'd like for this to go towards [insert WIP title]. Thank you! (screenshot depicting evidence of donation depicting dollar amount; the amount donated will scale based on the rate of $1 = 100 words to be written)."

Once your ask or message is received, this post will be updated and I will track progress as words are written. This post will be managed weekly when possible.

Oneshot works will be posted when they have been fully funded; longer fics will be posted as I go to help drive donations (roughly every 300 donated words, subject to change).

ELIGIBLE WIPS

GENSHIN IMPACT

THE BEACH EPISODE - DREAM A LITTLE DREAM OF ME SPINOFF

Drabble, probable smut and explicit rating, these two deserve a little break away from their main plot.

An interlude for Dream a Little Dream of Me. Maestra and Dottore have a little vacation and time to themselves.

current wc: 0/2,000 donated (goal) wc: 200/2,000 progress tracker: 0/2,000

THE WISDOM OF RAVENS - Raventorre/Female Reader

Beauty and the Beast retelling; monster/human relationship; quid pro quo; slowburn

The Tsaritsa was so displeased by a betrayal that she left her Palace behind and sealed it with a powerful curse. Tales told of the Winter Palaces' haunted halls, sights of wings as wide as a drake's and eyes as red as blood. There was no voron, no raven; you knew that. But you also knew that if you stayed out here, you'd freeze to death. That much was certain.

current wc: 0/2,000 donated (goal) wc: 0/2,000 progress tracker: 0/2,000

HONKAI STAR RAIL

VERTIGO EYES - Sunday/Female Original Character

Slowburn; long fic; female reader with personality; art history nonsense ensues; eventual smut; spoilers for 2.2-onward with speculation on Sunday's fate.

Armed with only a new-found sense of purpose, Sunday makes a trip to the Belobog History and Culture Museum after the Express receives your request for consideration. History is so often writ with blood that should never have been spilled and the mistakes of those who think they know best. And Sybilla is running out of time.

current wc: 1,072/2000+ donated (goal) wc: 300/2,000 progress tracker: 300/2,000

THE DEVIL'S BACKBONE - Boothill/Female Reader

Slowburn; longfic; female reader; semi-enemies to lovers; speculation regarding cybernetics and other elements of machinery alongside humanity; eventual smut; spoilers for Boothill's story.

Intellitron repairs didn't pay well, even on Penacony. Certainly not compared to salary from the IPC's Research and Development department. You had put all of that behind you, though. Or so you thought. Until a certain Galaxy Ranger stepped into your workshop with a grin and a smoking barrel.

current wc: 0/2000+ donated (goal) wc: 200/2,000 progress tracker: 0/2,000

CHANGELOG

5/29/2024:

Graphics updated

Eligible WIPs updated to include only new WIPs

5/30/2024:

Updated donated word count

6/10/2024:

Updated "Vertigo Eyes" progress wordcount

Added "The Wisdom of Ravens"

7/7/2024:

Updated “Beach Episode” spinoff donated word count

7/30/2024:

Updated synopsis for “Vertigo Eyes” from reader insert to original character

8/14/2024

Updated the donated word count for “Vertigo Eyes”

8/15/2024

Updated the total word count and written word count for "Vertigo Eyes" (donated count: 300, total word count: 1,072)

Posted Chapter 1 of "Vertigo Eyes"

#ficsforgaza #fics for gaza #additional tags to be added

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solns · 5 months

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bro looks like a cult leader

#hsr spoilers #genshin impact #honkai star rail #honkai star rail spoilers #2.2 spoilers

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fortheloveofarchons · 5 months

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My opinions on Sunday from Honkai: Star Rail

C.W. Contains spoilers after the 2.2 Honkai: Star Rail Trailblazer Quest + theories and lore

I kinda agree with his philosophies and thinking... to some extent...

Okay hear me out!!!

We all know by now that Sunday's whole motive is to protect everyone and ensure that they won't have to suffer anymore (like when he states that he wants everyone to have seven rest days). I can empathise with his character so much, as someone who (as ridiculous and cowardly as it sounds) is afraid to face the harsh realities of life. I mean, even if he's set as a villain, he is as gentle and empathetic as his sister Robin, just that they both express it differently.

Seeing the cutscenes of him and Robin from their past to the present was just so immersive, because Sunday brings up some very demoralizing and harsh situations that he faced back then, and we, the audience, can understand and relate to struggling to cope with his disappointment, frustration, grief, and anger - all while often having little to no power to change things.

From the way Sunday is acting, he seems more like a traumatised parental figure (as we've seen the reason why Robin has to wear excessive neck accessories due to her being shot) who cannot let go and provide his care and safe environment for his loved ones.

Moreover, his ideologies felt surreal as I myself would take that path since I can relate to his trauma and ideals (and also as someone who has a sibling too)

His viewpoint is understandable, but...

Taking away the basic right of an individual's free will for safety is always a controversial issue.

As Himeko once called out Sunday, she states that he's just going to trap everyone in a bird cage through eternal slumber, which robs them their freedom and agency.

Plus, from what Robin said, if Sunday's plan worked, he's going to hurt himself too. Because Sunday will be in charge of everything and everyone, he won't even have time to rest, causing his body and mind to be exhausted to the bone (maybe possible cause his mind and body to corrode cause he needs to rest at one point)

Moreover, Firefly made a good point disapproving Sunday's point that he should not assume just because someone is weak doesn't mean that they should automatically escape to fantasy. It is up to you to be strong so you can fly into the sky, and that not everyone who is weak should be weak.

I remember someone commenting on Youtube stating that Sunday protects Robin so much, that Sunday doesn't even know how to protect himself for facing the outside world. It's kind of ironic considering that Sunday is supposed to be the protective, influential type of characters in Penacony, yet he barely knows how to fly. Robin, however, took the opportunity to spread her philosophies of Harmony and influence others in reality.

In conclusion, Sunday has the right idea, it's just that he has a terrible execution. But I know that there are some people who don't mind, I've been on Instagram to see a lot of people agreeing with his views... yes I'm talking about all those sunday stans cause I've seen a lot from them

(I ain't complaining plz we need more Sunday content!!!)

I mean-- in reality I wouldn't agree; but in this story, I would agree with him. (if we don't consider my simping and bias because that has the most influence)

Honestly, I'm hoping he gets a redemption arc because I really love him (I personally wouldn't mind if Sunday gets the Wanderer treatment from Genshin Impact if it means that Sunday will be playable), and hoping that he is really alive (as stated by the leakers that Sunday has a bunch of specific codes and emotion codes that's exclusive to playable characters).

That said, may we Sunday havers have more Sunday content and playable Sunday in the future!!! I'm gonna write a fic for Sunday so stay tuned!!

Let me know what you guys think of Sunday! Do you think he'll get redeemed? Playable? Alive?

PETITION TO MAKE EVERYDAY SUNDAYYY!!!!!!

#honkai star rail #star rail #penacony #sunday hsr #honkai star rail sunday #robin hsr #robin honkai star rail #trailblazer #caelus hsr #stelle hsr #hsr lore #hsr theory

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