hitoshi ashinano’s yokohama kaidashi kikou || 芦奈野ひとしの『ヨコハマ買い出し紀行』
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Yokohama Kaidashi Kikou, Yokohama Shopping Trip, 横滨购物纪行 by Ashinano Hitoshi.
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Yokohama Kaidashi Kikou and Transgender Cyborgs’ Experience of the Apocalypse
Content Warning: Discussion of transphobia
Around the start of the 2020 COVID-19 pandemic, Chiaki Hirai published an article about Yokohama Kaidashi Kikou, comparing the post-apocalyptic manga to the threat posed to humanity by the novel coronavirus. It was a perspective piece—and a rumination—on societal collapse as it was happening around the author, when so little was still known about the nature of the virus, and what the extent of its impact on us was going to be. Now, at the start of 2023, our world has been forever changed. While the virus continues to mutate into new strains, governments have largely chosen to ignore the ongoing effects of the pandemic in exchange for a “return to normal,” moving on with or without us. Post-apocalyptic fiction has felt closer to home, especially for marginalized readers.
Yokohama Kaidashi Kikou (hereafter YKK) focuses on Alpha Hatsuseno, an android girl entrusted with a café by an owner who abandoned it, and her, without clear reason, leaving her to run it in a mostly uninhabited post-apocalyptic world. While most stories that imagine a post-apocalyptic setting depict a world in ashes, strewn with death and danger, YKK’s world is mostly one of peace and solitude for those survivors who remain. Cities lie silent beneath a solemn ocean; wind sifts through the stalks of amaranth sprouting from old, cracked roads. Overlooking land, sea, and sky is Café Alpha, a humble building on a hill and a relic from before “The Age of Evening Calm”—otherwise known as the end of the old world. And, for us, 2020 was our own Age of Evening Calm.
Read it at Anime Feminist!
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hitoshi ashinano’s yokohama kaidashi kikou || 芦奈野ひとしの『ヨコハマ買い出し紀行』
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Yokohama Kaidashi Kikou, Yokohama Shopping Trip, 横滨购物纪行 by Ashinano Hitoshi.
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Yokohama Kaidashi Kikou | ヨコハマ買い出し紀行
Hitoshi Ashinano
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