#here’s your egg oc lore hint for today:

[eggs-can-draw]

I am Creation, both haunted and holy

[encyclopika]

18 & 20 For the ask game!!!!!!!!

THANK YOU SO MUCH KAT!!! <3 God this is long.

From this writer’s ask game...feel free to send me some asks!!! :D

Gonna link the stories here for reference and for anyone interested in reading!

The Missing Series // Fire and Brimstone

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18. Do any of your stories have alternative versions? (plotlines that you abandoned, AUs of your own work, different characterisations?) Tell us about them.

Yes, ma’am! First I’m going to say that most do not, but the Missing series, particularly all that concerning Asuka and Ai, does in a big way...particularly the completely altered timeline that follows them if she doesn’t go away. You’ve seen the comic, where Ai doesn’t lose her nerve that snowy day and makes it obvious to him she also has stock in a deeper relationship. Yeah, that one. I’m currently working on more short comics from that timeline. Not necessarily a whole story, but snippets from that fluffier timeline. But that also means a few things happen differently - for one, Krow doesn’t join the Ryukyu offices, mostly because, in that timeline, he’s allowed to fulfill his own heroic story faster than he can in Missing. He’s not actually a rescue hero, but he doesn’t have Ai around in the main series to come into that as quickly. 

I also almost went harder on Ochako’s duality in Missing, almost making Uravity a separate entity that was starting to hate Ochako’s bullshit. I honestly hated that and clearly didn’t do that. Instead, the duality is more “in her head” than anything. This idea kinda comes out in Krow and Asuka instead.

Additionally, there was, once upon a time, an alternative “Missing”, in which Deku chooses not to return to Tokyo for the Pyromancer case, and Ochako faces him alone. It gets obnoxiously dark and gritty, to the point where I’ve taken that OnO fuel and split it between Escape Artists and my little-known horror project Downpour I’ve been working on in not-secret. But, yeah, that’s definitely an abandoned plotline...*shudders*.

There are small details here and there that I changed in both Missing and Missing Out that created alts, mostly concerning Deku and how he fights baddies/figures things out, name changes for OCs, The Ring’s and Pyromancer’s whole identities changed, and Irina’s characterization has really gone through the ringer (from being another lovable asshole bird like Krow that simply gets on his nerves, to being a dangerous, but important antagonist). I also had Deku introduce the idea that people’s quirks can kill them in Missing because I intended to explore it more, and I’m not sure if that’s totally abandoned... 

Thanks for asking this one. <3

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20. Tell us the meta about your writing that you really want to ramble to people about (symbolism you’ve included, character or relationship development that you love, hidden references, callbacks or clues for future scenes?)

Yes. 

All of that. I don’t wanna toot my own horn, but I live for hidden messages, references, callbacks, foreshadowing and symbolism. The Missing series (and to a lesser extent, Fire and Brimstone) is simply overflowing with these things...there’s so much that even with all of the people who have read it, there are still gems and Easter Eggs left to be discovered. And, before I get into it and make this post obscenely long, my reasoning for doing this is simple - I want you to read my fics again...I want to have reread value. 

I’m going to put it under a cut in case anyone wants to discover them for themselves and also general spoils. Here are the ones I’m MOST proud of or that make me laugh or, dare I say it, make me feel smart. This is not an exhaustive list, and of course, I’m not pointing out any future Missing series meta for sake of spoilers.

Titling 

Titles, titles, titles, girl you know I love titles. I’m a title SNOB. And I do A LOT of fun things with titles, such as:

1. Using the title of the fic as a buzz word and callback to the theme. 

I get real obnoxious with this in the Missing series. The overarching theme of Missing is, well, missing people, particularly in the vain of heartache, loss, and longing. And I put it everywhere:

From Missed Chance:

Despite keeping steadfast to her goals and to her future, she knew that for a long time, she'd be missing him.

From Missing:

Today, there would be an update. As much as she wished it weren't so, the only time she saw Deku was when it had to do with Pyromancer or for a brief moment before leaving the police station in the mornings. Any other time, she was missing him.

“I miss you.”

...

“I'm always missing you.” 

That's probably how he wanted it - being Asuka, the one still missing Ai, was too painful.

It couldn't ever be the same again, and Ochako was happy for it, feeling like her life was now so full.

And not a thing was missing.

From Missing Out:

“Miss me?”

“Only a little.”

But even when she was being annoying as hell, I craved her, like I knew I'd miss her. 

Still, after all that time in the cold, her lips seemed like a warm reprieve...if I could have ever gotten there...

I miss her.

I'm always missing her.

^This one’s a double whammy, for obvious reasons.

2. Using chapter titles to run with a theme, too.

This only happens in Missing and Missing Out, but, look:

Chapter titles for Missing are the life of a fire and also follow the level of stress in the fic, as well as Ochako’s feelings: Hot Coals, Rekindling, Reignited, On Fire, Blazing, Inferno, Burn Out, Backdraft

Those words are used in their respective chapters too AND we run through them when Ochako is considering confessing or not in the last chapter.

I pull the same kind of crap in Missing Out, except all the chapter titles are things Ai gave to Asuka. If it’s an object, the object is in the chapter, otherwise, it’s stated in the chapter, too.: A Desperate Lie, Lunch, Skills, Home, No Conditions, Second Chances, Worry, Agony. It’s also in reference to this, because kill me, I guess.

Bonus: Since the story is told from within the theatre of Asuka’s memories, the titles for chapters 7 and 8, “Worry” and “Agony”, are spoiled in Chapter 6 here:

I didn't know I'd missed my last shot at telling her...I didn't know that I really would be missing out on a life with her.

Because everything after this is worry and agony.

BONUS BONUS - THE TITLE OF THE FIC APPEARS HERE TOO BECAUSE I’M OBNOXIOUS.

3. Title allusions and character.

Particularly for “Fire and Brimstone”, the title sounds like it’s just about the main boys, Katsuki = Fire, and Kirishima = Brimstone. BUT BUT BUT it’s also referencing biblical shit, which is appropriate, given it’s an Angel/Demon AU. It refers to God’s wrath when people use it loosely, but it is also the torment in hell for the deadly sin lust. *hint hint nudge nudge*

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Okay that’s enough about titles. How about the fact that 

Krow is a Crow

So many little crow quirks, lore, and bullshit is put into this character, like wow.

1. The entire concept of his quirk is all about crow lore, in that they are often connected with death in a number of cultures. This is why, although he doesn’t like to explain it, his quirk isn’t literally a sense of smell, but a little more mystical than that. It’s a sense. His quirk also references the Carrion Crow, Corvus corone, for which he’s based, which is a scavenger and is heavily associated with carrion and is native to Japan.

2. The green and purple iridescence of his wings are also referred from the Carrion Crow in particular. 

3. What’s not overly obvious is that crows and ravens have positive lore too - in a number of cultures they are guides and messengers, sometimes to people, sometimes to Gods, which Krow fulfills to both Ochako and Ai (with Ai’s quirk, she could be compared to a goddess, for which he acts as the messenger - this was how she figured their partnership would work). Krow kind of puts this and the negative lore together when he explains his quirk for real in Missing Out:

 As a teenager, I ignored them. Death is everywhere and it usually isn't important. Whatever messages they need sending, I'm not the crow they're looking for.

He also actually has a messenger bag in Missing Out.

4. It’s referenced in Missing and outright admitted in Missing Out that he’s inexplicably attracted to shiny things, which is more or less also crow lore, rather than fact, but still. 

5. Krow’s name “Asuka” is a unisex name that refers to scents, but also birds and flight. There are a bunch of different refs that say differently, but I’m sticking with that. “Dakuro” is Engrish for “Dark”, which, if you really wanna meta, is actually his last name, considering his father is British. “Dakuro” is just how the Japanese people around him pronounce it. XD

6. He admits to collecting random shit he finds aesthetic, in reference to hoarding and collecting as crows do. 

7. Asuka and Ai’s “lunch for quirk fodder” exchange, as well as his giving her the necklace and the box of quirk fodder, is in direct reference to this adorable true story.

8. Asuka speaks more than one language and is capable of mimicry during his “feral response” while fighting the Bear Trap Villain. This is in reference to the fact that crows and ravens are capable of mimicking human speech like parrots.

9. Asuka likes to sit in high places and watch people, and squats in tree for the majority of Missing Out and often bitches about walking anywhere, unless it’s to protect Ai. He has the mentality of a bird. He’s also built like a bird, with hollow bones and air sacs to assist his properly sized wings during flight.

10. He’s actually incredibly intelligent, and uses it to finagle out of tough situations and generally be a trickster, as is crow/raven lore, but crows/ravens are considered the smartest group of birds besides parrots. Unfortunately, this gets balanced out by the fact he’s a teenage human boy, which makes him lazy and capable of dumbass moments. 

11. The murder investigations - there’s a number of instances where Krow can’t help but be drawn to death from his death sense in both Missing and Missing Out. He can’t stop himself from investigating the building Pyro is hiding in, the murder warehouse, and when Ai dies. Crows and ravens will gather around fallen comrades in a mix of mourning and also in an effort to try and figure out what happened and if that threat still pertains to them. 

:3 Birb <3

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Secret Messages and Tells and Foreshadowing and Symbolism

-In Missed Chance, the duality split of Ochako and Uravity is referenced as happening at a particular moment. Throughout Missing, Uravity is treated as apart from Ochako until the end of Missing where they “agree” on letting Deku help. It’s a duality of self representation.

-At the end of Missing, I’m hoping its clear everyone but Iida was in on leaving the two of them alone. Aoyama initiates it by leaving first.

-There are at least two instances where there’s heavy foreshadowing of the end of chapter 7, once with Aoyama:

“Then where in this overcrowded city?”

“I see. Among the clouds, then.*”

And again with Deku:

“That's a relief. Now, I just need to make sure I don't float myself into the stratosphere and you'll be right!”

-There is SO MUCH symbolism related to flying and birds, I can’t really put it all here, but it’s there. Also so much symbolism to fire in Missing, not only with Pyro’s quirk, but Ochako’s feelings..

-Krow reacts to a memory of Ai before we know she exists (since he’s hiding it) while they are interrogating Necromancer: “That’s not bringing them back. That’s nothing like bringing them back.” He also lets it slip a bit that he’d speaking from experience when ragging on Ochako about Deku. Deku also introduces the idea that people’s quirks can kill them in the same chapter, which is in reference to Ai, but also what ends up happening to Ochako, more or less.

-If you replace Ai’s name with the literal meaning of her name in some sentences of Missing and Missing Out, the UwU angst goes up to an 11. Here’s the one that’s particularly the gut punch:

Ai saved me in every way someone could be saved.

[Love] saved me in every way someone could be saved.

-End of chapter 5 of Missing Out, No Conditions, it should be obvious as hell that if Ai wasn’t in love with Asuka before, she certainly is now. Particularly in the gift box scene, he gives her...butterflies...right? 

-Ai is compared to the winter throughout Missing Out. This is more in reference to what she means to Asuka than anything else. Winter, as a season, is the great equalizer and although things die in the winter, it is also necessary to the bloom in spring. This refers to the shift in Asuka’s life because of her - his villain life ends and his hero life begins. 

-In fact, that whole scene in the snow is based off this gif, particularly the alt comic. It’s of two crows sitting in the snow kissing UwU.

-In both Fire and Brimstone and Missing Out, it should be getting pretty obvious I like to have my winged beasties flutter their wings when they’re in love. 

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Referencing Literature & Real Life & Pop Culture/Memes

-Pyromancer’s first crime in Alaska is based off the McCarthy, Alaska massacre where a lone gunman gunned down 6 of the 22 residents and injured more. Guy almost killed the entire town. Pyromancer actually did.

-I’ve referred to “The Raven” by Edgar Allen Poe a number of times, particularly in Krow’s famous line

“Nevermore, bitch!”

But I also referenced the Telltale Heart, The Cask of Amontillado, Frankenstein, The Wizard of Oz, and fanfiction in general. 

-There’s a pop culture reference in Fire and Brimstone from Bioshock where Shinso says:

“Would you kindly go repent at the alter? Ashido is waiting.”

And I love it a lot, because in Bioshock SPOILERS, “would you kindly” is the trigger phrase that’s supposedly controlling the player, Jack, to do things for Atlas and in canon, Shinso’s quirk is brainwashing. Mineta upon hearing it just goes “okay” and promptly does what Shinso tells him. Shinso’s brainwashing is also referred to by Mineta just before that:

“Or get brainwashed into believing fairy tales,” Mineta said flatly from beside the Angel.

-There is indeed a motherfucking JoJo’s reference in Missing. And there’s more memes where that came from.

-Krow’s use of “my guy”, “lit” etc etc. is self explanatory. He is a whole ass meme chicken.

-In fact, I call Krow and the other birds of the Missing series “chickens” because of the meme of the girl pointing to a bunch of geese saying “look at all these chickens!” In fact, Irina calls and will call Krow a “cock” in Missing Out and Escape Artists, and it’s kind of a more sinister play on this. Transplant and Keeper, during their convo in Missing Out refer to the women captive under Keeper part of her “henhouse” and that she’d need a “rooster” to go through with her plans. Krow also refers to his fight with Irina as a “cockfight”.

-I’m not religious, but the lore is fun to allude to. The religious references should be clear in Fire & Brimstone, and a lot of the words I use relate to the topic, even casually in the narration, but also when the characters say “like hell!” Also in F&B, the real Angelic hierarchy shapes much of the worldbuilding, as do the references to real life racism, police brutality, and other shit like that.

In Missed Chance, the sun coming through the window puts a “halo” around Deku.

In Missing Out, Krow refers to demons on a number of occasions, sometimes towards himself, his family (which in comes the irony, since they look like Angels), but towards the end, it’s used to explain Ai’s mental illness. There are also these choice lines that entertain the notion of heaven and hell:

  Below us was hell – mothers with agendas, school, dipshits, murderous villains, oh my! But up there? It was just us...

I was under no illusions about a heaven...hell certainly exists back down on the ground but I've been high enough now to rule the other place out. Unless this cold, quiet nothingness is supposed to be the intuitive opposite to the chaotic, unfair bullshit below.

-There’s a lot of references and characters with mental illnesses - psychosis, sociopathy, anxiety, depression and PTSD are all explored. In fact, Krow’s tendency to laugh at everything and get triggered by certain events (all of Missing Out is the result of him triggering himself in order to make Ochako realize her mistake) is a tell-tale sign he suffers greatly from PTSD, and Ai’s mental breakdowns are indicative of the anxiety I myself suffer from. Honestly, I just wanted some fics that look into it. 

-In the same strain, all of the characters in Missing present different coping mechanisms towards what first-responders actively go through irl. Much of that was taken from my own life as someone with police in the family and being married to a firefighter/EMT.  

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Okay, that’s enough. Hope you enjoyed...I certainly had fun outlining all of it XD

[eggs-can-draw]

Drops this and scurries back into my game maker studio hole