#good omens swap

[die-o]

and he looks at me. and I look at him.

demon aziraphale is here now! I call him asmodeus, and that gives Cael (angel crowley) someone to be staring at

[scumbkat]

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[biceratops7]

Dang it guys

we only ever talked about HALF of why these scenes were a big deal, like I just realized this today and my heart is going insane.

It’s not just that Crowley’s pissed at Gabriel for treating who he thinks as Aziraphale this way, the last thing he says to the people about to kill him is a benign and peaceful wish to see them again.

And like- this is Crowley trying to replicate Aziraphale to a T. So he legitimately just sees him as this endless well of compassion, someone who is always warm and accepting. It’s not just their friendship throughout the years, he remembers Aziraphale’s kindness on the Eastern Gate. When the angel had absolutely no reason to trust this random demon who just slithered up next to him. Crowley knows that he’s loved. Maybe not like that quite yet (although he’d be very wrong), but he knows that around his friend he’s always welcome and safe.

And Aziraphale?

Well he just thinks Crowley’s the coolest fucker alive, like he is laying it in THICK and enjoying every second. Listen to that charisma, look at that smirk. These are traits that are typically only appreciated in the context of how good it makes Crowley at tempting, a job he hates. But Aziraphale doesn’t see someone manipulative or regard this persona as signs of his “demonic nature”, he just sees Crowley. Someone charming, fun loving, and cute.

This is when we get to know precisely why they love each other, what exactly they see in the other.

edit: this is now my most popular post, good work team, lol

[mirtola87]

The body swap is amazing, but the most ineffable thing of it is David Tennant wrinkling his nose and smiling like Michael Sheen as Aziraphale would do, if Michael Sheen’s Aziraphale was in Crowley’s body pretending to be him.

[ato-dato]

Comission of AU Crowley I did for @arinadepan !!!

[nakakabaliw]

What if Crowley was a feared pirate and Edward Teach was a wily demon?

[kinginshadowjail-inactive]

@ato-dato s human swap au is giving me that sweet sweet serotonin needed to draw thems middle aged disasters

You know that moment when you're helping your crush neighbor move his plants even tho he doesn't really need to move them anywhere and pretends he does just so you would spend time together?

Yeah they don't know either

[lonicera-caprifolium]

Body-swap theory!!

okay, just putting this all together for ease of access, since it's been spread out across several posts now--

The day after it aired I watched the ending like actually 30 times and I became fully 99.999999% certain they switched places. I was initially thinking during the kiss, cuz of how the camera angle changes, but after watching an additional 20 times a few days later, I'm personally leaning much more towards them stopping time in the instance after "no nightingales".

Before the kiss, Aziraphale is saying "nice" things about the Metatron, but his face and voice keep switching to broadcasting distress, and they make it a point to show in ep 1 that Crowley can read him just from tone of voice

As they're pulling away after the kiss, they lock eyes and "Aziraphale's" expression shifts in the teeniest tiniest way, like a confirmation glance, before they shift back (and Michael Sheen is a master, so no chance it's not on purpose)

---(Like really, go back and watch how Aziraphale's expression shifts literally *a second* before "I forgive you" cuz the change is SO minute, but entirely different emotionally.)

Also the way he moves his jaw right after he pulls his hand away from his lips, is a bit from MS's Crowley (you can see it in the very last two seconds of this vid- link)

Aziraphale's hands -stay by his sides- after that, he doesn't clasp them at all, and it's particularly noticeable while he's walking to the elevator with Metatron. The way he walks is very stiff and precise, similar to after the swap in S1.

We don't see the underside of Crowley's jacket collar after the kiss, at any point (it is for sure red at the beginning of the ep, you can see it right before he changes in Heaven)

The Bentley drives away SLOWLY, which is how Aziraphale drives, and we're specifically shown that it only plays other music for Aziraphale

the seats in the Bentley are black as it drives away. They're usually brown, and the only other time they're shown to be black is when Aziraphale drives (@picturesque-about-it broke down the times so you can see-link)

---extra pic for anyone saying it's "cuz Aziraphale is lighter"-- the seats are still brown behind Crowley when he wears white

there's people wearing yellow in -every- part of the scene showing the Bentley both before and while it drives away! (link for pics/credit)

Aziraphale's smile in the elevator looks more like MS's Crowley. It's very similar to the trial during S1, but also (link)

This also explains why they're on opposite sides than they're usually shown while the end credits roll

Extra points--

many good points made by other folks here, about cues and snakes in beehives and swap motifs throughout the season-- link

The clock! Someone mentioned how the scene is so quiet you can hear it ticking, so I watched the ending a further 50 times to double check----I need to preface this by stating, I don't think this is a working clock, mainly cuz the hands aren't 100% where they should be between the minutes and the hours, like -a person- moved them to that time manually

When they're talking, the clock is at approximately 9:25 (?, again the hour hand isn't precisely set), then they walk across the room, and kiss, and immediately after that the clock is set about 15-ish minutes later (link to timestamps)

thanks to these bts shots, we can see that the clock on the opposite side of the room registers the SAME time difference before and after the kiss (link)

the first time Aziraphale looks "towards the window", I'm petty sure he actually looks further back towards the clock, *focuses on it* as Metatron walks up to him, and then spends the ENTIRE REST OF THE EXCHANGE blocking the Metatron's view of the clock

we're shown earlier in the season that Crowley can localize his time-stopping to a certain extent, like when he stopped the doctor and the rest of the room kept going, so it is possible he only stopped everything -outside- of the bookshop

---I KNOW Neil said it's a continuity error, but he also fully said "No" about there being a season 2 just days before they announced it was already written and in production, so. Take him at his word if that's what you wanna do.

---also I DID go back and look it over, and the clock IS consistently specifically set the entire rest of the episode as far as I can see. From the shots when you have a clear view of the clock, the angels and demons enter the shop at around 6, Maggie and Nina leave at around 7, the Metatron comes in at 8-ish, Aziraphale comes back in at that approximately 9:25

(insight from someone who works in production- link)

the music right before the kiss scene is the same leitmotif (Life After Death) used when they originally started formulating the swap in season 1! (link)

the movie Stairway to Heaven (1946) is featured as a poster in both the opening credits and in Maggie's shop (link)

the climax of the film has one of the leads willing to "take the place" of the other in heaven

(they also used a time-stopping mechanic, and the chess book Gabriel tests gravity with also plays a key role in the film)

and one last mention, extra food for thought--- the season's focus on their trusting one another, their history of performing "death (and heaven/hell) defying" feats together, and how they always get the trick right when it truly counts the most

that's what I've got so far!

If I'm right, they're apart now, but are actually more together then ever, and I find that terribly exciting. (And if I'm wrong, that's okay too! I'm just here to have fun.)

I'm not particularly concerned with very specific reasoning (that's for season 3 to tell us!), but I do think this theory is extra fun cuz pretty much any of the others could be the "why" driving it.

I'm not trying to convince anyone, or put down any of the other theories, so if you're not feeling it, that's okay! I'm just sharing what clues I'm seeing, so you can check if you see them too. 💕

[u3pxx]

💛🕊️ Five times Aziraphale gave Crowley a gift plus one time Crowley gave a gift in return.

DID YOU KNOW THAT @contritecactite, once again, wrote a VERY GOOD fic about my bad omens spouses??? and it's so wonderfully GOOD???!?!?!!

anywhooo, a very big special thanks again to elle for writing this! it's been just a real treat talking to them and the klapollomb gomens s2 support group about bad omens 🥺 i'm really, really thankful that y'all decided to indulge me and my freakingg swap au wheezes <33

i'm gonna cut myself off here and ramble more under keep reading :0]

like these drawings? they're prints, here! | like what i do? support me on ko-fi!

seeing this get written was an experience! one of the things keeping me alive during prelim exams LOL if i remember correctly, this kind of started bc i was curious if bomens zira would actually have, i guess, a real demon equivalent the way shax (stork), beelzebub (fly), and furfur (deer) do. so i looked up the words 'crow demon' and whaddya know!

a crow demon!! and what's that? "cause Love"?

what a perfect fit for demon!aziraphale! and really, i was only messing around the first time i had the idea of "haha lol wouldn't it be funny if demon aziraphale was a crow", and then bam! all of it started to, surprisingly, fit well together pfttt (special thanks to bepo for being the one to piece it all together wheezes <33) (also, just really thank you all for bouncing ideas with me, it really does make me happy dfgdhjd <3333)

and then elle wrote a little snippet at first (IIRC) and then he just feakign!!!!!!! WOAGH!!!!!!! just, tasty delicious words, a fic that made me kick my feet like i was a schoolgirl while reading the whole thing ASKSKS <333

i'm really happy with all the spot art i drew for this! wanted it to look very uhhh, i wouldn't say storybook, but watercolor illustrations were definitely a huge inspiration! i wanted them to feel as nice and cozy as YOU would feel while reading elle's fic <3

i do gotta thank elle again for making these two fem-presenting when they were at the dowlings' bc then i get to draw butch gardener crowley. do you know how much that means to me? do you know do you do y do you know how m how much that how m b butches butches butches .

and a little bonus, one where crowley did not want to pose for the painting PFTT

i am once again putting the link here if you've scrolled this far down without reading it yet, go! go! go!!! IT'S SO GOOD!!!! <3333

[that-sweet-jester]

Reverse Omens Brainrot

[idliketobeatree]

you wear guilt like shackles on your feet like a halo in reverse depeche mode | halo

[viva-pluton511]

Made some gay little Christmas cookies ☺️

Update: Aziraphale was decapitated 😔

[wearecrowley]

A revelation in the light of day You can't choose what stays and what fades away

[vroomvroomwee]

I don't know how but s1 and s2 Crowley are different people

The first one is a school boy with severe mommy issues the second one is a gender-stealing WHORE

[nadjabea]

Crowley and Aziraphale never broke up. The conversation we (believe to) see in the end is not the conversation they had.

Aziraphale and Crowley play their own game of spionage and sabotage - and talk about it while we all are watching.

Edit 10/22/23: This analysis needs to be updated because there is more evidence of the body swap and because of that some of my interpretations what they REALLY say is much more precise. Will do it soon.

My point is: Aziraphale communicated a plan in the confession scene – in the subtext. And it culminated in a full body switch.

How? They have thousands of years of practice of talking and signaling their next steps to each other in a way that would not be noticed by any bystander, even less by their respective headoffices. We have seen this in the Job minisode.

They use body language, signs and references to films, songs, everything their head offices won't understand because they lack the earthly knowledge.

Maybe Aziraphale and Crowley even had a back up plan before the Metatron entered the scene. Why I got this notion? Because after their conversation in the bar about Jane Austen, Aziraphale has adapted Crowley’s notion of Austen as a spy and the mastermind behind a bank robbery. Doesn’t this seem odd for the owner of a book shop? (There is this interesting theory of Crowley planning a heist and the turtle neck being Crowley’s “spy dress” by @justhereforthemeta

So here is my analysis/interpretation of the conversation they had.

Note: I am not a native English speaker, I am German. This might of course influence my interpretation of the conversation.

-> After he spoke to the Metatron, Aziraphale comes back to the bookshop and plays happy.

Just as Crowley starts to talk – Aziraphale knows he has to interrupt him.

Aziraphale's hands sign: Stop! First, he tries it soft, watches out of the window to indicate: "We are under supervision!" As Crowley doesnt pick it up, Aziraphale lifts his hands in front of his chest. So they are more visible. Still: Crowley does'nt get it.

Aziraphale: I have some incredibly good news. Uhm The Metatron. I don’t think he is as bad a fellow. Um. I think I might have misjudged him. (Incredibly good news! My ass! Look at my face. Do I look happy? THE METATRON!!! Be aware! He is much worse than I thought!”

While Aziraphae plays the happy and exited angel, he signs "Time out!". His smile is forced. He points into direction of heaven, looks out of the window and hopes Crowley will pick up: "SOS! We need a time out because we have to talk without heaven listening."

But Crowley is like a steam train: He is on his track to confess and does'nt get Aziraphale's distress.

Aziraphale parafrases the talk with the metatron. His body language indicates he is stressed, again and again he turns into the direction of window, his eyes are forced open. Crowley still does'nt get it.

Crowley: He said what?

Aziraphale: He said, I could appoint YOU (tumps to Crowley) to be an angel (it seems that Aziraphale's thumps point to himself). You could come back to heaven and everything. Like in the old times (the old times when we had to pretend to be apart, but in reality worked together and did each other’s work without heaven or hell noticing).

(I don’t think that Aziraphale refers to the pre-fall times because I don’t think Crowley and Aziraphale spent much time together than. Crowley was probably more a loner “minding his own business” or hang out with the wrong group, Lucifer and the gang. Aziraphale would have been much too afraid to spend time around the trouble maker angels.)

Aziraphale: Only even nicer (You know that I know that you hate nice! Come on, get it!)

As Aziraphale gets on with his “excitement” about the new job, Crowley still don’t seem to get the subtext. After Crowley tells him he said no to hell, Aziraphale escalates: He falls back to their "Kayfebe", their way to play that they are along the "party line". (For more on Kayfebe read this post of @nautilicious).

Aziraphae „But heaven. It’s the side of truth, of light, of good.“ Looks obviously into direction of the window as he plays a sharade for the metatron. (Crowley, you know that we settled for shades of grey! Get it, we are under attack! )

Crowley (still doesn’t get it): When heaven ends life here on earth it will be just as dead as if hell ended it. Tell me you said No.

Aziraphael turns his head into the direction of the window to show Crowley they are being observed.

Crowley: Tell me you said no.

Crowley starts to realise that they are in danger but still does not pick up the immediate threat from the Metatron. So he starts his confession but changes it to propose to run away. > You only need to run away if there is someone hunting you. So at least, he gets that now.

During Crowley's statement Aziraphale shakes his head. (we wil not be able to outrun heaven)

Aziraphale: Come with me. (Pause) To heaven. I’ll run it, you will be my second in command. (Crowley, follow my plan: Ill will run this command, you will be my agent in heaven.)

As a non native speaker I looked up the synonyms for “second in command”. They list “substitute”, “replacement” “sub-agent” and “agent”. Agent! Here we are with our spionage story. Jane Austen, the spy, smuggler and mastermind behind a bank robbery.

Crowley: You cant leave this bookshop. (Okay, I get what you mean. But, no, we cant be separeted! you cant leave me on my own - in (an ambessy of) heaven. - Another interpretation: It cant be you who leaves. You have to stay here. )

Aziraphale: Oh, Crowley, nothing lasts forever.

I think this is a code phrase of them. It might refer to a song which was in the charts in 1966/67:

“Nothing last forever” sung by Margaret Whiting, who was already popular in the 1940s.

These are the lyrics:

Now you're down and broken hearted

you have lost your lucky star

You are sure you have no future

You don't know how wrong you are.

Nothing lasts forever baby

Even pain and misery

All your tears will turn to laughter

Baby just you wait and see.

Nothing lasts forever...wait and see.

Now you've lost your only lover

Now your dreams are torn in two

You are sure you'll live in darkness

But the sun's gonna shine for you.

Nothing lasts forever baby

Even pain and misery

All your tears will turn to laughter

Baby just you wait and see.

Nothing lasts forever...wait and see.

Now you've got an inch to go

If you still be a mile

Now the bidder's calling you

Capture this to a smile

Now what seemed eternity

Was the sun in a while.

Nothing lasts forever baby

Even pain and misery

All your tears will turn to laughter

Baby just you wait and see.

Nothing lasts forever...wait and see.

Wait and see.

Wait and see.

Wait and see.

Nothing lasts forever baby

Even pain and misery

All your tears will turn to laughter

Baby just you wait and see.

Nothing lasts forever baby

Even pain and misery

All your tears will turn to laughter (fade)

Somehow I can imagine that Crowley liked this song and they listened to it together in the bookshop. So he knows the lyrics - and gets what Aziraphale tries to tell him.

Crowley: No. No. Don’t suppose it does.

He puts on his glasses to hide his tears but also because now he has to pretend. And he has the need to cover his eyes when he lies. You can see this in the 1941 minisode. While he watches Aziraphale perform the coin trick, Crowley led his glasses slide down his nose and you can see his eyes. But the second he starts lying to Aziraphale about him being a professional magician Crowley puts his glasses up und covers his eyes.

So Crowley starts to go along with Aziraphale's plan, plays to be reluctant - which he probably still is. He doesn’t want to go to heaven, considers Aziraphales plan probably to be a - to use the German expression - “Himmelfahrtskommando” which means literally “a squat that goes to heaven = a suicide squat) - Another interpretation: Maybe he doesnt want Aziraphale to go to heaven?

Crowley: Good luck.

Aziraphale: Crowley, come back. Work with me (I have got a plan, trust me and work with me). We can be together. Angels (you can have my body. So you will be an angel.) Doing good (saving earth and us) - I need you. – I don’t think you understand what I am offering you (Are you really that daft?)

Crowley: I understand. And I understand a whole lot better than you do. (Heaven, hell, I have been there. And it is me that has to go to heaven now. And I don’t like it. - And it's you that will go to hell instead of me. And I dont like it either)

Aziraphale: Well, than there is nothing more to say. (If you understand that I am offering you to posses my body, than do it)

Crowley: Do you hear that?

Aziraphale: I don’t hear anything. (Come on!)

Crowley: That’s the point. No nightingales (neither in heaven nor in hell).

“No nightingales” can have several meanings.

a) It's their song. The symbol of their love. There is no love in heaven, nor in hell.

b) The nightingale sings to protect clandestine love. Now they are not any longer under the protection of the night and the nightingale. Their love is laid open and we know what happened to Romeo and Juliet when the nightingale stopped singing.

c) Someone here on tumblr pointed to a novel called “No nightingales”. There is movie from 1947 that is based on this novel. In Wikipedia you can find this synopsis:

“In the 18th Century, Burlap and Kelsoe are officers in the army of Queen Anne who have recently retired and purchased a house on Berkeley Square. At a house-warming party the pair speculate how to win the war however they learn that the Duke of Marlborough has other plans that will lead to the Battle of Malplaquet. Believing the battle will end in slaughter they hatch a plan to capture Marlborough and hold him prisoner until the threat of hostilities passes. https://en.wikipedia.org/wiki/The_Ghosts_of_Berkeley_Square

Problem is: They are not at all competent and get killed bevor they could prevent the war. So they are cursed to be ghosts until a member of the royal family visits their house.

So could they plan the kidnapping of the Metatron or even God herself? Hold that thought! I definitly will think about that as a plot for season 3.

Crowley: You idiot. We could have been US. (Why did you have to get yourself associated with Gabriel? We could have led our own lifes, in our own bodies)

The kiss - and the body swap /posession

It is not a kiss to show they love each other, it is a kiss to mask the body possession, they exchange their essences

@doctorscienceknowsfandom has laid down already a lot of hints and signs Neil Gaiman planted in the open in the meta "Banana Fish Gorilla Shoelace with a dash of nutmeg" that Crowley and Aziraphale changed bodies.

@lonicera-caprifoliumhas some more hints.

Here are even more points that indicate: they have changed.

When the kiss ends "Aziraphale" cries und when "Crowley" leaves he touches his lips and his hands are shaking.

Several people already pointed out the face, the movement of the jaw and so on: This is Michael Sheen’s Crowley. I think the shaking and the tears are another hint that this is Crowley. Why? Until now we have only seen the hands of one of them shaking on screen: Crowley’s, in the 1941 minisode. Crowley’s hands are shaking if he is under pressure, and overwhelmed. Aziraphale on the other side seems to get nerves of steal when he has to perform (his tricks only work when it counts).

There are even more hints that they have changed their bodies:

“Crowley” is standing upright at the Bentley. He doesn’t move his body, he doesn’t move his face. Something that is so NOT Crowley, who is always in motion.

Also: Remember the first episode when Crowley and Aziraphale fought over Gabriel. Aziraphale told Crowley that he can leave when he doesn’t want to help and Crowley couldn’t contain his rage about that. He was fuming and throwing lightnings – all visible in the middle of the street, surrounded by humans (!). All because of a fight that – in retrospective – was much less threatening to their relationship and their lives.

In a script there is nothing without meaning. And I can’t discover any other meaning for the scene in which Crowley throws lightnings after a fight with Aziraphale than to show that the scene in the end was not a fight.

Hence: There is no way that the real Crowley would be that calm in the last scene. Crowley has much less control over his emotions than Aziraphale.

And even if it was Crowley at the Bentley and managed calmly to watch Aziraphale leave. He would not be able to contain himself after Aziraphale was in the lift. Once in his car (his save space) he would release his anger and pain. Crying, shouting, maybe even hitting the steering wheel, he would drive away as fast as possible screaming at an invisible Aziraphale because this might give him some relive.

But what do we see? A very contained demon.

Next evidence: The colour code of Aziraphale (yellow) and Crowley (red):

When “Aziraphale” is on screen people wear red. When “Crowley” is on screen a lot of people in yellow pass.

And even the plants in the Bentley appear to have changed to yellow. Bonus: A yellow flower blooms behind “Crowley”. Hence: It has to be Aziraphale.

So: Why would Neil Gaiman use the same trick twice?

Because it isn’t the same trick.

In S1 they changed their appearance. Aziraphale presenting as Crowley is still an angel. Therefore immune against holy water. Crowley presenting as Aziraphale is still a demon, immune against hellfire.

But this time, I think, they really posses the body of the other (wow, they really have come a long way from “What a pity you cant have my body” – “Angel, demon, probably would explode” ).

So, what does this mean? Angel and demons are from the same flock. It is impossible to distinguish them, except for the marks on their bodies. Now Aziraphale is indistinguishable able from the other demons, Crowley indistinguishable from the other angels.  

This raises the stakes when it comes to “The Second Coming”.

And this explains Crowleys worried face: He knew about the planes for Armaggedon 2.0,the destruction of earth.

The "Second Coming" is different. It is about judgement.

In the end everyone is going to be judged. The righteous will go to heaven, the other are cast away, extint. So what about an angel in the body of a demon? You see where I am heading ...

There is a lot to explore. The concept of "pretend to be good" and "properly good" and much much more. I will write about it another time.

Now I am curious: Am I delusional? Cant I just cope with the break up? What do think? Tell me you views. Let us discuss.

[mascarponx]

wives (alt ver under the cut !)