Album Number One Hundred Fifty Four “The Pretender” is the fourth album by Jackson Browne, released in 1976. It peaked at No. 5 on Billboard's album chart. The singles from the album were "#herecomethosetearsagain ", which reached No. 23, and "#thepretender ", which peaked at No. 58. My copy is on #asylumrecords - 6E-107 The album was released after the suicide of #jacksonbrowne ‘s first wife, Phyllis Major, and one of the album's songs "Here Come Those Tears Again" (co-written by Major's mother Nancy Farnsworth) is dedicated to her. The album has production by #jonlandau and a mixture of styles. The title track was used in the 1995 film #mrhollandsopus . The back cover shows Pablo Neruda's poem Brown and Agile Child, translated by Kenneth Rexroth, in its entirety. #rockandroll #theseventies #seventiesmusic #russkunkel #lelandsklar #craigdoerge #davidlindley #lowellgeorge https://www.instagram.com/p/CUcrb4VLvhm/?utm_medium=tumblr
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Theo Van Den Boogaard's tribute to Hergé on the occasion of his death, 1983.
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Jacques Tardi's cover for the 1993 one-shot Super Héros 1983-1993
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Maurice Tillieux, 1960
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Eric Haven, first two pages of his story "I Killed Dan Clowes" in the second issue of his one-man anthology Tales to Demolish. Published by Sparkplug Comics, 2003.
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Nabiel Kanan, 1995
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Micharmut, 1984
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Page from the Belgian cartoonist Éric Lambé's 2005 graphic novel La Pluie ("The Rain"), made in collaboration with the writer Philippe De Pierpont.
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Patrice Killoffer, cover for La Monstrueuse n°1, 1995
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Edmond Baudoin, sequence from his 1990 Futuropolis published graphic novel Baudoin. Later reissued by L'Association as Le Portrait in 1997.
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Jean-Claude Méziéres, drawing announcing the then forthcoming album Valérian and Laureline: World Without Stars with writer Pierre Christin in Pilote no°569, 1971.
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Max (Francesc Capdevila), panel from his 1995 story "Bienvenidos al Infierno" ('Welcome to Hell'). Published in the first issue of the magazine he edited, Nosotros Somos los Muertos ('We Are the Dead').
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Two two-page comics from 1986 by the Spanish cartoonist OPS. The first "Lecheria Carbonería" ('Dairy Coal') is from Madriz 29, the second "Telegrama" is from Madriz 25.
OPS (real name Andrés Rábago García) was one of the most experienced cartoonists to be published within Madriz's pages (he started making comics in and around 1970) and is one of the few still active today. He's published under quite a few pseudonyms, including "El Roto" (reserved for his political cartooning), "Rábago," "Jonás," "Ubú" and "R."
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