#haigadishian

[budaallmusic]

Gil Scott-Heron - Pieces Of A Man #FlyingDutchman 1970 🇺🇸 US Bass, Electric Bass – #RonCarter Conductor – #JohnnyPate Design – #HaigAdishian Drums – Pretty Purdie #BernardPurdie Electric Guitar – #BurtJones Flute, Saxophone – #HubertLaws Photography By – #ChuckStewart, #WayneTucker Piano, Electric Piano – Brian Jackson Written-By – Gil Scott-Heron (tracks: A1 to A4), #GilScottHeron, #BrianJackson (tracks: A5 to B5) https://www.instagram.com/p/B4IeI8Vphqb/?igshid=1b0vke0x55xoo

[profstrych9]

John Hammond • Southern Fried (Atlantic, 1970) Southern Fried differed little from other early Hammond albums in its repertoire, consisting entirely of covers of blues and R&B songs. As usual, the Chicago sound came in for especially heavy tribute, with versions of songs by Howlin' Wolf, Muddy Waters, and Chuck Berry, as well as a pass at "Mystery Train," though more vocal-oriented R&B got a nod with Chuck Willis' "It's Too Late" and some of the other tunes. Where this might have a leg up on some other early Hammond efforts -- and a leg up on blues cover albums in general -- is in the stellar band, featuring Muscle Shoals stalwarts like Eddie Hinton and Roger Hawkins. Allman Brothers fans, too, will want to keep an eye out for it as it features Duane Allman playing fine lead guitar on four tracks; certainly his peeling slide guitar solo on "Shake for Me" rates among his best work as a session man. Original the album isn't it, yet though Hammond isn't a great vocalist or interpreter, these are indeed very solid and joyful blues-rock versions of classic '50s-style electric blues. Horns on four of the songs add some soulful variety and spice to set this a little further apart from the ordinary blues-rock album. AMG #johnhammond #barrybeckett #eddiehinton #davidhood #rogerhawkins #joearnold #edlogan #lewiscollins #jamesmitchell #genemiller #duaneallman #jimmyjohnson #marlingreene #haigadishian #mysonicarchive #rockandrolllegacy #nowspinning #vinyligclub #vinyligcommunity #vinyljunkie #vinyladdict #vinylcollection #vinylcommunity #vinylclub (at Ciudad de Mexico CDMX) https://www.instagram.com/p/CWE_m5ksgwi/?utm_medium=tumblr

[altoecko]

Album on table! https://youtu.be/bsB8v4b_iAQ #yes #selftitled #firstalbum #atlanticrecords #debut #rock #music #instavinyl #vinylgram #vinyl #vinylrecords #progrock #prog #1969 #the60s #60s #billbruford #tonykaye #peterbanks #chrissquire #johnanderson #paulclay #davidgahr #photography #art #haigadishian #onlineauction (at Peachtree Corners, Georgia)

[kari3622-blog]

Aretha Franklin "Aretha's Gold" アレサAtlantic時代1966–1968年代黄金期の初リリース公式ベスト編集盤！今さら語ることのない内容。収録曲��べてがソウル・クラシック！まさに60年代アレサを堪能するには一番手っ取り早いアルバムです。 さらに、オリジナル・マスター・テープからのマスタリングで、アレサの豪快な面も繊細な部分も存分に味わえる音質も素晴らしい！ソウル・ファンのみならず、すべての音楽ファンが満足すること、間違いなしです！ 1969年6月15日リリース、Atlantic Studios, NYC / Fame Recording Studios, Muscle Shoals, Alabama. 録音。 #AtlanticRecords ‎- SD 8227 本盤は、日本グラモフォン株式会社からの日本盤、豪華なGatefold、MT-1085。 #ArethaFranklin Arranged By - #ArifMardin , #TomDowd Album Design - #HaigAdishian Engineer - #RickHall (tracks: A1, A2), #TomDowd (tracks: A3 to B7) Mastered By - #DennisKing Back Liner Photos - #StephenPaley Cover Photo - #JamesJKriegsmann Producer - #JerryWexler ◆My Soul Collection No.13 Side 1-1 "I Never Loved a Man (The Way I Love You)" (Ronnie Shannon) - 1967年1月24日録音、最大ヒット。 1-2 "Do Right Woman, Do Right Man" (Dan Penn, Chips Moman) - 1967年2月10日リリース、ローリング・ストーン誌｢500 Greatest Songs of All Time｣476位にランクイン、私的盤イチ。 1-3 "Respect" (Otis Redding) - 1967年2月14日録音、1967年4月29日リリース。2つのグラミー賞を受賞。 1-4 "Dr. Feelgood" (Franklin, Ted White) 1-5 "Baby, I Love You" (Ronnie Shannon) 1-6 "(You Make Me Feel Like) A Natural Woman" (Gerry Goffin, Carole King & Jerry Wexler) - 1967年9月リリース。 1-7 "(Sweet Sweet Baby) Since You've Been Gone" (Franklin, White) - 1968年アルバム"Lady Soul"からリリース、Hot Rhythm＆Blues Singlesチャートで1位。 Side 2-1 "Chain of Fools" (Don Covay) - 1967年11月リリース、米国ビルボード・ホット100で2位、ホットリズム＆ブルースで1位。 2-1 "Ain't No Way" (Carolyn Franklin, White) - 1968年3月リリース。 2-2 "Think" (Franklin, White) - 1968年5月2日リリース、ビルボード ホットリズム＆ブルースのシングル 1位。 2-3 "You Send Me" (Sam Cooke) 2-4 "The House That Jack Built" (Bob Lance, Fran Robins) - 1968年7月リリース、米国R＆Bチャート2位。 2-5 "I Say a Little Prayer" (Burt Bacharach, Hal David) - 1968年7月リリース、RIAA Gold認定、最大の英国ヒット、1987年2月、英国のミュージック・ウィークリーニュー・ミュージカル・エクスプレス1位。 2-6 "See Saw" (Steve Cropper, Covay) - 1968年"Aretha Now"収録曲。 #soulmusic #fuzey #soulsinger #queenofsoul #vinyl #vinylcollection #soulrecords #recordcollection #arethafranklintribute #gospel  #アレサフランクリン #ソウルミュージック #ゴスペル #レコード ※作品を知り、ソウルの素晴らしさを伝えたい。様々なソースをアレンジ、先輩諸氏に感謝。 https://www.instagram.com/p/CHRPpPOpi7Q/?igshid=2p1yhneh8pn7

[budaallmusic]

Sonny Sharrock ‎– Black Woman #VortexRecords 1969 🇺🇸 US Bass – #NorrisJones, #RichardPierce (tracks: B1 to B3) Design [Album] – #HaigAdishian Drums – #MilfordGraves Engineer [Recording] – Dave Baker (tracks: B1 to B3), Dave Green (tracks: A1, A2) Guitar – #SonnySharrock Photography By – #RayGibson Piano – #DaveBurrell Producer – Herbie Mann Trumpet – #TedDaniel (tracks: B1 to B3) Voice – #LindaSharrock Written-By – Sonny Sharrock (tracks: A1, A2, B2, B3) https://www.instagram.com/p/CFUuuaJpC5G/?igshid=1ec3eojsrzqay

[budaallmusic]

Sergio Mendes And Brasil '65 ‎– In Person At El Matador #AtlanticRecords 1966 US (SD8112) Artwork By [Cover Painting] – #WesleyDukeLee Bass – SebastiãoNeto Design [Cover Design] – #HaigAdishian Drums – #ChicoBatera Engineer – Wally Heider Guitar, Soloist – #RosinhaDeValença (tracks: A3, A6, B4) Leader – Sérgio Mendes Percussion – PaulinhoMagalhães Piano – #SérgioMendes Presenter [Introduction] – Leonard Feather Producer, Supervised By – #NesuhiErtegun Vocals – #WandaDeSá (tracks: A2, A4, B3) https://www.instagram.com/p/Bq-xTVUgj3e/?utm_source=ig_tumblr_share&igshid=12a6uyc3qfs8x

[budaallmusic]

Eddie Harris ‎– Instant Death #Atlantic 1972 US Bass, Electric Bass – #RufusReid Congas [Conga Drums], Drums [African Talking Drums] – #HenryGibson Design [Album] – #HaigAdishian Drums, Mbira [Kilimba] – #BillyJames Electric Guitar – #RonaldMuldrow Electric Piano, Whistle [African Whistle] – #MujhalRichardAbrams Photography By – #NealPreston Saxophone [Electric Sax], Trumpet [With Reed Mouthpiece], Cowbell, Shaker, Horn [Horn Vocals], Producer – #EddieHarris Written-By – Eddie Harris (tracks: A1, A2, B1 to B4) https://www.instagram.com/p/Bo4oBxQgQ1t/?utm_source=ig_tumblr_share&igshid=2p9a8kt3c6my

[kari3622-blog]

Leo Wright "Suddenly The Blues" 無名だが"匂い"購入2枚目。▲Jazz beginner's personal challenge No. 38は、私が勝手に録音良しと思っている一押し #AtlanticRecords レーベル！私がこのレーベルが好きな���由は、ハッキリした左右の楽器の分離、つまりステレオ感。そして音色の明快さ。 本作も各楽器の音色、バランス共に本当に素晴らしい！本作の甘く優しい、リラックスした雰囲気には、Shure SC35C が合う。Sumico Pearl だと尖ってきつい印象になる。 1962年4月23日録音、Atlantic 1393。 #LeoWright (as/1-1,1-3,1-5,2-2,2-4, fl/1-2,1-4,1-5,2-1,2-3, ) #RonCarter (b) #RudyCollins (ds) #KennyBurrell (g) Recording Engineer - #TomDowd #PhilIehle Liner Note - #GaryKramer Cover Photo - #JimMarshall Cover Design - #HaigAdishian Supervision - #NesuhiEntegun 62年だが、この作品もハード・バップ。だが、聴き処は、ずばりライトのフルートとバレルのギター！バレルは漆黒の夜のバレルではないが、ここが本作独特の味わいに違いない。そこに控え目なカーターのベース、シンプルなピアノレスのカルテットで、非常にマイルド。 また、ボサノヴァやスタンダード、ブルース、ハード・バップの哀愁を帯びた楽曲を取り上げ、バリエーションも豊富。バリバリのハード・バップと言うアルバムではない。都会的な洗練さもある。 私は全く知らないが、ファン待望の名盤との評価、マニアの隠れた人気盤らしい。たまに気分を変えたい時に、こんなジャズもありかも知れない。 盤イチだが、私はフルートよりアルトが好きなので、2-1 "Dionysos"をオススメしたい。 Side 1 1-1 "A Felicidad" (Antonio Jobim) 1-2 "Greensleeves" (Traditional) 1-3 "Gensel's Message" (Leo Wright) 1-4 "The Wiggler" (Leo Wright) 1-5 "Tali" (Tom McIntosh) Side 2 2-1 "Dionysos" (Lalo Schiffrin) 2-2 "Sassy Lady" (Tom McIntosh) 2-3 "Willow Weep For Me" (Ann Ronell) 2-4 "Suddenly The Blues" (Leo Wright) レオ・ライト...60年代初頭ガレスピーのクインテットで活躍。当時、AtlanticとVortexでのリーダー盤は貴重なたったの3枚。メイン楽器はアルトサックスとフルート。彼らの年代は伝統的なパーカー派とオーネット・コールマンを代表するようなアバンギャルドなプレーヤーまで種々のアルト奏者が存在。レオのアルトプレイはファンキーな甘いサウンドが特徴のパーカー派だが、オーネットなどにも見られるように他楽器(彼の場合はフルート)にも非凡な才能を示した特異なプレーヤー。 #jazz #fuzey #vinyl #jazzvinyl #vinylcollection #jazzrecords #ジャズ #スイングジャーナル ※作品のことを知って、ジャズを好きになって欲しいから、様々なソースをアレンジしています。先輩諸氏に感謝します。 https://www.instagram.com/p/BndXNxKDHVB/?utm_source=ig_tumblr_share&igshid=bzbuvmumhql3

[budaallmusic]

Attila Zoller ‎– Gypsy Cry #embryorecords 1970 Bass – #ReggieWorkman (tracks: A4, B1, B2, B4), #VictorGaskin (tracks: A1 to A3, B3) Design [Album Design] – #HaigAdishian Drums – #SonnyBrown Engineer [Recording] – Dave Green* Guitar – #AttilaZoller Photography By – Joel Brodsky Piano, Electric Piano – #HerbieHancock Producer – Herbie Mann Tárogató – #LewTabakin (tracks: A2, A3, B2, B3)

[budaallmusic]

Eddie Harris ‎– Sings The Blues #atlanticrecords 1972 Arranged By [Strings, Horns, Voices] – #RichardEvans (2) Backing Vocals – #MarilynHaywood, #MaryAnnStewart, #VivianHarrell Baritone Saxophone – #WillieHenderson (tracks: A4, A1) Cello – #KarlBFruh (tracks: A1, B1) Design [Album] – #HaigAdishian Drums – #AndreFisher (tracks: A4), #BillyJames (tracks: A1, A2, B1, B2) Electric Bass, Double Bass – #RufusReid (tracks: A1, A2, A4, B1, B2) Electric Guitar – #RonaldMuldrow (tracks: A1, A2, A4, B1, B2) Electric Piano – #RichardAbrams Percussion – #MarshallThompson (2) (tracks: A4, B2) Percussion [Boobam] – #BillyJames Saxophone [Electric] – #EddieHarris Trombone – #SteveGalloway (tracks: A4, B1) Trumpet – #BurgessLGardner* (tracks: A4, B1), #FrankAGordon* (tracks: A4, B1) Viola – #BruceKHayden (tracks: A1, B1), #HaroldHKupper* (tracks: A1, B1) Violin – #EdmundLeeBauer* (tracks: A1, B1), #EZlatoffMirsky* (tracks: A1, B1), #SolBobrov (tracks: A1, B1)

[budaallmusic]

Phil Woods And His European Rhythm Machine ‎– At The Frankfurt Jazz Festival #embryorecords 1971 and full of #fenderrhodes on top! Alto Saxophone – #PhilWoods Bass – #HenriTexier Design – #HaigAdishian Drums – #DanielHumair Piano – #GordonBeck

[budaallmusic]

Tonto's Expanding Head Band ‎– Zero Time #Atlantic 1971 UK issue of the #embryorecords 1071 US OG. Design [Album Design] – #HaigAdishian Executive-Producer – Herbie Mann Mastered By [Mastering Consultant] – Sol Kessler Painting [Cover Painting ("Apollo On Mars")] – #CarolHertzer Painting [Inside Painting ("Seed Dream")] – #IsaacAbrams Photography By – #JoelBrodsky Written-By, Programmed By, Performer, Engineer, Producer – #MalcolmCecil, #RobertMargouleff Tonto is the name of the enormous synthesizer invented by Malcolm Cecil (Tonto's Expanding Head Band founder). T.O.N.T.O. stands for The Original and New Timbral Orchestra due to its amazingly expansive symphonic sound.