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#had to use the above quote bc of the deliberate injoke (Warbeck famously spent the 70s on a retainer as a potential replacement for Moore
mariocki
·
8 months
Text
I sopravvissuti della città morta (The Ark of the Sun God, 1984)
"How do you do, Rick?"
"Not bad, it's a miracle I'm still alive. You could have warned me it was so risky. Roger Moore would have been better suited for such a mission."
"Oh, you're not too bad - but definitely not as strapping."
#I sopravvissuti della città morta
#the ark of the sun god
#italian cinema
#1984
#antonio margheriti
#giovanni paolucci
#giovanni simonelli
#david warbeck
#john steiner
#susie sudlow
#luciano pigozzi
#ricardo palacios
#achille brugnini
#aytekin akkaya
#süleyman turan
#aldo tamborelli
#alberto moriani
#adventure film
#had to use the above quote bc of the deliberate injoke (Warbeck famously spent the 70s on a retainer as a potential replacement for Moore
#in the Bond series‚ should he drop out of the role or become in some way incapacitated). this is less Bond and more (much more) Indiana
#Jones: yes it's another classic Italian ripoff of a wildly successful US commodity. director Margheriti secured regular Brits abroad
#Warbeck and Steiner‚ flew out to Turkey and shot one of the handsomest films of his long career; the locations are stunning‚ the temple
#sets ingeniously impressive‚ there's car and helicopter chases galore. ok so some of the car chases are shot using miniatures.. but if
#anything that just adds to the unlikely charm. visually this may be a winner but scripting and plotting aren't quite so tight. tbh even
#at just a little over 90 minutes this still somehow feels a bit strung out‚ taking an age to get to the temple business and with far too
#much toing and froing before it. still‚ the Brits are on good form‚ and even better are Pigozzi and Palacios as supporting treasure hunters
#who routinely steal their every scene (and quickly become the characters you actually care about once the bullets start flying in the
#violent finále). a fun dumb adventure time but hardly an essential entry in the Italian genre canon
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