Helen of Troy Does Countertop Dancing
by Margaret Atwood
The world is full of women
who’d tell me I should be ashamed of myself
if they had the chance. Quit dancing.
Get some self-respect
and a day job.
Right. And minimum wage,
and varicose veins, just standing
in one place for eight hours
behind a glass counter
bundled up to the neck, instead of
naked as a meat sandwich.
Selling gloves, or something.
Instead of what I do sell.
You have to have talent
to peddle a thing so nebulous
and without material form.
Exploited, they’d say. Yes, any way
you cut it, but I’ve a choice
of how, and I’ll take the money.
I do give value.
Like preachers, I sell vision,
like perfume ads, desire
or its facsimile. Like jokes
or war, it’s all in the timing.
I sell men back their worse suspicions:
that everything’s for sale,
and piecemeal. They gaze at me and see
a chain-saw murder just before it happens,
when thigh, ass, inkblot, crevice, tit, and nipple
are still connected.
Such hatred leaps in them,
my beery worshipers! That, or a bleary
hopeless love. Seeing the rows of heads
and upturned eyes, imploring
but ready to snap at my ankles,
I understand floods and earthquakes, and the urge
to step on ants. I keep the beat,
and dance for them because
they can’t. The music smells like foxes,
crisp as heated metal
searing the nostrils
or humid as August, hazy and languorous
as a looted city the day after,
when all the rape’s been done
already, and the killing,
and the survivors wander around
looking for garbage
to eat, and there’s only a bleak exhaustion.
Speaking of which, it’s the smiling
tires me out the most.
This, and the pretence
that I can’t hear them.
And I can’t, because I’m after all
a foreigner to them.
The speech here is all warty gutturals,
obvious as a slab of ham,
but I come from the province of the gods
where meanings are lilting and oblique.
I don’t let on to everyone,
but lean close, and I’ll whisper:
My mother was raped by a holy swan.
You believe that? You can take me out to dinner.
That’s what we tell all the husbands.
There sure are a lot of dangerous birds around.
Not that anyone here
but you would understand.
The rest of them would like to watch me
and feel nothing. Reduce me to components
as in a clock factory or abattoir.
Crush out the mystery.
Wall me up alive
in my own body.
They’d like to see through me,
but nothing is more opaque
than absolute transparency.
Look–my feet don’t hit the marble!
Like breath or a balloon, I’m rising,
I hover six inches in the air
in my blazing swan-egg of light.
You think I’m not a goddess?
Try me.
This is a torch song.
Touch me and you’ll burn.
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Margaret Atwood, "Elena di Troia balla sul bancone" / Auguste Rodin, "L'éternelle idole"
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Helen of Troy Does Countertop Dancing, Margaret Atwood
[ Text ID: This is a torch song. Touch me and you’ll burn. ]
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They’d like to see through me,
but nothing is more opaque
than absolute transparency.
Margaret Atwood, Morning in the Burned House: Helen of Troy Does Countertop Dancing
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April 5, 2024: May 5, 2020, John Okrent
May 5, 2020
John Okrent
It is beautiful to be glad to see a person
every time you see them, as I was to see Juan,
the maintenance man, with whom it was always the same
brotherly greeting—each of us thumping a fist
over his heart and grinning, as though we shared a joke,
or bread. I barely knew him. Evenings in clinic,
me finishing my work, him beginning his—
fluorescence softening in the early dark. He wasn't even fifty,
had four grandchildren, fixed what was broken, cleaned
for us, caught the virus, and died on his couch
last weekend. And what right have I to write this poem,
who will not see him in his uniform of ashes,
only remember him, in his Seahawks cap, and far from sick,
locking up after me, turning up his music.
--
More like this:
Say Thank You Say I’m Sorry, Jericho Brown
When people say, “we have made it through worse before”, Clint Smith
Today in:
2023: Homeric Hymn, A.E. Stallings
2022: The Mower, Philip Larkin
2021: When people say, “we have made it through worse before”, Clint Smith
2020: Untitled, James Baldwin
2019: To Yahweh, Tina Kelley
2018: from how many of us have them?, Danez Smith
2017: Sad Dictionary, Richard Siken
2016: Lucia, Ravi Shankar
2015: Overjoyed, Ada Limón
2014: Helen of Troy Does Countertop Dancing, Margaret Atwood
2013: Anniversary, Cecilia Woloch
2012: Poem for Jack Spicer, Matthew Zapruder
2011: Now comes the long blue cold, Mary Oliver
2010: Jackie Robinson, Lucille Clifton
2009: In the Nursing Home, Jane Kenyon
2008: To the Couple Lingering on the Doorstep, Deborah Landau
2007: White Apples, Donald Hall
2006: Late Confession, Gary Soto
2005: Steps, Frank O’Hara
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- helen of troy does countertop dancing, margaret atwood
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“terrible if one of you were to get, oh, i don’t know, scalded.”
h2o: just add water (2006-2010), 1x09 ‘dangerous waters’ / margaret atwood, ‘helen of troy does countertop dancing’
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I am respectfully asking for poetry recommendations, similar to the "What do Women Want?" which you mentioned in Housemates. I can't move on from it. Something deeply woman and painful and beautiful maybe?
Try this one: https://poets.org/poem/helen-troy-does-countertop-dancing
You think I'm not a goddess?
Try me.
This is a torch song.
Touch me and you'll burn.
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You think I'm not a goddess? Try me. This is a torch song. Touch me and you'll burn.
Margaret Atwood, Helen of Troy Does Countertop Dancing
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Helen of Troy Does Countertop Dancing, Margaret Atwood
[ Text ID: You think I’m not a goddess? / Try me. ]
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You think I’m not a goddess?
Try me.
This is a torch song.
Touch me and you’ll burn.
Margaret Atwood, Morning in the Burned House: Helen of Troy Does Countertop Dancing
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