#grandma moses of the underground

[brooklynmuseum]

With the pursuit and determination to become an artist, May Wilson left rural Maryland and a decades-long marriage for New York City, at the age of 61 where—as advised by her pen pal, mail artist Ray Johnson, she took up residence at the Chelsea Hotel. Largely self-taught and generations older than the avant-garde artists she was drawn to, Wilson acquired the nickname “Grandma Moses of the Underground”. 

Long before the term ‘feminist’ was commonly used, Wilson’s works commented on the sexism and ageism that existed in both popular and “fine-art” portrayals of women. Although May Wilson spoke about her works in formalist rather than political terms, her work accompanied the shifting cultural landscape as a result of the Women’s Liberation movement. In Wilson’s Ridiculous Portraits series, she gathers found objects that share relation to her early life, such as a nineteenth-century portrait of a woman, and embellishes them with glitter, small mirrors and red paint. Produced as personal mementos and often exchanged through the mail with other artists as gifts, Wilson’s portraits attacked sexism, ageism, and the cult of beauty with a wry sense of absurdity. 

See a pair of these Ridiculous Portraits, now in Out of Place: A Feminist Look at the Collection.

Posted by Jenée-Daria Strand May Wilson (American, 1905-1986). Untitled I (Portrait) ⇨ and Untitled II (Portrait), 1966-1967. Albumen photographs with glitter and mirrors and red paint. Brooklyn Museum, Emily Winthrop Miles Fund, 2007.11.1 and 2007.11.2.⁠

[moonlitmagicmelody]

Moze’s Backstory Part 2

Connection between Mirage and Moze: Mirage looks very much like the Egyptian cat goddess Bastet. TLDR I decided her backstory was that she was a high priestess at a temple devoted to Bastet, she did some very bad no-no dark magic to gain her current form, the people at that temple believed her to be Bastet incarnate, and she became the leader of a cult. The cult went underground either because of the changing religions in the country or because they were thought of as blasphemous extremists or both. [I am super flexible on when Aladdin stuff takes place because they’re all imaginary kingdoms and I’ll handwave whatever I want to make it so characters can meet each other.] So Mirage is set up as the supposed goddess and becomes increasingly evil and corrupt. At some point she has a high priest named Ahmose [Moze’s grandpa]. [Sidenote: Due to working not-nice-magic for Mirage, Ahmose’s eye pupils look pure black without any white in-between. He passes this trait onto Moze.] Ahmose discovers an intruder in the temple. A woman. He lets her go instead of killing her.

The woman: Because of Mose’s design (specifically the way his pale skin is colored) I’ve sometimes played with the idea of him being multi-racial. I have mixed feelings about the notion because while I think it could make sense for the character it also feels like I’m adding whiteness to stories centered around people of color which…yeah. Not great. So ATM I’m more or less leaving her ethnicity and race ambiguous unless it comes up in an RP, in which case it will be changed to suit the needs of that plot. This also means I can’t give her a consistent name. So we’ll be calling these two Grandma and Grandpa.

Grandma traveled to Egypt because she learned everything she could about the magic in her home country and she wanted to learn more. Her quest eventually led her to Mirage’s super secret temple of badness. Mirage eventually finds out she snuck in and is super pissed Grandpa let her escape. A bunch of stuff happens with the end result that Mirage is unmasked as being a false goddess (which is how she got her current name) and Grandma and Grandpa get the hell out of Egypt to hide from her.

Grandma and Grandpa end up within the Seven Deserts and settle in a small village that is either on the outskirts of Agrabah or close to it. They have two daughters, Amennirdis and Maatkare. Eventually Grandma and Grandpa die and the girls, now young women, are on their own. The act as herbalists and midwives to their village but there’s a bit of tension because they’re not originally from the place and whispers about unnatural abilities and what not. The girls do have minor abilities. Amennirdis can do subtle things with plants and potions and Maatkare can see the past, elsewhere in the present, and future. But she can’t always control it or understand what the visions mean. Maatkare is Moze’s mom.

[nofomoartworld]

Hyperallergic: Art Movements

George Stubbs, “Two Hacks” (1789), oil painting on panel, 21 1/2 x 29 in (courtesy The Parker Gallery)

Art Movements is a weekly collection of news, developments, and stirrings in the art world.

As anticipated, President Trump’s proposed 2018 federal budget calls for the complete elimination of the National Endowments for the Arts and Humanities (NEA and NEH). The budget also proposes the elimination of the Corporation for Public Broadcasting, the Woodrow Wilson International Center for Scholars, and the Institute of Museum and Library Services. The College Art Association published an “Arts and Humanities Advocacy Toolkit” in response to the anticipated budget earlier this month.

LD50 Gallery, the London art space accused of supporting a racist, far-right agenda, has been evicted from its premises according to a statement by the Shut Down LD50 Campaign.

The Western Cape High Court found Zwelethu Mthethwa guilty of the murder of sex worker Nokuphila Kumalo. The artist is to be sentenced on March 29.

Art dealer Archie Parker plans to sell “Two Hacks,” a painting recently attributed to George Stubbs at the British Antique Dealers Association fair in London. The work, which was thought to be a copy after the artist, was deaccessioned by the Huntington Library in San Marino, California. In a blog post, art historian Bendor Grosvenor described its sale as “one of the biggest deaccessioning blunders of modern times.” Parker purchased the work at Christie’s for a hammer price of $175,000.

Olafur Eliasson, “Little Sun Diamond” (2017)

Olafur Eliasson unveiled a new solar-powered mini lamp named the “Little Sun Diamond.” It is the third design created by Eliasson for people without access to reliable energy.

The Australian Department of Treasury launched an investigation into security firm Building Risks International Pty. Limited following accusations that it underpaid guards at the National Gallery of Victoria.

Utah’s House and Senate voted to designate Robert Smithson’s “Spiral Jetty” and ancient rock art as official state works of art.

Austrian investigators recovered 67 paintings, including works by Oskar Kokoschka and Koloman Moser, that were stolen from a private collection in Vienna-Hietzing in 2014.

A discovery by the Art Loss Register led to the recovery of eight paintings stolen from a home in Denmark in 2000.

Tunisian authorities arrested a group of suspects in connection with the attempted smuggling of a 15th-century, 121-foot Torah scroll.

The Italian group 100% Animalisti dumped 88 pounds of animal excrement outside Venice’s Palazzo Grassi in protest over an upcoming exhibition by Damien Hirst. On its website, the group described the exhibition as “an insult to a city of art, of REAL art.”

German police raided Julian Charrière‘s studio after learning that he possessed a cannon. The artist built the air cannon, which is designed to shoot a single coconut, for the Antarctic Biennale.

Catherine Pégard, the director of Versailles‘s contemporary art program, announced that the palace will host a group show in the fall as opposed to exhibiting the work of a single artist.

ShowGrow, a gallery space and cannabis dispensary, opened in Los Angeles.

Transactions

Antonio Lopez, “Missoni” (1984), watercolor, gouache and pencil on paper, 20 x 15 in (courtesy the Estate of Antonio Lopez and Juan Ramos)

El Museo del Barrio acquired 47 works from the Estate of Antonio Lopez and Juan Ramos.

Eleanor “Ellie” Cheney donated a painting by Anna Mary Robertson Moses (aka ‘Grandma Moses’) to the Rutgers–Camden Center for the Arts.

The German government allocated €3.4 million (~$3.6 million) towards provenance research in response to the ongoing controversy over Cornelius Gurlitt’s art collection.

The LUMA Foundation acquired the archives of Annie Leibovitz.

The Victoria & Albert Museum acquired a Pussyhat worn at the Women’s March in Washington, DC, on January 21 as part of its Rapid Response Collection.

(courtesy Victoria & Albert Museum)

Transitions

Wendy Fisher was elected to succeed Jennifer Blei Stockman as president of the Solomon R. Guggenheim Foundation’s board of trustees.

Hendrikje Crebolder was appointed to the Rijksmuseum’s board of directors.

Patrick Moore was appointed director of the Andy Warhol Museum.

Georgina Jackson was appointed director of the Douglas Hyde Gallery in Ireland.

Claudia Dillmann will step down as director of Frankfurt’s Deutsche Filmmuseum in September.

Chad Alligood was appointed chief curator of American art at the Huntington Library, Art Collections, and Botanical Gardens.

Ghislain d’Humières stepped down as CEO of the Speed Art Museum.

Brooke Davis Anderson stepped down as executive director of Prospect New Orleans and will take up the directorship of the Pennsylvania Academy of Fine Arts.

Miety Heiden was appointed deputy chairman and head of private sales at Phillips.

Sotheby’s opened a new gallery and office in Dubai.

The UK’s National Trust opened a new conservation studio at Knole House in Kent.

The estate of artist and art dealer Betty Parsons is now represented by Alexander Gray Associates.

Sandra Gering Inc. will close at the end of July. The gallery first opened in Soho in 1991.

Manhattan art supply store A.I. Friedman will close on April 30.

The Dog Museum of America plans to relocate to New York City within a year.

The Museum of Contemporary Art Chicago named its restaurant ‘Marisol’ after the late sculptor Marisol Escobar.

Accolades

Gala Porras-Kim, “For Learning Zapotec Verbs” (2012), wood, pencil, paper, wire, found rocks, 50 x 37.5 x 2.5 in (courtesy Artadia)

Kahlil Joseph and Gala Porras-Kim received the 2017 Los Angeles Artadia Award.

The Sharjah Biennial Prize was awarded to Dineo Seshee Bopape, İnci Eviner, Uriel Orlow, and Walid Siti. An additional prize was awarded to the late Ali Jabri and is dedicated to the conservation of his work.

Dineo Seshee Bopape also won the 2017 Future Generation Art Prize.

Jennie C. Jones received the Rose Art Museum’s 2017 Ruth Ann and Nathan Perlmutter Artist-in-Residence Award.

Obituaries

Fiora Corradetti Contino (1925–2017), opera maestra.

Henri Cueco (1929–2017), painter and writer.

Christopher Gray (1950–2017), architecture writer and researcher.

Alf Lechner (1925–2017), sculptor.

Marian Lindkvist (1919–2017), drama and movement therapist.

Tommy LiPuma (1936–2017), record producer and music executive.

Jay Lynch (1945–2017), artist, writer, and satirist. Key figure of the underground comics scene during the 1960s and ’70s.

Kurt Moll (1938–2017), bass singer.

Amy Krouse Rosenthal (1965–2017), children’s author and filmmaker.

Joni Sledge (1956–2017), singer and songwriter. Member of Sister Sledge.

Geoff Wainwright (1937–2017), archaeologist.

Robert James Waller (1939–2017), writer. Author of The Bridges of Madison County (1992).

Jay Lynch (Jay Lynch Collection, courtesy the Ohio State University Billy Ireland Cartoon Library & Museum)

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[newtshirtcom]

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[cursedcandyroses]

CURSED CANDY ROSES PRESENTS: THE 50 BEST PROJECTS OF 2017

The most jam packed year of the decade has came and went with a crater of emotion left behind. The ever expanding Pandora’s Box that the internet has become has only seemed to scratch the surface of iit’s potential in the field of music. Every year the music world becomes smaller and smaller while albums become more grandiose. Streaming has lead to numbers being juiced extravagantly, allowing acts to sell minimal physical copies but still go Gold & Platinum. The Streaming Boom has also lead to acts we may have never heard of 20 years ago exploding into the limelight, and acts of yesterday having their 15 minutes expanded. In all honesty I could have made a list of 100 albums and it still wouldn’t have felt like enough. But 50 (plus some) will have to do. 

BEFORE WE GET STARTED: THE NEXT 9 

N*E*R*D - No One Ever Really Dies

Giraffage - Too Real

Moses Sumney - Aromanticism

Rex Orange County - Apricot Princess

Lil Peep - Come Over When You’re Sober

Bill Woods & Blockhead - Known Unknowns

RJ - Mr. LA

Joji - In Tongues

Amine - Good For You

Now to the real list

50: Overdoz. - 2008

Genre: Hip-Hop 

4 years since their last release, Overdoz sounds like they never took a day off. Party jams mixed in with two step love anthems and sprinkles of consciousness are the ingredients to one of the most energetic and top to bottom enjoyable west coast albums in recent memory. These elements mixed with a murders row of top tier producers (Hit-Boy, THC, Pharrell, Organized Noize) meld together for a kaleidoscope of sound and texture, the perfect kind to start and end a night out with.

Best Tracks: “Last Kiss” & “House Party″

49: Syd Tha Kyd - Fin

Genre: R&B / Pop

The family tree that the Odd Future collective has spawned is like none other in music. Within the collective sat The Internet, a duo that has expanded into a full 5 man band, and within that crew is lead singer Syd. On her first solo effort, the songstress dips her toes into the sound of today’s sound with R&B and Rap infused production, with hook as infectious as the best Pop songs on the other side of the dial. Branching out from the jazz and neo-soul stylings of The Internet has given music fans a new artist to reinvent and evolve the mainstream sound of the day. 

Best Tracks: “Know” & “Nothin’ To Somethin’”

Sounds Like: Kehlani’s “You Should Be Here″

48: A$AP Mob - Cozy Tapes Vol. 2: Too Cozy

Genre: Hip-Hop

When the winter brings snow to your ankles and winds that’ll chap your lips, you know it’s time to layer up and get cozy. A$AP Mob has been the go-to New York rap crew over the past few years, but with this newest compilation they take a turn. With heavy contributions from their newest adoptee Playboi Carti, the Mob turns to sonic's that lean more Soundcloud then sample heavy. Tunes with Big Sean, Key!, Chief Keef and Quavo are balanced out by posse jams with Flatbush Zombies and Pro Era members, bringing everyone into a new space that the Mob keeps curating and molding as they go along. 

Best Tracks: “What Happens” & “Walk On Water”

47: Your Old Droog - Packs

Genre: East Coast Hip-Hop

The balance of keeping the grit and feeling of classic New York hip-hop and wanting to mix in a modern day playfulness and enginuity is type of duality New Yorkers have been reaching for since 50 Cent. Unlike 50, Droog has no want to be a mainstream star, but instead focuses on being the best at what he does. Storytelling, obscure references and punchlines that’ll bring chest pains (from either laughter or how hard they hit) are the specialties of one of hip-hops most talented underground stars.

Best Tracks: “Grandma Hips” & “White Rappers (A Good Guest)”

46: Ty Dolla $ign - Beach House 3

Genre: R&B / Hip-Hop

Every artist strives to find their sound exceed within it. For an artist like Ty Dolla $ign he is with every project experimenting and proving that he is one of the most talented and skilled artist in hip-hop. Though Ty has always been criticized for repetitive content of parties and drug use, like each “Beach House” instalment before this junior effort, Ty expands and dabbles into many forms of contemporary urban music. A sonic experience like no other crossover artist has been able to do, Ty again flexes a perfect duality of being a singles driven artist while still holding true artistic integrity. 

Best Tracks: “Don’t Judge Me” & “Message In A Bottle”

45: Dizzee Rascal - Raskit

Genre: Grime

With razor sharp precision, the veteran UK rapper has brought with him the best Grime record of the year. Over the past few years artists like Skepta and Stormzy have come from across the pond into our lives, but these artists would be nowhere without one of the godfathers of the genre. Nearly 15 years after his world-renowned “Boy In Da Corner” record, Dizzee improves upon that sound infusing modern production styles and a more palatable rapping style to restate his claim as the greatest Grime artist walking the earth

Best Tracks: “Ghost” & “Dummy (16 For The Juice)”

44: Freddie Gibbs - You Only Live 2wice

Genre: Hip-Hop

After being freed from an European prison on false rape charges Indiana’s finest gave the people signs of life. Saying that this project is just a little something to hold fans over until the release of his next Madlib collab, Gibbs held nothing back. Speaking on everything from the incarceration, street tales and the fears that come with fame and fatherhood. Everything from introspective, to car knocking anthems, Freddie reminds us that he is one of hip-hops ever morphing figures, unleashing his art over any beat he can get his hands on.

Best Tracks: “20 Karat Jesus” & “Crushed Glass”

43: Belly & Boi-1da - Mumble Rap

Genre: Hip-Hop

Boi-1da has been behind some of the biggest and best records of the past decade from Drake and Kendrick, to Lana Del Rey and Rihanna, and he has for the first time taken over the boards for a full album. This newest project Belly has put forth in his short career as a lead act, and not just a songwriter, shows the XO signee never taking a line off and making a statement that he is here to stay as a solo artist.

Best Tracks: “Lullaby” & “The Come Down Is Real”

42: Sonder - Into

Genre: R&B

Brent Faiyaz, the crooner responsible for vocals on Goldlink’s chart topping hit “Crew”, began his year off with an EP that catches the soul of the nighttime that ensues after the party's over. From the layered and airy production to his remorseful and woeful lyrics that cover the length of the project, Brent and the rest of Sonder create a realm of shadowy emotion that words can never properly describe, but a feeling all to real to everyone.

Best Track: “Lovely”

Sounds Like: JMSN’s “JMSN”

41: JMSN - Whatever Makes U Happy

Genre: Jazz / Soul

JMSN has steadily created one of the best discographies in music today, and that is due to his willingness to experiment and branch into different genres. With a vocal range and tone like no one working today, JMSN can try different production styles and never feel out of place. His latest offer catches the soul of jazz and R&B by mostly being recorded in one take, with an empty room, outside of him and an assortment of talented musicians. His woeful longings and poems dealing with the many levels of relationships is a further step in the direction of the type of artistry that JMSN aims to be a part of.

Best Tracks: “Drinkin’” & “Slowly”

Sounds Like: D’angelo’s “Voodoo”

40: Talib Kweli - Radio Silence

Genre: Hip-Hop

Talib Kweli has never missed a step lyrically. No one has been as consistent since the turn of the century as the Brooklyn native, and now 17 years into his solo career Kweli adds another gem to his discography. Speaking on the struggles of the African-American community in America has always been a strong suit of Kweli, but he has done it this time around with inclusion of artists that are far from his comfort zone with rappers like Rick Ross and Waka Flocka Flame. Whether accompanying their styles or his own, Talib always finds a way to shine and bring a crucial message to lovers of hip-hop.

Best Tracks: “All Of Us” & “She’s My Hero”

39: Migos - Culture

Genre: Hip-Hop

Time and time again the world has counted out the Migos. When the entered the consciousness with “Versace” they were a one-hit wonder. When they continued they were “just rapping fast about nothing”. Now, nearly 5 years later they are the biggest group in all of hip-hop, and most popular hip-hop group in over a decade. This newest project is a dive into the sound they helped create with production from artists like Metro Boomin and Zaytoven who helped create this modern trap sound. Quavo’s club ready hooks, Offset’s energy and aggression, and Takeoff’s killer verses all fall like puzzle pieces right into the ethereal and world renowned sound of modern day rap music. 

Best Tracks: “T-Shirt” & “Get Right Witcha”

38: Jay Worthy & The Alchemist - Fantasy Island

Genre: Hip-Hop

Jay Worthy is a name everyone should get more familiar with. Adopting the West Coast as a transient from Canada, Worthy has been apart of underground rap circles for years, and has reeled in colleagues such as Conway and $ha Hef for his latest endeavour. One of many group projects Worthy has been a piece of this year, none fit his blunted and laid back rapping style as well as this fully-Alchemist produced EP.

Best Track: “Miss You”

Sounds Like: Domo Genesis & The Alchemist’s “No Idols”

37: Mac DeMarco - This Old Dog

Genre: Indie Rock / Lo-Fi

Mac Demarco’s yacht rock, even folk-esk at times, guitar strummings and singing push the vision of a scenic view from a boat in the middle of a lake to your mind. The breeze in your face, the smell of cold beer and new winter coats. For years Mac has created the aesthetic of the lovable slacker, but on his newest record something has changed. Instead of performing from the boat for the crowd to watch, these sounds feel closer and more intimate, becoming less of someone to marvel from afar, and more of someone you feel like a friend of.

Best Tracks: “Sister” & “On The Level”

36: J.I.D. - The Never Story

Genre: Hip-Hop

From the Atlanta collective known as Spillage Village to an artist under J. Cole’s Dreamville label, JID has been a part of some wonderful company. Being around great MC’s along with an energy and skill set that separate him from the bunch of traditional Atlanta artists, JID has pushed his name into the front of the pack of the new artists who ruled in 2017. Bars for days and an ear for production that’s as outlandish as he is makes for a perfect storm of an artist who still isn’t in his final form, but is a scary sight as is.

Best Tracks: “General” & “Hereditary”

Sounds Like: Vince Staples’ “Shyne Coldchain Vol. 2″

35: Majid Jordan - The Space Between

Genre: R&B / Synthpop

The Canadian duo has taken everything they have ever done and tinkered it and improved it into what is the perfect mission statement for the OVO Label outside of Drake. Everything from sleek late night two step anthems, to 80′s revival jams that beg to be screamed in your car. The duo brings in labelmates dvsn and PARTYNEXTDOOR, with the later playing a part in one of the most underrated grooves of the past year. Majid Jordan finds ways to improve and level up in ways no other R&B duo has done in years.

Best Tracks: “One I Want” & “Gave Your Love Away”

34: CyHi The Prynce - No Dope On Sundays

Genre: Hip-Hop

CyHi is one of the many artists who as a fan feared would be trapped by label politics into releasing astounding mixtapes and never putting together a true debut album. With “No Dope On Sundays” CyHi breaks through the paperwork and his drug dealing past into being able to look back on these times and give gems that everyone can appreciate. From black empowerment, advice to hustlers the world over, and becoming comfortable and accepting of religion in his life the G.O.O.D. Music signee puts together the sum of his mixtapes into a cohesive body of work that can be studied like scripture.

Best Tracks: “Nu Africa” & “Get Yo Money”

33: PeeWee Longway - The Blue M&M 3

Genre: Hip-Hop

Atlanta’s hip-hop scene has been around for over 2 decades, and has been at the forefront of the rap world for over half that time. The mainstream acts like Migos and Future are intertwined within the small city with lesser known acts like PeeWee Longway due to Atlanta truly being the biggest small town in the south. PeeWee has been apart of the rap scene for years rising alongside the Patron Saint of Georgia himself Gucci Mane. Years of sharpening his lightning fast flow and street themed lyrics have come to fruition on what is arguably the best project in his deep discography.

Best Tracks: “Creep” & “Rerocc”

32: Lorde - Melodrama

Genre: Pop

Pop music over time has become more and more formulaic. Sing like A, about B, over a beat a C BPM and a hit is born. Pop music hasn’t always been this disposable form of music, and at it’s root it’s about catchy songwriting that plays off as simple, but is secretly layered. This is the type of pop music Lorde has created yet again on her newest LP. She doesn't sing about anything out of the norm (love, parties, loneliness, etc) but it’s the way she sings about it. Her songwriting is as good as anyone in modern music, and far outpaces her pop counterparts.

Best Tracks: “Green Light” & “Supercut”

31: Brother Ali - All The Beauty In This Whole Life

Genre: Hip-Hop

Brother Ali has made a career on crafting stories straight from a diary, and would just as quickly tell you rap about the evils the world holds. For this project Ali leans on piano driven production by underground legend Ant, and with these beats digs into his softer side by gushing comfort and telling playfully cruel stories bookended together by hooks that play in your head for hours. Ali’s finest work to date would not be complete without the occasional flip into his famous sermons about the struggles of the minorities in a country that wishes nothing more than for you to fail, and how they set such a system of failure up.

Best Tracks: “Pray For Me” & “Out Of Here” 

30: Kelela - Take Me Apart

Genre: R&B / Electronic

Sounds of a living breathing world, clashing with synthetic bangs and swells that can be created by none other than an all-star cast of renowned artists create together a pocket for Kelela, an R&B songstress in the making. In her voice you hear to subtle hints of Solange and Janet Jackson, and like Jackson, at any moment Kelela can send out a rush of sound from her body that will make your heart stop and make you want to wail long. Subtle and powerful, heart ache and self-discovery, these dualities are attributes the singer seems to master to early in a career that is just beginning.

Best Tracks: “Frontline” & “Waitin’” 

29: FKJ - French Kiwi Juice

Genre: Fusion Jazz

Of all the albums that were released this year, none are more enjoyable than this electro-tropical project by the French multi-instrumentalist. Every beat takes you into a different garden of sounds and color, yet they all tie together as beautifully as a tropical paradise. Creating an album as pleasant and replayable as this with little vocals is a gift on it’s own, and this is a gift FKJ posses wholeheartedly.

Best Tracks: “Lying Together” & “Skyline”

28: Vince Staples - Big Fish Theory

Genre: Experimental Hip-Hop / Electronic

Vince Staples is the king of nihilism. His newest electronic based LP gives insight to a world we haven't reached yet, but will be at soon. Yet as observant of the negativity festering in the world as this project it is, it doubles as the background music at a house party only our great-grandkids will be able to speak about. Hip-Hop music at it’s core is electronic music with rhymes over top of it, and Vince stretches what we view as hip-hop into a world not as aggressive as Grime music, but more relaxed then electro-rap album like those made by Death Grips and Kanye West. Vince has shown he has no intent on slowing down his creative pushes whether it be gritty street tales or electronic tales of the drawbacks fame gives.

Best Tracks: “Big Fish” & “Love Can Be…”

Sounds Like: Outkast’s “Stankonia”

27: Dirty Projectors - Dirty Projectors

Genre: Indie Pop / Electronic

Experimentation is a trait of one of the most critically acclaimed albums of the 21st century, and Dirty Projectors has enough of that to spare. Oozing with melodic vocal layerings, to the point you can’t tell if a computer program or a real person is singing, that glide seamlessly over pianos and electronic production, David Longstreth shows out yet again as a leading vocalist and main man behind a band that digs so deep that it seems outlandish.

Best Tracks: “Up In Hudson” & “Winner Take Nothing”

Sounds Like: Bon Iver’s “22, A Million”

26: Cosmo Pyke - Just Cosmo

Genre: Indie Rock / Anti-Pop

A teen and his guitar has been the starting tools of revolutions in music since the dawn of recorded music. And like those who came before him Cosmo Pyke brings with him a sound and style all his own. Acts from his home country of England have created music like his before and since the release of this debut EP, but Cosmo’s songwriting is bounds above the rest. Cherry tales of young love and typical slacker appeal meld into a pile of beautiful tunes showing a raw skill within the a star in the making.

Best Track: “Chronic Sunshine”

25: Rapsody - Laila’s Wisdom

Genre: Hip-Hop

From the intro with a flurry of choirs and keys into the outro with a haunting sample loop, Rapsody issues out a flurry of bars that challenge any active rapper. The leader of 9th Wonder's Jamla record label has been hard at work leveling up her skills to stand toe to toe with any and anyone that comes her way. Rapsody separates herself from the lip gloss and leathered up mold that most of today’s biggest female rappers tend to lean towards, and in that separation she fits in with the true emcees of the world rather than those on the quest for pop success. Even though bar for bar she is a problem, Rapsody took tracks like “Sassy” to speak on topics a male artist may not be able to properly deliver, another advantage for one of the Carolina’s finest artists.

Best Tracks: “Nobody” & “You Should Know”

24: Brockhampton - The Saturation Trilogy

Genre: Alternative Hip-Hop

This year rap was heralded as the new go-to genre for what makes up pop music. Streaming has revealed what we within the culture have already known, and with this new claim that rap is the new pop a boy band has come to the forefront of the genre. 2017 saw Brockhampton release 3 astounding albums with a loose concept surrounding the group’s dive into illegal crime and eventual imprisonment that is also loosely followed in their videos. Playing from the first instalment through to the third Ameer Vann, Kevin Abstract and Dom McLennon take the lead with the most time on record, but still making room for Matt Champion, Merlyn Wood, Joba and Bearface to shine and come into their own in front of eyes. Brockhampton took over the year with experimental production styles and an overload of witty auto-tuned soaked verses, giving a new view into what it means to be a hip-hop group.

Best Tracks: “GOLD”, “QUEER” & “BLEACH”

23: Wiki - No Mountains In Manhattan

Genre: East Coast Hip-Hop

New York City has done it’s best over the past decade to reclaim hip-hop music from it’s Southern counterpart, Atlanta. The City’s newest artists have tried their best to copy the sound, but most have failed. In the grimiest parts of the city though, is where artists like Wiki were born. Playing like a love letter to the city here the Ratking leader was born and raised, with at every turn and twist comes a yurp and freshly opened 40. A 16 track dive into the beauty of New York City gives a perspective that has been missing from hip-hop. No bitterness, no pleas for mainstream success, just the sonic version of Wiki’s toothless smile gleaming in the middle of Washington Square Park.

Best Tracks: “Mayor” and “Litt 15”

22: Sinjin Hawke: First Opus

Genre: Electronic 

A one time go to Kanye collaborator, Sinjin Hawke used reject beats and his futuristic vision to create a soundtrack of everyday life 200 years from now in an LP that could double as a score for a Ridley Scott film. Electronic music is the final frontier of music as an artform, and with one of the most ambitious and original compositions over the past decade Sinjin sets himself alongside other visionaries like Flying Lotus, Aphex Twin and Burial.

Best Tracks: “Shimmer” & “Flood Gates”

Sounds Like: Flying Lotus’ “Los Angeles”

21: Kamasi Washington - Harmony Of Difference

Genre: Jazz

Jazz music has been bastardized over decades into elevator music with little more then the occasional true jazz album to pierce the mold. Thanks to Flying Lotus and his Brainfeeder label jazz has been able to be reborn and re-envisioned thanks to the likes of the saxophonist Kamasi Washington. Constant intricate changes allow Washington to expand upon previous ideas revealed and hashed out in his groundbreak album “The Epic”. As each day passes Kamasi becomes more and more skilled along with each member of his ever expanding band. As long as time passes, Kamasi’s skill will grow, and so will his ambition to bring jazz back to greatness,

Best Track: “Truth”

Sounds Like: John Coltrane’s “A Love Supreme”

20: Milo - Who Told You To Think??!!?!?!?!

Genre: Underground Hip-Hop

Entering into the dreamlike escapade crafted and materialized by the philosophy loving Milo can push away the casual fan. Milo has reared his head yet again coming off and tweaking the formula that crafted his acclaimed sophomore LP “So The Flies Don’t Come”. The beautiful instrumentals and hooks that play more as drunken chants real in a fan of hip-hop music, but the deeper you read into the verses the references and vocabulary are so obscure you wonder if you truly love it. The nose-to-the-sky feeling given off is one that can be to much for most, but pushing back against this can lead into loving a project that is one of a kind.

Best Tracks: “Sorcerer” & “Landscaping”

19: St. Vincent - MASSEDUCTION

Genre: Alternative Pop 

St. Vincent’s newest endeavor takes a dive into the power of seduction in different facets of life. The seduction that power can cause in the eyes of other, to the seduction ability one has with someone they know so well. Coupled with her astounding mastery of guitar and different production styles allows a backdrop to the world of seduction within the coastal bubbles Clark resides. Nothing this year sounds like what has been crafted on this tight knit LP, mostly because no one can do what St. Vincent does.

Best Tracks: “Masseduction” & “Sugarboy”

Sounds Like: Prince’s “Under The Cherry Moon”

18: Drake - More Life

Genre: Hip-Hop / R&B

Drake has done his best to try and destroy being labeled anything more specific than an artist. Actor, singer, rapper, producer and tastemaker are all titles that can’t sum up Drake and his creativity. Labeling his newest endeavor a “playlist” and refusing to submit it to the Grammy’s is just another chapter in Drake pushing and bending what labels are. Featuring some of the best records in Drake’s catalog while putting on personal friends and musical inspirations like Sampha, Skepta, Kanye West, Jorja Smith and Giggs all in one verbose package is something that if someone proposed the idea a year ago no one would believe. The Canadian artist has once again melded R&B and Hip-Hop like only he can, while throwing in sprinkles of everything else that makes the 6 God who he is.

Best Tracks: “Free Smoke” & “Teenage Fever”

17: SZA - CTRL

Genre: R&B

Love lost and relationships broken will always be a topic in music. Beaten to death at times, but the greats can find ways to originally tell their story. Though speculation of who the album is about has pointed into some interesting places to raise the profile of the songs, the music speaks for itself. Each and every track is filled with cries of a woman trying to discover herself, and what she is worth.  A album wrapped in equal parts whimsical warmth and modern day R&B sound sets SZA on path to be another TDE powerhouse in mainstream and critical circles.

Best Tracks: “Garden” & “Broken Clocks”

16: Oddisee - The Iceberg

Genre: Hip-Hop

As far as underground hip-hop goes in 2017, and to the sub-genre as a whole, rarely will you come across a talent who values songwriting and hooks as much as they care about being a master of lyrics and experimentation. That is where Oddisee comes in. He has made conscious decisions to avoid crossing into the mainstream, mainly because he doesn't have the want to be famous. “The Iceberg” tells a message the world needs to hear, a message of acceptance and growing up in a damaged world. No other artist has checked off as many boxes as Oddisee, and all his talents are shown to a new level across this newest LP.  

Best Tracks: “Built By Pictures” & “Want To Be”

15: Sampha - Process

Genre: Soul / Electronic 

There is beauty in the simple things. A breezy morning, rain as you go to bed. The beautiful simple things. After a hiatus in the wake of the death of his mother Sampha returned with tear welling songs and ballads that remind you how beautiful minimalism and simplicity can be. One of the most gut wrenching tracks somes in the form a piano ballad dedicated to the love his late mother had given him, and as his pain wells out the gorgeous voice that sounds like none other begs to be repeated again and again.

Best Tracks: “Blood On Me” & “Kora Sings”

Sounds Like: James Blake’s “Overgrown”

14: Thundercat - Drunk

Genre: Psychedelic Jazz

An entry into the mind of the world renowned bassist, “Drunk” plays like a jazzed out Frank Zappa project, with themes varying from a love song about his cat to his love of anime and the city of Tokyo. A sonic expansion from his previous album “Apocalypse”  Thundercat tag teams through the album with his label head and close friend Flying Lotus weaving deeper and deeper into the trenches of this jazz filled paradise. As the album turns from waking up joyously hungover, into returning to the same bottle again, the album title resonates hard into the closing tracks. Drunken journeys into one’s own mind along with a meddling ADHD odyssey is challenging his previous album as some of the most important work in modern jazz, and slowly grows into the victour.

Best Tracks: “Uh Uh” & “Show You The Way”

13: Kendrick Lamar - DAMN.

Genre: Hip-Hop

The best active rapper out right now is the Compton-bred MC, and though this album cemented a portion of Kendrick’s attributes that he’s always lacked in (album sales & streams) it is still a questionable project by Lamar’s standards. Thought “FEAR” and “DUCKWORTH” are some of the best tracks Kendrick has ever released, the project will not live on through the overall make-up. The concept of the record and the conspiracy theories that circled around it along with astronomical sales will keep this album in West Coast loar. Don’t be confused, this is a very good project with everything you could ever ask from a single artist to meld into one body of work, yet by Kendricks standard, it is a dip in the wrong direction.

Best Tracks: “FEAR.” & “XXX.”

12: The Alchemist & Budgie - The Good Book Vol. 2

Genre: Instrumental Hip-Hop / Underground Hip-Hop

As music evolves more technologically and in structure, gospel music becomes more and more interesting in today’s world. Religion is a tongue and cheek topic for most, but the music when done right is astounding regardless of message. Give these records to the legendary producer Alchemist and the equally exciting and underrated Budgie, along with their Rolodex of super skilled friends, the ceiling is non-existent. A two disc 96 minute odyssey into underground hip-hop weaved together by samples from a lost time in musical history is one of (if not the) best producer lead albums of the past decade.

Best Tracks: “No Mystery God” & “In-N-Out”

Sounds Like: The Avalanches “Wildflower”

11: Tennyson - Uh Oh!

Genre: Electronic

The brother / sister duo has returned with another EP highlighted by the sounds of a futuristic city like nothing you can see in film. A dream world filled with bird chirps, high paced drums, and the clanging together of whatever you can find in the depths of your production software. Limited singing gives way for one to long for the calming voice to return to give another layer of beauty to an already overloaded roster of sound and audio color that is a part of a spearheaded movement of dense and upbeat electronic compositions.

Best Track: “Pegasus.exe”

10: Lil Uzi Vert - Luv Is Rage 2

Genre: Alternative Hip-Hop

You will not find a more fun album to blast at full volume then the newest edition to Lil Uzi Vert’s newest venture. “Luv Is Rage 2” was in purgatory for months by Don Cannon, DJ Drama, and Altantic Records due to the success of the smash lead single “XO Tour Llif3”, and once released the hundred of thousands within the internet community that birthed Uzi went wild, sending the album straight to #1. A sonic carnival, lead by the shoulder rolling ringmaster himself with lyrics of love lost, youthful energy and a dangerous amount of drug use, is a project that will be looked back as a seminal release from this generation of SoundCloud birthed artists, and possibly this era of music in general. 

Best Tracks: “Neon Guts” & “The Way Life Goes”

9: Big K.R.I.T. - 4Eva Is A Mighty Long Time

Genre: Southern Hip-Hop

The great return of Big K.R.I.T. years in the making. A double disc dive into the duality of K.R.I.T’s musical ventures exemplifies his versatility in a way the major label system never properly handled. The first side shows the mainstream crossover ability that always had shown glimpses over his career, while also showing an aggressive and hungry delivery to be considered one of the generation's greats. On the flip side of the album, we are shown into Justin Scott’s (K.R.I.T.’s real name) way of thinking. An inclusion of live instruments and a deeper message accompanied with a dive into the psyche of K.R.I.T. as a man in his past and today. The return of the Southern star show’s a rebirth of a career that belongs to be put next to today's and all of history's greats.

Best Tracks: “The Light” & “Mixed Messages”

Sounds Like: Outkast’s “ATLiens”

8: Open Mike Eagle - Brick Body Kids Still Daydream

Genre: Underground Hip-Hop

Chicago is never out of the news for long, whether it be tales of murder and destruction, or the flip side featuring political change and community outreach. Somewhere in the middle Open Mike Eagle sits doodling a satiristic world to describe it all. An ode to the Robert Taylor projects where Eagle grew up in, along with over 20,000 other people, Mike speaks of himself in many mythical ways whether it be a hero within the building, or the homes themselves. The two features Eagle allowed into his brick and mortar universe were standouts, especially the early verse from the show stealing Sammus. Conceptually it is one of a kind, proving again Open Mike Eagle and the underground which he meddles in, is a land of opportunity.

Best Tracks: “Legendary Iron Hood” & “Happy Wasteland Day”

Sounds Like: Aesop Rock’s “Labor Days”

7: Future - HNDRXX

Genre: Hip-Hop / R&B 

Future has reached the point in his career where he can sit back and watch the world spin around him. Every new artist has a piece of Future in their DNA, and Future could live of his major records and the occasional feature for life. Yet he took the creative risk of making a full R&B album, a project that does have rapping but to a minimal amount in the same vein as early Drake. The soul splitting auto tune melodies speaking possibly of his ex relationships with Ciara and the wife of Scottie Pippen, and the drugs to mellow the pain of lost love and past memories. “Dirty Sprite 2” was an angry and hungry Future, attacking the world, while “HNDRXX” comes off as the yang to DS2’s ying, and shows range but a living legend.  

Best Tracks: “My Collection” & “Solo” 

Sounds Like: Drake’s “Take Care”

6: Jay-Z - 4:44

Genre: Hip-Hop

The President of Hip-Hop himself, Jay-Z shows a further evolution in an already storied discography. Jay has been personal in the past, but never in such an intimate setting. Done in the span of a few weeks with the legendary No ID, these sessions gave us the final product of the most personal a mainstream artist, especially of Jay’s stature. Bringing to light secrets and public questions of Hov’s relationships with his wife Beyonce, tips on building a fortune, his parents, and on-again-off-again little brother Kanye, to finally give his side of each story. The persona of the corner boy turned CEO has almost never shown any vulnerability, and all these decades later these internal feelings finally see the light in the form of a golden standard in late career work.

Best Tracks: “Marcy Me” & “Family Feud”

Sounds Like: Nas’ “Life Is Good”

5: King Krule - The OOZ

Genre: Alternative

King Krule has revealed himself from his self-induced seclusion and has gone back into his most popular musical identity, taking a break from the dubstep and hip-hop laced corners of the internet he took shelter in. On his 70 minute plunge into the mucky bowels of London, Archy brings with him equal parts angst, longing and hazy production to tell tales of relationships and isolation, but mostly focusing on painting a Greek tragedy with words and guitars. Feeling and emotion personified via a hissing and empty void in between each vocal wail, reminding us how raw uncut emotion is the underlying factor in all great art, and Archy Marshall slops and gushes emotion in layers like no other act can.

Best Tracks: “Dum Surfer” & “Biscuit Town”

4: Run The Jewels - Run The Jewels 3

Genere: Alternative Hip-Hop

Killer Mike and El-P are the best hip-hop duo since Outkast. With their third project the best group in rap music solidifies themselves yet again as the inventive and aggressive showboaters they are, with a more intense dive into El-P’s synth filled world. El and Mike touch on the capitalistic and ever changing world we are in, playing into the dystopian sci-fi tropes the group has separately gone into many times before. Their first project was an introduction, the second project was the group talking more of the world around them, and with this third time around, the tag team becomes more aggressive than ever while mixing in the best parts of everything they have ever done across thier individually storied careers. 

Best Tracks: “Call Ticketron” & “Everybody Stay Calm”

3: Tyler The Creator - Scum Fuck Flower Boy

Genre: Alternative Hip-Hop

With his 5th full length solo project Tyler has solidified himself as one of, if not the, most influential artist of this generation. In a class with the Kendricks, Coles, K.R.I.T.’s, and Drakes of the world, Tyler has found a way to stand alone. This self produced masterpiece is Tyler's musical dreams and ambitions personified and laced with beautiful guest features that fit in ways that bring to mind more of a band then a solo album with features. Yet as beautiful as the music sounds, the lyrics are focused on loneliness, acceptance, paranoia and depression. Since the beginning Ty has had albums based in an original narrative about a boy speaking with his therapist and the events surrounding it, and to break the mold a whole new layer of vulnerability was added. 2018 was a year that showed Tyler gaining a TV show, a new shoe line, a store in Los Angeles, another sold out self-produced festival, and this 14 track artwork shows us again how important originality is. Nothing can, or will stop Tyler.

Best Tracks: “See You Again” & “Pothole”

2: Daniel Caesar - Freudian

Genre: Soul

Production can be replicated. Lyrics can be replicated. A voice though,  can almost never be replicated. The range Caesar flexes across the 10 track debut LP is breathtaking in ways words cannot describe. Daniels music puts you in a state of mind, a flashback into the worst part of any relationship, but with a sprinkle of hope at the end. From sensual duets, to songs of longing a lyrical range to complement his vocal range is apparent and beautiful. Caesars gospel background comes as no surprise with the amount of soul and pain he can easily place into each run. Leading a pack of young soul and R&B artists, Caesar has a future ahead like none we have ever seen. 

Best Tracks: “We Find Love” & “Get You”

1: Smino - Blkswn

Genre: Alternative Hip-Hop

40 years since hip-hop was founded in New York City the genre has expanded musically from scratched up James Brown records into inclusion of every instrument and production style under the sun. And yet evolution is still eternally coming. Monte Booker, who produced on 16 of the 18 tracks has sculpted an ever tweaking and twitching paradise for Smino to fit his elastic flow and wordplay into every crevice of the intricate electronic based beats. Vocal layering and ad-libs used in ways rare to find in any genre add depth to records instead of being used as corny catch phrases like most utilize them for. Tales of drunken nights and lost lives spoken with Smino’s unique drawl and vocal tone recieve a kind of depth and playfulness combined that gives way to comparisons to Chicago MC’s Saba and Chance The Rapper .The St. Louis scene hasn’t seen much talent since the early aughts when Nelly ruled the world with a platinum fist, but now the city (along with new home Chicago) can claim the innovative minds Smino and Monte Booker.  

Best Tracks: “Father Son, Holy Smoke” & “B Role”

[reviverradio]

Exotic Songs: Celebrating the Visionary Music of Alice Coltrane

An industrial area at Maspeth, Queens which was formerly a door and glass factory was turned to a mesmerizing temple complete with marigolds, meditation cushions, and a golden multifunctional installation of a sunlight for a one of a type stellar concert celebrating a newly released, and mostly unheard body of work from pioneering artist and spiritual leader, Alice Coltrane.

“Gospel, soul, funk, and chanting, all in a single, it was amazing,” said Johanna Gielbehous a Brooklyn-based filmmaker after listening to The Sai Anantham Singers sing Coltrane’s exquisite devotional songs.

Alice, the wife of this legendary jazz saxophonist John Coltrane, has been a classically trained pianist, harpist, and a visionary musician regarded as one of the greatest composers of the 20th century. Her cosmic jazz and spiritual compositions are described as “prayers for humanity.”

For decades she has had a powerful underground cult following among music lovers, DJ’s from across the planet, and yogis. However, the bigger world doesn’t understand Ms. Coltrane’s greatness and this despite the fact that she left an exquisite musical catalog and also led to a remarkable life — she founded and was the spiritual leader of an ashram at California with countless devotees.

The Sai Anantam Singers play in The Ecstatic World of Alice Coltrane Turiyasangitananda, a part of Red Bull Music Academy Festival, in Knockdown Center, 52-19 Flushing Ave. at Maspeth, NY, US on 21 May 2017. Ysa Perez

“I am so very happy,” explained Michelle Coltrane, Alice’s eldest child and only daughter who sang with the ensemble and wore her mother’s orange sari. “It felt wonderful to have the ability to celebrate my mom in such a special way.”

Even the six-hour musical extravaganza which transformed the The Knockown Center to Coltrane’s mandir complete with an altar, blue rug, and eight hundred yellow cushions imported from India on Sunday evening was the final night of this Red Bull Academy Music Festival.

Saxophonist Ravi Coltrane, John and Alice’s son, accompanied the ashram singers using a highly effective performance of his mommy’s ancient jazz compositions at the outside event.

The ​concert celebrated the one-hour compilation entitled, “The Ecstatic Music of Alice Coltrane Turiyasangitananda,” that premiered earlier this month from David Byrne’s music label Luaka Bop.

Alice Coltrane alongside her spiritual shrine, together with the portrait of her “genius” Satya Sai Baba at 2004. J. Emilio Flores / Corbis through Getty Images

The album rocketed to number one on Billboard’s New Age and World music graphs. Luaka Bop agents said that the album would have topped jazz charts too but Billboard didn’t accept the album under the group, an unfortunate conclusion they said since Alice Coltrane’s jazz influence has been suspended in her devotional music.

These ten sacred songs were selected from four cassettes which Alice, also known by her Sanskrit title Turiya Sangitananda, softly recorded between 1982 and 1995 and released through her firm, Avatar Books, placed at Sai Anantam Ashram, the vedantic centre she founded in 1983. It is a body of work and also a chapter in Coltrane’ musical lifestyle that is mostly unknown out yogi circles and spiritual music aficionados.

The recent recognition of this masterful musician is long overdue. By all accounts Alice Coltrane was extraordinary.

Born Alice McLeod, Coltrane’s musical career began when she was a child from the dinosaurs of Detroit in which she was raised and born. She was a musical prodigy schooled in older time spirituals, blues and rhythm, and classically trained on the piano.

“There’s a picture of mother when she was like seven to the piano,” recalls Michelle. “Mom used to play at church and make a little cash and she’d give it to grandma.”

“Sometimes it strikes me how was she able to do this much, raise four kids, function as spiritual leader to so lots of men and women, teach, compose, perfect her art– it blows my mind when I feel all that she managed to do,” explained Michelle. “There’s certainly a genius to her and certainly her music.”

Moses Sumney plays in The Ecstatic World of Alice Coltrane Turiyasangitananda, a part of Red Bull Music Academy Festival, in Knockdown Center, 52-19 Flushing Ave. at Maspeth, NY, US on 21 May 2017. Ysa Perez

The brand new compilation has been created by jazz superstar Baker Bigsby who worked with Ornette Coleman, Sun Ra, and John Coltrane and has been the first recording engineer on all of Alice’s devotional records.

The compilation is still luminous. You find Alice chanting, singing, playing her harp, and resulting in a choir of all 24-celestial voices. There are eastern percussions, synthesizers, strings, and organs leading to a tasty mélange of sacred and soothing music.

“There’s certainly a genius to her and certainly her music.”

The audio is a reflection of Alice Turiyasangitananda ‘s spiritual devotion in the past four decades of her life and contain the musical world inside of this exceptional instrumentalist–from Igor Stravinsky to Bud Powell, from Detroit into India, from Africa to California, from Jesus into Rama, from older time spirituals and blues into ancient Sanskrit chanting. Words alone cannot behold the songs’s transcendental beauty and healing power–her music is a spiritual experience.

One reviewer wrote this, “listening to ‘Om Shanti,’ the very first tune in the compilation, is nothing less than an act of self-care.”

Yale Evelev, who co-owns Luaka Bop, has been blown away when he noticed Alice Turiyasangitananda’s devotional music one year ago at the suggestion of DJ Prince Language.

Globe Spirituality Classics 1: The Ecstatic Songs Of Alice Coltrane Turiyasangitananda Sri Hari Moss / Luaka Bop

“Mine has been a visceral musical answer, Indian rapping, gospel,soulful this was music she devised, very revolutionary, and very sophisticated,” explained Evelev. The answer to the music, he says, continues to be astonishing. “There has been already appreciation for Alice’s music but with this launch we’ve observed something extraordinary.”

For several years nevertheless her musical function was lost inside her husband’s giant shadow.

“My mom was always pleased to talk about John’s music, it gave her pleasure; it’s the way she was. Sometimes it requires time and I only think this is the correct time politically and socially. After many years of bootlegged electronic variations, it’s wonderful to find a beautifully packaged and tangible collection of her work.”

In the summer of 1963, when Alice was 25, she was a part of a group led by vibrationist Terry Gibbs that started for The John Coltrane Quartet in the famed new york jazz temple, Birdland. It was there where she met John and two fell in love. They married in 1965, had three kids.

By 1967 John died of cancer departing Alice a widow with four young kids. Alice, who was on a spiritual quest with John researching Eastern music and spirituality, delved deeper to spiritual studies after his departure. She returned in India having a desire to leave secular life, and moved to Los Angeles from the 1970’s devoting her life and music to religious consciousness.

In 1975 she found the Vedantic Center ​ ​within ​ ​her home in Woodland Hills. Back in 1983 with a growing flock, she purchased nearly 50-acres of rolling mountains in Agoura Hills, California, just outside of Los Angeles and opened her ashram​.

A lot of blogs to combine the celebration of Alice Coltrane.

In 2017, no one would bat an eye since wellness, yoga, and meditation are ubiquitous. But in the 1970’s, maybe not so much. Alice was a black girl, a devoted yogi, a single mother of four, and also a masterful musician.

“Yes, my mom has been way ahead of her period,” noted Michelle. “She was a home-girl out of Detroit who founded an ashram from the west. Meditation is now a part of normal conversation, but back then, it was considered strange, and yoga has been viewed as only a bunch of folks who laid along with mats on the floor. But mother was always different.”

With a resurgence of function which uplifts and fuses musical influences from all over the world, it’s almost as though the spiritual teacher who expired in 2007 in age sixty-nine is reaching from beyond the cosmos to provide the world a much needed hug.

“Alice had a message of oneness, of inclusion, positivity, and admiration for one another,” says Evelev.

“She left this movie for us to love, because of our healing, and our expansion,” said her daughter Coltrane.

A new fan, Giebelhous agreed: “The extraordinary music welcomed and soothed us into a spiritual celebration of beauty and joy.”

from reviverradio http://www.reviverradio.net/exotic-songs-celebrating-the-visionary-music-of-alice-coltrane/

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