claunighty008

[spring-lxcked]

realized i've never actually discussed that my will and my henry (because they are absolutely connected unless i'm writing with someone else's portrayal of either) met in university and hit it off pretty quickly because of their similar interests (+ william's major being henry's minor)

[adultingautistic]

help? rambling! sorry for that thing.

(saw in the ask-section: so written today as of the 20th of August in the year 2020)

Hey,

No idea how to approach this. Though first things first: English is not my native language and I have some trouble with languages (even my native) [mostly speaking and writing… and understanding (the hearing part but sometime also the meaning part) – okay I just can’t language – sorry] and this thingy here will be long, again – sorry Though I learned to understand written english just so I could read more fanfictions (‘cause the ones in my native language didn’t satisfy me anymore) - spend a whole summer just reading stuff in english and now I *need* to read everything in english and watch things in their native production language (synchro is weird af) and if possible with subtitles (books: if it’s the authors native language; otherwise both languages (german and english) would be translated and then it doesn’t really matter, most of the time anyway)

WARNING: Messy, chaotic and about 2500 words long. Sorry. and it isn’t proof read and some sentences could be… not a sentence

I think I might be autistic / have adhd ? not sure, going to someone (professional) is not really an option as that would take at least 6 to 12 month to even get maybe a appointment… and it involves a lot of social interaction that would stress all people – even those that don’t have to think about *every* interaction they have with eachother… like no planning or thinking about what you have to say or can’t say and what’s appropriate? Like that is a thing – always wondered how most people got through life when everything is so damn hard. It is apparently a thing that isn’t so quite normal… lol*

Okay, most of the time (that I remember) wondered how that worked for everyone else except me – how they get through life thinking all those things, or well… don’t thinking all those things like HOW?!? Why can you “people”? and I learned it’s important if you’re a girl or not; so yeah, girl here. Followed adhd / autism stuff for a few month / weeks and now again for the last days (it’s an on and off thing). so yeah, I can relate to so much on like everything. Long time I thought, nah, can’t have it: good in school (more so when I was younger but never actually bad), finished school good (though could have been better, if I had studied once (like for my oral exam, I opened the document that should help us learn one whole time, the morning of the exam so yeah, not good at that; brain just goes, heard it once, why should I read this information? Can’t really recall it but while reading I “know” it, so WhAt Is STuDyInG?)) anyway (at this point I would have deleted about everything but like 3 or 4 sentences because… rambling. Sorry, but I think it is important what’s actually going on in my brain; I know it’s hard to read lol) considering all those things I read here (and on other blogs and stuff), I would explain so much about what’s going on in my life (I made a document where I collect all that stuff but it’s redundant sometimes and really messy; try to make a short list with most important things).

Like as a kid, it took me longer than other kids for this social stuff (not like it got “everything”, just enough to communicate more or less lol) or I was so freaking focused on rules; one example is at the train station, there is this line to indicate where you should wait for the train and the other side is where you’re allowed to step once the train is in the station – I lost it, when that rule wasn’t followed (never really big, loud but I was really upset – you know, I learned that it isn’t “allowed” to act out in public). Another thing, I would always get the adults (or kids) around me to speak to others: I mean, I wanted ice cream? Couldn’t order it (still hard to this day – I’m 19 years old btw) or any other basic interaction stuff – I mean I broke every connection to my best friend (in 6th grade, so I was like 10 or 11) because he broke a rule while playing “hide and seek” like yeah, one rule one time while playing and I didn’t speak to him for like 6-7 years (met him at driving school again lol) and I still have his book because I didn’t want anything to do with him anymore (now it’s just awkward to give it back).

As I was younger I loved reading, couldn’t get me away from it – now not so much lol (books or reading in general is so hard sometimes… most of the time) – but that is more like: I lost myself in the books and was super focused on it – now I “don’t have time” as in I can’t really read a book if I don’t have theoretically the whole day and night – cause if I have to do stuff later “there is not enough time to read a book” because I could get lost in it and miss stuff and 5 hours is like 5 minutes, right? (that is a part of “time blindness”, am I mistaken? – never really related to that on a deeper level but the longer it think about it, the more stuff comes to my mind that could be part of it lol / like I always at least try to) get ready when I want to visit my grandparents, it’s like a ten minute walk so I need at least 45 minutes to prepare. Example: want to be there at 14:00 so I should go to the bathroom around 13:15 the latest, bathroom always takes long ‘cause I get distracted, so I then somehow get going around 13:50 – spoiler: I need more like at least 15 minutes not less then 10 to get to my grandparents by foot – and where is the time? I got out of the bathroom somewhere before 13:40 most of the time – I do the exact same things every time and sometimes I’m like: oh, it’s like 13:25/13:30, why would I think I need so much time to get ready? And then most often I need longer – and no, then I start to got even earlier (bathroom is like the first thing in the routine I do before I have to leave the house) and somehow it is now 13:45 and I just leave the bathroom – HOW??)

Okay, MSWord tells me, I have written like almost a 1100 words and haven’t even looked at my 11 page document – sorry (can I even write that many words in an ask at tumblr?)

Another thing I found is RSD – of my god (I usually don’t like to use it like that but omg), that explains so much – don’t want to write too much (missed quite a few “too”s I think lol hope you understand anyway) – I really react so intense to small, constructive criticism and I didn’t (don’t) understand why; and question everything; I remember everything I did wrong (so many “small” things but I’m such bad at human sometimes) and the feels and oh no, I didn’t even do something wrong, my coworker/sort-of-not-really-friend told me how I could have slightly improved what I did: I’m such a bad human, I can’t do anything right and they won’t want to have to do anything with me again – thank you brain, not helpful. One other thing was, like I asked for one weekend of and I wasn’t allowed to take it ‘cause they planned to or already shifted an event (couldn’t really focus on that) to that weekend and I didn’t know it and when they said “no”, in that situation I could have lost it, I was almost in tears (you do not cry in public lol) and thought, how could I even ask that and be soo egoistic (along the lines of that).

This next one is just the text copied from a post but that is like exactly what it is for me:

“I literally thought all the symptoms were the default way a brain works, so you’re telling me some of you can “choose” what to pay attention to? Like, if you know you absolutely have to listen to and remember something you just “can” even if you don’t like it?

And if you’re at a restaurant and three other tables are having conversations you don’t just automatically absorb everything they’re saying?

And if you know you have to do something within the next hour it won’t just remind you of a different subject entirely which reminds you of another different subject entirely and you don’t just take you three days to remember the original thing you were doing????”

so true lol.

Found another post with autism signs in adults (that my have been missed as kids), I took out everything I don’t really relate to (like 5 or 6 things lol):

-          may constantly rehears conversations or interactions

-          may feel as though you are always on stage

-          may have a few close friends, not many acquaintances

-          may struggle with other people breaking rules (RULES ARE ABSOLUT – HOW CAN YOU BREAK THEM?)

-          may often fidget, chew, tap, or other repetitive behaviors

-          may get more or less upset at something than is “appropriate”

-          may struggle to adjust when plans change without warning

-          may have routines that don’t seem to have a real purpose

-          may struggle in situations that are unfamiliar

-          may be a very picky eater with few preferred foods

-          may struggle with noises, touching, or sensory input

-          may struggle to process visual or auditory information

-          may struggle to settle body down enough for restful sleep (though I now have a weighted blanket and that’s soo awesome, it really helps at least a bit (don’t wake up that often at night anymore))

-          may struggle to keep track of a fast conversation

-          may take jokes very literally, and not understand teasing

-          may miss sarcasm or subtleties while others are speaking

I understand teasing, I can more or less successful tease and be sarcastic but I’m not sure if people are teasing me. I do not prefer to communicate via text or email. It is still very stressful for me - a telephone is also bad (tone and stuff, not understanding the words correct and not even seeing the other person and in person is also bad – so no to communication and/or interaction lol)

I could provide example for everything but I’m at around 1700 words and just no.

Didn’t really mention sensory stuff, another post I found: “basically, your day-to-day sensory input shouldn’t be causing you distress. sounds wild, i know, but it’s not neurotypical for the stimuli (be it sound, touch, visual, etc etc) you encounter on a day-to-day basis to make you unhappy. also, if busy shopping malls or crowded parties consistently cause you distress or agitation, that’s a neurodiverse thing. it sounds strange, but apparently but yeah, it’s normal for most people to expect to be comfortable in their day to day surroundings.”

Like on one level, I knew it couldn’t be quite “normal” to be always uneasy in “normal” day to day surroundings but like, I can’t understand how people can not find it hard to be in such environment (I heard some enjoy it even, like HOW?).

Random interjection ‘cause I wanted to say something to thing from the beginning: * “Allistics do not “prepare” in order to socialize.  They do not have scripts.  They do not write them, memorize them, or use them.  They just magically know what to say. “ yeah, wow, didn’t realise that for a long time, and it is really magically. But somehow they can; I still ask my mom to help me write emails (more or less important ones) ‘cause it’s hard and she’s always like: “we do it so often, why do you still need help, just write” – not helpful and we didn’t do it actually ‘cause it is a complete different situation now lol every new email is a new thing�� I need to think about what to say to the cashier every damn time I’m in the supermarket lol; if I don’t have to talk, someone else orders for me (they thinks I’m lazy or so, I don’t know but it’s so hard and you know what to do, so you can do it lol)

And that executive dysfunction thingy also explains a lot – I mean, I like languages, I’m just not good at that speaking/hearing the words thing – still, I learn Ancient Greek as a sort of hobby (I mean, I learn it for so long now, it’s too late to stop, that would be weird and it is really interesting, just really hard) and I needed like 7 hours to do the work (like, got out of bed, got breakfast, started the computer and did like 30 minutes of working, then did some stuff on the internet for like an hour and then ate my forgotten breakfast, then did some more browsing (I need to do the work cause I have to send it to my teacher this evening lol) some work for like almost an hour, some more phone, a bit of work – and so on. I did some work (but like so many people would have done more or needed less time lol) – anyway I know I really need to work on the language and I just… don’t. arg, that sucks so much, every week I think, I could start doing things on Saturday and then everyday a bit so I have like six days to do some work and every time it’s Thursday and I’m like, lol 10 hours for doing a weeks work. And it’s not like I could focus for that 10 hours – except when I can but sadly it’s almost never on the things I *need* to do. Anyway if my parents hadn’t provided dinner, I wouldn’t have eaten more than breakfast today – anyways sometime I want ice cream or other stuff and I just… can’t do it like I’m sitting here for an hour now, I’m so freaking bored and I just want ice cream but do I move? Nope, and doing something to not feel bored? Nope. I also mean to get my thingy for my wrist ‘cause I have some problems and typing hurts but lol, nope. An example as kid would be I needed hours to dry myself after a shower and just sit on the floor in my room doing more or less nothing or playing (I now a have strategy but yeah)

So, yeah, sorry; I think it’s quite possible that I’m autistic / have adhd, both or so – am I making things up and this is just my mind going a bit wild? (also, I’ve done some online “tests”; most of the time I get like ¾ of the maximal points, but at least always more than half the full points)

Sorry, it’s a messy, long thing but I need a bit of an advice or so – just, like “yeah, could be possible” or “nope.”

Thanks if you made it to the end! 20.08.2020

PS. could write so much more in my mind but nope. i think one can get my point. otherwise just ask me

PPS. actually talked with my grandmother about it, lol, she said, it would explain some things she wondered about lol (never thought i would talk in real life with someone about it but i really needed to talk about my thoughts and then i couldn’t shut up and i was so worried but she is kinda cool with it? though she doen’t really know anything about the topic except what i told her so yeah. i acually have no clue how to approach my mum (even if it isn’t autism/adhd or so, i think i have to talk about how i tick a bit lol) (sorry, just had to write it a least lol)

so sorry, needed a part two (cause brain is stupid)

Okay, part two (I’m so sorry) (now it is the 21st of August 2020)

There is so much more I can write about: sorry, again like 1300 words.

Like, special interests – I have no idea; as I kid my teacher had to regularly remind me that I have to leave the classroom for break – cause I was so into my book that I didn’t hear anyone leaving the room or the bell; now I can get really invested in some fanfictions (if I have like five days for myself and nothing to do, it is like 3 books without a break) and I’m at a point where I don’t find (good) new stuff and read the same fanfic again and again (I know exactly what will happen and still love it), sometimes I don’t read it for like a few weeks or month and then like 5 times back to back. I absolutely love Doctor Who (but I’m not excessively obsessive or so and don’t know that many facts just some), just can ramble for a few minutes (okay, everyone who would listen speaks German and my main input for Doctor Who is English, so hard to translate that and stuff). Well back to books: I love them; even though I can’t properly focus much these day, I love them, I need them: but why? I hate that when book covers changes or the side of the book like it’s: publisher, name of book, author and the next book is like name of the book, publisher, author and all is mixed up or the symbol of the publisher is slightly different: why? Can’t it be consistent? Why??.

Routines, rituals and stuff. Yeah, I have for example this one street (they repaired the street but there is a small crack now), I have to cross it on the side that is where the street crosses another and then the last 3 steps have to be on the other side and the fourth is stepping on the sidewalk (I really can’t do it any other way and I hate this one car that always blocks the crack a bit – it shouldn’t be standing there ‘cause it’s almost directly in the crossing lol) when I still was going to school, my way home was very specific and one time there was a building/construction site (just some repairs or work on the pipe lines in the ground) and the first time I saw this I was stressed after a long day of school and almost lost it right there and then, because I couldn’t walk my normal way (and yes, at home I cried at bit); for the next few weeks my way back home was hell. I have some specific routines for the bathroom and showering (though most people have that, right?). I have to pack my things and then my stuff like keys and such in the same way every time. When I need a walk I have like two (or three) routes I can take and I have to do them and almost can’t change them after I started (I can though it really throws me off and I don’t feel really well after that). One time – cause Covid-19 and stuff – you need to use a shopping cart where I live in order to enter the supermarket (so you keep more distance) – so, I went to the market by foot and had everything planned, shortly before I am at the store I realise I don’t have a “chip” (thingy you need to use the shopping cart; don’t know if you know what I mean) and I lost it – my plans and routine how I go shopping to that market (if by foot) was ruined – went back home and cried and raged like for an hour (went later again, cause I really needed stuff and I couldn’t leave that thing open, that also feels… not good – had to finish the walking “round”: to the store, store, back home)

One thing I mentioned before: sensory stuff; yeah, not a fan of “loud” noises (it isn’t always the loudness but more the number of noises). Water in my face (nope, hate it, never under the shower and like a sponge or so is horror (like everywhere on my body), just clean water is okay (but please, I can’t have had soap like right before on my hands)), lights is a day to day thing (though if I’m tired / close to what I think is sensory overload, either the room I’m in gets like darker or lights up so much it’s not tolerable anymore (then I know, I really, really have to leave the room and not see or hear anybody anything anymore)), and food, yeah (everything has its place on my plate and please don’t touch), I’m a really “picky” eater and I absolutely despise like cooked or baked fruits (some vegetables too) (they feel soo weird in my mouth… and taste bad… but the texture alone is… really, really bad) (if I wait a bit more, I could think of more but you get the gist I think)

One thing that throws me off: Since I’m 14 years old, I do some stuff with youth groups like mostly work in the church as a volunteer (like in the (school)holidays going a vacation with a group and such things) – I needed like three years (I was and still am seen as shy, mostly) to really “lead” a group (I really am good at imitating the others that can lead a group, I think) and now after I finished school and am doing a “Freiwilliges Soziales Jahr (FSJ)” (voluntary social year) (basically I “work” for a year in a social job (sorry, no idea how to explain it in English) and get not much money (that’s the volunteering-part, but ‘cause I work full-time (38.5 hours a week on paper), I get a bit of money)) – and now I applied for studying for working in a social job – can’t really explain it but important is that I would/will have to work with people and stuff, like my job is to create/plan activities for people (like for example, a meeting every week for old people, free-time activities for teenagers or so). On one level I somehow like that working with people (as long as I know what I do, I had time to plan and everything happens more or less as I imagined/planned), on another level I absolutely… well not hate it… but it is really taxing for me and sometimes I really question myself but then other people say, do it, you’re good at it – and I’m like: yeah? I sometimes feel terrible and have no idea what’s going but okay, good that you don’t see that?! Am I not totally awkward and what? Still, have no clue what I would do instead of that lol (sorry, explained that whole thing real bad; just ask, if something is unclear)

So, two options: either I fake everything I wrote before that last thing and how would that work? Or I’m really good at faking that last thing and how? I have no idea and yeah, I had to write that – can both work? Like, it’s not like that I’m always (really) comfortable doing that social stuff but on the other hand, a bit adrenaline and anxiety makes the life more fun or something like that (and it’s not like, yeay, one time a certain situation managed and the next time I can navigate that somewhat same situation, nope, it’s like nothing ever happened before and that’s… annoying?)

Sorry again to bother you. Thanks for reading

21.08.2020

PS. I will probably think of something new every few hours but that’s enough for now I think lol – sorry

PPS. And sorry for my bad English and explaining… language is hard (not like I could write it better in my native language lol)

_______________________________________________________________

First, I will never, ever, ever judge someone based on how good their English is, whether English is their first language or not.  People communicate the best they can, and that’s all that counts, and it does not matter if it’s “perfect”.

So I can’t address every detail you brought up, because this was a LOT!  I did read all of it though, and the general impression I get is that you’re right, you probably have ADHD, and possibly autism as well, though I am not a doctor and I can’t diagnose you.

You asked a few times if you could be “faking” it, and the answer to that I can say for certain: No, you are not faking.  What you told me here are your life experiences.  I just read a story of “How life is like” for you, and it was not fiction, this is your real perspective about how your brain sees the world.  This is not fake.  This is who you are, and I felt what you wrote was very open and honest, the exact opposite of fake.

Sorry, it’s a messy, long thing but I need a bit of an advice or so – just, like “yeah, could be possible” or “nope.”

Based on your experiences that you shared, I’d say it’s more than likely you have ADHD.  You talk often about trying to complete a task and losing your focus before it’s finished:

Anyway if my parents hadn’t provided dinner, I wouldn’t have eaten more than breakfast today – anyways sometime I want ice cream or other stuff and I just… can’t do it like I’m sitting here for an hour now, I’m so freaking bored and I just want ice cream but do I move? Nope, and doing something to not feel bored? Nope. I also mean to get my thingy for my wrist ‘cause I have some problems and typing hurts but lol, nope. An example as kid would be I needed hours to dry myself after a shower and just sit on the floor in my room doing more or less nothing or playing (I now a have strategy but yeah)

This is all very suggestive of ADHD.  You also had some symptoms that could be autism, but it seems like the ADHD is more prominent for you and is affecting you more (keep in mind, I’m only a stranger on the internet, I could be totally wrong).

I’m really happy that you were able to share these thoughts with your grandmother, and that she was open to listening to you about them, even if she didn’t have all the facts.  

I know you said it would be a long wait, and very difficult, to get an appointment with a professional.  But I do really think you should be tested for ADHD.  Maybe your grandmother can help you talk to your mum about it, or maybe your grandmother can make all those phone calls for you (because believe me, I know how difficult it is to make phone calls, they are just as hard for me).  Even if you have to wait a year, it would be worth it to know- and also, because in the case of ADHD, there is medication which can help you.  So it would be really worth it for you to get that, even if you have to wait a long time.

You’re obviously a very detail-oriented, thoughtful person, and I know that you’ve studied this subject inside and out.  You’re not faking, you’re not making it up.  These are your experiences, and they are the truth, and you deserve to be tested if you want to be.  

[myfriendpokey]

50 Short Years!

This January makes a full 5 years since releasing 50 Short Games!

I admit, it is weird to think about.

In general I don’t have very strong feelings about anything I’ve worked on, since anything like that has usually burnt itself out somewhere in the process of making the thing.

But it feels a little startling that this particular game came out 5 years ago, because in many ways I feel like I’m still working somewhere in it’s orbit – it still feels “close” to me in terms of, I guess, setting up the way I’ve been thinking about and working on these things ever since then. I still feel like I’m working out some of the stuff that came up in its production.. compare to older games which can feel like they were made by different, mercifully forgotten, people.

The game is temporarily discounted on itch down to just $1, until valentine’s day - good for friends, good for lovers.

When this first came out, I included a big note file of the processes and ideas and etc that went into it. I have posted that to my website for free to mark this little anniversary. But since a decent bit of time has passed since those impressions, and since I don’t feel like refreshing them, I thought it might be interesting to try writing up a sort of “afterlife” of this game, specifically the ways it sort of covertly turned out to influence what I did for the 5 years after it, as well.

Here are my notes seperated by theme.

- colour - mice - pacing - work / life - gameplay - theme - writing - distribution

- COLOUR: this is a strange one. 50SG felt like the first time I was really aware of / interested in trying to add “colour” as an element I could play with within my games, trying to add it to the lego set along with “rocks” and “little guys”. More colours, interesting colours, colour combinations, games which would be colourful as images. Because I’ve never actually been a very visual person (surprise surprise ha ha ha) and even when I draw, or sculpt, I tend to focus on lines and omit colour as much as possible... When I was a kid I disliked any kind of colouring or painting, as opposed to scribbling, but just before 50SG I’d been working on an uncompleted game with painted textures, and enjoyed it enough to want to explore the effects more.

The reason I call this a strange one is that, mostly - - I failed!!! I feel very aware now of how much of this game is just scratchy line drawings, how little colours are actually used once I'd worked out which ones I preferred working with from the set. I did try to change things up over the course of the series and some games (specifically the Mogey ones) tried to use flat colour or colour patterns more. But when I think about the game now the memories I mostly have are of essentially monochrome or mostly-monochrome drawings.

In fairness, some of this was technical too - I never had any kind of consistent way to light my pictures for when I was photographing them, and a lot of the time the bright markers came out muddy, which sort of discouraged me from trying to do anything specifically with colour effects. Strong lines are also a lot easier to chop up into discrete little game-shapes.

But I think this sense of missed opportunity - having this big bag of markers in all colours, all translucent lines, and not really using them - was specifically what made me spend the next few years trying to work with colour even more. Hence stuff like Mouse Corp, and certain entries in the Hardpack 11-in-1, and Magic Wand. I think I moved more towards pixel art again because it gave me a very quick way to play with colours, and swap them in and out, without having to worry about correctly photographing them first. And in fact my current game came about directly from trying to play more with ideas of translucent outline sprites on top of flat fields of colour – trying to combine colour with line in a looser way than just colouring stuff in.

I'd like to go back to playing with markers some time.

- MICE: I think this was the first time I used mice in my games. Previously the emblematic animal was the Dog – Murder Dog, Goblet Grotto dog... The dog is a "LAWFUL" animal, one which can be aimlessly malevolent on behalf of some higher system or master. The dog stands in for the implicit malignity of the game system as a whole. 

Meanwhile, mouse is the "UNLAWFUL" animal - they live in spaces they do not construct, and scavenge from what they find within, they are constrained by those spaces but also have something of an independent life within them. By this time, I had been working on a lot of games where the gameworld itself was sort of an ominous presence - Crime Zone, Goblet Grotto, Drill Killer etc - and I think the move from "dog" to "mouse" came about as a way to think about these spaces as just kind of indeterminate and abandoned instead of actively malign. Places which don't really notice your being there, which were constructed and then left for some unknowable purpose. I cannot say if this shift in thinking is good or bad.

- PACING: I forget whether I mention it in the notes - but the prototype for all the marker games was an earlier one-off called "Gold's Enigma", done with crayons and in Klik N Play. And that game felt like sort of a revelation because it was so quick to just add new areas to it, or copy and paste elements around, or switch from one game control system or mode of representation to another.  So you could have an extremely short, quick game that still contained enough of a shift to make you feel like you’d gone somewhere or like the view from one side of the game was different to the view from the other. I don’t know how consistently or successfully this was ever really done (the end of Happy Bird is my personal favourite version) but it did stick in my head, as an ideal to work towards. And I think something like the more longform Magic Wand was still sort of driven by a desire to try a “fuller” take on this same idea.

- WORK / LIFE: I don't remember exactly but I think this was my first time successfully trying to start a new, slightly longform project while also having a day job. With other games either they were short enough for me to just blow through in a concentrated rush or else enough pieces had already been laid down (eg  Goblet Grotto) that I could just brainlessly slam together any remaining levels in the  mornings before I went to work. Making games as a hobby isn't necessarily hard but figuring out how to do it consistently over long periods took me a long adjustment period. For the short games I ended up doodling ideas at lunch, coming home, eating dinner, and then around 7 or 8 I'd start chopping up my image sheets and putting them into the game. And hope to finish by 11 so I wouldn't be too wiped the next day. These days it's more like 8-10pm. Working in the early mornings can be good if you're very determinedly getting through some pre-assigned tasks but can be harder and more frustrating if you're trying to be more exploratory about things. I guess to the extent I’d draw any lesson from this it’d be, set aside a very specific time period for working on stuff but also try to have a process where “working on stuff” can involve a certain level of constructive busywork just so you don’t come home and have to immediately face a blank page? “Placing stuff around on a screen” is ultimately what absorbs me so working in a way that let me do that as quickly and aimlessly as possible helped a lot. Well, that’s my opinion.

- GAMEPLAY: I used the default 8-directional walk system in MMF2, and the default screen-follows-the-player function, so many times in the course of these games that I just burnt myself out on them entirely. They’re fine, but using them so many times over a brief period made me more and more conscious of them to the point where it could feel like I was just filling in the same template each time... I think part of why I shifted to Unity, even though it’s more of a hassle, is just to be able to escape that sense of a singular unchangeable “point of view”  and make things where moving or looking around would feel a bit looser and less set in stone. I hope this helps explain my gradual, doomed love affair with extremely idiosyncratic camera systems.

- THEME: Did any themes carry over to any of my post-50SG games? Maybe some but to me it’s less noticeable than seeing what was stripped out. Having a deadline and a very fixed scope did sort of push me more towards including “real world content” in whatever strange way – dreams, specific moments of the early morning or the night, events like work nights out, locations I knew... Compare that to the longer games I’ve done which all kind of take place in these dreamy, private fantasy dimensions. I enjoy that too, and it’s easier to do that when you’re making a game that’s just sort of endlessly adding to itself over time.. It’d be good to get back to working in a way which encouraged that material connection.

- WRITING: I think the notes file that came with 50SG was the first time I did any real writing about the process of making these things, or ideas and notes, etc. And now I can’t shut up!! Well, I did a similar writeup document for Magic Wand, and hope to do so with my current game eventually as well. I think writing that, and having people be encouraging about it, did help me become more interested in looking at and recording the state of my brain as it’s slowly rotted into goop from exposure to these terrible machines. Which is in itself not a bad reason to keep doing it. 

- DISTRIBUTION: This was my first commercial game and probably the biggest impact of that was in getting me to move away from PC-only tools. I'd planned a mac version of this game at some point, or specifically to do HTML versions and then use a workaround I'd read about to convert HTML files to Mac and Linux apps... but the HTML conversion sometimes led to strange bugs, and I never had a testing computer to see whether the actual ports would work, and the multiple layers of things that could go wrong (making a html export, to be put into a mac or linux wrapper, to be loaded from a Unity scene...) eventually made me slowly give up on this. I think of getting back to it but to be honest I have such limited energy and for the five months a year I don't just want to hibernate I'd rather keep working on new projects.... I am sorry.... Well, this was a big impetus to try moving to pure Unity and HTML which had more multiplatform support from the get-go. I don't know if I took any other commercial lessons from it! It sold around 500 copies, and talking to other people making weird scrappy narrative type games it sounded like they mostly also sold 500 copies, maybe to the same people or maybe just to each other. At this level of economic activity you can just do what you like.

So in conclusion 50 Short Games is a land of contrasts. It feels distant to me, I don't have any strong feelings about it anymore, but I also feel sort of like I'm still moving around in the terrain this game originally sketched out for me, and still kind of responding to it in either positive or negative forms. Thank you to anyone who bought it. I just put it on sale again to mark the five year anniversary, you can find it on itch.io, gamejolt or kartridge. Please buy several hundred copies and salt them around through hidden disc drives buried in a desert somewhere so that some day they can inspire some form of apocalypse cult.

In the year 2525 if man is still alive if woman, still survives they will find.....

- stephen 2019

[spiralatlas]

GCAP (Game Connect Asia Pacific) 2017 Day 1

I’m in Melbourne for GCAP and PAX Australia, and GCAP started today.

Sadly things were cut short by me BREAKING MY WHEELCHAIR in a DOOMED QUEST FOR A SMOOTHIE. I got a replacement, but it was a hassle and I needed to go rest afterwards. But what I saw of GCAP was good!

Below: descriptions of talks by Steve Gaynor and Karla Zimonya (creators of Gone Home and Tacoma) and by David Gaider (narrative designer on Dragon Age), plus misc other conference things.

There were three introductions, all about How Great The Melbourne Games Scene Is and how Everyone Is Friends And Awesome.

Keynote: Steve Gaynor and Karla Zimonya from Fullbright Games: The names didn't mean much to me but then I realised THEY'RE THE PEOPLE WHO MADE GONE HOME AND TACOMA :D

The theme of GCAP this year is The Ripple Effect, and the theme of this talk was how people connect and affect each other.

Steve and Karla met as part of the team for Bioshock 2. Karla was a researcher, and Steve a level designer, and when they were in those roles they didn't interact. But they both finished their assigned tasks and asked around for other things that needed doing, which led them both to the massive task of writing all the little bits of extra dialogue around things like what enemies say when they attack, flavour text on objects, optional little stories told through random audio diaries etc. They made a great team (Steve as writer and Karla as editor) and got really into it. I think you can totally see how this grew into their later approach to games.

The company 2KMoran being willing to let them develop like this was part of them being a good company, with many ex-employees who have gone on to make interesting games.

Steve then got to design his own DLC, and went I MUST BRING IN KARLA. And after they did that, and Bioshock 2 was done, they created Fullbright and started working on Gone Home.

At some point Steve encountered some cool Bioshock fanart and became mutuals with the artist on twitter. Since she was a lesbian, he asked her if she'd be up for discussing things to help with the game. She brought along her wife for an extra point of view. The wife turned out to be a 3D artist, and both of them ended up hired to work on the game.

David Gaider: Creating a World and Making it Stick

So this was like 50% general advice and 50% morality tale about the Hubris Of The Writer Who Thinks His Worldbuilding Stands Alone.

Basically he created all the basic Thedas worldbuilding by himself, then told the rest of the team, and worked with his writers, and never checked in to make sure the game worked as a whole until it was Far Too Late.

He was trying to create a relatively grounded, dark, realistic story...and the art team was making orcs and bikini armour. He had lore about the mages being too oppressed to learn offensive spells or do anything flashy in public, while the gameplay team was implementing fireballs, and specialisations like Reaver which were not connected to the worldbuilding at all. And by the time these incompatibilities became apparent everyone was committed and refused to budge. So the final game is a hodge podge of inconsistent parts that all make sense individually but don't fit together.

Now my general notes:

He scrawled out the original Thedas map on paper the same way he would for a D&D game (his original draft looked very Middle Earth-ish in style), expecting someone who knew geography would go through and fix the rivers at some point. They did not.

One lesson he learned is that you can't just throw pages of worldbuilding at people and expect them to both read and be engaged with it. You have to have a "razor", a short description of the core of the game, and make sure everyone understands what it is. Anything that doesn't fit the razor gets cut. For example, DA2 had themes of The Price of Freedom, Family, and All Things Change. And you have to sell them on why your worldbuilding elements are interesting, and what makes them cool. Once the art team understood what darkspawn were they got invested and redesigned them to not just be orcs.

Remember to feel: Don't just come up with the history of your city: what is it like to visit, is it loud and friendly and sunny or oppressively silent?

Pick your battles: choose the parts of your worldbuilding you really value and emphasise those, be willing to let the others go, especially if it’s to follow changes that make the game more fun. The game being fun is the final aim, your worldbuilding is just a tool to get there.

He got confused by his cursor a lot :)

One good thing about the DAO worldbuilding is that he didn't know where it would be set at first, so worked out all the history for everywhere, and that added lots of depth.

Names are the devil, totally subjective so everyone argues about them and hates any new suggestion. Many names for DAO were bandied about, like "Chronicle". He has a rule to never put Shadow, Dark or Blood in a list of possible names or the publishers will go THAT ONE.

His two rules: 1) People aren't allowed to complain about a name unless they have a better suggestion. 2) Wait six months. Chances are people will be used to it and not mind any more.

When the Grey Wardens were first suggested they were supposed to be pretty minor, based off the rangers in Tolkein. So they got named the White Rangers, but that was too similar, so White Wardens, but that wasn't morally grey enough, so: Grey Wardens! Which was fine until they turned out to be important, people suggested "cooler" names like Blood Knight Brotherhood/Lords of War/Disciples of Pain (not sure if he was joking) but he waited six months and took a vote and lo, the old name stuck.

Track your changes.

Have an elevator pitch (not the same as the razor) If you can't come up with one your concept needs work.

Question your biases. He was originally inspired by Middle Earth and D&D, and his own ideas of Medieval Europe...all of which are way too white. Some of this could be fixed in later games, but the world he created closed off a lot of possibilities (he didn't say any examples but I guess he meant, like, Africa and Asia equivalents)

When he took inspiration from Jews and Romani for the elves he thought he was being very clever, and only later realised that this created all sorts of unfortunate implications, since now anything that happens to elves seems like a statement about those cultures.

He was happily surprised to be able to include bi characters in DAO.

The writers were all pretty happy with how they'd handled gender in DAI, then the Voice Over person was like "why are the vast majority of our lines for men?" and they realised they'd all made most of their background characters men for no reason.

At the start it's hard to walk the line between a long, boring, exposition heavy intro, and players getting confused by lack of explanation. (It felt like he wished players would just be smarter lol) He said "If DAO had started at Ostagar then the PC's backstory would have felt irrelevant" which made me think "So like DAI?".

Players have to know why to care about an event before it happens, or the emotional reaction will fall flat.

When you introduce the first member of a group, they should be fairly typical so the player gets a feel for the default. For example, Sten is a pretty typical Qunari. Only after that can you introduce outliers like The Iron Bull.

Every main character the player interacts with (for a RPG, the party members) should represent a different interesting facet of the worldbuilding.

They didn't think DAO would get sequels, and thus had those wildly differing epilogues. He isn't sure he'd change letting the player died, since it was a cool moment. But it was certainly inconvenient to deal with later.

They had a rough idea of how the history of Thedas would continue after DAO "but no plan survives contact with the enemy, in this case I guess that's EA" loll

Having player decisions affect so much has been a bit of a nightmare.

Card tricks in the dark: if you do something clever and the player doesn't notice, it doesn't matter.

If the enemies drink potions and it's not obvious they're doing it, it just looks like the AI is cheating. If a choice affects the plot but this fact isn't made clear, players will just think that's how the plot always goes. Need to heavily lampshade that this is the consequence of that choice. And keeping track of all the possibilities gets ridiculous with characters like Alistair, who can be any one of dead/king/a drunk etc.

The players who DO pay attention to these changes tend to want way more reactivity than is practical. So nobody is impressed. And most new players found the save game editors confusing and off putting. He thinks perhaps it would be better to have a smaller number of major choices.

He's not going to judge other writers but the HUGE changes at the end of the Mass Effect trilogy mean they can now no longer set anything in that galaxy again.

Question time!

Something about the process leading to Krem being written. He talked about the bad stuff previously, and them realising they'd screwed up. A trans fan on the forums said "Could we have a trans character who isn't a sex worker or the butt of a joke?". They got jumped on, but the team read it and went "Oh."

Gaider wrote Maevaris in the comics, talked to a trans woman friend about it. One of the other writers was working on Kress...*audience shouts KREM* and he seemed a bit boring so he got made trans, since it added some interest and fitted in well with the worldbuilding about the Qun etc.It would have been better with a trans voice actor but they couldn’t find one.

What program is best for explaining stuff to the art team etc early on: Biowre had a sort of Grey Box level for playing through choices, but something like twine is good, just to test pacing. (not sure this actually answers the question asked)

Are there any genres you would like to work on but haven't: Yes :D :D But he can't tell us about it yet :D :D

He got sick of high fantasy after ten years. Would look longingly at Mass Effect sometimes just for a change but then they would implode and he'd think"Actually I'm fine".

Off the top of his head: Victorian London, finding husbands for your girlfriends while fighting zombies and also it's a Western?

Misc other things: I didn't make it to any more talks because Wheelchair, but met some cool people, and played some of the student games on display. My favourite was a time travel murder mystery called Lacuna where you have to connect clues. Apparently I was way better at it than most people :D I also actually enjoyed one of the puzzle platformers (I forget the name but it's about a little grumpy blue hexagon), which is a pretty big achievement.

GCAP has a "food intolerances station" with special food options and knowledgeable staff which was pretty great. Morning tea was just various gluten free biscuits, but for lunch there was poached chicken and salmon and various plain chopped vegetables, as well as dressed salads and gluten free bread and dessert. I could eat about 1/3 of it which is pretty good odds, I ended up happier than my partner who doesn’t have as many intolerances but just didn't like any of the food options.