#gutenber...

[briefdreamerbasketballmuffin]

Dibujos hechos por parte de una amiga artista, si quieren ver los dibujos completos ¡hagan click aquí !

[camellianswer]

andre norton

ANDRE NORTON

you’ll have one joke post complaining abt old misogynistic scifi blow up and years later you’ll still get people reblogging it with tags like “why i don’t touch scifi.” hey. im at your door with a pile of scifi in my hands. i’ll lovingly read ursula k le guin or octavia butler to you aloud myself. let me in let me in please please please please hello

[schorschidk]

Andreas Venzke - Johannes Gutenberg-Der Erfinder des Buchdrucks

Andreas Venzke - Johannes Gutenberg-Der Erfinder des Buchdrucks, erschienen im Benzinger Verlag Zürich. Johannes Gensfleisch, genannt Gutenberg, gilt als der Erfinder des Buchdrucks - einer Erfindung, die das Schicksal der Welt verändern sollte. Über sein Leben ist nur wenig bekannt. Er wurde um 1400 geboren, war oft in finanziellen Schwierigkeiten und hat nach zahlreichen Versuchen über zwanzig Jahre hinweg, zunächst in Straßburg, dann in Mainz, um 1450 den "Mobilletterndruck" erfunden. 

[faktoriaindustrial]

faktoria Bandcamp label 031/faktoria CD004 Junji Ono a.k.a. NOISECONCRETE "深夜テクノ Late Night Techno"

faktoria Bamdcamp label No.31 and faktoria label's CD No.4 is Junji Ono a.k.a. NOISECONCRETE "深夜テクノ Late Night Techno". Junji Ono is an artist based in Aichi, Japan. His main solo project is extreme noise sound "NOISECONCRETE", The most famous current project is "NOISECONCRETE × 3CHI5" with Vocal/Voice performer 3CHI5, He previously participated as the frontman of the Grindcore band "Gang up on Against", Other activities include participation in bands such as "kocher" and "skulls", Many more sessions and more… He has developed an energetic live performance/release. This album is Different from his hardcore/extreme public image, Contains intelligent Experimental Techno~Beat Music. This release under his real name reflects one of his many sensibilities. This album is contained Original 8 tracks + 4 remix. Remixer is … Atsushi Izumi(Opal Tapes) from Osaka Crime Die[member of Tomohiko Sagae(HANDS/Rodz-Konez) +Gutenberg(ant-zen/faktoria)] MadSpeX [member of MadM + spanner speX] from Aichi Titaniüm from Aichi ■ ■ ■ Junji Ono a.k.a. NOISECONCRETE / 深夜テクノ Late Night Techno 01 深夜テクノ Late Night Techno 02 Overtime 03 ORBIT 04 NIPPATSU DAYS 05 回転する夢 Rolling Dreams 06 Winter 07 Promise 08 Snowdance 09 Winter (Crime Die Remix) 10 Winter (Titaniüm remix) 11 Overtime (MadSpex Remix) 12 Overtime (Atsushi Izumi Remix) ■ ■ ■ Album prevew:

Trailer Movie ( By VJ HIDE):

■ This Album(CD/Digital) will be out at 25th Dec 2023. Sold faktoria's Bandcamp and some shops(site) in Japan: faktoria's BC:

Some shops(Site) in Japan:

ANOKTHUS BASE:

■ ■ ■ ■ faktoria Bandcampレーベル第31作目にして レーベルCD作品の4枚目は Junji Ono a.k.a. NOISECONCRETEによるアルバム "深夜テクノ Late Night Techno"。 オノジュンジは日本は愛知を拠点に活動するアーティスト。 Extreme Noise Sound等を展開する メインソロプロジェクト"NOISECONCRETE"、 そして現行の最も有名なプロジェクトが Vocal/Voiceパフォーマー3CHI5���のユニット "NOISECONCRETE × 3CHI5"、 またそれ以前よりフロントマンとして参加している Grindcore Band"Gang up on Against"、 他kocher、skulls等のバンドへの参加から 多数のセッション等精力的な ライブ活動/リリースを展開している。 今回のfaktoriaからのアルバムは 彼のハードコア/エクストリームといった パブリックイメージとは異なる インテリジェンスな Experimental Techno~Beat Musicを収録している。 この本名名義でのリリースは彼の内の多々ある感性の1つが 現れたものといえるだろう。 オリジナル8曲加え、リミキサーとして Opal TapesやThrènesからアルバム、EPをリリースし、 他国内外の多々のレーベルのコンピレーションに参加している 大阪の"Atsushi Izumi"、 山形のTomohiko SagaeとGutenbergの2人が 昨年からスタートしたユニット"Crime Die"、 MadMとspanner speXの二人による エレクトロダンスプロジェクト"MadSpeX"、 名古屋を拠点にRitual、Tribal、Darksoundを軸とした DJ/トラックメイカーとして活躍している"Titaniüm"、 この4組が参加。 リリースはCD/Digitalともに2023/12/25リリース。 Digitalはfaktoria Bandcampにて。 CDは上記のBCでの通販他、 幾つかのショップ/サイトで委託にて取り扱い予定。

[reelaroundthedavekan]

Meh.

I choo-choo-choose you

I'm in danger

That's Un-possible

Actually anything that Ralph says is my go to

[bhargavbhandari90]

Create a Custom Block Category for the WordPress Block | Custom Gutenber...

[rjalker]

Paying for books??? in this economy?????

[thedaniellebratothings]

farsa y licencia de la imprenta castiza.

farsa y licencia de la imprenta castiza.

Este artículo, que titula por las venas del esperpento, y que, con las mismas, podría haberse titulado Farsa y licencia del mester de librería, o El libro ibérico, o La imprenta de los milagros, nace herido sin cursilería (o sea, no letraherido) en La batalla de don Analógico contra doña Virtual. Podría haberse redactado con tintas de márquetin, por igualación a los libro-discos al mercado post…

[nissokurbansho]

Week 13: Reflection - final post

As for my final post for this subject, I would like to go back in time and meditate over some historical past, skills and design movements I have discovered during this semester.If my memory is serving me right, on our first comm design lecture, we were asked as a whole group to submit our personal objectives, and what we could possibly expect from ourselves in this subject. I have already been asked this question in the past. My past answer was to learn the rules, so I could break them later. I was mostly referring to the use of typography here. For this subject specifically, I wanted to work outside my comfort zone, and test myself at times. Try new methods, experiment with new media and dedicate more time for personal progress and development. I have always liked Stefan Sagmeister’s quote: “Having guts always works out for me”. Being able to expand and take risks as a designer initiates growth and success. Another important objective of mine was to learn how to better interact and work synchronously in a group, afterall this subject has the word “communication” in it... I work better separately, and find it to be sometimes overwhelming to work in a group. There can be so many thoughts, ideas, and opinions that may lead to a big confusion and stagnancy in work.

Now looking back, I can certainly say that I have achieved both of my objectives. Although of course my first objective about personal development requires years to achieve, I have definitely progressed and feel better about myself now. I have never worked on a bigger scale before, so experiencing the process of Project 1 was very new to me, as well as working with tape. I became a lot better with planning and discovered zine-making. This was a completely new territory for me. Although I already had a digital experience in setting up the layout and grid, I’ve never produced a proper physical copy. In the past I have often avoided test-printing which is one of the most crucial parts of the making. Which would result in poor font choice/size. This time I was prepared to produce very best possible prototypes of my zine. And finally I have also reached my objective at working better in a group and being more productive.

I really enjoyed the lectures just as much as workshops. Simply because, I have personally discovered historical art, new design movements and refreshed some of my past knowledge. Being in touch with history is extremely important for a designer. There is a massive amount influence following from Constructivism, Modernism, Bauhaus movement, going back to discovering the early- print and Gutenber’s first printing press (although he didn’t necessarily discover it, but combine already existing technologies). I have further expanded my understanding of Bauhaus movement. I am completely fascinated by the restrained design stripped off excess decor. Movement, solely based on practicality and functionality. Marcel Breuer’s furniture especially caught my eye. In terms of concepts and ideas, I have discovered and strengthened couple of fields. It involves critical thinking, because a lot of the activities done in class involved evaluating and commenting on each others work. Being able to provide a helpful insight and constructive criticism is important. Couple of recent lectures touched on inscription technologies and future progression of biometrics. I have discovered a lot of new interesting case studies for myself, like EyeWriter. There were several activities from this course that have inspired me and made me equipped with a refreshed perspective on design. Writing materials and medium don’t always have to be standard like pen and paper. Communication may take place in the most extraordinary ways. As long as we are able to visualise it, we are able to communicate the message. It’s something I haven’t thought about much before. It pushed me test and try more media. There are certainly a plethora of things I would like to explore further. Self-development and self-education is an on-going process, that never stops. I think I would definitely like to understand the principles of publication design, and the grid system. Joseph Muller- Brockmann’s book “Grid Systems” is a great start at understanding the grid use in graphic design.

[briefdreamerbasketballmuffin]

Un dibujo parte de un Art trade (???

Para Mia Gutenber

Pueden ver el proceso aquí

[atletasudando]

El maratón de Curitiba, para este domingo

Fuente: CBAT  El Maratón Curitiba Rumo 2022 se realizará este domingo 20 de noviembre con salida en la Praça Nossa Senhora de Salete, en el centro de la capital paranaense. La carrera de 42,195 km recibió el Sello de Oro y el Permiso 14/2022 de la Confederación Brasileña de Atletismo (CBAt). La competencia, organizada por Associação Pró-Correr y Global Vita, contará con recorridos de maratón, medio maratón, 10k y 5k, con salida a las 4h50 para usuarios de silla de ruedas. La llegada está prevista para la Praça Afonso Botelho. El límite de participantes en todas las categorías se fijó en 14.000 corredores inscritos, pero la expectativa es que salgan 10.000 atletas, repartidos entre todas las distancias. La carrera recorrerá 22 distritos de Curitiba y pasará por algunas de las principales atracciones turísticas de la ciudad. La primera edición del evento tuvo lugar en 1997. Desde entonces se celebra el tercer fin de semana de noviembre. La competencia volverá a realizarse después de dos años, debido a la pandemia de COVID-19, y tendrá un premio de R$ 192.000. Del total de efectivo, R$ 40.000 serán para los campeones masculinos y femeninos de la carrera principal, el mayor premio de maratón de Brasil en 2022. HISTORIAL 16.11.1997 1 Reginaldo Ricofica Silva          2,22,11                         1 Josefa Madalena da Silva        2,54,53 2 Ailton de Oliveira                    2,23,41                         2 Zeneide Aparecida da Silva     2,56,22 3 Luiz Carlos Santos Ramos      2,23,50                         3 Euseli de Assis Batista          2,56,44   15.11.1998 1 Diamantino Silveira dos Santos2,18,53                        1 Euseli de Assis Batista          2,51,43 2 Adjalma José da Costa           2,25,30                         2 Zeneide Aparecida da Silva     2,56,39 3 Severino Souza dos Santos    2,25,38                         3 Josefa Madalena da Silva        2,57,05   21.11.1999 1 Arnaldo Sales de Sá               2,20,06                         1 Maria Sandra Pereira Silva      2,48,43 2 Lindenberg Gomes Nunes       2,20,47                         2 Alina Karwowski                     2,49,30 3 Odiles Marcal Rodrigues         2,21,16                         3 Rosangela Gavinski                2,55,09   19.11.2000 1 Diamantino Silveira dos Santos2,20,58                        1 Maria Zeferina Baldaia 2,47,09 2 Lindenberg Gomes Nunes       2,21,17                         2 Marizete de Paula Rezende    2,48,42 3 Aldaci Avelino Costa               2,22,05                         3 Ilda Alves dos Santos             2,49,23   18.11.2001 1 José G. da Rosa Assumpção  2,17,59                         1 Marizete de Paula Rezende    2,42,21 2 Genilson Junior da Silva          2,21,27                         2 Josefa Madalena da Silva        2,49,50 3 Joshua Kipchumba     KEN     2,20,42                         3 Rosa Jussara Brabosa            2,51,25   17.11.2002 1 José Pereira da Silva              2,22,04                         1 Maria do Carmo Arruda-Guim  2,46,09 2 Bernard Mutai            KEN     2,23,00                         2 Leone Justino da Silva            2,49,06 3 José G. da Rosa Assumpção  2,23,23                         3 Rosa Jussara Barbosa            2,50,39   16.11.2003 1 Rildo Alves dos Santos           2,19,59                         1 Rosa Jussara Barbosa            2,48,07 2 Philemon Metto          KEN     2,21,34                         2 Maria Sandra Pereira Silva      2,49,46 3 Joshua Kipchumba     KEN     2,22,36                         3 Marcia Aparecida da Silva       2,55,20   21.11.2004 1 José Gutemberg Ferreira         2,17,57                         1 Ilda Alves dos Santos             2,44,21 2 Claudir Rodrigues                   2,19,16                         2 Ilaine Wandscheer                  2,45,55 3 Diamantino Silveira dos Santos2,19,48                        3 Leone Justino da Silva            2,52,24   13.11.2005 1 Claudir Rodrigues                   2,20,40                         1 Ilaine Wandscheer                  2,46,33 2 Alexandre da Cruz Brazil        2,22,05                         2 Ilda Alves dos Santos             2,46,45 3 Erivaldo da Silva                     2,23,01                         3 Rosangela Gavinski da Silva    2,47,13   25.11.2007 1 Mauro Teixeira Pinto               2,19,23                         1 Jacqueline Chebor      KEN     2,47,22 2 Charles Korir              KEN     2,20,13                         2 Rosa Jussara Barbosa            2,48,10 3 Adriano Bastos                      2,20,25                         3 Ilda Alves dos Santos             2,49,34   23.11.2008 1 Claudir Rodrigues                   2,17,58                         1 Jacqueline Chebor      KEN     2,45,11 2 Elesio Miranda da Silva           2,19,55                         2  Ilda Alves dos Santos            2,46,35 3 Joelson Oliveira Santos           2,20,17                         3 Rosa Jussara Barbosa            2,49,59   22.11.2009 1 Claudir Rodrigues                   2,20,15                         1 Jacqueline Chebor      KEN     2,49,36 2 Mohamed Hsenduki Ikoki TAN2,21,08                         2 Janette Gomes Barbosa         2,51,22 3 Elias Rodrigues Bastos          2,23,47                         3 Ilda Alves dos Santos             2,52,04   21.11.2010 1 Claudir Rodrigues                   2,21,16                         1 Jacqueline Chebor      KEN     2,48,52 2 João Marcos Fonseca 2,22,27                         2 Rosa Jussara Barbosa            2,52,23 3 Adriano Bastos                      2,22,52                         3 Luciana B. Lima da Luz          2,55,48   20.11.2011 1 Marco Antonio Pereira            2,20,37                         1 Nelly Jepkirui             KEN     2,43,56 2 José Gutenberg Ferreira          2,23,43                         2 Conceição Maria de C.  Oliveira2,47,55 3 Sammy Kibet Rotich   KEN     2,26,23                         3 Dione D’Agostini-Chillemi        2,52,17   18.11.2012 1 David Bowen              KEN     2,19,39                         1 Thabita Kibet              KEN     2,41,07 2 Giomar Pereira da Silva          2,20,27                         2 Marily dos Santos                  2,48,18 3 Elson Alex Gracioli                 2,21,47                         3 Conceição Maria de C. Oliveira2,49,42   17.11.2013 1 David Bowen              KEN     2,20,01                         1 Malakuen Jepkogei     KEN     2,50,53 2 Alessandro de Souza             2,24,52                         2 Adriana Domingos da Silva      2,59,34 3 Willy Kimutai             KEN     2,25,02                         3 Dorcie Chepchumba   KEN     3,00,37   16.11.2014 1 Fred Kosgei ChesondinKEN    2,22,19                         1 Jackeline Rionoripo     KEN     2,49,12 2 João Marcos Fonseca 2,22,23                         2 Conceição Maria de C. Oliveira2,53,54 3 Said Juma Makuka     TAN      2,22,39                         3 Adriana Sutil da Costa            2,54,55   15.11.2015 1 Marcos Antonio Pereira          2,21,32                         1 Jackeline Rionoripo     KEN     2,50,22 2 Luis Paulo Silva Antunes        2,23,59                         2 Dione D’Agostini-Chillemi        3,02,03 3 Julio César                            2,30,12                         3 Diana Barsanti                       3,08,02   20.11.2016 1 Marcos Antonio Pereira          2,23,52                         1 Tecla Chebet              KEN     2,49,28 2 João Marcos Fonseca 2,23,53                         2 Dione D’Agostini-Chillemi        2,56,48 3 Sivaldo Santos Vianna            2,26,14                         3 Conceição Maria de C. Oliveira3,01,12   19.11.2017 1 Mejam Reginald Lucian           TAN      2,23,01             1 Angelina Joseph Chumba        TAN      2,48,42 2 Dickson Kiplagat                    KEN     2,23,48             2 Janete Tedesco                                  2,58,43 3 Samuel Ribeiro                                  2,24,30             3 Adriana Domingos da Silva                  2,59,02   18.11.2018 1 Nicholas Kiptoo Kosgei           KEN     2,26,22             1 Priscila Lorchina                    KEN     2,44,42 2 Silvano Lima Pinto                             2,26,36             2 Dione D´Agostini-Chillemi                   2,59,24 3 Samuel Ribeiro                                  2,27,57             3 Adriana Domingos da Silva                 3,02,01   17.11.2019 1 Marcos Alexandre Elias                      2,23,14             1 Cristiane Alves Silva                           2,50,43 2 Enio Kleiton de Lima                          2,24,18             2 Gelane Dekeba                      ETH      2,53,43 3 Alessandro dos Santos                      2,26,34             3 Mónica Cheruto                      KEN     2,54,36   Read the full article

[schorschidk]

Andreas Venzke - Johannes Gutenberg-Der Erfinder des Buchdrucks, erschienen im Benzinger Verlag Zürich. Johannes Gensfleisch, genannt Gutenberg, gilt als der Erfinder des Buchdrucks - einer Erfindung, die das Schicksal der Welt verändern sollte. Über sein Leben ist nur wenig bekannt. Er wurde um 1400 geboren, war oft in finanziellen Schwierigkeiten und hat nach zahlreichen Versuchen über zwanzig Jahre hinweg, zunächst in Straßburg, dann in Mainz, um 1450 den "Mobilletterndruck" erfunden. 

[muqajdesignsurveyjournal]

Week 10 – Graphic Design

Graphic design relating to typography is quite interesting as a whole. One aspect that is interesting is the very beginning with the mass production aspect of typography. Johann Gutenber who popularized publishing material with the use of printing presses was able to create a Gutenberg Bible (Eskilson, 2019, pp. 12-15). The typography used was Texture which falls into the family of blackletter. The reason for this choice was the compactness and readability for the book for the masses. The next interesting idea was logotype. This typography, in a specific case of Das Plakat journal, involved the use of two different fonts (Eskilson, 2019). The fonts were sans serif and blackletter. This combination of different fonts allowed the popularization of the journal to stand out from the crowd. The incorporation of Art Deco and its mainstream use in typography of many different sectors was also an interesting idea from the readings (Eskilson, 2019). The use of Art Deco in the Broadway in New York City resembled a sense of “sophistication” as iterated by the reading (Eskilson, 2019, p. 169). Adding sophistication from typography to something that would already be presumed to be sophisticated extends the idea of the impact that typography has on the world and its individual events. Another interesting idea comes from the postmodern typography and the use of Sans Serif (Eskilson, 2019). The ability to incorporate and implement extravagant lettering into magazines (such as the Avant Garde) was very eye opening to many letterings and similar practices in magazines today (Eskilson, 2019). This section of the reading also covered the International Style as well. The digital typography was the most interesting section considering that the era is quite new. For example, Apple’s FontEditor and the bit-mapped fonts (Eskilson, 2019). The whole premise here is to create a that “was perfectly legible to its daily readers” (Eskilson, 2019, pp. 358-362). In doing so, other programs and companies developed different typography suiting its customers and users.

Eskilson, S. J. (2019). Graphic design: A New History. Yale University Press.

[blogjavierrguez]

Desactivar Gutenberg en WordPress

Desactivar Gutenberg en WordPress #divi #blackfriday #gutenberg #wordpress

El editor clásico de WordPress ya desapareció hace tiempo y fue sustituido por el editor de bloques Gutenberg. El editor de bloques de Gutenber se supone que nos ayuda a realizar páginas más dinámicas, pero si os soy sincero, yo sigo utilizando el editor clásico. A mi el editor clásico me aporta rapidez a la hora de redactar mis artículos, y no me hace perder el tiempo con los bloques. Los…