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milehighmegs · 2 days

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The Window Theory

This is kind of a two-parter, and a bit long and circular, but it all connects, so just bear with me 😁

So, I just finished my 42598302621827732263435th re-watch of S2E6. When Beez says, "I just found something more important than taking sides," and she & Gabe join hands, Zira touches Crowley's arm. Ya know, this touch:

Look at Zira's face. I think, maybe- just MAYBE- Zira finally realizes that this is what Crowley's been talking about every time he's said, "our side." He reaches out to Crowley, but because he can't actually speak at that moment, it's his way of saying, "Oh my god. I get it now. I completely understand." And if you watch a bit longer, when Crowley walks away to take Nina & Maggie out of the shop, he keeps reaching for Crowley (couldn't find a GIF of it, but it's there). Almost like he's saying, "oh, oh yes, we are going to have a VERY good talk when this is all wrapped up."

There's also an element of "we're not the only ones," and "maybe, if the Supreme Archangel of Heaven can fall for the Grand Duke of Hell, this isn't as bad as I've been telling myself it is." If Gabelzebub haven't been- smote? smited? smitten- by God or devoured by Satan for falling in love (and not being coy or secretive about it), maybe Zira is FINALLY ready to actually be with Crowley, in the open, and without fear.

But we all know what happened after that.

Yes, Metatron is a bastard. But (and this is just a bit of a theory here) in telling Zira that he (Metatron) knew about the "de facto partnership" with Crowley, and then later about the Second Coming, he gave the whole game away**. Zira thought that Heaven wasn't watching all that closely. And maybe they weren't, right up until the two of them thwarted the Nopocalypse, but looked into the records and found out what they'd been up to for millennia. What Zira knows now is that not only are they aware of it, they are fully prepared to use it as a threat against him, but more so against Crowley. At that moment, however, that's all he knows. Metatron didn't mention the plans for the Second Coming until after The Kiss™. So after accepting Metatron's offer and desperately trying to convince Crowley to come with him and failing, but before the Jesus 2.0 bomb, Zira is visibly shaken (I mean, I would be too if I had just accepted that I COULD be with the love of my life, then got kissed like THAT by them, only to be broken up with right after they told me that they felt we'd been together all along). He didn't have a plan to protect Crowley. He didn’t think he needed one because he was so sure that his offer to go to Heaven would be accepted. He figured it was a given, knowing & understanding now that Crowley wanted to be with him, and part of the reinstatement of Crowley as an angel would facilitate that.

Now that Crowley has refused, Zira doesn't know what to do. He didn't have a backup plan. And he still, at that point, doesn't really know what Metatron needs him for. It's why he hesitates to leave at first. For the first time since The Arrangement, he doesn’t have a partner. He's alone, trying to figure things out, trying to find some way, ANY way, to make this work. He keeps looking out the window, ostensibly at Crowley, but... did you notice that we're never actually shown WHAT he's looking at? I have a feeling we'll find out in S3 what it is, but for now, he's flustered, anxious, and of course still reeling from what had just happened. He looks out the window a second time, and just, like... suddenly snaps out of it. We can tell, as the audience, that there's a lot of game face happening here, because we know Zira: we know his mannerisms, his moods, his reactions to certain things. And we also know he's smart. But I digress.

Something occurs to him (or he sees something out the window), which is why he suddenly feigns detachment and goes with Metatron. The wheels start to churn, but only insofar as it has to do with protecting Crowley. When the Second Coming plans for Supreme Archangel Aziraphale are dropped, everything changes. EVERYTHING. He suddenly realizes that the whole purpose of the offer, and the chance to take Crowley with him, was a trap. Metatron knew Crowley would refuse, and having made the threat, he knew Zira wouldn’t refuse. Zira understands the offer’s true purpose was to separate them so that they couldn't prevent another apocalypse. So now, not only is Crowley's life at risk, but Earth is once again under the threat of annihilation, and he doesn't have the one person he's always been able to rely on to help him prevent it. He goes with Metatron because he knows it's the only thing he can do to protect Earth AND his beloved.

That one last look at Crowley... I don't know, maybe something had passed between them through the window that we don't yet know about. Maybe Zira just had a sudden realization that had nothing to do with what he was looking at (perhaps the bullet catch mentioned below**?). Whatever the case, hearing about Armagedd-it's-back-on was a seismic shift in his attitude. You can see it in his demeanor: he’s no longer flustered, no longer searching for answers, no longer anxious about what happens next. In short, SHIT JUST GOT REAL. Because of this, Zira has to once again think fast, but keep Crowley in the dark, and get to work. That ride up in the elevator was spent hatching the most clever, most ingenious, dare I say the most devilish plan the Universe has ever seen. He is really and truly on OUR side now, the side that he & Crowley had been on for millennia, the side he was no longer pretending to NOT be on, the side that he finally stepped into with perfect love and perfect trust. With no way to tell Crowley about the Second Coming and therefore what he was planning, it seems like he chose Heaven over love. But he didn't. He did choose Crowley, but he also chose Earth, and in reality, he chose "us." It's just going to have to wait.

**If you wanna go really deep with this, the whole reason for the bullet catch episode was to mirror Furfur’s threat with the Metatron’s, and Furfur also revealed the plan too soon (I think there’s also another reason for this episode, details below). Like a bad Bond villain, they were too cocky. In 1941, Zira was able to think fast, palm the photo, and protect him & Crowley. But note that he didn’t tell Crowley what he was doing (there was neither time nor opportunity); Crowley only found out after the fact, when they were having dinner later. Zira protected "us" even then because only hours before, he realized that he loved Crowley and (I'm pretty sure) that Crowley loved him back. At the time, however, he didn't think anything could come of it. But that touch in the bookshop... that's when he knew. So when Metatron made the offer, there was no need to protect anything because he thought Crowley would come back to Heaven. Since that went down like a lead balloon, Zira is left helpless & scrambling. Then that look out the window... I think Zira remembered the bullet catch. That silent "trust me." The “aim for my mouth then shoot past my ear.” The diversion tactic. Again, until the Second Coming plans are revealed, Zira only plans to find a way to protect Crowley in secret. When the stakes rise, Zira ups his game. THAT’S the reason for the changing looks on his face on the elevator ride. THAT’s what the smile is about. He’s doing the calculations, setting up the illusion, perfecting the con. And just like the magic act he & Crowley pulled when they saved Job’s children, just like when Crowley seemed to be the random volunteer to pull the trigger, Zira knows his partner will be there to help him pull it off one more time. Even if it means leaving him, leaving him in the dark once again.

#good omens #ineffable #aziraphale #crowley #aziraphale x crowley #good omens season 3 #good omens season 2 #go s 3 #go s 2 #good omens theory #good omens analysis #aziracrow

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humbledragon669 · 1 day

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S2E1 - The Arrival Write Up P3 - the Present Day from the introduction of Maggie and Nina up to The Box

Alright, I’ve already written two whole blogs on this episode and I haven’t even gotten through the first 15 minutes of it so let’s jump straight in with Nina’s opening line:

NINA: See anything you fancy?

I mean, if that’s not a blatant display of foreshadowing, I don’t know what else you need. And given Maggie’s rather shy disposition, I have to say I think she handles it pretty well. Goodness knows what must be going through her head. Actually, I think I know exactly what’s going through her head:

I think she pulls it off. Just. What I find interesting about Nina’s response is that she simultaneously manages to flatter Maggie by remembering her order and highlight that she’s completely distanced from her by referring to her as the drink she orders.

NINA: You’re a skinny latte.

I mean, I don’t know about you, but I’d much rather the love of my life call me by my name, rather than by the coffee I order. Maggie doesn’t seem to care though, she’s just delighted that Nina remembers anything about her:

That delight lasts all of a few seconds before Nina manages to give her another label that she’s probably not looking for – that of “a regular”. It’s a little painful to see the joy on Maggie’s face dissolve into disappointment as she realises that the reason her coffee order has been recalled is more to do with the frequency of her attendance in the coffee shop than the object of her desires actually paying her any attention.

Now I don’t know about you, but I had already formed an opinion about Nina by this point in the show, and that opinion is that she’s not very nice. Here’s the line that did it for me:

NINA: You work in the record shop don’t you? Don’t know who actually buys records in this day and age.

I mean, really? The owner of a boutique record shop, one of your customers, someone you barely know, has come to support your own local business, and you repay their loyalty by undermining their career choice? At the very least, I’d call that rude. There are a couple of extenuating circumstances around this that I would like to look at, and they are pretty starkly contrasting – let’s start with the bad vibes first.

I have seen it said before that female characters in the creator’s work are grossly subject to sexist bias. I can fully understand that stance – if we look at the female characters in the original Good Omens novel, we can see that women are characterised as inherently “bad” (the nuns), stupid (Madame Tracy was explicitly described as such), or overly sexualised (the physical appearances of both Anathema and War are regularly described with regards to their attractiveness). If that’s true, we can see those characterisations continuing here – Nina is the “bad” character, Maggie the “stupid” one (not my personal opinion!). This all makes me very uncomfortable.

The good vibes scenario is to do with positive representation of neurodivergence. We know that both characters are based on the real-life personalities of the actors playing them; it’s largely why they both kept their own names. We also know that Maggie Service herself is neurodivergent, which her social awkwardness could potentially be attributed to. What if Nina (the character, I make no claims about Nina Sosanya) is also neurodivergent? That might explain her bluntness in this particular situation – she’s just saying what she’s thinking after all. Given that that the author himself has confirmed that both Crowley and Aziraphale show neurodivergent behaviours, and that it’s fairly common fandom opinion that Nina and Maggie are a mirror for Crowley and Aziraphale, that would strengthen that theory. Not to mention that the show as a whole works to showcase equality for all, whether it be in terms of sexuality, ability, or race/creed.

I think we would all say that we’d rather the latter of these two possibilities is actually what the show is aiming for. There’s just something about the first possibility that nags at me though. I want to believe it’s the second thing (even if that makes me quick to judge), I really do. Perhaps recent events have just made me very cynical. *sigh* Shall we move on to naked John Hamm?

Can we just take a moment to appreciate how tongue-in-cheek accurate the exclamation that both Maggie and Nina choose to use is? Gabriel being both “holy” and, from what we’ve seen so far, an absolute “shit”. Love it. On another quick side note, somebody forgot to make sure that this extra knew how to use a phone convincingly:

What exactly is she doing, smashing away at her phone screen like that? Multiple pictures perhaps, but it seems unlikely.

Continuing on Gabriel’s skyclad promenade, we’re introduced to some no longer inanimate tomatoes. I feel like there has been quite a lot of discussion about that shot, which is not surprising given that the editors have gone out of their way to include it. Maybe the stall was knocked by somebody on their way to try and get a glimpse of the naked man (not unlikely), but we don’t get any suggestion of that. A few of them even roll across the road, causing Gabriel to step over them. Honestly, I don’t have any theories about this single shot, but I do wonder if there might have been a bit more in the original script for the episode. Having completed the script-to-screen comparisons, it was evident that the author wrote (often unnecessarily) extensive stage directions; perhaps there was something in those that would have explained this singular shot. If anybody has any thoughts, let me know – I do like the idea of Gabriel “upsetting the apple cart” but I don’t know why they wouldn’t just have used apples in that was the case, particularly as there are already some right there on the stall:

Alright, next point of note. Gabriel goes directly to the bookshop door. Do not pass Go, do not collect £200. He walks straight past the door in the pub that we later come to see is the door to the elevator to Heaven. Something to bear in mind here is that we don’t actually know where Gabriel has come from to get here and he already has quite the following as he walks down Whickber Street. How long has he been walking through the streets of London in his state of undress?! Considering how little information he has retained from his tenure as supreme archangel, he must have some sort of strange homing beacon to know to go to Aziraphale’s bookshop.

Next question – why does Aziraphale treat his record so roughly when he’s interrupted by Gabriel knocking on the door? Considering the fact that he explicitly says that this type of record can be difficult to obtain, and the pleasure he clearly gets from listening to them, why risk scratching the one playing with his actions? As a matter of fact, have we ever had any indication that Shostakovich is one of Aziraphale’s favoured composers? He wasn’t on the list that Crowley reeled off in St. James’s Park all those years ago when the Antichrist was born, not even on the slightly extended version in the book. Urgh, there’s that ridiculous thought again – that’s not Aziraphale. I seriously can’t see how that thought could play out long term, but this is certainly uncharacteristic behaviour from our angel.

Alright, that’s quite enough of the questions for now. Let’s have a look at this delicious sequence of micro-expressions from Aziraphale when he opens the door:

Aside from the fact that the first thing he pays any attention to (despite the fact that Gabriel is standing not more than a foot away from him) is the crowd of people amassed outside the book shop (something I think is probably influenced by what I take to be a reflexive look to the Bentley’s usual parking space), what I find very interesting about this is that he doesn’t register any shock until he sees Gabriel’s face. Let me repeat that for a second and let it sink in – he’s not shocked that there’s a naked man on his doorstep, he’s shocked that it’s Gabriel. And if that wasn’t enough food for thought, tell me these are the hands of a being who isn’t hardwired to return an embrace:

Those fingers are curled people. Reflexively grabbing. He’s also raised them to return the embrace (when you look at the previous shot, they’re relaxed by his sides). Probably good for him that his common-sense kicks in and stops him from completing the action he has started instinctively – maybe that’s something to do with whatever it is that catches his attention here:

I want to talk a little bit about Gabriel’s demeanour in this sequence. It’s clear that he has no idea that nakedness is a thing that isn’t really done in public. In fact, he appears not to even understand the concept of being naked at all:

GABRIEL: Who told you I was naked?

A little while ago, I’m pretty sure I read a post about this particular quote being a biblical reference to Adam not knowing what nudity is, or its connotations, until after he eats the apple. If anybody knows where this is, I’d be grateful for the link, as I couldn’t find it. Google has informed me that the Christian lore is that Adam felt no shame about his nudity until after eating the forbidden fruit. What I find really interesting about the parallel with this scene is that whilst Gabriel feels no shame for being naked, Aziraphale is fully aware of the connotations with nakedness in human society. More importantly, he’s clearly experiencing an emotional response to the situation. I take this to be a clear indicator that he has truly “left the garden” and embraced humanity; my thinking is that the knowledge of nakedness might prompt the angel to inform Gabriel of the nakedness but wouldn’t invoke an emotional reaction. Which, to be fair, he might not be feeling so strongly if he would just stop LOOKING AT IT.

So I lied, I do have one more question about this scene, and it’s to do with Aziraphale’s response to Gabriel asking if he can come in.

That’s a pretty strong, even physical, response. What I’d quite like to know is how much of it is because Gabriel is naked, and how much is that Gabriel is… well, Gabriel. Personally, the latter of those two options doesn’t sit right; Aziraphale doesn’t really know what’s going on with Gabriel at this point, but he does know that he doesn’t appear to have any memories that would make him a threat. And let’s not forget to mention the change in his eye colour – they were purple in the first season, now they’re just John Hamm-coloured (which makes me wonder what exactly it is that causes the eye colouration in the first place). It’s clear that the man standing on the bookshop doorstep is not the supreme archangel that Aziraphale had come to fear in season 1, and Gabriel has actually been more than pleasant (nudity aside) up to this point. So that would suggest the violence of that reaction is largely to do with the nakedness, which brings us back to the whole “Aziraphale has left the Garden” point I made earlier. Not to mention that having a naked man in his shop, regardless of the identity of said man, is not going to go down well with his husband Crowley. But I’m getting ahead of myself.

Quick point to reiterate what I was saying about Nina earlier on.

I mean, this just feels downright rude to me. It’s not the deliberate attempt to keep Maggie at a distance by insisting on referring to her as her coffee order, it’s the dismissive “I know who you are” (which is delivered immediately after the two of them seem to share a joke between them). Honestly, I feel like Maggie could do better for herself at this point. Anywho.

Moving swiftly through the tiny scene with Michael’s celestial telephone conversation, the next thing we see is Aziraphale being a lovely host to his new naked manfriend.

Ah lovely. Wait, what? Doesn’t Gabriel abhor the idea of consuming human food and drink?

Yes, yes he does. So what initially appears to be a charming gesture of welcome from the principality is actually a beautifully subtle (and actually quite malicious, given Gabriel’s acute vulnerability here, what with the memory lost) “fuck you”. And all delivered with some helpful information about what it’s called and what to do with it. Just another little reminder that Aziraphale is very capable of indulging in some deliciously demonic characteristics when it suits him.

I’m really interested in how this whole memory loss thing actually functions – it’s clear that Gabriel has no idea who he is (he explicitly says so) and has no memory that drinking human drinks is something he doesn’t partake of. That said, he does seem to understand that “drinking” is something he’s never done before, and that hot chocolate is something he hasn’t experienced (see the cautious sniff he gives the mug). To make things all the more confusing, he also seems to understand certain social cues – he knows that Aziraphale recognised him when he arrived at the bookshop. That latter point is somewhat ironic, given his previous lack of knowledge around human social conventions.

And let’s not forget that change in eye colour (which reverts in later scenes where he actually manages to access some of his old memories, despite him not “opening” the fly). What exactly is it that has been extracted from his being and stored in the fly? Because it sure doesn’t feel like “his memories” really covers all the bases. I don’t think it’s that important, it’s just something I wonder about.

Alright it’s time to talk about a moment that has already been discussed A LOT:

GABRIEL: You know what it’s like when you don’t know anything at all and that you’re totally certain that everything would be better if you were just near one particular person?

Other than adding to my wondering about what exactly Gabriel has had extracted into the fly (seeing as this is how he is describing his instincts to go to Aziraphale), his side of the conversation here is fairly obvious. What we’re all more interested in is Aziraphale’s reactions to the question, more specifically his facial expressions because the King of Micro-Expressions is about to put his superpower to work. But first a warm-up. Have a look at this look of disbelief (not to mention the start of a tiny headshake “no”) at the first half of the question:

My take on the subtext going on here is something along the lines of “well, no, I really don’t know what that’s like. I’m far too intelligent and clever for that to be the case. What a ludicrous suggestion”. And I have come to that conclusion because that is exactly what I would be thinking in that situation :D Let’s move on to the second part of Gabriel’s question and move into micro-expression time!

What’s that Aziraphale? You know exactly what he’s talking about now? Your tiny head nod “yes” has somewhat given the game away on that one. I’ve slowed that GIF down massively so you can see it, and if you’re still in any doubt, just watch the lock of hair in the middle of his forehead when that scene plays at full speed – it’s undeniable. And if you thought that micro-expression was tiny, let’s have a look at the next one.

That GIF is slowed down to a tenth of the original speed. Which means the original expression flies across his face for less than a third of a second. I don’t have the words to express how impressed I am at this. That third of a second tells us that not only does Aziraphale know exactly how this feels, but that it’s a happy place for him to be. That tiny smile, combined with the accompanying script, tells us more about what he feels for Crowley than an entire season could.

This extreme reaction has me interested. I think the reason behind it could be one of two things; the first possibility is that Aziraphale thinks he’s being tricked into leaking some pretty revealing information. Feasible, but given that Gabriel’s memory is well and truly absent, this seems unlikely. My second thought is that he’s concerned that Gabriel feeling that way towards him indicates some sort of arrangement that he does not want to commit to. This feels truer to me, not least because he goes out of his way to distance himself from the subject matter, in both verbal and physical ways. There’s a feeling that he wants to vehemently discourage any exploration of what Gabriel’s feelings towards him could be, and what the consequences are. And, to be fair to him, he only has his own feelings to base that assumption off of; after all, if Gabriel feels about him the way that he feels about Crowley this mystery person that makes everything alright, there are certain human conventions about where Gabriel might be expecting things to be headed. And this is some classic Aziraphale flustering, isn’t it? Get into an uncomfortable situation, it’s time to make exaggerated physical gestures (not to mention unnecessary mouth movements) to try and dispel the tension. Those little sub-conscious giveaways will become very important later. But I’m getting ahead of myself again.

In this particular situation, he undoes his flustering hard work with a dreadful little nervous smile.

Honestly, this angel is totally incapable of not wearing his heart on his sleeve. It’s a good job that Gabriel is both clueless and harmless at this point. Let’s have a look at one last micro-expression before I get out of the weeds.

What… what is this? Because the thing I feel like it looks like the most is disappointment – the shallow intake of breath, downcast eyes, THE GULP… All topped off with the expression at the end, which we’ve seen before:

One major difference – the last time we saw it, he had reason to be disappointed, having mistakenly believed that angelCrowley was calling him gorgeous. I can’t understand what Aziraphale would have to be disappointed about here, unless it’s an ego thing. Perhaps I’m misinterpreting the whole reaction to being told the only reason Gabriel said what he did was actually more to do with the bookshop than the person in it is because he feels like he’s just dodged a bullet (pun totally intended), but that just doesn’t sit well with me.

I think I’ve droned on about this tiny section of this episode for far too long already (I knew this season was going to be something of a mission!), but I do want to touch briefly on the way that Gabriel reacts to drinking his cocoa. Aside from this being a really charming representation of the experience of drinking a hot, sweet cup of hot chocolate, what Gabriel’s reaction re-enforces the idea that these are sensations he’s never experienced before, which circles me back around to that whole logistics of memory wiping thing again. Don’t get me wrong, I love this version of Gabriel – there’s a childlike innocence about him that’s probably closer to humanity’s version of innocence than Heaven’s version, and the resulting comedy is gold – I just struggle with the specifics of this particular story-telling device. That said, we do get to see (and mostly hear) Aziraphale go into complete panic mode just because Gabriel has never experienced hot liquid arriving in his tummy before.

A Clue for the eventual end of season 3 or terrible ironic foreshadowing for the end of season 2? Probably 50/50 to be honest. Or at least I really hope so.

Oh, one last thing, and this one I didn’t catch until this write up. When we see the box on the doorstep of the bookshop (how adorable is it that Gabriel says his arms were getting tired from carrying an empty box by the way?), the fly is not in the box. You read that right, the FLY IS NOT IN THE BOX. This one was difficult to catch – I tried to GIF it, but it wasn’t clear enough, so a couple of images will have to do, and you can go back and watch it with the tip of your nose an inch from the screen like I did.

It is SUPER hard to see. It might look like the change in position is to do with the change in camera angle, but not so – the fly actually walks across the top of the box, and right at the end, disappears into the tiny gap were the flaps of the box meet. So to recap, not in the box whilst it sits on the doorstep (was it ever in there?) but definitely in the box when Aziraphale picks it up and takes it in inside. Again, this is one of those things that I don’t necessarily think is important, but it is a really lovely little Easter egg for the eagle eyed.

I definitely have rambled on too long for this section (how can this be part 3, and I’m not even half way through the episode yet?!), so I’m wrapping it up there. As always, questions, comments, discussions, always welcome. See you for the next one – I really will try not to be so ridiculously microscopic.

#good omens #episode analysis #good omens season 2 #good omens maggie #good omens nina #aziraphale #aziraphale loves crowley #good omens gabriel

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