#he doesn't take JOY in suffering he just loves a good narrative arc and character growth

[mister13eyond]

basically vin's morality is "you have to play with your cat until he's exhausted or he WILL make his own fun and it WILL be destroying your furniture"

[mari-lair]

Let's talk about Akane's overprotection of Aoi and the dangers of not properly setting up a narrative tone.

We are told that Akane stalks Aoi because guys have been trying to force her into a relationship for years, so he protects her by beating up anyone who approaches. Nene and Kou are understandably horrified by this.

But in the very next page, Aidairo hit us with this tone switch:

What Akane is saying is contradictory to the violent and possessive narrative that was shown during his introduction, to this yandere role he played the entire chapter, but the manga is trying to convey that we should take him seriously here. Even the lighting and composition are the ones used when characters are vulnerable and Aidairo wants to show that what they feel is real.

It's strange...

Being possessive is never framed as something that leaves other characters in awe, just compare Akane's melancholic and peaceful gaze to the creepy tone used when Kou and Hanako have their "you are possessive" moment.

Both Kou and Hanako hate that part of themselves, Kou even rejects it, but it's still clear the rejection doesn't make him any less possessive. Both want to be dependable, they want to be the only choice, no one else is acceptable. It's a selfish feeling. Being 'the most important person' is more important than the joy of the person they want to help (Kou's wish is Mitsuba needing him, instead of Mitsuba happy as a human. Hanako wants to be the one to save Nene, the idea of Nene being saved by someone else does not satisfy him even if it would make her happy and safe)

So this isn't a "Akane is lying to himself" or a "he is delusional" case.

The narrative, which had presented Akane as a yandere, wants us to believe that "I will protect Ao-chan... Even if she never looks my way" is not only what Akane believes to be true, but also something admirable. A sentiment Nene craves directed her way, claiming to be 'a little jealous' of Aoi, despite calling Akane scary a single page ago.

Let's rewind to see how we got here.

Akane and Aoi's stories suffer from being mostly given to us in gags for a good chunk of the manga, as they are not very relevant in the early arcs, but the crumbs come together after their confrontation in chapter 69.

Why is Akane stalking Aoi? Because he worries about her. Not about someone stealing her necessarily, but about her being hurt or forced into situations she is uncomfortable with.

They are very codependent. They have been for years.

We can see Akane being shocked at the sight of people bullying Aoi since they were kids, it isn't just 'boys who want to date her' that makes her uncomfortable. Jealous girls do too.

Even when Aoi is left alone, using clothes completely out of her cutesy style to attract less attention, and just living her life, she is still harassed.

Aoi's life is a nightmare, it straight up sucks. She hates that, and when Akane notices this discomfort, he hates that too.

He is far more protective than possessive, he doesn't care when people are touchy with Aoi as long as she welcomes the touch: Take Nene as an example.

Akane never touches Aoi at the start of the manga but Nene does, a lot. He never think "Nene is touching my Ao-chan! Unforguivable". "Maybe Ao-chan likes Nene more than me is not far!" or anything of sorts

Even when Aidairo uses the same over-the-top/creepy gag humor I personally find excessive, and Aoi straight up flirts with Nene, Akane's only thoughts about it are the usual "I love her so much"

When he does show dislike for Nene it's never because she is of value to Aoi. It's because of how dismissive Nene can be, not taking Aoi's safety seriously and easily excusing Hanako's actions.

We only see him be aggressive with Nene when Hanako possesses her and makes Aoi uncomfortable.

The problem here is the framing, the comedy focus. It's hard to take it seriously.

Everything about Akane's intro chapter is hard to take seriously. We are told he is "Hard working. Reliable. What a nice and sweet person."

But we aren't shown these honorable qualities much, not explicitly at least. The big panels, the main focus, is on his gag.

And his main joke is that he loves excessively, even for this school standard where everyone is weird (like Nene writing a self-ship fanfic with Teru) so he needs to be over the top, his behavior has to stand out!

How do they try to achieve this? Yandere jokes.

It is overplayed, they spend pages on it. WHOLE PAGES on it.

It is an old narrative trick to present a twist character as a comic relief to lower suspicion, to keep the more important characterization for after a reveal when they are oficially important, but framing all his actions as comedic and devoid of dept to make his reveal as No.1 more unexpected leaves him in a strange position: Akane is intended to be written as a protector but framed as a joke, to the point his introduction become the satire of a protector.

When he is revealed as the clock keeper and allowed to be given more focus, Aidairo try to explain his behavior and show signs of him being a genuinely caring and kind person, as the first part of his intro had promised.

But it's to late.

His crazy actions and anger issues is in most people's minds, a few lines can't erase pages and pages of his introduction as a yandere like archetype, so it's easy for first impression bias to come into play and interpret all his actions as a simple "He is obsessive." instead of trying to find dept or nuance to the established dependence he has on Aoi.

When we are shown that above wanting to date her, he just wants her to be safe and happy, it does not become clear. The reader needs to pay a lot of attention to small moments like these:

Which a casual reader likely won't. Most are reading for the toilet trio at this point in the manga.

This fumble on his character introduction makes it hard to know what should and shouldn't be taken seriously. Aidairo discarded the yandere narrative relatively quick (we haven't seen Akane's bat in ages) but this gag about being happy as long as Aoi is happy turned out to be important:

It was used to further contrast Aoi's and Akane's mentality on their big arc, and highlight how much nearly losing Aoi affected him.

So the only way we can tell what joke to take seriously cause it will be used to build up his character and what isn't important is hindsight.

I did not care about Aoi and Akane's relationship when I first read the manga, i went 'oh cool!' on their conflict, cause that was very well done, but since their characters were not well introduced, I did not notice a lot of the ideas being shown to me.

Akane is a sweet boy. That's his core, his consistency. Even with Aoi, being kind is the priority over being with her.

Let's compare him with Hanako, who is an openly possessive character, and see how they approach their love interests when they don't know if their love interest likes them back yet, and they aren't reduced to a gag (so we'll dismiss Akane being 'a yandere with a bat', and Hanako's joke of him being a tactless pervert, like peaking under Nene's skirt when her time was frozen)

(so pre-chapter 86 to Hanako and pre-chap 69 to Akane)

Hanako traps Nene, he will cling to her anytime he can, he cares about Nene and loves her dearly, he even says he "loves everything about her" but he is greedy for her attention, he is selfish, always trying to make her focus on him out of everyone in the room and keeping her in his hold, out of others reach. His unsubtle possessive nature is a charm of his, makes for an interesting character.

Akane has a different vibe to it. He doesn't have many serious moments with Aoi before their spotlight arc, unfortunately, but when he does, he focuses on reassuring her (even when her time is frozen and she can't hear him) and avoids touching her at best he can. He has known her for more than 10 years, but he doesn't act as if she belongs to him.

I am not saying Akane is not possessive of her, he is. But he tends to be more worried about her than anything.

Using hanako as the trademark of possessiveness again, check out these two scenes:

At the start of the manga Kou likes Nene, and Akane is under the impression Teru like Aoi, so both scenes follow the basic premise of "A know B has a crush on their crush, and they get possessive over a possible romantic rival being too close."

Hanako doesn't say anything, but his message is clear "She is mine."

Akane explicitly says he doesn't like Teru near Aoi but he doesn't try to remove Aoi from Teru or try to do anything violent. Why would he? Aoi is in no danger, nor is she uncomfortable, so he changes focus to the person who is troubled, awkwardly reassuring Teru that his distress is, in his personal opinion, stupid, so "chill bro".

He wasn't like that with Teru before.

He was so determined to stop the wedding he even rejected hanging out with Aoi, crying tears of blood and asking for her forgiveness in his mind but prioritizing not making her get together with Teru above her joy.

Is that because of his development? Yes! A big part is. Notice the way he treats his mental image as reality? That was his biggest flaw, he imposed his views on Aoi (the view being "everyone is stupid in love with Teru" in this case), and assumed what he believes is a universal truth, doing exactly what Aoi accused him of: Not seeing her, just an idea of her.

But the reason he went so crazy and determined, it's because Akane saw Teru as someone dangerous. Someone who would use Aoi. Hurt her. He believes he is protecting Aoi from the big bad president. A view that makes sense when we take into consideration both Aoi's history of being forced into relationships, and when we go back to their interaction.

Look at this and tell me this isn't a threat:

Teru acts as if he barely remembers her name, she is just 'that cute girl', mostly a tool for him to use against Akane.

When his view of Teru changes to someone kinder who genuinely cares about Aoi as a person, he no longer enters protective mode.

He is still bothered about the idea of Aoi being with someone else, he does noooot look pleased even with his fairy tale vision of a happy couple, but the way he treats this possible 'rivalry of love' when he does believe Teru loves her is so different from his "Don't get close to her!! I will NOT allow it!!" approach.

There is no insecure overthinking. No aggression. He is playful about it. He even teases Teru.

He just wants to focus on rescuing Aoi. A 'rivalry' isn't important. He needs her to be safe.

These two parts of Akane have been juggling for a long while.

But now, character focus is the priority, and I am thankful the damage is being undone, that Aidairo let Akane's love take up whole pages instead of small panels buried under pages of jokes.

Their codependence, no matter how many issues it has, and how it can sabotage them, is based on so much care for each other.

It's a shame I only believe Akane was sincere when he said he'll always be there to protect Aoi regardless if he 'gets to be with her', because of what we see later in the manga, not because of what had been set up in his intro.

[adracat]

GWitch: Finale thoughts

Pardon for the lateness on this, got busy after the episode aired and then proceeded to write a fic using my achemy brainworms lmao. But here it is, the end of a terrific journey!

The permet stress really took its toll upon Suletta after her bout with Eri but that won't stop our girl from trying to save her family. So rough to see though.

Gotta say, besides Nika and Chuchu, Aliya is easily my fav Earth House kid. She's into divination, takes care of animals, and is just so chill

Surprise Surprise SAL are being cheeky assholes. They don't care what Delling/Benerit has to say since this is just a grasp for power on their behalf. They have all the cards atm with that WMD

This was nice I guess, but I really dislike him so I just rolled my eyes lmao. I guess the one Lauda stan is happy he got screentime.

For Mio to keep entreating Prospera is admirable on her part. She knows it might fall on deaf ears but she has to try for the sake of her future wife and hellish mother-in-law. It was so good how her faith in Suletta never wavers. She knows Suletta is coming and isn't surprised once she shows with Aerial

And Suletta demonstating her growth by ignoring Prospera's command? Top-tier fr fr. Loved that entire exchange and call back to ep12

I don't mind 4 but it is painfully obvious he was slotted into this role because of the truncated re-write. 'I guess I'm like her' No sir, you were explicitly not in S1 LMAO! But I guess they needed a newtype to overpower Eri even though it doesn't narratively make sense for 4 to be one. Ah well, in another world where Okouchi got the seasons he wanted ;-;. It was a nice send off nonetheless

Rainbow party permet is so cool, pride Gundam!! I wasn't too keen on Calibarn's design before, tho I love the broom, the rainbow really sells it for me. And that coven of gundams?? So cool. Schwarzette usage here, abysmal pilot, and wealth of unused symbolism stings a bit. They so clearly had an arc planned but had to cut it :/ I would love to see the initial draft before cuts were made

MIOMIO DISSOLVES BENERIT. Hell yeah. Had a feeling she would choose to go this route. Also, the stone cold way she stares down the barrel of a gun... Ma'am, my heart <3 The best peace princess ever

This hit me in the feels. Suletta forgiving her mother, Eri begging for all of them to be a family, and Prospera seeing the ghosts of Vanadis smiling at her lovingly. It was everything to me.

The soundless fake-out as Mio believes Suletta is dead was cruel and brilliant. The horror in her eyes that morphs into weepy happiness when Suletta awakens will stay with me for a long time. They even did the little gundam helmet bop again!

Shaddiq taking the fall for everything was good of him, but it feels a bit too neat haha (They had to wrap up loose threads hastily and it shows) He really is an interesting character that, in a longer run, could have been amazing

Surprise! Sulemio got happily married during the timeskip and now Mio has to suffer a keychain's negging. Super funny outcome but I hope Eri can move between devices or else that's a bit hellish

Mio stealing Shaddiq's highly trained girlsquad is amazing. Ain't no one getting to the president of GUND-ARM without a fight. This also opens up the possibility for more Sabanika, so excellent decision all around

THE RINGS!!!! Ahh any nitpicks are nothing compared to sheer happiness I feel when seeing them. They fought and suffered so hard for this ending and it was all worth it! Eri and Prospera sharing in their joy is the cherry on top~

This image is my fav. Suletta is such a special protagonist and her relationship with Miorine broke ground in a legacy franchise no less. They are in love! They married! And no one can take that from them. Thank you GWitch, I love you lots. This ride has been unforgettable from the beginning <3

[theangrypokemaniac]

Sinnoh has massive flaws as an era, although it's starting to feel like the good old days compared to the present piss-poor offerings.

The major drawback is the amount of 'recurring characters', ones not good enough to be in it fully, but inflicted upon us nevertheless.

I did care about Ash. I did care about Team Rocket.

I was prepared to care about The Misty Replacement, as in the girl shipped with Ash.

I was prepared to care about The Brock Replacement, that is the older brother figure who does all the cooking, carries the medicine, and knows about Pokémon.

I don't give a toss about extras who outstay their welcome.

Hoenn only had Drew and Harley. What was wrong with that?

There are just too bloody many.

Why does Dawn require so many opponents, as if she's of the greatest importance? Why won't Jessie suffice?

I accept the necessity of Paul as The Rival, and we were at least permitted to resent him initially, before the writers fanboy'd like there was no tomorrow.

I admit I liked two of them. They therefore featured the least.

Typical.

Nando

The Blondel of Iberia

A softly-spoken, raven-locked troubadour, roaming the many pathways of life, playing his songs for those weary travellers he encounters on the road.

He's wearing a cloak! The finest use of material to ever be invented!

All this ethereal grace considering the dub lumbered him with the most appallingly unsuitable name possible.

It could've been Raphael, or Dante, or Leonardo.

Oh no, let's name him after a restaurant chain. That adds gravitas.

His lyre pays tribute to Mew, because Nando knows she's The Rarest Of All Pokémon, thus refuses to be impressed by any deformed horse like Arceus throwing its weight around.

Damn straight.

Ursula

A pretty girl with lovely clothes and the spark of a proper personality.

You're not wanted round these parts, love.

I have no particular animosity towards Dawn, but it irritates me how the world revolves around her whims, where if she's lost in the woods, it's a major disaster, and if an attack heads in her direction, she must be protected in case she shatters.

It makes a refreshing change to find someone firmly inoculated against the lures of the temptress.

Also, alongside Ursula from Dinosaur King (the real Jessie), I'm glad of any attempt to reclaim that name, considering most of my generation, upon hearing it, think only about evil old octopus women.

As for the rest?

It's that bad I prefer the Unova bunch to these.

Reggie

Reggie is even more of a knob than Paul. As above, being Ash's enemy meant that, if only by narrative, he was intended to be somewhat disliked.

Not Reginald. No, he's the kind one.

Oh really?

When Ash and Paul have their showdown, Reg starts wittering that it's just as well Chimchar took up with Ash, since he wasn't suited to Paul's 'battle style'.

Battle style.

Is the what he calls mental and physical cruelty?

In Reg's amoral cesspit of a mind, there is no right and wrong, so do whatever you feel.

Reggie is quite aware of how his brother tortures Pokémon, and not only is he unconcerned, he excuses it with euphemism, hoping the audience will obligingly forget too.

What's more, he implies it's Chimchar's fault for not pulling his weight, and Paul abandoning him was the compassionate thing to do.

Cynthia

Suffering severe Bridge Nose Syndrome.

She may be Champion, but I don't remember Lance turning up all the time where he wasn't wanted.

She doesn't even use her influence properly. Rather than give it straight to Paul, order him to shape up and stop spanking the monkey, she fannies about with her cod mysticism, emptily preaching about how Ash and Paul are spiritually linked, with magical, beeyewteefull events taking form just because they met.

That's right, don't bother about Paul clearly being a psychopath, for 'tis ART!

It's the same as trying to convince me that Ash, Dawn and Brock were the Divine Trio because they all saw Something Nasty In The Lake District, as if they have an intrinsic bond foretold in ancient prophecy.

The writers pull this knowing two thirds of the Holy Trinity, plus Paul the Fallen Angel, will be leaving, at which point we'll be expected to stop being overawed at the great majesty they all apparently possess and transfer allegiance to their usurpers.

What's the point?

Angie

Yet another smackhead from that lunatic stare.

What shining genius decided giving all the characters contracted pupils was a good idea?

She looks like one of those kids whose parents dealt with nits the traditional way:

Shaving the entire head and painting it purple.

A barnet resembling privet hacked at by a paralytic gardener before he conked out.

I've seen her arc three or four times, and I still remember nothing about her, except for the amazing skill she possesses to make Ash sneeze on command from a distance.

Conway

One word: nonce.

A clichéd weirdo fitting into Pokémon's Four-Eyed Freaks fixation, where anyone with a slight visual impairment is a weedy, know-it-all bastard or on a register.

Oh yes, and this lad comes with hidden delights, because his glasses gleam like a giant cockroach, just in case he wasn't creepy enough.

Zoey

The human black hole. Has the incredible ability to suck all the joy out of a room just by appearing. A personage of absolute lead.

Too nice and over familiar, lacking a single detectable personality trait.

Bland, empty, and with the charisma of vomit-sodden cardboard.

Sinnoh is a prolonged saga as it is, padded with nonentities like her and Kenny.

Alright, episodes must be devoted to Dawn's Contest career, however tiresome it is, but why exactly do we need any about Zoey and Kenny? Why should we care?

Every time I sat through a competition Dawn lost, I resented that she was no further along on her quest, equating to another episode eaten away by this shallow, blackened hymn to superficiality.

Compare this indulgent treatment to the sneering disrespect shown to Jessie, an actual main character, who not only had to win her Ribbons practically off screen, but the writers delighted in hammering home how worthless she was in only scraping into the Grand Festival because Princess Salvia took pity on the deluded wretch.

They favour their own inventions over the original cast, then dump 'em as soon as the next generation arrives, so how could they ever matter if even the creators eagerly cast them aside?

After all the effort on my part to put up with the entire witless farce, Zoey beats Dawn in the finals!

Why?!

I understood the unspoken law of Ash not being allowed to win a League until the very last series, for fear whatever came after would be anticlimactic, but why should this deadening failure apply to May and Dawn?

By the culmination of the Contest rigmarole, it's obvious they'll be making their exit for the next region's Girl, so why couldn't either bid farewell to the fans with a victory?

Why must they be incompetent too?

Even if achieving their dream dampened any hunger to carry on, they're departing anyway, so what difference does it make?

At least Ash will continue, but for May and Dawn, it's the end.

How could any fan be satisfied with a smarmy vacuum of a creature like Zoey succeeding instead?

Barry

Eyes of molten evil.

The second-worst character ever created (Iris is top of the ranks), Barry is a smug, arrogant, screeching dweeb jabbering his oh-so endearing catchphrase about fining anyone who slightly irks him, so sure is he that his feelings should come above everyone else's

He truly believes he has a God-given entitlement to demand lesser lifeforms should arrange themselves to suit his pleasure, that they are morally compelled to shield him from  meagre inconvenience.

Twat.

Knocking the little geck out of the League was the most noble thing Paul ever did. It practically redeems him.

This is what I cannot comprehend:

Ursula is openly conceited, rude to Dawn, and brags about her own excellence even after losing.

We're asked to dislike her.

Barry slags Ash off constantly, is convinced of his own divinity, and jeers at Team Rocket.

We're supposed to see him as a 'good guy' and welcome his arrival.

Why? Are Ash and Team Rocket fair game, but offending Saint Dawn's intolerable?

Again, it astounds me how temporary, region-specific stars seem to count for more than those who've been here since the beginning.

Whilst they're here, that is. Once gone, you wouldn't know they'd existed.

Kenny

He wears a matador outfit to compete.

It's a crying shame Tauros was never given the opportunity to gore him.

As usual, it's Piplup I blame.

Each generation likes to flaunt the starter Pokémon, presumably in the hope of flogging more games, that's why Ash usually catches all three, or they're spread out amongst his friends.

It's about time Team Rocket had one.

Can't do that, they only appear five times per series now.

Piplup is a whiny attention whore who refuses to evolve. In consequence, he can't advertise the next stages in the evolution chain, so we have to keep seeing Barry and Kenny instead, that's why Empoleon and Prinplup are always walking about.

This equates to three characters having the same Pokémon, albeit in different incarnations.

There's variety.

However, Kenny's true purpose is much more grim than that.

Fans will ship Ash with The Girl, a useless endeavour when it's destined to come to nothing when she's kicked out.

In Hoenn and Sinnoh, an effort was made to wean shippers off in preparation for the upcoming split, so alternative suitors were introduced, with the girls effectively pushed on to them.

May got Drew.

I don't mind that. He had some refinements.

Dawn got Kenny.

...

What, you want me to cheer for such a revolting couple?

Have I not suffered enough?

What unpardonable crime did Dawn do to deserve such a horrible fate?

She's not a bad-looking girl. She can do better than an ugly, portly, shrunken, pie-faced cretin! 

You do this to me when Nando exists?

Sod the age gap, that never concerned anyone here.

This being the Kenny who spends four years belittling Dawn by constantly reminding her of a humiliating childhood experience, even giving her a nickname too!

Dawn is visibly distressed when he does this, but he's a fine candidate for romance?

She has to settle for a sweaty, lecherous herbert like him, who doesn't even try to atone for his unfortunate mug by being kind?

I suspect the whole Sinnoh adventure was really him wearing down her self-esteem until she believed he was the best available, wanting her to be grateful for his slobbery attentions.

It won't stop there either. He'll trap her for the rest of her life by isolating her from friends, followed by accusations of how undeserving she is of his 'love'.

Such is Dawn's lot: absent father, pushy mother, whinging penguin and abusive boyfriend.

Kenny's already a perv:

He's not looking at her face.

She knows he's not.

Ash and Pikachu have noticed an interesting feature further down.

Aipom likes it too.