#get out of here kidos

[erinfern0]

i think I'll need to make this post a couple of times throughout the year but---

my page is NOT for minors.

I know I can't stop you from seeing my content, but at least be respectful to my boundaries and don't interact with it.

I don't go through my followers accounts because I'm not that active on here, can't find the time to actually do it, so please just don't be a dick and stop interacting if you're under 18.

if you see this post, please reblog it so more people see it!!

thank you for paying attention to this little rant.

[mel0deon]

im just rewatching a lot of stuff so hear me out

with the adventure 99 kids, the only way they know how to interact with digimon is if the world is at stake. there is a definite Divide of the human and digital world. the hikarigaoka and odaiba fog incident seals the deal with them. next time theyre called, diaboromon is rampaging the internet, and they can finally see their friends again. they had to part ways, and deal with growing without them first.

with the 02 cast, the worlds intertwine. they deal with enemies that interact with them in both worlds and have influence in both. by episode 50, the digimon being at home is a pretty open secret. they do everything together and in the 02 cast were a part of the incidents.

thats why kizuna was so jarring for them. at least taichi, yamato and sora. with the digimon now being more known, they could take them to class. they could have lunch out with them. however, there is definitely a cloud of 'I have only seen them in a life-threatening situation, what can I do with them' thoughts that's blocking them from having fun with them.

jou's arc in adventure especially speaks out to me. his issues are especially why he and gomamon are still together. its because of the issues at home. in the digital world, he learns the value of reliability in his own way. his own choice, as both a Chosen Child and as a person.

dealing with problems that relate to human social issues is hard for the 99 digidestined because all they know dealing with problems is to fight their way through it. it doesn't pass their thoughts that the digimon themselves are related to their own personal issues.

[majimassqueaktoy]

I do love that Saejima went back to visit Okudera (but ended up fighting the bear again because. Of course.) In RGGO. Love that of all the protagonists he genuinely does seem to be the one who will truly try and keep the friendships and relationships he's built- He lost 25 years to prison, and then he lost Yasuko when he finally got back, so seeing him choose to keep getting back up and to keep living is so lovely :')

[todayisafridaynight]

Oh, you played Yakuza 4? *holds gun to your head* Name all the important plotpoints

please i have a dog dont do this to me hes very small and defenseless and pees when i have to leave the house because he has separation anxiety

[masonsystem]

this part of the novel when azami appears in front of kano makes me cry so hard cuz like in the narrative kano is a representation of children who are abused by adults (by both his mom and kenjirou) but covers it up with lies so for him to so honestly cry out in anguish is sooo fucking ofjkslfjks

[koushirouizumi]

If you have time, please go write a message of support on Junya Ikeda's tweet. {tri. Jou's V.A.} Please be kind and respectful if you do.

[stormsthatrage]

Short snippet from the Bleach I Knew You AU.

But before I begin. *Insert deep sigh here.*

Secretlypansexualmango, if you see this, it was supposed to be a response to your ask. Unfortunately, it took a hard left-turn and ended up in. Uraichi shipping territory? Look, IDK, I'm asexual, I don't get it either. Anyway, since I don't know your shipping preferences and don't want to accidentally respond to your ask with something that squiks you, I will be officially responding to your ask in another post that is less likely to be unexpectedly unpalatable. Thank you for your patience, and, uh, I hope this doesn't turn you off the au! (*laughs nervously*)

Without further ado, the snippet:

Breaking into the Shiba family grounds is easy. By sheer comparison, breaking into Shiba Ichigo’s room specifically is almost a challenge, but it’s not anything that Kisuke hasn’t planned for.

The strange, modified kido, and the odd wards Ichigo has placed, are simple to bypass with a bit of fancy footwork and precisely-timed counter-kido. It’s practically child’s play to get past them, now that he's roughly figured out how they work and where they all are.

His job is made even easier by the fact that, for some reason, Kisuke’s spiritual pressure doesn’t wake Ichigo up. Quite the opposite, in fact. He seems to sleep deeper when Kisuke is nearby and has let Benihime out a little.

He has theories about that.

He’s tired of them being theories.

He’s here to get evidence.

Kisuke bypasses the final seal and slides Ichigo’s window open, slipping into his room. He lets his spiritual pressure permeate the air a little thicker than he would in normal company, and as expected, Ichigo’s spiritual pressure slows down as he falls further into slumber.

… And Kisuke is supposed to believe that the first time they met was two months ago? When this is Ichigo’s reaction to his presence? When Ichigo is one of the most paranoid people Kisuke, an ex-onmi agent, has ever encountered?

Kisuke is a genius. He doesn’t need to be in order to see the flaw in that logic.

Kisuke steps further into the room, gliding softly over the old wood floorboards. He pauses in the middle, taking a moment to debate where to start.

Well. Why not with the simplest?

He’s caught it a few times, the barest trace of his own power lingering around Ichigo. A fascinating phenomenon, when he can’t recall a single time he’s drawn shikai around him, let alone used enough power to leave a long-lasting trace.

He draws closer to Ichigo’s bed, until he could reach out and touch him if he wished.

Ichigo breathes deeply, evenly, no sign of waking up. At some point, his covers ended up half kicked-off. Possibly from the heat, probably from nightmares. Regardless of the reason, Kisuke can’t help but think that he looks strangely fragile this way, surrounded by the evidence of his restlessness.

He puts a hand on the the hilt of his soul-partner. “Awaken, Benihime,” he murmurs.

She stirs within him, gently, in a way that is oh so rare. Like the softest, most gradual of ocean tides, she rises, her fragrance of wet iron washing through the air around them.

And together, channeling her power through his eyes, they see.

Glowing crimson threads that they have no recollection of weaving wrap protectively, lovingly, around Ichigo. A thin but strong filament, sewn through the skin from just below Ichigo’s ear all the way to his opposite shoulder, sutures closed what must have once been a deadly throat wound. Another one, obviously originally meant to keep shut a gash down the length of Ichigo’s forearm, keeps it companion.

And beyond the battlefield sutures there are more threads. Hundreds of intangible and deceptively thin and absolutely unbreakable strands of Benihime’s power wrap around Ichigo, crisscrossing over themselves — around his throat and across his face and down his torso and up his arms, visible wherever his bare flesh is exposed — seemingly serving no purpose.

Benihime’s power surges at the sight, a hot delight running through her as she sees Ichigo so thoroughly caught in her webs. Kisuke’s fingers suddenly, urgently ache with the urge to touch, to tighten, to add more.

Soul King.

No purpose other than, it seems, to satiate their own possessiveness.

Kisuke exhales a shaking breath. Closes his eyes for a brief moment. Gets the heat in his blood under control.

No purpose other than to alert themselves, perhaps? Did they know that one day they wouldn't recognize Ichigo anymore, and left this as a clue?

(And oh, what a clue. What a clue it is.)

He lets Benihime’s power fade, taking his hand away from her hilt. He’s self-aware enough to know when he needs to stop tempting himself, and he’s gotten the evidence he came for — far better proof than he could have ever anticipated.

He takes a step back, and the motion is the most unnatural thing he’s done in a long, long time.

He has questions. He has a few theories, too. Amnesia, caused by a very specific type of parasitic hollow. Dimension travel. Time travel. He doesn’t have enough information yet to figure out which is most likely, but he has finally confirmed beyond doubt that Ichigo is his, has been his, and something tried to steal that from him.

Fury flares within him, burning through his veins, and he can’t do this right here.

He takes another step back, this one just as unnatural as the last.

He can’t ask, yet. He can’t get closer, can’t wake Ichigo up with a soft hand on his cheek, can’t tell him that he’s there now, can’t promise him to take care of it all if he would just let him in again.

No.

Shiba Ichigo is in the middle of a chess game — a dangerous one, a complicated one — and Kisuke can’t see the whole board yet. Tipping his own hand might trigger a whole plethora of traps, including another round of amnesia, and he refuses to risk the knowledge he’s regained.

He will have to be careful. He will have to move cautiously.

He casts one last look at Ichigo, lets his eyes trace over that delicate throat that he now knows almost bled out. That delicate throat that had to be held together with Benihime’s webs. That delicate throat that he doesn’t remember stitching back together, despite the fact that he used his bankai to do it.

He was made to unknow a person he loves. He was made to unknow a war. He was made to unknow the fact that danger lurks still in the shadows of Soul Society.

He will know the end of this game. And Ichigo will learn that there is no universe in which Kisuke does not protect what’s his.

Kisuke turns. Takes another unnatural step away from his favorite, infuriating puzzle. And then he wrenches himself out of the room, out into the night, closing the window behind him and leaving as unnoticed as he had come.

[mirai-e-jump]

Hero Vision Vol.37 (2010/Summer) ft. Kamen Rider OOO Cast Members Watanabe Shu & Miura Ryosuke Interviews (translations below)

Publication: September 7, 2010

Watanabe Shu (Eiji Hino)

"Playing the role of the main character Eiji Hino and Kamen Rider OOO in "Kamen Rider OOO," is Watanabe Shu-kun. He's always thought, "I've always wanted to become a Kamen Rider," and the passion he has for this production has only seemed to have intensified. Watanabe-kun has only just started to create the role, but what's the main appeal of OOO and Eiji? We present to you this hot interview."

-I'm going to become a Kamen Rider!-

Ever since my first year of elementary school, starting with "Kamen Rider Kuuga," I've watched all of the Heisei Kamen Rider series in real time. At first, seeing a Kamen Rider defeat a monster was just so cool, and I couldn't stop watching. Around the time of the third series, "Ryuki," and fourth series, "Faiz," I was able to better understand even the smallest of details, and I began to think, "I'm going to become a Kamen Rider!"

While I continued to think like this, the chance to audition for "Kamen Rider OOO" was presented to me. I was more determined than any of the other contestants to win the audition, and it's not an exaggeration to say that I was putting my life on the line. That's why when I was chosen, I was so happy that I burst into tears.

Out of all the Heisei Kamen Rider series, the one I like the most is Kamen Rider Faiz. When he transforms, this area (his face and the 5 sections of his body) beeps and lights up, and when he does a Rider Kick, there's a flash of red…..the transformation and battle scenes are really cool!

Not only Faiz, but I've been influenced by the previous works of my seniors in many ways. In particular, when the Producer told me that Eiji's character is similar to that of Ryuki's main character (Shinji Kido), I had a fresh new look on him.

However, I don't want to end up copying his character, rather, I want to make sure that Eiji's own character comes through. When I think, "The feeling of Eiji," it's…..that he doesn't sweat the small stuff, and that he doesn't care about looking cool. Still, he'll face anyone directly, and has a strong will to protect what he wants to protect at all costs. I think that Eiji's a very straightforward guy. I also think the fact that he carries around nothing but his underwear and some coins means that he doesn't worry about appearances. My personality is that I also don't sweat the small stuff (laughs), and I'm not shy, so I have many similarities with Eiji. I'd like to play the role of a reliable hero by incorporating the coolness of Eiji and OOO into my own personality.

-A carefully crafted transformation scene-

It's been about 3 weeks since filming began (this interview takes place in early July), but the scale of the show's production was beyond my imagination. From the number of people involved, the methods used for filming, and everything else was massive. I get really excited when I think about being in such a production. I'll never forget the excitement I felt when I filmed the transformation scene for the first time! In Kamen Rider W's film (Kamen Rider W Forever), there's a scene where OOO appears, and by saying, "Henshin!," I realized just how hard I'd been working to get here……and I almost started to cry without thinking.

OOO's transformation is so cool! There's lots of attention to detail, like with the 3 medals in the belt and the elaborate moves. The Action Director, (Tsuyoshi) Miyazaki, came up with the basics, and we worked together on the detailed hand movements and positions. I suggested that since my left hand was facing the camera, my palm should be facing towards it, and also thought up ways of saying, "Henshin!" It's an important scene throughout the show, and I want to create the image of Eiji and the hero that I envisioned, so I was very specific about it. In W's film, Eiji is supposed to have experienced transforming many times before, so I made sure he looked confident. But, the transformation in the first episode of our main story is Eiji's first transformation, so it gives off a fresh feeling. I hope you enjoy both!

On days where I was taught how to pose, I'd practice by myself at home until midnight. In my mind, I created the image of becoming OOO as if I were in CG (laughs). I can't wait to see it, as the end result will be even better than that. I definitely have to go to the preview screenings! (laughs).

Eiji's a guy who's on the move alot, so I'm looking forward to seeing more action scenes. We shot alot in episodes 1 and 2, with me being grabbed by the monsters, being thrown around, being blown up, and rolling around. I'm still abit awkward at it, but with the help of Director Miyazaki and Suit Actor (Seiji) Takaiwa-san, I hope that in the end, I'll be able to jump off a building.

Ah, I mean, I want to improve that badly, but whether I can really do it or not is another story! (laughs). My dream is to punch and kick the monsters untransformed, so I'd like to make that happen too. If I keep talking about it like this, it'll come true someday, right? (laughs).

-Teamwork is the best!-

Things are so much fun on set. Ankh's actor, (Miura) Ryosuke-kun, is currently 5 years older me, and Shintaro Goto's actor, (Asaya) Kimijima-kun is 3 years older, but once I started talking to them, we quickly became friends. Miura-kun is the person I interact with the most in my role, so we're often together on set, and we talk about things other than acting, like my favorite manga (laughs). You get to know Miura-kun as he performs during filming. When the cameras aren't rolling, we talk about different topics, and I'd to get to know Miura-kun better when we're not acting.

As for Kimijima-kun….I was already a fan (laughs). When I was in middle school, I saw Kimijima-kun as a model in a fashion magazine, and it made me happy. Both of them are like kind older brothers, so I think it'll be alot of fun for the 3 of us to be in the same dressing room together.

We're off to a good start, and I have a feeling that the teamwork on set will keep getting better. We'll create an interesting show together, so please look forward to it!

-Watanabe Shu's Body-

Head: I'm a super positive person, so I just get through everything with the attitude of, "Well, I'll just figure it out." Who do I take after…..maybe it's a mutation? (laughs).

Ear: I've been told that I have "Hell Ears," because I carefully listen and remember the various things people say (laughs). I don't have any piercings…..making a hole looks like it'd hurt.

Eyes: I used to play sports, so my eyesight is well developed. I can even dodge punches, which I think will help me with action scenes!

Nose: I'm sensitive to the smell of food, and can guess what kind of food it is without looking. By the way, I love the smell of meat. I'm like a cave man (laughs).

Hand: I like to draw, and got the highest scores in art. But, I was more involved with sports, so now I'm abit rusty. Women probably prefer slimmer fingers anyway (laughs).

Mouth: I'm not shy at all, so even if I just met someone, I'll talk to them as much as I can. In other words, I'm annoying (laughs).

Foot: I'm fast! I used to run short distance and hurdle races, but I'm especially good at 400 meters races, and once took 3rd place in a prefectural competition with a time of 51.24 seconds!

Mind: I don't get upset about things too much. Maybe it's because a girl called me "insensitive" when I was in elementary school. Now that I think about it, that word seems to carry a serious meaning (laughs).

OOO: The theme of OOO is "Desire," and my "Desire" was to become a Kamen Rider. I think it's because I kept that in mind that I was able to encounter this production. Now, OOO is "Desire" itself. _

Miura Ryosuke (Ankh)

"Playing the double role of Shingo Izumi, a detective, and Ankh, the monster who possesses him in "Kamen Rider OOO," is Miura Ryosuke-kun. With the aim of, "Playing a beloved monster," he seems to be exploring for new ways to express himself everyday."

-Aiming to become a beloved monster-

I met with the Producer and Director through an interview, where I was given the opportunity to be apart of this production. The day before the interview, I was so nervous because my mind was racing (bitter smile). But, in order for people to understand you, you have to enjoy yourself, so that's what I did, and from the beginning, everyone talked to me in such a friendly manner…..I immediately felt relaxed and at ease.

When I was chosen for the role of Ankh, I thought to myself, "I'm grateful." I've been an actor for about 9 years now, and I was afraid that I'd only be doing on the spot performances. But, I now feel that it's because of my previous experience that I was able to get a role that'll last as long as a year. That's why I'm "grateful."

After filming began, the separation of the roles for Shingo Izumi and Ankh become a major point for me. Director (Ryuta) Tasaki, who shot episodes 1 and 2, asked me to, "Make some differences," for my tone of voice, facial expressions, and movements. Looking at the script, it's obviously different. But, when I tried playing the role, it was very difficult. Shingo becomes possessed by Ankh in the first episode, so we don't know much about his personality. His younger sister (Hina Izumi, played by Riho Takada-chan) is worried about him, so we know he's a good older brother, but, I think he's actually more of a troublesome brother, which is why his sister is so strong (laugh). I'm looking forward to finding out what kind of person Shingo is through Hina.

I'm still struggling with Ankh. The only thing I've clearly decided on, is to make him a "beloved monster." This was also brought up by Director Tasaki. Ankh's ideas and actions are pretty mischievous. One example is in episode 2, when he ate some popsicles, saying the reason was he wanted to, "Get some nourishment" (laughs). I'm sure that if I play the role without hesitating, my character will be loved by everyone. I wonder if Ankh will become more like a human by being with Eiji, or if a monster will always stay a monster…..I can't wait to see how things turn out.

Before we started filming, we had 2 rehearsals, but for the first one, time went by and I wasn't really grasping anything……I was certain that everyone was worried and wondering, "Is this guy gonna be okay?" I was so frustrated, that I would watch anime that reminded me of Ankh, I just couldn't stop thinking about him. I began to think that there was more to him than just being a right hand, and that there was a "heart" to him. Then, at the second rehearsal, I was able to get into being Ankh. The Director actually told me, "You're overdoing it" (laughs), but, those words helped me to get rid of any doubts, and I began to understand the "balance" of being Ankh.

-Creating Ankh together-

I'd like to draw your attention to the craftsmanship of Ankh's arm. It's been finely crafted down to the smallest details, and is very beautiful. It made me wonder how great it'd be to design the whole body. I can't tell you what material it's made of, as it's a trade secret (laughs), but, it's so light that I no longer feel uncomfortable wearing it. The index and middle fingers are my own fingers sticking through, so I can make detailed movements.

I've learned alot from Eitoku-san (Suit Actor), who moves Ankh's arm. Even though only his arm is shown in the show, he uses his whole body to express himself to the fullest. Just when I was thinking that I didn't want to be outdone, I had a very happy experience. The scene in the first episode where Ankh possesses Shingo was expressed through my own arm…..When I performed the moment when Ankh enters his arm and takes over, the camera man called Eitoku-san over and said, "Eitoku, this is how the acting should be done." The person who was filming was able to understand my performance. It made me incredibly happy. It made me think, "I can really do it as Ankh!" Through Eitoku-san and Ankh, I'm learning the importance of expressing my thoughts and feelings from the tips of my fingers, toes, and head.

The Director, makeup artists, costume designers, lighting crew……all of their hard work has been positive, and has helped me with becoming Ankh. I'd like to express myself as much as I can so that you can see it in a better way.

As of now, many of the actors are younger than me, but in the past, I'm often the youngest on set. I'd like to view this from the perspective of an older brother…….I want to, but it's abit difficult (laughs). The teen cast members are all so strong, that they often end up helping me out.

I think that (Watanabe) Shu is "free" in a good way. He says things like, "I want to express it in this way," without hesitation. In this world, people tend to hold back by saying, "I can't do this," or, "I can only do this much," but Shu doesn't have such an attitude. That's why I feel good and at ease when we're together. His presence in my life has grown so much, that I feel like we've already been together for a year. The only thing I wish he'd stop talking about, is his favorite manga. Every day when he comes to the set, he asks me, "Miura-kun, have you read this one?" I'm not really into reading manga, so one of my favorite things to say right now is, "Will I last a year….?" (laughs).

I'm grateful for being on such a set where we can have such innocent conversations. I'd like to build a relationship with Shu and all the cast members, so that we can motivate and support each other even during the hardest shoots. I'd like to work with everyone to grow not only within the work, but myself over the next year.

-Miura Ryosuke's Body-

Head: I'm someone that wants to have "fun." I want to take things in a fun direction, and for people to think, "He's smart." I don't want to show my efforts behind the scenes.

Eyes: I may have a hard time looking at people and other things. But, the feeling of taking in everything is always there. Because by doing so, I'll encounter something that'll move my heart.

Mouth: I like talking, but I'm not good at it. I'm often asked, "What was that last part?," because I tend to get carried away and say things too quickly…..

Nose: Like laundry fresh out of the dryer, I like scents that give off a warm feeling (laughs). Sleeping on them is ideal. Floral fabric softeners are the best.

Mind: I've always been stubborn, and I'm very consistent when it comes to my way of thinking. In order for people to understand that, I have to be firm with myself first.

Foot: I'm not slow, but I don't think I'm fast either. I do like to exercise and dance, and I like to just move my body. I'd be happy if I can make use of that in my action scenes.

Ear: I have really good ears. Even when I'm talking to someone, I can hear the conversations of those next to me, and I'll get angry and say, "What'd you say?!" (laughs).

OOO: This is the "start" for me. I'm confident that what I learn here will remain with me for the rest of my life, so I want to make this an important first step for me.

[echantedtoon]

What If: Hantengu Bros Edition

(Just picture what your quadruplets look like as in the pic below. I don't know the artist or anything else I found image on Pinterest.

DISCLAIMER: THIS WORK IS IN ABSOLUTELY NO WAY CANNON TO DEMON BRIDE AND IS NOT AN ENDING. IT IS A WHAT IF IDEA THAT I THOUGHT WOULD BE FUN TO WRITE. PLEASE KEEP THAT IN MIND GOING FORWARD.

Warnings: Karaku IS his own warning. Possibly some innuendos.

************************************************

Chaos. Noise. Loudness. About as much destruction as you could imagine with four noise makers running around everywhere.

And no. It wasn't them this time.

"Grandpa, tell us again how Papa Sekido got his head stuck in the vase!"

"That story again? You make him retell it ALL THE TIME!!"

You could only sit there and watch amused at the unknown chaos unfolding. But then again that was the regular thing for this family of yours. You barely paid attention to the red eyed boy shooting a scowl to his nearly identical brother. Really the only difference was their attitudes and their eye color matching their colored kimonos. Your eyes only briefly looked up from the kimono you were attempting to sew back together, the tears accidentally left by Urogi's talons from rough housing with the boys again.

"Kido." Said red eyed boy looked at you. "If Kara wants to hear the story again then let him tell it. You don't have to listen if you don't want to."

Said eight year old pouted as his green eyed brother smirked in triumph. "That's not fair! How come Kara always gets to pick what we have to hear!? I want a turn to pick a story!"

You sighed again feeling a familiar fight bubble up but luckily the older man stopped any fight. "S-Stop fighting both of you. I won't t-tell if that's how you're g-g-gonna be about it."

That got both children to quickly shut up despite Kido pouting and crossing his arms. Well at least one problem was solved.

"He has a dam point! Why do you always have to hear about my embarrassment!?" Aaand here we go again as the older version of Kido glared angrily. "Why don't you ask him to explain how Karaku kept breaking things with his dam wind?! Or when Urogi kept crashing into a tree!? Something other than me!"

"Aw. C'mon, Sekido. It's just funnier when you're embarrassed.~"

"NO ONE ASKED YOU, KARAKU!!"

You again groaned and turned to two of the grown children. Sekido was glaring at Karaku from his place sitting as Karaku only smirked in a teasing manner no doubt amused by his daily task of filing up Sekido again. Gee. And you wondered where your kids got their dynamics from?

"Will you four keep it down? Rogi's,still napping and you four are gonna wake him up again."

You were getting really tired of their bickering now. It was getting really annoying and the stirring body slumped against your side gave you more of a reason. A third child identical to the first two slept soundly against your back exhausted from the amount of playtime initiated by Urogi earlier that day. Only difference between him and the first two was the yellow eyes hidden by the closed eyelids. It was a miracle your son hadn't woken up by the yelling from earlier. Either Rogi was a deep sleeper or he was so used by now to his fathers' and brothers' bickering that he could just sleep through it at this point. But you'd rather not have anymore yelling because of the upcoming headache that was threatening to make you rain your wrath upon the bickering adults. 

"You're not having to live through the embarrassment daily-"

"You're giving me a headache, Sekido. So help me I'll wring you out like laundry and hang you up on the coat wrack." The red eyed man quickly shut up as you glared at him.

"A-All of you stop fighting. Y-Y-You're all scaring me with your fighting." Said older demon raised a shaking hand up to rub his head.

"Sorry, Mr. Hantengu." 

Said protest seemed to end any and all arguments between Sekido, Karaku, and their little mini mes as Rogi just continued to snore away noisily at your side blissfully unaware of the daily arguments between your kids and their fathers. Sigh. You definitely had your hands full didn't you? Speaking of which..You were wondering where your other two children and their fathers were? Urogi and Aizetsu had taken Zetsu out for some quiet time away from his other rowdy brothers and they had been gone for a few decent hours. Rui was still out too so you were starting to wonder where he was too. As if the universe answered your questioning thoughts, the sliding door opened making all six of your heads turn to the door except for Rogi who still slept away.

"Heeeyy! Guess Who's Back! Did you miss us?," sang a familiar voice as none other than a harpy walked through the door. He waved one taloned hand at you while he held your fourth and final child in his arms clinging to him. 

Aizetsu walked in right behind Urogi and silently closed the door behind him. Your brow rose not seeing Rui among them. Where was your oldest? "Where's Rui?"

"He and Zoha decided to train some more. They'll be back later," Urogi waved you off with a shrug before spotting the sleeping yellow kimono wearing child leaning against you. "There's my boy!" 

Aizetsu blinked as Zetsu was quickly handed over to him and Urogi excited dove for Rogi- Only to land flat on his face when you quickly scooped up the sleeping boy away from him. Immediately two children and Karaku started cackling at the sight of Urogi dazedly looking up. Rogi being suddenly jostled tiredly blinked his yellow eyes open with a yawn. 

"Urogi, be careful!", you scolded the harpy that looked up at you with a kicked puppy look. "You need to be careful with your talons! You could accidentally hurt him!" You cradled the boy in your arms. Seeing your face, Rogi opted to slot himself against your shoulder shuffling against you before tiredly closing his eyes again. You sighed. "You keep forgetting that."

"I only wanted to hold him," Urogi whined sitting up and pouting. "I would've been careful! I always am!" Your rose your brow at him. "...Ok. I'm careful MOST of the time!"

"Debatable."

"Mama!" A blue eyed boy quickly wriggled around until Aizetsu placed him down. Zetsu immediately ran over and threw his arms around your right side which you welcomed with a smile. "Did you miss me?"

"Yes I did." You smiled wider. "I'm also almost done patching up your kimono. You should have it back soon."

Blue eyes lit up at you in excited. "Really?!"

"Hey, Zetsu! Come sit!" Zetsu turned to where his brother beckoned him to join them. "Grandpa's gonna tell us a story!"

"Is it the one where Papa Sekido gets his head stuck in a vase again?"

"WHY CAN'T ANYONE JUST LET THE PAST LIE!? IT WAS ONE TIME!! JUST. ONE. TIME!!"

You only sighed as you felt another fight coming on.

[lemon-pear]

Digimon 02 Countdown, Day 6 (Prompt: Diaboromon Strikes Back)

If you’ve been following me for a while, you might be surprised to see that I didn’t draw anything related to Hurricane Touchdown today… but I really wanted to make sure I showed some love to the other 02 movie, because it’s amazing and incredible and so much fun to watch!

I absolutely adore Bike Girl, and her and Jyou Kido's (assumed) meet-cute during Jyou’s attempt to get Daisuke and Ken to Tokyo Bay. They hang out for the whole rest of the movie, and I imagine they had quite a bit to talk about after the battle, before they part ways. I'm only sorry that I can't draw bikes very well (just don't look too closely and you won't notice my mistakes!).

This is an excellent ship and I am 100% here for it :3

[o0o0thorn0o0o]

I be back.

Images by themselves below the cut because I spent way too much time on them + text because I’ve been gone for a while—‘course I got a lotta say.

It’s certainly been a while, eh? I did this last cour, too, and I swear to God if I do this for the next cour… Worst part is, I haven’t even watched it yet this time, rip :,) Will definitely do sometime later today, for sure, for sure.

So, I meant to get this done for IchiHime week (and look at how that turned out, haha), but not only was July a month full of pleasure, but it was also full of pain work. I was bordering a D for Orgo, so I spent a good portion prioritizing that—and it wasn’t for naught! Not only did I pass, but I went from a C- to a B! A freaking B, not even a B-!!! I’m still so shocked… I also ended up with over a 100 for lab, but I honestly kinda expected that. I’m just so glad I graduated without failing Orgo 2. Was infinitely better than Orgo 1, but goodbye, will never see you again. If I ever do, it’ll be too soon… Had hella good professors, though. That, I will say.

I go from ranting about Orgo to raving, even though it’s almost been a month… Oops ^^” The grade just still makes me so giddy, haha. Anyway, been mainly prioritizing drawing this (plus a part two to this, which I do have done as well, but I will be posting that sometime later today), though I did spend a good portion of the first half of this month rebooting my personal writing club. Enough about where I’ve been—let’s talk about the piece, shall we?

So, this was originally just an art idea I knew I wanted to do later, and when I saw what the first prompt was, it automatically came to the forefront of my mind. That, plus with the idea I eventually got for the second prompt, I really just had to. I actually probably could’ve gotten this done in a more reasonable time, but, see, when things are just an idea, I don’t put too, too much thought into them—only enough to consider them neat or substantial or something.

When it actually came to it, I found myself at a dilemma of just how faithful I wanted to stick with Orihime’s confession. Originally, I thought about incorporating the five specific things she mentioned into different past lives, but then I realized the timelines wouldn’t really make sense with what I was going for, especially considering Soul Society and stuff, which I had not thought about. So I kinda had to choose between previous lives or parallel lives. I initially went with the latter, but… idk, last minute, like the week of, I decided after checking the prompt list one more time that, nah, I definitely wanted previous lives. So, uh… yeah… I might still end up making a parallel lives version of this in the future, ‘cause I did like those ideas, too. We’ll see.

Anyway, I did try to make them at least somewhat reminiscent of the five things: Orihime and Hikoboshi are related to the astronaut thing ‘cause of space and stars and stuff. Heian Period IchiHime, well, it’s a bit of stretch, but I couldn’t really fit donuts in here since the timeline between them and the introduction of ice cream and the current timeline would’ve made one/two of these lives tragically short without even factoring in Soul Society—nothing wrong with tragedy, but not for this post, haha. So I went with small Chinese cakes ‘cause they’re a sweet? And they’d definitely be a very rare and special treat, so… idk.

Shinigami IchiHime’s also a bit of a stretch? You’d think I’d have the easiest time with being a teacher sometime in history, but I ended up sticking it here, and I was adamant I wanted to draw them in their academy days. So, you’ve got Orihime teaching Ichigo some kido techniques or something, idk. Maybe there’s also a kido equivalent to the dummy Hollow thing? And Orihime has a similar/equivalent position to Shuuhei for that? Idk, am just spitballing here to justify myself even though I know I don’t have to.

Then finally, we got Edo Period IchiHime, with Ichigo introducing ice cream to Orihime for the first time ever. And then of course, I shouldn’t have to explain the last one, haha.

Oh, God, I have so much to catch up on… which I will do later. And hey, since my scheduled posts are all up, I guess I’ll just use my queue to reblog posts I’ve missed since Ik I definitely will be reblogging a lot—don’t wanna bombard you with a ton of posts, aha. I will be making them daily instead of weekly, though, so that I’m not stashing them for too long. Starting tomorrow.

[wishamongtheflowers]

Sound

Kido ran her eyes on every record of several victims for the upteenth time.

"Stray dogs!? You're telling me stray dogs are killing people!"

"I'm sorry that I can't exactly identify the bite marks or the teeth. For all I know it could be a person with unique teeth."

The sheriff could only sigh. Just his luck.

"First it's everyone who is incompetent to where I have to rely on a teenager, now this!" He could only shake his his.

"I'll keep working on all this. It's still the gray faze."

He groaned wondering out of his office, "I'm going to go get a drink."

Kido just looked at all the images and reports she chose to bring.

"Excuse me, Ms. Mukai, " Kido turned around to find a man in the doorway, "can I barrow you for just a minute."

The man's badge made it obvious to her. Future Foundation employee.

"It much be important given your badge. Don't see your rank around here much."

"Yeah we usually handle in foundation matters. I hope you don't mind."

A pull. Not any other pull dragged her. Divine Luck's own desire. It wants whatever offer he has.

"If it gets me away from work for a bit I'll obliged."

"Let's discuss this in a private area."

"Of course."

Kido held some papers as she walked out of the building. This isn't luck but chance. It's her luck which wants success. She's honest with herself. She wanted to have abundance.

"He said it's cause of the Ultimate Hope disappearance cause of Junko. From the way he was talking, I've been selected given my work. This better be worth it. It'll be the last piece of the puzzle for me."

"It will be worth it. You've been blessed with luck and a second chance in this world."

She noticed her mind seeped out of reality. She kept calm, unconcerned by what was going on.

"I wouldn't call being undead as a second chance. The divine luck isn't separate from me. It's also me, just like you."

"It is true your luck and I are you but," Kido felt some warmth sliding under her clothes, "you're a horseman. Ever sense you'd been my pet, you always fought. Even now I can tell you've gotten stronger."

"Could you please stop."

"Aw, I guess you don't want to be petted." The warmth left, thankfully.

"I'm wondering why you want to talk. You haven't appeared in some time."

"You know why. Soon he'll remember you as the Siren who taught him how to swim and the angel who set humanity free. You'll finally be rejoined with one of the original blessing."

"That..."

"Your wishes aren't his. He'll open his eyes just like you, for a second time. He'll know you as his. Don't deny it. I can tell you're morality isn't black or white anymore. Your undead but you still wish his love to return."

"Your right. I just want him to be happy. We thought this was the only way. We're both wrong. We'll have to make it right."

"Good pet. Now grow stronger than even I hope for."

It was all in her head. It wasn't a surprise as anyone would gain a mental illness if they gone through what she had. Being undead of course was an obvious cause of her warped mind. With her awareness of her illness she found a comfort in her delusional state. To have someone just there even if they're just an illusion ment a lot.

Kido didn't see a figure around so she can assume her delusional state has lessed to normalcy. A click echoed through her sanctuary's still veins. The last part came by chance over the mouths of stillness.

"Proxy should be here in an hour or so. I'll get started setting some things up." Kido's footsteps ran ahead of her.

A part of her knew something would happen either way. All she can do is wish for the best outcome.

---------------------[Tags]-----------------------

@after-neo-world and anyone else cause idk

:3

[j-u-u-z-o]

helloooo, I see that the request are open and I finally decided to leave one. can be of kenpachi zaraki x fem s/o, in how kenpachi fell in love with s/o. maybe where the s/o is a complete different person: petite, shy, is a medic.

it can be headcanons or scenario, as it is easier for you. thank you very much if you accept and do it, have a nice day 🤍

Heyy anon c:

Aww this is such a cute idea! There is a similar fic (kenpachi x medic reader; I read it several times) that it inspired me to write this scenario -mixed-headcanon. Also, I wrote this while I was at work lol. Enjoy ❤️😚

So I’ll link it here:

Warning: grammar, fluff, more fluff, Kenny the staller.

——————————————————————————

You’re one the most hardworking, caring and kind person in squad 4. Kenny’s men gush over how cute you are when you focus on your work -like your healing abilities

Sometimes they would cat-call you to a point where Kenny would come inside the patient room and bark at them for being too loud and annoying because he right next door lol.

You yelped at his sudden demeanor after he threatened to spar with them if they don’t leave you alone. Yes. That was when you turned and looked up at the big tall man. Speechless at what he said. He looked at you too - with a blank face and walked out the room.

You didn’t know Kenny would defend you from his rowdy men in the room. You should have thanked him for quieting his “hens” but you’re too shy to tell him. The men inside the room were sitting real tight on the bed after what their captain said. Lips zipped shut as you finished healing them.

You knocked on the door and let Kenny know that you’re coming in. He grunted in response and you opened the door. You placed your files, and medical kits on the table.

He watched you from where he sat on the chair. It very quiet in the room. It’s awkward. You haven’t even looked at him since you walked in the room; only focused on what’s in front of you to distract you. His deep exhales fills the room which makes you wonder if you’re trapped inside the room with a lion. But you took a deep breath and walked to the seemingly scary shinigami.

He’s sitting in the stool and his big figure doesn’t make him any more smaller as you’re now standing in front of him. You brought up your stethoscope to his chest and listened to his “pulse” (if shinigami’s have any lol). He looked down at you and at your hand moving it across his chest.

You finished all the proper check-ups before you started to get the gauze wrap to work it around his waist.

“I don’t need that stuff. I’m used to it.”

“…” you almost paused as you walked to him again with the bandage wrap. “The wound is deep, Kenpachi. I…must heal if first.” You said. He grunted in response. It almost sounded like a growl but he submits. You started your healing kido.

The gash on the side of his waist is deep but not too bad, you think. Too focused on your healing, kenpachi js mesmerized by the way you look. You felt his eyes on you. It felt like daggers. But you quickly looked up and saw eyes looking at you,softly. And you quickly looked down.

“Sorry. If I scared you earlier.”

Your eyes widened as you were still healing him. “You…you didn’t scare me. You were just…telling them to stop.” You said still focused on your kido. “Thank you,Kenpachi.” You looked up at the man who acknowledged your gratitude.

A few days past.

Kenpachi would randomly walk in the hospital demanding you to heal him. Sounds rude, I know. Some medics thought it was weird because they can do it. But he’d actually growl at them and threaten to tear them apart if they don’t direct him to you.

Hanataro bravely directed him to an empty room and told him to sit down. Minutes passed you opened the door. It’s Kenpachi. Lately he’s been doing this for a while but you only smiled.

“What..did you do this time, kenpachi?” You softly.

“Hah? What do you mean? I’m hurt..” His face quirked, hiding his intention.

He’s hurt. I thought he was already used to it. You think. “Sure.” You smiled. “Where does it hurt”? You asked.

He lifted up his wrist and showed a bump on it. Like a baby. Without a doubt, you soft hands held his wrist and felt the bumb. A green aura Illuminated your faces and watched the soreness go away.

He never felt such small and soft hands touch opposite of his own. “Oi.”

“Hm?” You looked up and let go of his wrist.

“Thank you.” He looked at you, softly.

“You’re welcome…ask for me whenever you’re injured again” you said softly and giggled.

He grunts in approval and smirked. He watched you when you turned around to pick up your medical kits and files, and left the room. Only remembering the good things you did for him.

“I need to spar with them again.” He mumbled.

[crayonkant]

Misumi is in the picture

I've been having a fuzzy feeling that Misumi is somehow involved in the current action plot. Here is my best case for this.

-----

We meet Kai in Chapter 45. He's getting the report from Kido's partner who escaped from Kamiya after the cafe meeting:

There is so much to unpack here: the identity of the Kumichou; the relationship between the Sakura and the Kumichou (why does K need to know if Kai et al enter into a fight with the Sakura?); the reference of the 'we' who still owe Tsunakawa; and the nature of that obligation.

But what really attracted my attention is the panel immediately after. We see him from the back, a central figure with black coat, white scarf and grey hair. He is someone that Kai knows. From the perspective of the drawing , we can speculate that Kai might be in the second row behind this person.

So, who is this figure?

How does the image map to the text? when Kai says "Kumichou surely must hate that guy's guts as well", it is possible to understand the figure in the picture as the referent of either Kumichou (with Tsunakawa possibly being "that guy", based on context) or "that guy" who is hated by the Kumichou.

I have been skimming over the story in my don quixotic attempt to reconstruct the day-by-day timeline of the story (shameless plug for a future post: chapter 54 brings us to day 7) and THIS page from chapter43 gave me a heart-attack:

Misumi from chapter 43, 4 years ago from the present day, at the meeting with a desperate Doumeki who wants to prove his worth VS. the person in Kai's recollection in chapter 45. It's the same person!

... and here I run out of breath. Yashiro does not know Kai, but Doumeki and Tsunakawa do. I don't have evidence yet for this theory, but it is one of the possible ones: that Misumi is trying to lure Yashiro back in through Kai/ Kido - Kido who was playing a double game - and Tsunakawa's group got involved literally by accident. And let's not forget the mistery of the 200 mil that Doumeki magicked...

[yuukei-yikes]

care for my kagepro au inspired by phineas and ferb across the 2nd dimension where they hang out in a dark undisclosed location and they all have knives

this is extremely over the top and supposed to be funny btw. ayano's plot hole plan that makes no sense doesn't work but from another angle. she gets spit back from the daze in the same way it doesn't make sense for her to stay in there and she's still in THE AIR FROM JUMPING so erm she shatters a leg and maybe her spine too. fun times. she walks with a limp now

ayano in the daze's like. but i wanted this -> i deserved this -> im guilty i got what i wanted though -> i deserve punishment -> this IS punishment -> but i wanted this (restart) SO in this scenario where she survived she's still struggling with guilt because she DARED try to take the easy way out when she knew her siblings needed her. so now she's edgelord I must protect my siblings i dont deserve my cape (edgily puts scarf away) also the eyepatch is for extra edgelord vibes but i think it'd be cool if she can't control favoring because she's so all over the place so it's always active, and since she feels so much regret she can only project that one memory of her jumping to ppl. sad. so she covers it for the sake of everyone.

because of ayano's survival it's evident kenjirou is posessed so ayano+mekatrio move out immediately and are in actual hiding from him. that's why they're at undisclosed location. seto brings mary with them. so ayano's like ok, saeru wants all the snakes together, they're all gonna gather anyway it's better to have them all in one place and have eyes on them. so she starts the gathering process herself. in this saeru is extremely just Out There cartoonishly taking over the city style i told you this is based on phineas and ferb. i told you. btw the joke is that it's insanely over the top. i just find it episodic and joyful.

also ayano's cold to shintaro because she can't afford to have her feelings for him distract her, she has no right to normal teenage girl feelings like a CRUSH. but shintaro still believes kano as ayano saying IT'S ALL YOUR FAULT was the real ayano which matches with her new behaviour towards him so he's extremely pathetic about it. he's with her through her entire recovery and becomes her right hand man which the trio HAAATE bc ayano doesn't let them do anything but shintaro can always come<3 their missions go from buying groceries to saving haruka and takane from the evil lab to kidnapping hibiya and hiyori. shit like that.

they get hibiya and hiyori and it's their BIGGEST PRIORITY to protect them because they're saeru's next target and if they can avoid having all snakes out it's by making sure these 2 stay alive. erm they don't wanna be there though. it's dark in here and you're all weird as hell. momo is tasked with babysitting them. she's not happy about it.

momo never gets her money controlled, dropped out from school since day 1 and the fame got to her head so she's kinda awful. she's the only one allowed out of wherever the fuck they are because of work she's literally the one paying 4 everything. toxic yuri situation with kido who has one side of their head shaved. you know how it goes. also kido acts rly tough like they're out there killing thugs and goons but mostly they just make food

takane is the medic in the same way barbers used to be surgeons in the middle age which means everyone tries really hard not to get hurt so they don't have to go to her. also saeru's whole Experiments on haruka and takane thing is a lot more evil and ermmm she has one less leg and she's permanently connected to a reactor thing of sorts so she's also the team's tech! woohoo!! it's unknown whether she got opening eyes or not because she has no idea how to activate it which makes ayano rly frustrated. same goes for haruka who has not woken up since aug 15. which is the main reason takane started watching youtube tutorials on medicine. get you a girl who will take care of you if you're in a coma and there is no access to a hospital.

seto and mary wield weapons for one reason or another. kano is extremely guilty about shintaro's guilt but also hates him more than ever bc ayano won't trust him anymore and now shintaro's the one knowing everything. probably some doomed yaoi in there somewhere. this is my evil kagepro au

[troius]

I said I'd follow the gender/sexuality character themes for Giselle and Yumichika as this encounter progressed, and this was one of the moments I had in mind when I was writing that post. Because Yumichika uses Kido.

That's huge! The whole conflict of Yumichika's character centered around him avoiding open use of his Kido-type zanpakuto because it's "unmanly" by the standards of Squad 11, and especially Ikkaku. And yet here he jumps straight to supporting Ikkaku with Kido. It's a sign of massive character growth, mirroring that which we saw with Ikkaku back during the Fullbringer fight with Moe.

But it also sort of undercuts the idea here that any of this stuff with Giselle was meant to cast a negative light on Yumichika's character. This is as close as we're going to get to the author saying "he's figured himself out".