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#grant gustin is light years away better but I also don’t think he’s that great
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I wish studios were more willing to give us different forms of superhero media. Like, the Into the Spider-verse series has been so good at taking a well known IP and giving us a different approach to it, such that the movies have been doing really well despite other current superhero flicks underperforming and people screaming about “superhero fatigue” every two seconds (though I guess it also helps that Spider-Man is one of the most profitable comic book IPs out there).
It sucks that studios aren’t really thinking out of the box - especially Warner Brothers. The Flash would’ve been the perfect DC guinea pig for this imo, especially the flashpoint paradox which is tailor made for a multiverse type animated picture. Just thinking of how we could get the different people who have carried the mantle of the Flash (Barry, Wally, Jay) and also introduce key supers from the JL. Maybe even make Wally the protag of the animated feature because the general public already has the cw show in their conscious, so a different Flash in a different style might have been interesting (also people - rightfully - prefer Grant over Ezra so…). Idk there’s been a real missed opportunity here and it sucks.
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zapatterson · 7 years
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I am meant to be wherever you are next to me
Pairing: Patterson x Tasha
Summary: Jane and Weller's wedding but focused of what happens between Patterson and Tasha.
Writer’s notes:  The "slow romantic song" is Running home to you by Grant Gustin. (Because I'm weak for that song and because every time I hear that song I imagine Tasha singing it to Patterson)
Also in AO3
Knock knock knock
Patterson hears Jane's voice come from inside of the room. "Come in."
She opens the door and finds the bride sitting in a chair while Nas (who smiles at her when she enters) does her hair, her back towards the door. She can see her in the mirror in front of her, though. "Hey, you look gorgeous." Even if she's sitting she can see the dress fits perfectly.
Jane turns around and smiles at her. "Patterson! You're here."
"Wouldn't miss it. My boss doesn't get married every day." She jokes.
Jane laughs, shaking her head. "You know that's not what I meant."
"Jane? It'd be very thankful if you stopped moving."
"Right. Sorry."
"It's alright, I'm almost done." A few minutes later, she finishes. "That's it. You can move all you want now. I'm gonna go see how the Sarah and the guys are going."
When Jane and Patterson are alone, the blonde sits next to her. "So... how are you feeling?"
Jane grins. "Great. This... it's the way I want it. Everything is right. And I think we are prepared. I'm happy."
Patterson smiles at her. "That's good."
"What about you?"
"What do you mean?" asks the blonde, confused.
"Have you thought about what we talked? About her?"
"I... nope. No, nothing there."
"Come on, Patterson. You've been practically dating for about a year."
"It's not... we're just friends. It's never been more."
Jane looks at her with an expression that says 'come on, no one would believe that'. "If you say so..."
"I do." She says unconvinced.
"Okay. Do you want it to be more though?" Jane keeps trying.
"Jane... can we talk about something different?"
She let's it go. She knows pressuring the woman isn't good and won't help, so she let's it go. They talk a bit more about details of the wedding and about the honeymoon. Until Patterson realises she still has to get ready.
"I should... go get dressed."
"Of course. Allie and Tasha are in the third room at the right doing that, your dress is there too."
Patterson leaves and moves to the room Jane mentioned. When she's close she notices the door's open. As she approaches, she starts to hear Allie and Tasha talking.
"Allie..." Tasha sounds tired... or annoyed.
"I'm just saying you just have to say it. 'I love you. I've been in love with you for so long and I can't imagine my life without you.' It's simple. Just say the truth."
"I'm not gonna do that."
"Why? What are you so afraid of?"
"Oh I don't know. Rejection? Losing one of my best friends? Just because I can't control my feelings?"
"God, you're so dramatic... Now let me help with that make up. I bet I can get you a kiss tonight."
She knows she shouldn't be listening. Is she... spying on her friends? Damn it... This is bad. And hearing that apparently Tasha is in love with someone doesn't help... she called him her best friend. It has to be Reade. Yeah, doesn't help either.
It sounds like they changed the topic, so after a minute or two, Patterson knocks.
When she gets in, Tasha's face lights up, and she's pretty sure her own did too. "Hi."
"Hello Patterson." Says Allie, smirking.
The blonde ignores her, mesmerised by Tasha, who hasn't stopped looking at her and smiling either. "You look amazing." She somehow manages to say.
Tasha blushes as Allie gets closer to her ear. She whispers something that Patterson can't hear but that makes Tasha glare at her. "Shut up."
Getting out of her trance, Patterson explains "So, Jane told me my dress is here?"
"Yeah, it's right there." Tasha tells her, pointing at a chair at the side.
She takes it and gets into the room's bathroom to get changed.
While she's in there she can hear the girls talking in a hushed tone. She can't understand what they are saying. Except when she's done, she hears Tasha say "Allison". Allie takes some seconds to answer. She can imagine her looking at Tasha with her eyebrows raised. "Natasha."
She gets out before Tasha can react. And she seems to forget when she sees Patterson.
"Wow."
----------------------------------------------------
The wedding goes well. It goes exactly as planned with no complication except Taylor starting to cry during the ceremony and Allie having to get her out of the chapel.
Sarah cries.
Tasha and Patterson find themselves staring at the other when the other isn't looking way too many times.
----------------------------------------------------
It's not until after Kurt and Jane have had their dance, that Sarah and Reade decide to talk. And judging by their smiles and the kiss they share, it goes well. They are back together.
Patterson and Tasha are sitting out of the dance floor when it happens. They can see them perfectly from where they are.
Patterson looks at Tasha and sees a longing look in her face, with a hint of a smile, maybe? "Are you okay?"
Tasha turns to her, confused. "Uh?"
"You know..." She tries to explain, using her head to point at them. Seeing that Tasha looks at her cluelessly she tries again. "Reade... and Sarah..."
Tasha just frowns more "Why wouldn't I be okay?"
"Um... well... knowing the person you love is in love with someone else.. isn't easy." She says, looking at the floor.
Her tone makes Tasha wonder if she's talking from experience. She still doesn't understand what Patte-- oh. OH. "I don't like Reade!"
It's Patterson's turn to be surprised. "You don't?"
Tasha chuckles. "No... why did you think I...?"
"Oh, well, ah... you two are so close and I... uh. I don't know..."
"Well we're just best friend. He's like a brother to me."
"Good... I mean. That's. Right."
They both look to the dance floor where their friends are happily dancing. Jane and Weller haven't separated since the ceremony started.
From the corner of her eyes, Tasha sees Allie. She seems to be trying to get her attention. Once she has it, she mouths "TELL HER", which Tasha rolls her eyes at, right before noticing Patterson is about to look at Allie's way.
Before she sees her, Tasha turns around abruptly, holding her hand. "Do you wanna dance?"
The blonde smiles, getting up to go to the dance floor. Tasha can't help but grin back. She misses the smirk in Allie's face.
They are dancing to a fast happy song with some other guests when the music suddenly stops. The DJ says "now a slow romantic one for the couples". Tasha looks towards him and sees Allie walking away from him. She frowns at her and raises an eyebrow. Allie replies with a wink. Tasha shakes head and rolls her eyes, a tiny smile growing on her lips as the first notes of the song start playing.
The sound of a piano playing a few chords. By the third, Tasha looks at Patterson, who chuckles nervously, biting her lip. Tasha smiles at her. The guy starts singing.
Can't say how the days will unfold.
Tasha extends her hand towards Patterson.
Can't change what the future may hold.
Patterson smiles and takes her hand.
But I want you in it.
Tasha's smile grows as she moves the girl towards herself.
Every hour. Every minute.
Tasha makes her spin, which causes a little laughter from both of them.
And they start to sway. Tasha's hands on Patterson's hips and the blonde's on Tasha's shoulders, at a distance big enough to be able to look at each other without being too close.
This world can race by far too fast.
Hard to see while it's all flying past.
But it's clear now.
They are looking deeply into each other's eyes. So deep that Patterson's breath catches and Tasha's smile slowly disappears as she gulps.
When you're standing here now.
They are slowing down. Tasha looks briefly at Patterson's lips. She doesn't seem to notice though, too busy trying to slow down her heart.
I am meant to be wherever you are, next to me.
Tasha looks away and shakes her head, getting herself to smile again. She looks back and pulls Patterson towards her, so that they are practically hugging, and starts to dance again.
All I wanna do is come running home to you, come running home to you.
Yeah, this is better. Now that they can't look into the other's eyes, keeping calm is easier... kind of.
And all my life I promise to keep running home to you, keep running home to you.
Patterson relaxes into Tasha's body. The sides of their heads leaning against each other.
And I could see it right from the start
It's better. Until Tasha starts singing along, right into Patterson's ear.
"Right from the start."
"That you would be, be my light in the dark, light in the dark, oh."
Patterson's heart starts pounding again.
"You gave me no other choice but to love you."
She stops singing once it reaches the chorus again, she thinks her voice will betray her.
All I wanna do is come running home to you, come running home to you
She closes her eyes and enjoys it.
And all my life I promise to keep running home to you, keep running home, home to you.
Before Patterson can control her breathing and her heart, Tasha starts singing again.
"Can't say how the days will unfold"
"Can't change what the future may hold."
"But I want you in it."
"Every hour."
"Every minute."
When the song finishes they separate.
They look at each other for a few seconds. And right when Tasha opens her mouth, a new party song starts to play. She laughs. They both laugh. And go back to dancing with the group.
After some more songs and a few drinks, they go back to sit in the chairs out of the dance floor.
Patterson, tired, puts her head over Tasha's shoulder. She looks towards her friends. Jane and Weller have been in the middle of the party all night, how are they not exhausted? Reade and Sarah are... slow dancing? The song isn't even slow... Allie and Nas are talking outside because Taylor fell asleep and the music doesn't wake her up from there.
The sight of Allie makes her remember the conversation she heard Tasha and Allie have earlier before the ceremony. They talked about Tasha being in love with her best friend... but she said she doesn't like Reade...
"Then who is it?..." She says, thinking out loud.
The brunette turns her head towards her and asks "Who's what?"
Realising she had said it out loud, Patterson takes her head away from Tasha's shoulder and turns towards her in a fast move. Her eyes widen. "I... uh. Well." She gulps. "I... I overheard you and Allie earlier... when she told you to-to tell someone that you love them? I just assumed it was about Reade, but then you told me--uh sorry. This is none of my business. I shouldn't have asked, I didn't mean to actually. I shouldn't have listened. Sorry- I'm sorry." Patterson blurts it all out so fast that Tasha can only watch in surprise. When she's done, the girl's looking at her with an open mouth that turns into a little smirk. "You're not mad?"
Tasha smiles and shakes her head. "It's okay. You didn't mean to. And it's Allie's fault anyway."
Patterson nods and smiles, looking away still a bit embarrassed.
A few seconds later, she continues, "It's not about Reade."
"You don't have to tell me, it's ok--" the brunette puts her hand over Patterson's to cut her off.
"I want to." She breathes in. "I've been in love with... this person for so long... I just can't imagine." She closes her eyes, not being able to continue.
"It's okay, Tash, there's no nee--"
Tasha looks at her pleading "Please. Let me do this." When the blonde nods, she continues. "I can't imagine not waking up thinking about them, and not going to sleep thinking about them. Because it's the most amazing person I've ever met, the smartest, the bravest. And no matter what, I don't wanna live without them in my life, one way or another. Even if I'm never brave enough to tell them I love them."
Patterson looks away sad, there's a knot in her throat. She knew Tasha was in love with someone else, but hearing her say what she hoped was about her but isn't hurt too much. She wants to be happy for her though, so she tries. "I think Allie's right. You should say all that to that person."
"I just did." Tasha says the words in such a hushed tone that Patterson almost doesn't understand them.
She turns around confused. "Wha--" before she can finish the question, Tasha leans into her and locks their lips into a short but sweet kiss.
Patterson's eyes flutter and she blinks a few times trying to understand what happened. How she went from heartbroken to being kissed by the woman that caused her heartbreak.
Tasha looks at her smiling at the woman's confusion but nervous to see her reaction. "Damn, Patterson, for someone so smart, it's taking you a while..."
Connecting all the dots, Patterson's confusion starts to clear and a huge grin appears on her face. Tasha smiles back but looks a little hesitant. "Please, say something?"
Instead she kisses her. A longer and even sweeter kiss. A little tear escapes Tasha's eye. The kiss gets cut off by their own uncontrollable smiles. "I love you too." Patterson whispers once they've separated, wiping the tear away.
They smile at each other again and lean into yet another kiss. And another. And another. And a bunch of them that turn into a big one happy kiss.
They separate at the sound of Allie cheering them. All their friends seem to be looking a them now.
Jane talks first. "Finally!!"
Allie is next. "See, Tasha, I told you I'd get you a kiss." Tasha rolls her eyes at her.
Reade follows. "Well played, Zapata, get the girl!"
Kurt looks at them in shock.
Sarah and Nas just smile at them.
Patterson looks down shyly and Tasha shakes her head and decides to ignore them.
She turns towards Patterson, puts her hand under her chin and makes her look at her, before leaning in another time. This time into a slower deeper kiss.
None of them has been this happy in a very long time.
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siphen0 · 5 years
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The Flash — “Elseworlds, Part 1” — Image Number: FLA509c_0361bc.jpg — Pictured (L-R): Tyler Hoechlin as Clark Kent and Melissa Benoist as Kara/Supergirl — Photo: Katie Yu/The CW — © 2018 The CW Network, LLC. All rights reserved
***Spoiler Warning***
I can’t say that I was following the hype train for Elseworlds. I was kind of at that point with some of these shows where I was way more interested in what was going to be set up than what was actually going to happen during the crossover episodes. Like comics, bigger doesn’t always mean better. This was actually one of those times where I was happy to be wrong. Would I have loved to see the Legends make an appearance here? Of course, but it also made sense that they wouldn’t want to stuff too many heroes into a story that would benefit from more focus.
The first act The Flash “Elseworlds, Part 1” is leaps ahead of what the other two crossovers had to offer in the first night. My only hope was for a better start than last year’s crossover, and that was exactly what we got. Last year it was pretty weak the way they began with Supergirl. And not because they started with Supergirl, but because there was no actual crossover content till the last few minutes. This time around so much ground was covered, so much given clarity to, and so much fun experienced from heroes seeing the other side of the grass. I don’t think I could have asked for anything more than what we got here, for the most part. Barry and Oliver fully embraced the madness of their new realities. They of course had their moments to freak out about the changes, but they took every advantage to show what it is like to step in the shoes of the other. What then brought them to Kara was a reason you couldn’t argue with. What brought them to both Kara and Clark at the same time was even better. Little time was wasted in emphasizing that this story is taking place exactly where each show’s current storylines are progressing.
The second act was thrilling for everything dealing with our tour of Gotham in the Arrowverse. It was shocking how they decided to play up the myth of Batman and stirring the question of if there ever was a Batman. You want to believe it, but no one is truly straightforward about the answer to that question. The setting was on point from the city view to the halls of Arkham Asylum. What made this introduction so great was the reaction from Oliver, Barry, and Kara. They all had their own opinion of Batman, where Gotham fits in this world, and the existence of Batwoman. Kate Kane was exactly how you pictured her from the books. She’s cold, she commands attention when she steps into the room, very confident in her actions. I definitely was left with a quick impression that she worked that role better than Oliver could. How they explained her connection to Batman and Bruce Wayne was clever. She still has her distance from the two, but this obviously isn’t going to be like the books where she one night decides she wants to dress like a bat but ignore everything about the bat.
Arrow — “Elseworlds, Part 2” — Image Number: AR709a_0195b — Pictured (L-R): Stephen Amell as Barry Allen/The Flash and Ruby Rose as Kate Kane/Batwoman — Photo: Jack Rowand/The CW — © 2018 The CW Network, LLC. All Rights Reserved.
Our first confrontation with Deegan in Arkham was absolutely brilliant. If it wasn’t the action they delivered after the prisoners were set free, it was every prisoner in Arkham who had a familiar name. You either recognized their name right away, or you had to look a bit deeper if you weren’t too up to date with the villain’s real names.
The third act put a lot of work into the endgame when Dr. John Deegan was challenged to think bigger. The reality he put together was very well executed for someone who finally realized where he went wrong the first time. It’s not as if we haven’t seen our characters flipped from being heroes to villains before, but it was fun for the way that Barry and Oliver interacted with them. Barry and Oliver waking up in a new reality where they are criminals known as the Trigger Twins was one heck of a way to throw them out of their element. It was short-lived with pacing taking priority, but worthwhile for another role that Barry was able to play outside of being the good guy. Being that this third episode was Supergirl’s part, there was much more of her and others from her story seen in this last stretch. I enjoyed the way that their tone fit into this crossover considering their theme centers around family and hope more than any of the others. Whether it was how Kara took control of her situation, or the way that Clark and Lois rose to the occasion, they stole the spotlight the only way that heroes can when they let their compass point them in the right direction. I mean, lets talk about Lois and company who joined that fight. I didn’t see it coming and I loved every second of the last people you would expect to make a difference do their thing.
For somewhat villains, Dr. John Deegan and The Monitor did stand out in their own way. I say somewhat because Deegan isn’t seen all too much as himself, and The Monitor’s actions weren’t exactly as they seemed on the surface. He was doing wrong, but clearly with good intentions in mind. His actions were the kind that lean towards Gods who think that manipulation serves as a better line of communication than being direct. Cliche yes, but the way they went about it was clever. Now Deegan I would say is for the most part forgettable. Not for what troubles he created, but for the fact that you are left with an image of Superman burned into your head rather than him. Aside from his moments rewriting reality as himself, that was as far as his actions went carrying his own face. Because of that, I found myself more so applauding Tyler Hoechlin for his role as Superman. He proved to have a lot of range. That sinister laugh, the monologuing, everything else in-between stood out when the Supes in black took matters into his own hands.
Supergirl — “Elseworlds, Part 3” — Image Number: SPG409a_0391b.jpg — Pictured (L-R): Grant Gustin as Barry Allen/The Flash and Stephen Amell as Oliver Queen/Green Arrow — Photo: Sergei Bachlakov/The CW — © 2018 The CW Network, LLC. All Rights Reserved.
As I told someone earlier this week, the best thing about Elseworlds was the tone. You read from some people that this could be too cheesy or cliche, but what is comics if not those things? It’s not about the act of being cheesy or cliche, it’s about why. Sometimes that is what we actually need from these shows. Other shows may be better in some areas, but they also can suffer from being bleak. This three-night crossover put more effort into trying to find a balance between being light-hearted and serious. I walked away from that last episode believing in the existence of hope in superhero stories. The admiration for the way that they aimed to define what it means to be a hero. What you do as the hero, as your normal self, even what you can accomplish without your powers/gear says more than anything else could. I cherished every moment where they smiled, laughed, opened up about the things that only other heroes could relate to. This was one of the first times that I was able to cheer on Oliver for the growth he accepted when faced with other options in carrying himself as the Green Arrow.
What also deserves some recognition is the effects used for this event. Obviously there are some things they simply can’t perfect, but other things looked great. It was very cool for the level of detail that went into certain characters and how it didn’t pop out too much as things inhuman. The Superman fight was a bit fluffy in the sky, but it could have looked so much more different if they decided that it all needed to be generated images. Aside from that, they spared no expense in lighting and special effects from everyone else who had a hand in making this event out of the ordinary.
Elseworlds might be the best crossover they have done so far. I would dare to say that this is the best. It benefited from not involving too many heroes and focusing purely on those who are at the core of these shows. They also proved that you can take being a hero very seriously, but it means nothing if you can’t have a little fun along the way. Call that cheesy, but it may just mean you need to broaden your definition of superheroes in comic worlds.
The Flash — “Elseworlds, Part 1” — Image Number: FLA509b_0345b.jpg — Pictured (L-R): Tyler Hoechlin as Clark Kent, Melissa Benoist as Kara/Supergirl and Bitsie Tulloch as Lois Lane — Photo: Katie Yu/The CW — © 2018 The CW Network, LLC. All rights reserved
Supergirl — “Elseworlds, Part 3” — Image Number: SPG409a_0178b.jpg — Pictured: Carlos Valdes as Cisco Ramon — Photo: Sergei Bachlakov/The CW — © 2018 The CW Network, LLC. All Rights Reserved.
Arrow — “Elseworlds, Part 2” — Image Number: AR709b_0002b — Pictured (L-R): Stephen Amell as Oliver Queen/Green Arrow and Grant Gustin as Barry Allen/The Flash — Photo: Jack Rowand/The CW — © 2018 The CW Network, LLC. All Rights Reserved.
The Flash — “Elseworlds, Part 1” — Image Number: FLA509d_0163bc.jpg — Pictured (L-R): Jeremy Davies as John Deegan and LaMonica Garrett as The Monitor — Photo: Katie Yu/The CW — © 2018 The CW Network, LLC. All rights reserved
DC/CW Elseworlds Crossover Review ***Spoiler Warning*** I can't say that I was following the hype train for Elseworlds. I was kind of at that point with some of these shows where I was way more interested in what was going to be set up than what was actually going to happen during the crossover episodes.
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briangroth27 · 7 years
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Supergirl Season 2 Review
Supergirl felt a lot more natural for The CW than CBS, so I was glad it made the move this season. While remaining on its own Earth, I'm glad the show has increased potential to cross over with the other Arrowverse now. I was sure the Invasion crossover would be a Crisis that blended Earths-1 and -38, and I'm glad I was wrong. This way, Supergirl can build its own world while still interacting with Earth-1. And the world building they did in Season 2 was great!
Full Spoilers…
Kara Danvers/Kara Zor-El/Supergirl Kara (Melissa Benoist) setting out at the beginning of the season to find out how to be "Kara Danvers" was perfect, given CatCo Kara was such a real, learned personality last year—not a mask like "Clark Kent" is, which I’ve long thought is a brilliant character choice—and it felt like the right time to develop that part of her life. Kara's reasons for wanting to be a reporter felt right to me, but unfortunately this arc ended up being underserved in the latter half of the season. It started strong, but I feel like the season lost direction for “Kara Danvers” along the way. Perhaps this was due the fact that the villains were driven by Supergirl’s influence on their children and the world moreso than anything Kara did at CatCo. Perhaps if Kara had been working to expose Cadmus or Rhea (Teri Hatcher) as an alien through journalism, that arc would’ve remained strong the entire year. That said, I loved that the season focused on Kara’s influence on others, specifically how her relationships with Lena Luthor (Katie McGrath) and Mon-El (Chris Wood) made them better people. The entire Super family is built on believing people can be better and inspiring them to do so, making this a solid theme to cover on Supergirl.
One part of being “Kara Danvers” that hasn’t been covered yet is the darker side of that prospect. Season 1 revealed that Jeremiah (Dean Cain) and Eliza Danvers (Helen Slater) essentially raised Kara to be a human first and a Kryptonian never, given the world already had Superman (Tyler Hoechlin) and they wanted her to walk under the radar. We got a taste of Kara not seeing the Danvers through rose-colored glasses when Jeremiah was working for Cadmus and Kara noticed something was wrong almost immediately. I’m not saying this came from retribution on her part—he is a father to her and the human conditioning wasn’t malicious—but I think there could be some resentment hidden under her surface that needs to be explored. I think we need to see more of Kara confronting her parents about raising her to be someone she’s not, and doing so this year would’ve been a strong parallel arc to Alex’s (Chyler Leigh) coming out story. Supergirl is closer to Kara’s origins than the woman the Danvers raised and has seemed like Kara's way of finding her true self and owning her power up until now. So, while “Supergirl is what I can do, Kara is who I am” is true—and Kara Danvers has been growing to be more assertive as she's gotten more comfortable being out with her powers/heritage as Supergirl—I feel like we've maybe missed seeing scenes where she started seeing CatCo Kara as her real self and Supergirl as just what she can do. Now that she’s gotten to team up with her more famous cousin and save him from Silver Kryptonite (in a fantastic fight!), I hope the hero worship has worn off so we can see Kara confront Clark about abandoning her with the Danvers. Alex brought up the fact that he ditched her this year, but Kara didn’t follow up on it. Coupled with the fact that Kara’s entire mission in coming to Earth was to protect and raise Kal-El, confronting him over the idea that he apparently couldn’t be bothered to return the favor would make for some great drama. I love it when the show balances Kara’s sunny optimism and hope with the fact that she’s faced real tragedy in her life—anytime she tries to talk with her mother’s AI (Laura Benanti) but is met with the computer’s inability to return any emotion is perfectly bittersweet—and I hope the writers continue to mine that drama in every aspect of Kara’s life. The reveal of what kind of man Zor-El (Robert Gant) really was worked against Kara’s memories of him, so I hope they continue to explore that as well. I don’t ever want the show to be as dark as Arrow, but a Flash-like balance of lightness tinged with tragedy would be ideal. I think they’re moving in that direction this season compared to last, so I’m hopeful they’ll explore these drama-rich story threads. Benoist is perfect as Kara and I’d love to see what she can do with personal conflicts like these!
In the move to The CW, some plotlines and characters were quickly shuffled away or undone outright, the biggest being Kara and James’ (Mehcad Brooks) relationship fizzling within the first hours of Season 2. I liked James and Kara’s budding romance in Season 1 and I shipped that relationship back then, but wasn’t heartbroken that they didn’t work out here. I’m glad they were both adults about it, respected each other, and remained friends, but I think that romance’s screentime in the first season deserved a longer fizzle, even if the relationship wasn’t going to last. Trying to make it work despite the dawning realization that they didn’t fit together would’ve paid off the investment Kara, James, and the fans put in last season, and it would’ve played into the realities of being human as Kara tries to “have it all” and realizes the parts don’t always fit together correctly: it’s completely realistic that even though something feels right, it doesn’t work for whatever reason. Maybe James’ secret life as Guardian and possible feelings of inadequacy over not doing as much good as Clark and Kara could’ve also driven their relationship to an early end, since he kept it a secret from Kara. Whatever would’ve finally ended the Kara/James relationship, we should’ve seen why it fell apart in more detail. If nothing else, I can safely say I truly believe James wanted nothing but the best for Kara, even if that wasn’t him.
The far more divisive relationship, Kara and Mon-El, started strong with her teaching him to be a better person and him revealing some uglier prejudices in Kara. I loved that the writers refused to make her hatred of Daxamites a one-and-done issue; instead, it was clearly something she struggled with every day. I didn’t want them to date from day one, but I admit that things like them playing Monopoly, their fun training sessions, and their good chemistry made the idea grow on me. I just didn’t think Kara needed a relationship with her trying so hard to figure out how to balance her Kara and Supergirl lives. I liked that she was struggling to be a reporter and to find out who “Kara Danvers” could be, and she never needed a guy for that. It also didn’t help that Mon-El was so tied to her alien self, which necessarily pulled focus from her Kara Danvers side for the vast majority of his appearances. I believe everyone can improve, and I absolutely believe he genuinely did try to be a better person, so I didn’t have a huge issue with them dating; I just wish they’d kept focus on the rest of her life too. That said, I was pleasantly surprised she asked Mon-El point-blank if he had feelings for her and even more surprised the writers almost never let Kara let Mon-El get away with the problems he brought to their relationship. Every single time—except once, post-breakup—she called him on his crap and he was forced to better himself. Mon-El was legitimately a possessive and jealous jerk at first, and while Kara looks for the best in people and believed he could be a better person—so she probably gave him more slack than a lot of people would have—she always stood up for herself and didn’t lower her standards or feel like a pushover. I really liked that, so I was disappointed when their breakup ended so abruptly with the musical crossover with Flash. Unlike Barry (Grant Gustin) and Iris’ (Candice Patton) breakup, Kara and Mon-El’s didn’t feel like a mistake, but like Kara had finally reached the limit of her patience and wouldn’t put up with his issues anymore. His silent admission that he might not have ever told her the truth about being the Prince of Daxam should’ve been the final nail in the coffin, so a magic declaration of love from him (literally the next day in our time, even if it was longer for them) shouldn’t have changed her mind. She did make a comment about dropping a mountain on Mon-El if he lied again, but I felt like there needed to be a bigger conversation between them in the wake of their breakup instead of a quick scene in the next episode where it seemed like him super-loving her and making her a big breakfast made up for everything. It’s one thing for her to have hope in his potential, but another thing entirely to expect her to keep dating him while he continues screwing up in increasingly bad ways. It’s a shame that got swept under the rug so fast, presumably so the drama with Mon-El’s parents wanting to take him away would be bigger. I would’ve liked a twist in “Duet” where the reality of the non-musical world hit Kara and Mon-El to show that the Music Meister might be wrong on this count (a suggestion I liked from Twitter was that Alex’s sisterly love for Kara could’ve been just as strong as Barry and Iris’ romantic love). As much as I was won over by their chemistry, I wouldn’t mind if Mon-El’s banishment prevented him and Kara from getting back together for a long time, if ever. I’m not sold on Mon-El as Kara’s endgame relationship at all (to Benoist and Wood’s credit, though, they made me feel the sadness of his banishment in the finale); it feels too early in the series for that and I’d like to see her date Brainiac 5 or someone else. If Mon-El changes on his journey, we’ll see if that will change my mind on whether I’m reinvested in a future for Kara with him.
One other thing I thought would’ve improved the Kara/Mon-El relationship is the two of them sharing their cultures with each other. Not only would it have been an excellent opportunity for Kara to re-embrace her Kryptonian culture (something I’ve wanted from day one), but it would’ve paralleled real-life relationship culture clashes perfectly to see him wanting to have Daxamite holidays and her preferring to celebrate the Kryptonian way. Those could’ve been fun, relatable speed bumps in their relationship that didn’t rely on Mon-El being a work in progress and would’ve gone a long way to show that—with some shared culture between these neighboring races—there were bigger reasons Kara felt a stronger connection with Mon-El (another member of an endangered species) than James or anyone else she’d dated so far. Seeing more of what Kara lost would also help connect Rhea’s crusade to Kara, giving us a greater instinctive understanding of what the villain was trying to recapture, since we would’ve seen Kara trying to reestablish that for herself throughout the year. It also would’ve connected Kara more strongly to Lillian Luthor’s (Brenda Strong) quest to preserve Earth culture in the face of the alien immigrants.
Like her issues with Daxamites, I loved that Kara’s growing proficiency as a journalist was a hard road to travel. It would’ve been so easy to paint Snapper Carr (Ian Gomez) as irrationally angry like J. Jonah Jameson can be sometimes and allow Kara to ignore his rules and impress him with her moxie or something, but making him right almost every time forced her to grow, just like Mon-El truly wanting to be better forced her to reevaluate her thoughts on Daxamites. For example, even if she knew she was right about a story, there were still journalistic standards she had to abide by. It was also really smart to take Cat’s (Calista Flockhart) offer of any job Kara wanted and turn it around on her as a sign of unearned privilege. I wanted to see more of Kara learning how to be a journalist—I’d even hoped Iris would give her a few pointers in either crossover—and I feel like this was the plot that dropped the ball most this season. While her job as a reporter allowed for some classic superhero undercover work, like visiting Alex and Maggie at a crime scene for a story, it felt like this plot fell to the wayside too often. I don’t know why Kara didn’t continue to work as a blogger after getting fired for posting a story despite Snapper’s dismissal of it. The one time we saw her do just that, it was several episodes later and she got her job at CatCo back for it. In the meantime, I grew very tired of her just hanging out at her apartment with Mon-El instead of doing stories for her blog or even just looking for work (a single line about Snapper blackballing her would’ve been enough to solve that issue, at least). Kara even had a line about being happy she didn’t have a job because she could spend more time with Mon-El, and while I don’t think it was meant to be taken that she’d given up on work altogether—it played mostly like she was reaching to find the positive in the situation—this was about the time that he started to feel like he was holding her back instead of supporting her.
Kara’s Supergirl side fared much better this year. Lines like “It’s hope; how could it be false?” were the perfect encapsulation of what she stands for (along with incorporating her new motto, “Hope, Help, and Compassion for All”). There were several classic Super moments over the course of the season, including Kara “Doubtfiring” as both Supergirl and Kara Danvers at one of Lena Luthor’s events (though I would’ve liked an explanation for why J’onn (David Harewood) couldn’t double her again), Supergirl pulling off huge saves like rescuing a train and stopping a space ship from taking off, entertaining excuses like “Supergirl was getting coffee with Kara,” and fun investigative moments with Mon-El that reminded me of Clark and Lois’ interaction on Smallville and Lois & Clark. Bits like Kara standing up to alien guards without her powers were awesome and I’m always up for seeing Kara use her brain to defeat villains like Mxyzptlk (Peter Gadiot) over her fists. On that note, I feel like both this and (to a lesser extent) Flash have a tendency to make Kara and Barry just the muscle, if only so the rest of their teams have things to contribute (Kara's not really even the leader of her team, J'onn is). That's something I'd like to see remedied in both their upcoming seasons. Perhaps an arc towards leadership is part of Kara’s series-long growth, because we definitely saw her gain confidence this season when it came to her superheroics. Kara telling Wild Dog (Rick Gonzalez) she and Barry “feel like we help the world because we do” could’ve easily come off as pompous, but Benoist played it like hard-won confidence instead. That was a nice moment for her, considering how she spent most of Season 1 defending her effectiveness against what everyone thought of Superman; she’s clearly taking none of that anymore. I also wish more heroes would respond like this when confronted with allegations that they’re causing the problems they’re trying to stop. I liked that Kara came off the crossover feeling she should be doing more than just saving cash and jewels from common thugs; that felt real after getting a taste of larger threats. I loved how much focus they put on the effect Kara/Supergirl had on others: perhaps her greatest power, next to her compassion, is her ability to change hearts and minds and inspire people, so it's good to see the show didn't forget to include that…or villainous reactions to it.
Kara being so eager to jump in and help Barry without hesitation was perfect; I love their friendship and I hope we get many more crossovers (or even a CW Seed show like this). The two of them tag-teaming Cyber-woman (Erica Luttrell) and high-fiving was so fun, and their musical crossover was even better! Benoist and Gustin have excellent chemistry, so any time the two of them get to be super friends it’s a delight. On the other hand, I thought Kara’s frustration at Guardian picking up her scraps felt slightly out of place after the massive team-up of the Crossover, but I assumed that not knowing who he was after all this time was actually bothering her more. I loved her confrontations with James when she finally found out: they were very well-written and mature. I do wish he’d invoked Alex and the rest of the DEO as heroes who don’t have powers either, to which she could’ve responded that they’re extensively trained and he isn’t. That just felt like an exchange that could’ve fleshed out both their arguments a bit. I was glad the show took Kara’s side by having Guardian and Mon-El still need her help when Livewire (Laura Prudom) returned; Mon-El was too green and Guardian routinely takes severe beatings as it is, so they shouldn’t have been able to overcome villains with the power levels Kara usually faces. I’m glad Kara and James later came to a better understanding about his need to be Guardian; I thought that whole arc played out very well. I’d still like to see more from the lives of the other heroes Kara works with—the DEO agents—but I’m glad we finally got an official answer as to why Kara only sometimes wears her CatCo disguise at the DEO this year. I’d assumed it was an open secret, but it was nice to have it confirmed as common knowledge within the organization. I’d also like to see Kara take on a bigger leadership role with the DEO or at least as a superhero; moments like the first part of the season finale felt like she took a backseat to everyone else’s plans to deal with the Daxamites.
The aspect of Kara’s Supergirl life that didn’t feel like it got the attention it deserved was her willingness to kill or go along with plans that included killing enemies. Parasite (William Mapother) was her first kill, I believe, but the aftermath dealt with her being proud of Mon-El for being a hero, not the fact that she’d just killed a guy (even considering she warned him to stand down and he continued charging). I’m glad they didn’t try to justify it by saying “he’s not human anymore” (neither is she and aliens have been humanized on the show, so that excuse should never fly), but saying nothing didn’t feel right either and I think that should’ve been dealt with, particularly as she insisted they not kill Mxyzptlk in the very episode where he temporarily brought Parasite back to life. Kara was on board with at least seriously injuring the Dominators and outright killing any Daxamite who couldn’t get off Earth in time with the lead bomb, so the latter instance especially was another missed opportunity to clarify Kara’s morals. While Lillian could’ve brought up breaking the no-kill rule when she mentioned Kara’s politics in the finale (and Kara trying to peacefully persuade Rhea to stand down was a strong moment), I would’ve liked a scene where Kara’s adoration of President Marsdin (Lynda Carter) didn’t stop her from speaking against the plan to commit genocide. There’s also a dark grey area where Kara setting off the lead bomb lead to Rhea’s death, but it was Mon-El who refused to help her escape with the rest of the Daxamites. I do think Kara kicking all the Daxamites off the planet was a stronger moment than Lillian betraying everyone like I thought she would, but they absolutely need to dig into Kara having a hand in Rhea’s death next season. I think Kara and Barry should be heroes who don’t kill ever—they should always find the impossible solution no one else can think of—but if they’re going to, they absolutely need to deal with it. Perhaps they are, and Kara flying into the atmosphere in the final moments (and pushing back her human side in Season 3) is their spin on the Superman “Exile” storyline from the comics.
Alex Danvers I loved Alex’s story this year, with her coming to terms with her sexuality and building a healthy relationship with Maggie Sawyer (Floriana Lima). That was a well-crafted and solidly paced relationship that felt real—the best-written subplot of the season—and I’m very anxious to see if it will survive Maggie not being a series regular next year. Chyler Leigh’s portrayal of Alex’s coming out was excellent and immediately had me invested in them making it work. I was just as thrown as Alex was when Maggie initially shot her down and it was great to see Alex so happy with Maggie once they worked things out! I loved that this arc also brought Kara and Alex closer and paralleled Kara living with her secret, even if they didn’t dig into Kara’s side as much as I feel they could have. I’d missed those Danvers sisters couch moments, so it was nice to see them return. When Jeremiah came back working for Cadmus, both Benoist and Leigh were excellent at running the full gamut of emotions as the two sisters found themselves on opposite sides!
Alex was consistently awesome when it came to action sequences, like taking down Cadmus’ facility and keeping herself alive after being kidnapped. Creating a life jacket out of her pants was nothing short of brilliant! It’s no surprise that both Alex and Maggie were total badasses in the Daxamite siege, but that Alex/Kara “Meet me outside!” extraction from the compromised DEO was nothing short of spectacular! I do wish Alex could’ve taken part in the crossovers; I’d love to see her reaction to the Earth-1 heroes and ARGUS and she absolutely should’ve been a part of breaking Kara out of the Music Meister’s induced coma. That she wasn’t at least there to stay with Kara felt very wrong. I’d also like to see how Alex relates to the DEO agents besides J’onn and Winn (which was a fun, unexpected bit of chemistry), even if they’re just small moments. As second-in-command, she should know most if not all of them and it’d be fun to get glimpses into any friendships she may have at work.
J’onn J’onzz/Martian Manhunter I’m a fan of the calm, composed presence Harewood brings to J’onn and the fatherly relationship he has with Kara and Alex. That said, giving him some friction with characters who aren’t White Martians was a good change of pace. I liked J’onn’s established history with Clark and their problems over J’onn keeping a cache of Kryptonite, but at the end of the season’s first two episodes their issue was resolved too easily. Even though the tension was mostly external to the two of them—Superman was worried the order to use the Kryptonite against himself or Kara would come from J’onn’s superiors even if he knew the Martian wouldn’t use it himself—it seemed like it had existed for years, so just handing the Kryptonite back to Superman to resolve it felt a little underwhelming. I thought J’onn’s relationship with M’gann M’orzz (Sharon Leal) was much better developed, even if it didn’t go where I thought it would. J’onn’s relief and excitement over meeting another surviving Green Martian was palpable and it was nice to see him so thrown and hopeful at the same time. I’d expected something like Young Justice’s younger take on Miss Martian, so seeing her and J’onn start dating was a shock that I thought worked well regardless of my expectations. That whole arc gave J’onn some solid growth—his learning to trust a White Martian nicely paralleled Kara learning to trust a Daxamite—and I really hope she comes back often in Season 3.
J’onn made a comment this year about Kara helping him to accept himself, which was a nice touch, but I really wish we’d seen more of that either this year or last. That could’ve been a cool counterpoint to Kara digging into Kara Danvers this year, to Alex dealing with her sexuality, and to Kara helping Mon-El to acclimate to Earth. My least favorite J’onn moment this year also involved Kara, when he told Mon-El to keep her under control and safe; in no world would that need to happen. That felt way out of character, even for a protective father figure like J’onn. I really enjoy J’onn’s easy friendship and rapport with Jeremiah, so it was a shame for things to go the way they did when Jeremiah turned on everyone to protect his daughters from Cadmus. I thought his motives seemed more sinister than that explanation, but I hope he and J’onn can repair this rift. I would’ve liked to see a similar rift explored further between J’onn and Alex when he impersonated Jeremiah to test her loyalty. The pull between her two “dads” could’ve made for some interesting drama. It also would’ve been nice to see when Alex and J’onn got back to running the DEO. Even though their search for Jeremiah was cut short last year, there was a slightly awkward jump from Lucy Lane (Jenna Dewan Tatum) running things to them taking over again. I assume Lucy is still running the DEO’s cave bunker, but some mention of her current status would’ve been nice.
Lena Luthor Katie McGrath seemed to have a blast playing Lena and she got some great lines, like "That's the difference between us: I've never stood behind a man" and responding to "I'm a black belt” with “I'm a Luthor!” I really liked McGrath as Lex Luthor’s sister and I loved that Kara found real friendship with her. It was cool that Kara talking to and trusting this Luthor made things turn out differently than between Clark and Lex. I feel like Superman might unintentionally come off as high and mighty whereas Supergirl doesn’t, so simply talking and listening may have made all the difference here (to say nothing of the fact that Lena has a much smaller ego than Lex). I certainly hope Kara and Lena’s friendship continues, and that Kara’s trust in her is justified. Lena’s a great improvement over Max Lord (Peter Facinelli) and I liked that she was genuinely trying to redeem the Luthor name, though the show was smart about playing her intentions close to the vest early on, like when she set a trap for a gang of thieves when it seemed like she was setting one for Kara. It was funny to me how closely Lena’s history and the Luthor vibe in general paralleled Tess’ (Cassidy Freeman) past and the Luthors (Michael Rosenbaum, John Glover) on Smallville, as did James telling Kara that Clark and Lex used to be best friends. The Luthor mansion even looked like it could’ve been a room from the Smallville mansion. I loved Smallville, so stylistic shout outs like that and Lillian getting her name from that show made me smile.
I wonder what Lena will get up to now that she knows she’s the only one who can access Lex’s bunkers assuming he has others). There was a scene with a chess board that seemed to imply she thought of Supergirl as “her” knight, and I wonder if that will come to mean more than “Supergirl’s in my corner.” I don’t want her to follow Lex’s path, though. I liked that Rhea used Lena’s need for a positive parental figure to win her over and that was a smart plot connection between the season’s two villains, even if Rhea and Lillian didn’t get to meet face to face. I was also impressed Lena so quickly uncovered Rhea’s real identity and kicked her out. After being kidnapped and almost forced to marry Mon-El, Lena casually strolling down an alien hallway while he struggled to take out a Daxamite guard was funny, as was hacking a computer terminal with her tiara. Since Lena knows Mon-El is an alien and has met him as “Mike,” she has to at least strongly suspect Kara is Supergirl, right? I liked Lillian’s reasoning for not telling Lena about Kara, but I don’t think Lena will have the negative reaction her mother is hoping for.
James Olsen/Guardian I thought getting to run CatCo was a nice extension of James trying to do more than photography last season, but this plot was far too rushed and ignored in favor of Guardian to really work. They should’ve spent more time with James learning the ropes at CatCo before switching to trying to be a vigilante upon realizing he still doesn’t feel like he’s doing enough. Even if he totally failed at running the place, they should’ve stuck with the plot (which also could’ve opened avenues for Kara to spend more time there). Snapper’s curt reactions to how James wanted to run things worked just as well as they did for Kara (for as long as they lasted, anyway): again, he was in the right and James had to learn from him. 
Despite rushing through the CatCo business to get to it, I think Guardian’s the strongest material James has had on the show so far. I didn't think I'd be down with Olsen trying to be a vigilante, but Brooks’ acting and the writing in scenes where he had to justify himself to Winn (Jeremy Jordan) and Kara brought me around. I thought tying so much of his vigilantism to his father’s camera was a little heavy-handed, but I liked the idea behind honoring his dad. It also makes sense that he'd want to do more when all his best pals are superheroes. James' insecurities over people's love of the Supers vs. their fear of him played really well into classic Jimmy's persona and subtly reflected the double standards real-life society puts on white and black criminals (routinely showing black kids' mugshots and white kids' graduation or Facebook Profile pictures on the news, for example). I don’t think the people of National City were scared of him because he's black of course, but I do think there was a parallel to that in there. On a general superhero level, this was a really effective way of displaying why Kara and unmasked heroes inspire trust and hope while angry masked vigilantes don't; disputing the effectiveness of Batman (at least in a place like National City) without actually needing Batman. It was also cool that Guardian got to touch on the importance of representation in our superheroes, since Marcus (Lonnie Chavis) would only open up to James because he saw something familiar in him. I’m interested to see where they’ll take Guardian, but I’d like them to balance that with James at CatCo so he can interact with people as a reporter (or similar position) again; he seemed to miss just talking to people and hearing/telling their stories.
Winn Schott Winn working with the DEO is exactly what I was hoping for from his character and I'm glad they did it. He makes so much more sense there than at CatCo. I would've liked to see his official recruitment, but ultimately that didn’t matter. And who knew Alex and Winn would have such great chemistry? Winn’s interactions with James were also very well done; Winn yelling at James to cool his jets until the Guardian suit was complete was his second-best moment on the series (the first was everything involving his father last year). Winn’s concern for his friend was palpable and raw, and I’m glad that the Guardian plot brought these moments out for both of them. It was also a plus that they weren’t stuck in a love triangle again, since that defined their characters so much in Season 1.
Working with the DEO seems like it made Winn grow up a lot and I was impressed. His dating advice to Mon-El was actually really good. I’m glad that his almost childlike wonder didn’t go away with his newfound maturity either; his reaction to meeting Superman was perfect (as was Clark’s simple kindness in the face of that fanboy love), and there was such love in his eyes when Mon-El came to save him while quoting Star Wars. After hating him and his toxic crush on Kara last year, I’d say Winn is easily the most-improved character this season.
Mon-El At first, I thought Mon-El was the weakest link of the season, since Cadmus was more compelling and the reaction he provoked in Kara—her struggle with her anti-Daxamite prejudice—was more interesting than he was as a character. His adjustments to Earth culture were fun and it was nice to see Kara give mentoring a go, since that’s why she was sent here, but I didn’t want them to date (even seeing the Romeo/Juliet plot coming with Krypton and Daxam). I felt their chemistry felt more like an older sister/younger brother at first but it changed over the course of the season and their cuter moments won me over. I was surprised he was so shy about remembering their first kiss, but maybe not just announcing it and demanding what he wanted was one of the first signs that he really was changing. It’s worth noting that Kara was right about him becoming a better person: his honesty about being so possessive on Daxam being the “easier” path meant he’s genuinely trying not to be that person anymore. I absolutely disagree with a large section of the internet’s assessment that he was abusive to Kara; certainly not physically, he wasn’t emotionally manipulative, and she never let him get away with anything in their relationship (until “Duet,” which I’ve already stated was a problem, but I don’t think it was abuse). Even though I ultimately enjoyed their chemistry and relationship (minus the post-musical reunion and him potentially holding her back job-wise), I would’ve been fine with Mon-El going off to build a better Daxam. If M’gann can go help her people find a better way, why not him? He’d be fulfilling what Kara saw in him and had been nurturing all season. However, a permanent ban from the planet does make for more drama and it didn’t seem like the Daxamite army was going to listen to a kinder, gentler Mon-El anyway. According to the comics, he has a much bigger destiny in store, so it’ll be cool that Supergirl’s influence on him might essentially create the Legion of Superheroes on this Earth.
Maggie Sawyer I liked Maggie a lot; admittedly I don’t know much about the character in the comics, but Lima brought just the right mix of street smarts, compassion, and boldness to the role. She and Chyler Leigh also had great chemistry and I liked that Alex helped Maggie to open up again. I hope she returns early and often next season. I also hope she says yes to Alex’s proposal, but not answering and leaving it on a cliffhanger made me feel like maybe she won’t want to make that commitment. That’d be sad; it’s clear she loves Maggie and I can’t imagine why she’d say no. We’ll get to meet Maggie’s dad this year, so I can’t see how that affects her relationship with Alex. Regardless, it’ll be really good to dig into her personal life a bit more.
Beyond a stellar arc with Alex, the other invaluable thing Maggie brought to the show was the woman on the street perspective. Outside of people like Cat Grant and Max Lord commenting on Supergirl last season, we didn’t really get an in-depth look at what the citizens thought about Kara’s alter-ego. Even CatCo’s employees and Kara’s fellow DEO agents seem detached in this area and don’t really seem to have opinions (something I’d like to see remedied), but Maggie brought all that to the show and into Kara’s face. I loved that she introduced a “how legal are Supergirl’s arrests?” question and I hope they continue to explore things like that. Supergirl swooping in and stopping a hostage situation Sawyer and the National City PD had been working on for hours—frustrating Maggie—was another great point of conflict. Questions about the best use of superheroes’ time—should they just stick to fighting supervillains or should they handle street-level crime that’s beneath their powerset?—aren’t often asked in movies and TV, and I hope that Maggie continues to bring these questions up. The question of how much Kara should be helping National City before she stunts its growth is a fascinating one, and Maggie is just the person to ask it.
I also liked Maggie and Kara clashing over the best way to save Alex when she was kidnapped and their eventual bond from the experience. It was cool that they learned from each other’s opinions on how to deal with the situation, and to see each of their struggles with breaking the law to rescue Alex. I did wish Maggie hadn’t bashed Kara’s glasses disguise, though. That’s something the show should lean into instead of calling it out as pointless; even having Maggie say something as simple as “once you know, it’s kinda obvious” would’ve been enough.
M’gann M’orzz/Miss Martian I was stoked for Miss Martian to appear on the show ahead of the season—she’s been one of my favorites since Young Justice introduced her to me—and Sharon Leal didn’t disappoint. She played the crushing guilt of being part of a race that tried to cleanse Mars of Green Martians (even if she herself didn’t want to participate in the slaughter) very well, to the extent that I think she was trying to goad J’onn into killing her when she served him up to Roulette (Dichen Lachman). That sort of pain and guilt was something I hadn’t seen in the character to this extent before and I was glad Supergirl dug into it. That she literally got trapped in a coma by her guilt, necessitating J’onn to go in and rescue her, was a brilliant way heal the rift between them and to externalize her turmoil (ironically by internalizing her psyche).
I was hoping Miss Martian would play a larger role this season, particularly that she and Kara could become close friends and bond over being aliens with powers on this planet. I’d still like to see that in the future; they’ve got so much in common yet are such opposites that it’d be a great friendship to explore. I was sorry to see M’gann head back to Mars, but I love the idea that she’s going to try and lead her people on a better path. I do think they laid it on a little thick about J’onn inspiring her to be a hero, though. She’d turned on her people to try and save Green Martians from death 300 years before she even met him! He inspired her to stop running and feeling guilty, sure, but she was a hero long before that. I can’t wait to see what she’s like after her mission is fully complete and I’m glad it has hope in people at its core; Kara would be proud! Her return in the finale with an army of reformed White Martians was a great surprise and an awesome sign that her mission isn’t hopeless!
Lillian Luthor I was surprised the cool, calculating, evil mad scientist leading Cadmus was Lena’s mom, but that was an awesome twist! Her mistrust of aliens makes so much sense when you consider she’s basically echoing what Lex is always spouting about Superman; he must’ve gotten it from her. Like the rest of the Luthor presence on this show, Lillian and Lena’s relationship felt right out of Smallville’s Luthor playbook, and that’s a great place to go for inspiration IMO. Her skewed view of Lex’s downfall was perfect and I really liked all her plans with Cadmus this season. I wasn't expecting telepathic murders and it was cool to see Cadmus using alien tech! Bringing her back to team up with Kara and the DEO against the Daxamites made perfect sense and I loved that Kara’s very existence was so against Lillian’s views. Not only did she represent the alien menace, but Kara “corrupted” her daughter away from the Luthor way of doing things, making Lillian’s vendetta against Kara both personal and philosophical. Brought to life by a perfectly evil performance from Brenda Strong, Lillian and Cadmus might be my favorite Supergirl villains so far.
Queen Rhea I definitely didn’t expect Teri Hatcher to be playing an alien here, but she was great and felt totally natural as a ruthless queen! Rhea worked really well as a parallel to Lillian—she was trying to protect her race and ended up “losing” her child to Kara’s influence—and as a good villain in general. I liked that Cadmus attacked what Kara is and her right to be here, while Rhea attacked who she is (both as a Kryptonian and a hero defending Earth) and both of them clashed with what Kara inspired in others. Positioning Kara between two women who believe in their planet before all others was a great idea, as was making it personal because they saw Kara as “poisoning” their children and turning them against them. I loved the revelation that Daxam was a party planet for the express purpose of keeping its population stupid and easily manipulated. Her plan to set Mon-El up as a “new” kind of leader while actually embracing the same old systems also felt like a clever spin on modern politics. I had a feeling Rhea would kill her husband (Kevin Sorbo), but I didn’t expect her reaction to Mon-El turning his back on them to include a trip in a cage back to New Daxam. I liked that for how similar she was to Lillian, Rhea was even more horrible when it came to her child disobeying her wishes. I also liked that Rhea seemed to genuinely respect Lena at least a bit; that added a layer to their interaction even if Rhea was also totally using Lena for her technology and as a symbolic sign of the union between Daxam and Earth. I expected her to have a secret army, but I didn’t expect so many ships! The invasion was a great step up from the Kryptonian attacks last year and while I would’ve liked Kara to use more ranged attacks like heat vision and ice breath in her final fight with Rhea (particularly after Rhea revealed her Kryptonite-laced blood), the season came to a very satisfying conclusion. I was hoping Rhea would survive the season and I was sorry to see her go. I also really wish they’d found a way to reunite Hatcher with Dean Cain on screen.
Cat Grant I missed the Cat/Kara mentoring scenes from Season 1, caused by Flockhart's reduced role due to the production’s move to Vancouver, but it was also good to shake up that area of Kara's life even more. Snapper challenged Kara in ways Cat never did, so losing Cat’s support at CatCo—particularly with James also distracted by his Guardian duties—was good for Kara. That said, Cat’s return in the final two episodes of the season was very welcome and I loved bits like her conversation with Kara outside the bar. Telling Kara what she’d learned about the secret to happiness—it’s human connection, so wanting to rescue the people she loved wasn’t selfish, it’s everything—was a great moment. Cat’s interactions with Winn and James at the DEO were great, particularly her recognizing James’ eyes through the slits in his mask. Her constantly hitting on Clark is fun too. Cat’s diffusion of the Marsdin/Rhea standoff felt a little cheesier; I liked the intent, but it felt like it went on for too long and I’m glad Rhea didn’t go for it. I will say that was one of several moments this season where I was acutely aware that there was no one but powerful women on screen, and that was an awesome realization! I wonder if Cat knows Clark is Superman, because she finally revealed that she knows Kara is Supergirl (to us, anyway). I didn’t need her to know, but I’m glad that question has finally been answered. I liked her parting advice and pep talk for Kara, and I definitely appreciated that it was a fire that pulled Kara away: she committed to her Kara Danvers persona by ignoring a fire when she was first hired by Cat, and now she’s fully embraced her role as Supergirl (and, from what we know of Season 3, she’s actively pushing away her human side).
Superman I like this version of Superman a lot. It was definitely time for us to meet him and he didn’t disappoint! Asking Kara to tell him about Krypton at the end of his second episode was a great touch; the fact that she knew things about Krypton that he didn’t was one of the areas Smallville failed to cover when they introduced Supergirl. I just wish we’d gotten to see that conversation. I also felt like they did an excellent job of showing Superman was the more seasoned superhero without making Kara look inept. Both onscreen and off, Hoechlin made a point to be clear that it was Supergirl’s show, and that definitely translated into his generous performance as Superman. Beyond that, from the superheroics to Kara’s frustration with everyone fawning over Superman (and Clark), his team-ups with Kara were simply fun. He also shared some great insight with her and I hope he gets to return next season. I thought for sure the WB wouldn’t let Supergirl use him much due to the Justice League movies—I even thought he’d die in the crossover if it were a Crisis—and I’m extremely happy to be wrong.
Eliza and Jeremiah Danvers It was good to see Eliza back and doing science with the DEO this year! I’d like to see her become a recurring consultant for the agency. Eliza telling Jeremiah that they needed “to learn each other again” when he suddenly reappeared was a brilliantly realistic way of handling his absence that totally took me by surprise. I’m sorry we didn’t get to see that this year and hope we do next year, even if it doesn’t end up working out.
Dean Cain should be on the show more often! I liked that they let him play some darker shades of Jeremiah this year and he did it well. I knew something was fishy the way Kara and Mon-El left Jeremiah in a hail of bullets that didn’t seem to be hurting him during their escape from Cadmus. I didn't expect him to be a cyborg upon his return, but I liked it. I was honestly surprised Jeremiah really was fully coerced to help Cadmus, since he’d seemed darker in the previous episode. I was sorry to see Jeremiah shuffled off into captivity again after the attempted alien exodus plot and I hope he comes back soon. His relationships with Kara, Alex, Eliza, and J’onn are still full of potential drama that could and should be mined in the near future.
President Marsdin Lynda Carter was good as President Marsdin and I liked the callbacks to her time as Wonder Woman ("You should see my other jet" and Kara putting out a fire by spinning). I loved that Kara was such a fangirl of her character, though like I said earlier, I wish they’d let Kara overcome that when it came time to plan the attack on the Daxamites. That said, I liked her motives for taking quick action; this is maybe the first time I’ve seen a "shoot first and kill them all" President's motives that didn’t play like they were evil and corrupt. I'm not sure I like that she's secretly an alien, though. It may’ve been a stronger arc if everyone knew she were an alien but not everyone was ready for an alien president (they’d have to say she was born on Earth, of course). I also feel like her pro-alien stance would mean more if she weren't an alien herself; aren’t all of her pro-alien policies going to be criticized as self-serving rather than truly progressive if she’s ever discovered? …Though that could also easily parallel backlash to President Obama, Hillary Clinton, and any other progressive politicians and policies that try to create equality instead of continuing to support systemic oppression of anyone who isn’t white, straight, and male. I wonder if she’ll be impeached if/when the general public finds out she's not human; that seems like a powder keg that has to go off. Could it be big enough to start a civil war?
Other Allies Meeting Zor-El was overdue and having him create Medusa was a smart twist. I hope he continues to appear, because we haven’t seen much of Kara missing her birth father yet. It was great to see Vasquez (Briana Venskus) back at the DEO; I’d still love an episode focused on her and other DEO agents to see how they view Supergirl and other heroes. Are they like Maggie, and think it’s annoying that the Supers swoop in to take the glory they’ve worked hard for? Are they bitter that she sometimes isn’t in as much danger as they are? The addition of Eve Tessmacher (Andrea Brooks) as Cat and James’ assistant was a fun shout-out to the Superman movies. I’d like to see her get some more depth, but I was glad that even though she was into “Mike,” she didn’t fight Kara over Mon-El. That was a smart move on the writers’ parts. “Clark’s friend” who projects fear and uses gadgets has got to be Batman, right? There were at least three references to him on the show this season. When can we get a Kara and Barbara Gordon/Batgirl team-up?
I initially thought Lyra (Tamzin Merchant) was a bounty hunter sent to capture Mon-El, then I thought they might be setting up a discrimination subplot about humans and aliens dating (I was looking for a larger use for her character beyond just dating Winn). I didn’t expect Cadmus to be trying to force her and all the other aliens off the planet! I wasn’t too invested in her pulling heists to save her brother—I think I’ve seen enough of Winn being in sad romances—but I was glad she turned out to be good in the end. Lyra getting angry at Winn when he told her she couldn’t fight crime with him and Guardian because she was too violent felt like it should’ve been more of a problem for James taking on a partner rather than leveraging her relationship with Winn for drama, so that wasn’t very successful in my eyes either. Any character can improve, so I’d be willing to see where they take her next year if they bring her back. Brian (Josh Hallem) the alien snitch is also a fun recurring character I wouldn’t mind seeing more of. I enjoy how easily he can bridge Maggie’s down-to-Earth police side, the DEO, and Supergirl’s more superhero-oriented worlds.
Other Villains Harewood may not like playing Hank Henshaw, but I think he’s entertaining. I do agree that the cybernetic eyepiece looks a little cheesy, but not too bad. I’d like to see more of Henshaw on his own and forming his own plots, though. I’ve long wanted to see Metallo explore the loss of humanity he felt on Superman: The Animated Series, but with John Corben (Frederick Schmidt) dead here and cybernetic body parts in great abundance, perhaps Henshaw could take that on instead. He’s got Metallo’s evil cyborg role down already and also has a personal vendetta/connection to J’onn. There’s definitely territory to explore with why he sees himself as an equal to Superman and his hatred of aliens. Perhaps he thinks cybernetic enhancements are the only way to keep up with the growing alien presence on Earth. Whatever the case, I’d love an episode devoted to exploring him.
I liked this version of John Corben. His origins mirrored the Animated Series well and he was fun cannon fodder. I liked Metallo's return and enjoyed the run-up to his "death"—who knows if he's really gone—but since they established that anyone can be a Metallo, I don't think he was as much of a case of missed potential as I did Parasite. I liked the vast majority of what they did with Parasite, with the exception of his death. Beyond the issues with Kara killing him (I wish they'd at least tried to contain him somehow), I think there was more to explore with Rudy Jones: the use/misuse of power could have more directly tied into Mon-El's arc and stealing power versus using it selflessly like Kara does would’ve been an interesting contrast. At least this Parasite was a member of an alien race, so they can always have another worm show up (the Thing homage was pretty cool!). Perhaps bits of him survived and infected the bystanders when he “died,” creating the other Parasites from the comics. At first I thought the climate change angle was a little weak (if timely), but then I realized it paralleled Kara's attempts to save the world. I also love that we got a full-on purple monster version of Parasite here!
The use of Livewire this season totally surprised me; I thought she was able to give her power to minions and didn't expect her to be the victim. That was a great twist! Kara's very-Return of the Jedi moment where she chose to believe the best in Livewire was also cool. I'd like it if Livewire became something like Kara's Captain Cold (Wentworth Miller), even if she never becomes as heroic as he did. Playing Mr. Mxyztplk as an insane Disney prince was a really fun choice! I hope he comes back, both because they can do anything with him and because he had great chemistry with Benoist. He allows for some great comedic moments and off-the wall Silver Age zaniness and they should lean into that. I’m always down for a White Martian invasion, and the Thing homage with a White Martian impersonating one of the DEO agents was great (as was Jeremy Jordan playing evil!). This version of Roulette was a good small-scale enemy. I’d like her to continue to return in any number of criminal enterprises; I like that she diversifies. I really liked the twist that Jack Spheer (Rahul Kohli) wasn't the bad guy he seemed to be and I liked his past with Lena a lot. Also, his sci-fi technology was so cool! Rick Malverne (David Hoflin), Alex’s stalker/kidnapper, was another surprisingly strong one-off villain. His connection to the Season 1 flashback of Kara saving people from a car wreck was clever, and I was impressed by how smart they made him. His back and forth with the DEO and unwillingness to break and tell them where Alex was unless his father was broken out of prison contributed to one of the show’s most dangerous villains yet. I loved that Kara was able to get through to his father (Gregg Henry) to eventually stop him before he killed Alex, and I’m glad that his memory was erased. He was a great villain, but I don’t think a return would have the same impact his actions in “Alex” did.
General Notes I liked the shift in filming style that came from the move to The CW. I don’t know if they’ve switched to the stunt teams the other CW DC shows use now or if they’ve just gotten more ambitious with using the full range of Kara’s powers mid-fight, but while they were never bad in Season 1 the fights looked even better this year! I rarely like slow-motion breaks in fights, but they weren’t too distracting here. I wouldn’t want them to become the norm, though. There was some spotty CGI, but it didn’t bother me; I’m amazed we’re getting such great comic book action on a weekly basis! And there was also some great CGI, like Parasite! The alien worlds and technology the show incorporated also felt realistic and tangible. I liked the new DEO building and the expanded use of the Fortress of Solitude as well. The locations they kept didn't look jarring compared to their location shots and the production seemed pretty smooth. The pacing on all of The CW’s superhero shows has always felt very good to me: though they’re only 42 minutes an episode, more often than not they feel like a lot happens in them.
The alien acceptance plot was well-written and nicely relevant to current politics. Personalizing it through Kara and Mon-El, J’onn and M’gann, Lillian vs. aliens, and Rhea vs. extinction was great too. After the Daxamite invasion, I can’t wait to see how human/alien relations develop in the coming season. The alien bar was a cool addition and I’d love to see more of the alien subculture that’s developing in National City, as well as humans’ reactions to it (both positive and negative). The mix of Cadmus in the first half of the season and Rhea in the second—united by the aliens vs. humans plot and themes—was a good start to breaking up the seasons. I still want long seasons, but one villain over the whole year might not always work and this was a good way to utilize two great enemies.
The finale’s siege of National City was awesome and I loved all the mini battles. I like that they took the time to have Clark and Kara convince Cat to disperse any potential bystanders too. However, I would’ve had the lead bomb go off on top of the building instead of in Lillian, Lena, and Winn’s faces. Lead’s toxic to humans too, so while I can by that this only increased the content in the atmosphere enough to kill Daxamites but not enough to poison humans, having it explode in their faces was a little too big a stretch.
I wish Supergirl had had more to do with the CW mega-crossover, but I liked that Barry and Cisco’s (Carlos Valez) attempts to open a portal to Kara’s dimension still played into the plot to a small degree. They even saved Kara at one point! It’s unfortunate the CW hyped it as a 4-show event so much and they included the Kara/Barry/Cisco scene in the Flash portion too, making Supergirl’s contribution to the crossover inessential. This was apparently caused because they’d planned the season out before they knew Supergirl would be moving, so hopefully viewers weren’t turned off and Supergirl is much more integral next season. That said, Kara meeting all the Earth-1 heroes and her reactions to them—particularly Heatwave’s (Dominic Purcell) origin—were perfect! It was clear the writers were having a blast pairing Kara up with all the other heroes and I’m definitely hoping we get more team-ups in the future. I’m glad the crossover ended with Kara able to dial up Earth-1 anytime she wants, so there’s no need for Barry or Cisco’s direct involvement due to a specific plot to justify her crossing over. Also, the LEGO Batman/CW heroes crossover ads after the episodes were so fun!
Despite some missteps in Kara’s arc—particularly her journalism career and an eventually problematic relationship with Mon-El—I thought this was a great season! It was an excellent step forward from last year (which I also liked a lot). I don’t remember anything about Reign (Odette Annable) from the comics, but I’m interested to see how she plays into Season 3.
I can’t wait to see what else the coming year brings!
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