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starchildrenofdustand-ashes · 5 years

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My Six The Musical Review

Once again nobody cares— BUUUT I saw SixChicago yesterday with Adrianna Hicks as Aragon, Andrea Macasaet as Bolyen, Abby Mueller as Seymour, Brittney Mack as Cleves, Anna Uzele as Parr. Here are somethings I noticed (essentially this is a rundown of everything you wouldn’t get just from listening to the album lol) ((Also im so tired and its 12.28 am and im sorry for any mistakes))

❤️💚💛💗🖤💙

👑 So before the show, they were playing a ton of pop music, but it was on an instrument that kinda sounded like a lute or harpsichord. 👑 When the Queens walked out from behind the curtain in a single file line to take their place on stage, the crowd went crazy. They all came out through a tiny crack in the curtain,, but when they belt “LIIIIVE” the curtain falls to the floor as is dragged off stage. 👑During the dance breaks in Ex-Wives, they go from dancing hip hop, to dancing with each other in a style they would’ve done back then to the beat. It was cute. 👑It was so weird hearing their accents! I’m always expecting “divooced” but it felt like they were almost emphasizing the r “ divoRRced” 👑Before Catherine of Aragon starts singing in Ex-Wives she says “Remember us from PBS??” 👑When Jane Seymour sings her bit in the song she moves Stage Left and when the Queens all say “Hey!” She looks surprised and shrugs, continuing to sing 👑Anna really played up the “JA’s” during her bit and IT WAS SO CUTE (you will find I am partial to clever, bc my gay ass is in love with her.) 👑There is so much dialogue!! After they say “Chicago!! How’re you doing tonight!!” They say we are “SIIIIX” in their harmonies and “Welcome to our divorced, beheaded, LIVE TOUR” 👑Aragon says “WE HAVE SO MUCH IN STORE FOR YOU TONIGHT— WE HAVE THE RIFFS TO RUFFLE YOUR RUFFS” before she does a really sick riff 👑A few of the other queens add on to that,, I forgot what they said but then Howard says “AND A WHOLE LOT OF HISTORY” and Parr cuts her off and says “OR AS WE SAY A WHOLE LOT OF HERSTORY” 👑then they introduce their band (who are on the stage with then) as their ladies in waiting and I was soft 👑 So then they go on to explain the deal with the show; they are all competing against each other for the crown of the “ultimate” queen based on who had to put up with the most shit from Henry 👑 When they’re going down the line to explain why they say 💛Who lasted longest was the strongest 💚The biggest sinner is obvs the winner 🖤 I have no idea what Seymour said I don’t remember DX ❤️Who was most chased is first place 💗The most glorious will be victorious 💙The winning contestant was the most protestant (but she says it so it rhymes with contestant and then all the queens look at her like ??? And she sighs and says ‘protestant’ with its correct pronunciation 👑Aragon says “How in the purgatory are they gonna choose a leading lady??” 👑”The queen to take the crown will be the one who had the biggest, the firmest, the fullest…. LOAD OF BS TO DEAL WITH FROM THE MAN WHO PUT A RING ON IT 👑There is a reprise of Ex-wives but this time they change the lyrics to “welcome to the show to the coronation” 👑💛lol Aragon cut the reprise off and was like “It doesn’t matter, because I’m the winner” and then she asked the drummer for a beat 👑💛So with the beat, Aragon begins to tell her story, and the bass is strumming the baseline for no way 👑💛”Okay, I’m thinking its… a bit weird they want me to marry my… dead husbands brother”… 👑💛So then she continues recounting the story and she says “I saw lipstick on his collar and I’m like… okAY… so now he wants to annul our marriage and moves this sidekick into mY palace and wants me in a CONVENT” and she’s on a RANT so she pauses and breathes really heavily before smiling really widely and sighing “Now… I don’t think I look that good in a wimple so I said. No. Way.” And the song starts immediately after that 👑💛Idk what else to say except that Aragon was a total badass and Adrianna Hicks was a fucking QUEEN 👑💛When she asks him to name when she’s ever caused him pain, she’s all the way upstage on the same platform/semi circle that the band is on, and she’s on her knees kinda begging kinda. She pauses for a LONG time and waits for an answer and her face is smug when she’s like “no?” 👑💛She said “I had the most to deal with AND I hit that high c so that crown is mine,” 👑The other Queens stop her and are like theres another really REALLY IMPORTANT one… the one that overlapped with you who is she?? The famous one that people actually care about!” Then they all start chanting “The one you’ve been waiting for” and the lighting turns green,, while they’re chanting, Anne Boleyn looks really confused and shrugs and walks to the back of the stage and picks up her phone 👑💚The Queens eventually say “The temptresssssss” and they hold it out like a snake “ANNE BOLYEN” and they sing this very choir like 👑💚They all turn to her and Anne is just sitting there cackling at whatever is on her phone and she’s like “ Whoops sorry,,” and Don’t loose your head starts 👑💚Andrea Macasaet has SUCH a high pitched voice she was absolutely ADORABLE 👑💚When she said “get ahead” she smirked and everyone laughed 👑💚Instead of her voice going down on “Pret a Manger,” it got even higher almost In a mocking French accent. 👑💚She is pissing Aragon the fuck off this entire song lol 👑💚When she says “Are you blind??” She gestures between she and Aragon 👑💚 “What was I meant to do?” Is sung like a confused toddler lol 👑💚 So the bit where they play the wedding song, all the queens bow to her and she walks past, smiling and waving and she gets to the end of the line and is like “Hold up,, let me tell you how it went down HENRY’S OUT EVERY NIGHT …. Etc” 👑💚”Bro just shut up!” Instead of mate 👑💚She even asks the band what was she meant to do, and everyone is repeating her and she screams “OH MY GOD SERIOUSLY HE REALLY WANTS TO CUT MY HEAD OFF” 👑💚and then she grins again after a long silence and she’s all smug like “I guess he really liked my head…..” While kinda licking her lips lol 👑💚DEAR GOD HER RIFFS JESUS FUCKING HREHTTLTURHGUEHURL 👑💚And she was like “yeah… that was such a weekend… I like died… and it was so extra! So im clearly the winner. So now, I have to sing a song I wrote when I found out that Catherine of Aragon had died. Its called WEAR YELLOW TO A FUNERAL SING IF YOU KNOW THE WORDS. And the bass came in and Boleyn sings “Catherine was a massive C-” and the other Queens immediately shut her up 👑Aragon and Boleyn start arguing until Seymour is like “its my turn now…” 👑Everyone looks at het before they burst out laughing, telling her ‘bye’ and ‘girl, please’ 👑And Seymour is like yeah,, I was in love and I was really really lucky. 👑🖤 And Seymour goes into this really heartbreaking monologue about how she missed her songs future and how she had a picture of her family. She said that Henry was really sweet and that she loved him 👑Boleyn cuts her off and is like “yeahhhh,, there was this one really cute time where he, like, cut my head off :) 👑🖤Seymour said that Aragon and Boleyn were badasses. Then she said that she promised to always stay by his side and didn’t yell at him back like the other two because she loved him. Then she dedicated the song to him 👑🖤Heart of Stone started and honestly,,, its not my favorite song and I usually skip it. But mY GOODNESS. Abby Mueller is a fucking goddess wow. The amount of control she has on her voice is astounding 👑🖤(fun fact abt me— I have perfect pitch lol) they pitch changed it into A major and it transposes into B major which was SO BEAUTIFUL. It made me actually like the song lol 👑🖤Its not really eventful,, she just stands in the middle of the stage. 👑Seymour is like,, “what hurts more than a broken heart?” And Boleyn is like “A chopped off head” 👑Almost immediately after it transfers to Cleves and she’s like “soo he’s running out of options in England he had to expand his fields and adjust his location settings to find his next queen. We are Heading to Germany where he got the help of Han….. 👑At some point during the song, the other queens ran off stage to get their glasses and ruffs 👑They all run back on stage in their glasses and ruffs (Cleves still hasn’t said his last name yet) and they all whisper “Holbien” 👑WELCOME TO THE HOUSE 👑lol this song is SO funny… and Cleves is so fucking adorable (she was flossing at some point). The dancing was so… German…it was hilarious. 👑So after the song is done,, the girls still have their ruffs and glasses on and it kinda turns into a mobile app like tinder.. 👑Basically there are two queens before Cleves and they all stand up and walk downstage as they are introduced, they smile and their picture is taken and they wait for about two seconds before Henry swipes left or right. 👑The two in front of Cleves are played by Parr and Howard. 👑After Cleves is selected their is a Holbein reprise 👑❤️The other queens run off taking the ruffs and Cleves is left on the stage sighing comically several times. She’s at the back of the stage sitting on a makeshift stone 👑❤️”Its the tragic story of a princess-educated, savvy, young- deemed ugly by an ulcer-ridden, wheezing, winkled man 20 years her senior.” 👑❤️WHATS A MORE DEVASTATING FATE THAN BEING FORCED INTO A BEAUTIFUL PALACE IN RICHMOND WITH MORE MONEY THAN I COULD EVER SPEND AND NO MAN TO TELL ME WHAT TO DO WITH IT 👑❤️Get down is also key changed 👑❤️When she sings “I’m the Queen of the castle” she is skipping across the stage 👑❤️When she gives her fur to the footman, she actually takes off her coat and hands it to one of the queens. The crowd went crazy and she’s like “guys stop,’ and like acting all shy but secretly enjoying it-she says “Okurrrrrrrrr” . Then she’s like “AS YOU WERE” and everyone is quiet lol 👑❤️the part where it slows down and she’s like “SIT DOWNNN YOU DIRTTTY RrrrrrASCALLL” she opera sings it and I shat myself 👑❤️she uses her microphone as a lute lol 👑❤️YOU CANT (nope) STOP (nuh-uh) YOU CANT STOP ME 👑❤️At some point she squeezes her boob. I love her. 👑❤️after she kills us all by belting that last note she points to a girl in the front row and is like “YOU IN THE PINK DRESS!” and she gestures for her to stand up. And the girl stands up and they bop together with Cleves ad libbing in the background 👑❤️Eventually she says “Okay sugar this is my song, GET DOWN” 👑❤️And then after a moment of silence she’s like “So yeah it was really tragic…” 👑Aragon is like that doesn’t sound difficult at all and Ceves is like “oh… yeah.. I probably won’t win this thing… WELP BACK TO THE PALACE!” 👑the queens argue more and honestly it’s iconic 👑Seymour is yelling at Aragon and her voice is so loud and Cleves interrupts her and is like “guys,… I have the plague” and they all gasp and she’s like “HAHA JUST KIDDING MY LIFES AMAZING” they roll their eyes and Parr is like “our next queen! K HOWARD!” And everyone is like who??? 👑Aragon is like “ The least relevant Catherine,,” and Boleyn is like “Yeahhh i get it and I still don’t care,,,” 👑Howard is like “You’re right… I need all the help I can compete. What happened to you was terrible,, and so were you songs,,” Then she proceeded to roast everyone. She says “Anne you obviously had it worse I mean you lost your head……. Oh wait…..” 👑💗And then she says “but seriously Anna, getting rejected for your looks really sucks…. cant relate…I’m really hot…. So yeah. I can compete like this” or smthing and then all you wanna do starts. 👑💗At the beginning of the song the queens touch her everywhere and she leans into it willingly 👑💗Blowing the flute,, she winks at the audience and when she says C-D she puts her hand in front of her crotch and squeezes. 👑💗 “There was this guy… Francis and he asked me to be his little piece of aaaasssssss…istant! 👑💗The song goes from upbeat to upsetting very very quickly after Francis she starts to become less trusting and she gets more disoriented as the show goes on. 👑💗”Apparently men only hire women to get them into their private chamber… times were different then…” 👑💗When she says “He says we have this connection,” about Henry Seymour comes from behind her and touches her stomach — all you can see is her hand touching her sensually. She looks a little surprised and then she’s like “I guess its not so different..” 👑💗By the time we get to Thomas Culpepper she is flustered and VERY uncomfortable. The girls are all touching her now and she looks down and stares at their hand before pushing them away and finishing the end of the song. she keeps pushes them away but they keep coming back. She looks utterly heartbroken and you can see her unraveling. 👑💗THAT RIFF WAS SO GGHRSILGBRLGKJBJL 👑💗she screams “WHEN WILL ENOUGH BE ENOUGH” as they keep touching her and she fails as she pushes them away. 👑💗Eventually she gets them off but she ends up by herself on the stage with her face facing up and a dim pink spotlight is on her. 👑💗There is a chilling silence and then she’s smiling and says ‘YEAH and then I was beheaded and I won this competition!” 👑Then they get into another argument. Boleyn starts talking about how her beheading was more relevant because Henry humiliated her more and Aragon was like,,, um I won the humiliation game and she counts her mistresses 👑Then they start yelling about the miscarriages they had and Boleyn says she has three and Aragon says “You know what Anne BO-LOSER I HAD FIVE” and Parr is like “this is not okay, don’t compare miscarriages, thats hella insensitive” and they push her to the center and tell her to sing her song 👑Theres a random baseline again and Parr looks like she’s about to start singing but she stops and says,,”I’m good,” and tries to go off stage. They all accuse her of being a sore loser because she survived and knows that she had no chance of winning. 👑Parr is like,,, NO its pitting us against each other and the queens all groan and make fun of her and she’s like okay,, imma sing the song then. And Katherine Howard says “Are you sure?? Are you sure you dont want to stick to backing vocals where you belong?” 👑💙And Parr softly says “Queens take a seat,” before turning to the pianist and saying “Can you give me a Bb maj7, please?” 👑💙Parr shuts down all the queens and says her life wasn’t all rainbows because she survived. And she talks about her love tom, and I never realized that the song is a letter to tom. She starts off “Dear Tom, You know I love you boy,” 👑💙 Anna Uzele was so fucking good. And Tbh,, this is my least favorite song so I don’t remember much about the staging (I’m sorry) 👑💙Side note,, parr is such a badass and an amazing woman 👑At the end of the song, she turns to the queens and is like “without Henry we all disappear ,” and Boleyn is like “I don’t get it” and parr asks “How does anyone know who we are” and Boleyn is like “mY SiX fInGeRs-“ before Aragon cuts her off and is like “Put it away, baby” 👑Parr then asks Henry the 7 and 6’s wives names and nobody can answer. “but, when we get together as a group-“ Boleyn cuts her off and is like “EVERYONE NOTICES THAT JANE CAN’T DANCE!” “NO WE COMPARE OURSELVES” 👑when Boleyn finally gets it she explains the situation like she’s an encyclopedia and it was so funny and fast and oMG 👑”UGH if we had realized this before we started we could have done something else like make a fake competition to show everyone how messed up comparing us is and then we could reclaim our story and all become the leading ladies…” “:/ and they are all saying this dialogue its just split up and I dont remember it very well 👑IF ONLY WE HAD THOUGHT OF THAT BEFORE 👑then they look at each other and smirk at the audience before reprising Parr’s song as “We don’t need your love,” 👑Which was so good bc THEY DON’T NEED HENRY’S LOVE YES 👑Then they point out “We might only be remember for marrying the same man,, but why does anyone give a sh- who he is? It’s because of his,,” then they all harmonize ’SIIIIIIX WIVES’ 👑AND WE ALL HAVE A ROYAL HAPPY EVER AFTER but Boleyn cuts Seymour off and is like “But we didn’t” 👑then they go onto explain how none of them had happy endings and they’re like,, but we can rewrite them! So they do and that leads into Six which is such a soft song. 👑Six, actually starts off very slowly. It speeds up after they say “we’re six” 👑It was such an energy ending I was speechless and gold confetti poured down on them and OMG I was shaken to my core.

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preserving-ferretbrain · 5 years

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Melusine - A Review

by Wardog

Saturday, 27 January 2007

Wardog indulges herself with Sarah Monette's debut novel, Melusine.~

Don't you just hate it when you start out liking something in a smug, ironic way and somehow end up it liking it for real? I began Sarah Monette's Melusine (which, for the record, sports a half-naked wizard on the cover with a haunted look in his eyes and a flag of red hair flying out behind him) expecting trashy, easily mockable fun but, having devoured the book with such enthusiasm and responded in such a genuine way to the characters, I cannot in good conscience deride it. Yes, it's trashy fantasy but only in the sense that it possesses in abundance all the strengths of that kind of book, by which I mean it's engrossing, intriguing and blissfully easy to read. Textual chocolate, if you will; the best, sweetest most meltingly delightful Lindt chocolate. Indulge yourself.

Here be (mild) Spoilers

Set in the pseudo-Renaissance(ish) city of Melusine, the book follows the fortunes of two half brothers, the seemingly upper-class Felix Harrowgate, spectacularly screwed up wizard, and the staunchly lower-class Mildmay, slightly less screwed up cat burglar. Felix gets tangled up in a Dastardly Plot to overthrow the city's magic and goes through about three hundred pages of hell, in which he is raped, abused, threatened, driven mad, sent to a lunatic asylum, forced to take the fall for the Dastardly Plot and generally broken into a thousand tiny pieces, before he and Mildmay finally meet.

As I said earlier, the book capitalises on many of the strengths of the genre, but it also shares some of its weaknesses. If you actually want, y'know, something to happen fantasy is perhaps not the genre for you. There is, I am sure, a plot in there some where but the characterisation is so deft and the world so well delineated that I actually didn't notice its absence. The book only really finds its focus when fate and circumstance bring Felix and Mildmay together; the preceding action feels rather like an excessively long prologue. Felix's plot, at least, has the virtue of necessity; understanding what he's gone through is a small step in the direction of not finding him unbelievably irritating and he is, after all, the key to the plot. Mildmay, however, seems to be marking time until the book moves on sufficiently to allow him to fulfil his main role in the story as Felix's only protector. Although things happen to him, they all feel a little irrelevant.

Ultimately, though, this is typical of the genre; it doesn't have prologues, it has first books. And, on the subject of first books, Melusine is clearly the introduction to a series, and very little attempt is made to maintain its readability as a standalone book. If I didn't know Amazon was winging book two, The Virtu, to me as I type, this review would be harsher because I'd be screaming with frustration. The internet tells me Melusine and The Virtu were originally planned as one book, which perhaps goes some way to explaining (if not excusing) the weakness of the ending.

On the other hand, although not a satisfactory conclusion to the action of the story, it was nevertheless a satisfactory conclusion in terms of character. One of the things I particularly relished about Melusine is the depth and detail of the characterisation and, whether it not it was a deliberate decision or a consequence of the division of the book, I found myself appreciating the way the Big Plot is always subsidiary to individual actions and character, especially in the sort of genre where saving-the-world-from-evil tends to be the order of the day. Basically I'm trying to say that if you're used to the way fantasy works then you'll have no problems with Melusine and you'll be refreshed by things-not-happening for legitimate character reasons as opposed to pointless fantasy tourism or spurious authorial intent. If you're not a fantasy aficionado, Melusinemight still be an excellent place to start but wait until Sarah Monette has finished the series.

Melusine is narrated in alternating sections from the perspective of its two central characters; the constant changes in perspective and attitude works exceptionally well, and gives the book the same sort of bite-sized moreishness as the early Song of Ice and Fire novels. Felix and Mildmay have very different voices, Felix's very i-centric, faintly evasive, often madness-driven, interiority-focused narration contrasts strikingly with Mildmay's wryly humorous and action-packed street cant. It's the perfect device for exploring the world without subjecting the reader to tedious world-building exercises (sorry if I sound bitter, I've been living on the equivalent of a Super Sized Me diet of fantasy novels) and very soon creates an intense bond between the reader and the characters. I am hugely impressed by Monette's ability to evoke the atmosphere and the richness of her world without sacrificing the pace of the book in unnecessary explanations for the sake of the reader. The complicated calendar is an excellent example of this; knowing it's there enriches the reader's experience but I am infinitely grateful that Monette felt no obligation to inflict its intricate workings upon me.

The character of Mildmay is, quite simply, wonderful. Monette somehow succeeds in completely rejuvenating the stock fantasy trope of the thief-with-a-heart-of-gold. His street-slang is very well judged, never impedes intelligibility and never feels like a gimmick. The language slips occasionally. I remember tripping over "it commenced to rain" Mildmay, surely, would never use commence if he could say start. But for the most part he's beautifully written; his stories of the city and its history, particularly, are fascinating.

The Felix sections are slightly more difficult to deal with than the Mildmay ones I was certainly interested in him but I'm still not sure whether I like him, or how far the author wants us to forgive his flaws and think he's cool. To be fair he spends most of the book being mad or driven mad but, regardless of whatever brilliance he possess, he is still vain, self-destructive and shallow. There are reasons for this but the fact that Mildmay survived his (admittedly slightly less gruelling) upbringing with compassion, integrity and generosity intact and Felix turned into an utter prick doesn't do him any favours. As a case in point, near the end of the book, the brothers finally arrive at the Gardens of Nephele where they hope to find a cure for Felix's madness. Mildmay nearly kills himself getting Felix there; it is telling that, on waking up, his first act is to ask about his brother, whereas Felix's, on being cured, is to ask for some earrings to remind him of his former life of high society glory. Enough said?

Although an utterly absorbing technique, there are some problems with the alternating narration. It focuses the book so completely on Felix and Mildmay that secondary characters seem shadowy. The wizards were particularly indistinguishable, and very often secondary characters would fall away with little or no explanation. It makes sense that they would (Felix and Mildmay aren't omniscient after all) but it does make the book occasionally emotionally unsatisfying. Furthermore, because we only ever see other characters through the eyes of Felix or Mildmay it makes them less convincing than perhaps they could be. The villain, Malkar, for example, purrs in a sinister fashion and does terrible things to Felix but his plans, motivations and behaviour remain so oblique that he seems to be being Evil simply for the sake of it. And as for Felix's former lover, the beautiful Shannon, he basically flounces through the book, professes love for Felix but fails utterly to support him and throws a huff when the abused and broken Felix won't sleep with him. This little betrayal would have been far more effective had I been able to see even slightly what Felix saw in him. Similarly, we are constantly told that Felix has a cruel and devastating wit; but, when he isn't being mad, his flaying tongue seems primarily capable of delivering a fairly juvenile brand of sarcasm. I feel his pain.

Before I wrap this up in a storm of praise and adoration, I probably ought to make some mention of non PG content. Some pretty nasty stuff happens to Felix early on in the book including a rape scene that, although not graphic, is still quite unpleasant. And, let's face it, any book in which one of the protagonists could be described as "an ex-prostitute gay wizard" isn't likely to be appeal to everyone. Oh yes, I should probably say that Felix is gay, which could presumably be offensive to homophobes. I should add that Felix is gay in a rather well-done and understated way. He just is: no big deal. Move along. Nothing to see here.

In conclusion then, and nitpicking aside, this book is one of the most enjoyable works of fantasy I've read for what feels like a very long time. If you don't mind the slightly risqu content and won't be put off by the lack of a concrete conclusion, I heartily recommend that you give Melusine a go. It's immensely engaging, has a genuinely rich and complex setting that never oppresses you with unnecessary detail, and two excellently written protagonists. I'd even go so far as to say that it has revived my interest in fantasy. I could gush more but The Virtu has just arrived and I have to run off and read it.Themes:

Books

Sarah Monette

Sci-fi / Fantasy

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Rami

at 22:17 on 2007-01-27Sounds good! The only other fantasy I've ever read that featured a gay character was Trudi Canavan's Black Magician trilogy, which did do the "OMG it's a GAY! How will the society DEAL with THIS?" thing a bit too much...

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Wardog

at 22:54 on 2007-01-27Yeah, I loved it to pieces. I've so far ducked the Black Magician Trilogy but I may get round to it at some point. Mercedes Lackey does a selection of gay wizards as well, but they spend all their timing angsting and never getting laid. What is with wizards and teh gay - there's probably an article in there somewhere. I think it must be the fact they're generally depicted wearing dresses...err...robes. Can't be good for the manhood. I really like the fact Felix's sexual preferences are incidental - of course he's getting all incestuous over Mildmay now so it'll be interesting to see where Monette goes with that.

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http://ruderetum.blogspot.com/

at 10:51 on 2009-09-13Another one wich is perhaps rather more bisexual is David Feintuch's The Still, which is also handled very realistically when it comes to peoples reactions and all.

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Wardog

at 13:05 on 2009-09-13Oh really? I'm kind of burned off pretty, vulnerable, sexually ambivalent heroes for the moment (I didn't enjoy the 4th book of this series, for example, there's a Damage Report knocking around somewhere) but thanks for the recommendation. I'll look it out one of these days.

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http://ruderetum.blogspot.com/

at 13:00 on 2009-09-16It's a good book and it was nice to remember it after I read your article. That has happened quite often after I stumbled in your site while reading the articles. I read The Still as an adolescent in 1997 and I was a bit confused to really appreciate its kind of...hard fantasy, if that's the correct term.

I should probably read it again myself, since on recollection, it is a very well written work, with good characterization. It takes the risk of intentionally building the central character as an arrogant whiny teenager who, although with some reason, alianates people close to him before he learns how to behave like an adult and be a good leader. Although the he is a he and a heir to the throne to boot, it really centres on his development into aa adult and what it costs a person to be a leader.

Also, I'm not sure, but I think it might be pretty unique in a western fantasy story to have a love triangle of two males and a female where its center is on the male and it is represented completely straight and serious without comedy and with significant effect on the plot and not necessarily in a good way.

Sorry, but I'm unaccustomed in writing in english so the sentences seem to build up a bit. Oh well, more practice I guess.

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Wardog

at 16:32 on 2009-09-16Your English is thoroughly excellent - and much better than my command of any other language. I'm definitely curious now, sounds like a really interesting book and I'll certainly try to lay my hands on a copy now, and I think you're right, a straight up love triangle that isn't two women / one man seems pretty rare. I can't think of any other examples, actually.

I'm not quite sure what 'hard fantasy' is compared to say, 'hard sci-fi' (which I know is lots of science) but I guess I'll find out when I read it :)

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http://ruderetum.blogspot.com/

at 19:35 on 2009-09-16I use it in the sense that if there's a thing called magic, it is very rare and very restricted in its application if there is any magic at all. For example Guy Gavriel Kay's The Sarantine Mosaic with only mystical phenomena a few times during two books compared to the Wheel of Time series.

#Ferretbrain #Sarah Monette #Wardog #Melusine

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