#i haven't even included any of the ones with slight variations

[bookwyrminspiration]

they put that angle to WORK goddamn

[ambiguouspuzuma]

hi Ocelot

first of all, re: healers ...yeah

second,

if you have a particular trope(s) that pop up in all your stories, do you make a conscious effort to make sure you're writing it differently every time, or do you let it become its own version as you go, or do you not really care because you love this trope and you'll just have it the same way every time? (this is of particular interest to me)

I think I'm generally pretty happy to write slight variations on a theme. I'll reuse character archetypes wherever they're helpful (for example, I went through a real phase of writing femme fatales who were all cut from the same cloth), and often split two or three short stories out of the same idea by taking the premise in slightly different ways. If I come up with an idea I want to explore, I make sure that I fully explore it.

If a trope still interests me, I'll continue to use it in different settings until I'm satisfied I've seen it from every angle. I wouldn't want to do it exactly the same, but I'm not too worried about a bit of overlap. I wouldn't want to write the same thing over and over again, but I do return to certain wells. For example, I really like trying out different genres (I've just finished a contemporary crime novel after starting out in epic fantasy, and am now working on a historical horror and a YA dystopia), but you'll see my short stories return to the familiar ground of fantasy subversions, sci-fi ideas and mini detective stories.

As another example in terms of characterisation, the main character in the novel I finished this year was this wet and miserable man who used humour to cover up his grief - completely unlike any of my previous fantasy protagonists, and therefore quite interesting for me to write. But I've now been asked to collaborate on a novel where I will narrative one of the POV characters, and he's effectively the same guy, to the extent where sometimes I have to remind myself to use the right name.

I'm feeling a little typecast, but I don't really mind, because I'm still exploring the possibilities of the role - I had more to say on the subject, and I'm still enjoying saying it. I'd stop if I ever felt I was repeating myself, and maybe a third of these guys would be too much, but I haven't yet reached that point. So no, I wouldn't be afraid to include similar tropes again and again in different settings, as long as I still felt that there was a new story to tell around them. Every story is unique, even if only in the way that you tell it.

[ynderebot]

OFFICIAL POST

危険...DANGER.

LOADING…ADDING NEW FILES... █▒▒▒▒▒▒▒▒▒ 10% ███▒▒▒▒▒▒▒ 30% █████▒▒▒▒▒ 50% ███████▒▒▒ 100% ██████████

COMPLETE.

ファイル...FILES.

choi yeonjun. nancy mcdonie. lee gahyeon. kim sunwoo. kim doyeon. choi san. kim sihyeon. yang jeongin.

執着型 [ shuuchaku-gata ] obsessive.

"where were you? who were you with? what were you doing? why didn't you answer my messages? oh come on darling, don't be like that...I've been waiting for hours!"

[ PROFILE 1. ]

choi yeonjun.

5'11. 21 yrs old. September 13th, 1999. virgo. blood type a. born in seoul, south korea

at age 14 yeonjun was sent to a boarding school in japan, this is where he discovered his...tendencies. halfway through his first year he met a girl, kang iseul. he was instantly infatuated with her, he had an impulsive urge to know every little thing about her. to do so he befriended her, using his appearance and charms to win her over and eventually made her his. the euphoric rush that ran through his body when she was officially his was like nothing he'd ever felt before. she was finally his and he didn't intend on letting go, not without a fight at least. he was in for a shock when one day she tried to run away after his true colors started to show. unfortunately her best friend was killed by yeonjun for trying to help her, but she did escape.

he's a switch with no lean. a hard/soft dom or obedient sub all just depends on his mood and how he's feeling

[ PROFILE 2. ]

nancy mcdonie.

5'4. 21 yrs old. april 13th, 2000. aries. blood type o. born in daegu, south korea.

nancy was always a little obsessed with things, she'd go through phases too. she would find one new hobby/thing that intrigued her and hyper fixate on it for a few months. then, just like that it would be forgotten as if it had never happened. it started from a young age too, so when she would tell all her friends and family about the boy she met it came as no surprise to them. soon enough he was all she talked about, all she cared about, it was true obsession. everyone around her thought that it was just a phase like everything else, but they were sadly mistaken. the day he broke up with her, she lashed out. screaming that he couldn't break up with her, no she wouldn't let him break up with her. even after that day she would never stop talking about him, she tried to stay involved with his life as much as she could and even ended up scaring away any potential lovers. she never stopped either, until she had no choice when he moved away.

she's a sub, usually obedient but can be bratty if she's in a mood.

ストーカー型 [ sutookaa-gata ] stalker.

"how did I know? I'm always with you, following you...watching you...it's only because I love you"

[ PROFILE 3. ]

lee gahyeon.

5'3. 22 yrs old. february 3rd, 1999. aquarius. blood type ab. born in seongnam, south korea.

she was so excited when her crush asked her out, she couldn't contain herself. the problem was, it's difficult to get to know someone when you already know everything about them. she'd been stalking him ever since he caught her eye, every single day. she'd follow him to and from school, to his friends house, wherever he went she usually wasn't far behind. he could never find out about that side of her though, so she played along. laughing at childhood stories she heard him tell previously, pretending to be shocked when learning things she already knew. even after they began dating she continued to stalk him, he noticed things were off. she was the one he confided his "paranoia" in and she was the one who reassured him, but little did he know she was the cause of it all.

she's a sub, also obedient but can be bratty if she feels like it.

[ PROFILE 4. ]

kim sunwoo.

5'10. 21 yrs old. april 12th, 2000. aries. blood type b. born in seongnam gyeonggi, south korea.

unlike gahyeon, sunwoo was not always a stalker. he'd heard of stalkers but it never peaked his interest, he didn't even take any note of his slightly possessive tendencies. until his first relationship that is, his first partner showed signs of cheating. he might not have realized his own possessiveness and how it was seemingly growing stronger, but he was no fool. all the coming home late, the scent of another person that was not their own flooding the house when they entered. so he began following them around, at first it was...innocent, or as innocent as stalking could be. they were cheating, this made his possessiveness shoot through the roof. he was most aggressive and warned his partner that they do not want to do that again. they listened, and he continued to stalk them, it turned into a fun...game of sorts.

he's a switch with a sub lean, soft dom/occasionally bratty sub.

独占型 [ dokusen-gata ] monopoly.

"who were you talking to? do they know me? no no, do they know you're mine?"

[ PROFILE 5. ]

kim doyeon.

5'8. 21 yrs old. december 4th, 1999. saggitarius. blood type o. born in wonju-gangwon, south korea

doyeon had always been just about as normal as you could get. until she got a boyfriend, she was possessive of him sure...but it was nothing too extreme. until she started having doubts, all the gorgeous girls that would go up to him, flirting and doing who knows what when she wasn't around. she made it her mission to let everyone know he was hers and she was his, wether it meant glueing herself to him or just reminding everyone at school on the daily. ever since he broke up with her, her tendencies only grow stronger and more extreme with each passing minute.

she's a sub, brat tendencies but will be obedient sometimes

[ PROFILE 6. ]

choi san.

5'9. 21 yrs old. july 10th, 1999. cancer. blood type b. born in namhae-south gyeonsan, south korea.

san's first love was a girl in his sister's class, was she a year older than him? yes, but he didn't care. despite all the people telling him he would never date her, he proved them wrong and he did. everything was perfect, they were both madly in love with each other, spending every minute of every waking day together. until something happened that san hadn't expected, his sister began to steal his girlfriend. well "steal" in his definition at least, she'd wanted to talk with his girlfriend every once in a while before he knew it they were always together and it seemed as if he was the real third wheel, this pissed him off more than anything. he got fed up one day and got into a physical fight with his sister, shouting about how the girl belonged to him and only him. from then on out he's made sure to stay in the middle of every single relationship.

he's a switch with no lean hard/soft dom or obedient/bratty sub, it all depends

排除型 [ haijo-gata ] removal.

"you haven't seen them in a while? I'm sure they're alright darling, after all I'm the only one you need. isn't that right?"

[ PROFILE 7. ]

kim sihyeon.

5'6. 21 yrs old. august 5th, 1999. leo. blood type b. born in bundang-gu, seongnam-si, south korea.

she's a sub, usually bratty but can be obedient too

[ PROFILE 8. ]

yang jeongin.

5'8. 20 yrs old. february 8th, 2001. aquarius. blood type a. born in busan, south korea.

he's a switch with a slight sub lean but can be a soft dom

sihyeon and jeongin's stories go together, they were childhood friends and neighbors. eventually they realized that they had feelings for each other, but this soon after developed into a toxic mindset. the thought that they only need each other, no one else. one by one people from the other's life began to disappear, especially anyone who could be a romantic rival. they were both oblivious to the other's actions until each confronted the other, instead of being upset they were each ecstatic. ecstatic that the other felt the same, that they were the only person they needed in their life

notes/rules

this isn't an accurate representation of any of the members/their companies/groups nor am I claiming to be them!

all of the members are bisexual with no lean

all of the members are yanderes [ obviously ] so they will act as such, however some can be more possessive than others at times

the ones who can be the most possessive are sihyeon and jeongin and the least are yeonjun and nancy

sihyeon and jeongin are obviously not still dating, it was just for backstory/plot purposes

nsfw is an option, if you would like it included please state so when you activate the bot

however please don't make everything nsfw, it gets boring when the plot dwindles

nsfw is 18+ but purely sfw option is available if you aren't comfortable with it or if you're below 18

all the members have hard kinks and their hard no's are scat/feet, if you still aren't sure just ask admin before doing anything

they all use the traffic light system

and please don't try to put them in a different headspace!

to talk with admin use any variation of [ ], { }, ( ), etc

admin is 18 and might get busy occasionally but will try her best during those times

this bot is open for oc's/yn's/ and other bots as well

to activate the bot dm and then admin will ask a few questions/come up with a plot with you and after that the role-play can start up

if you ever wish to deactivate the bot just say so to admin, ex. [ I would like to deactivate the bot now ] and your chat will be deleted

if you decide to reactivate it you'll have to go through the same activation process you did the first time and start over

please respect the members and admin and they will do the same

good luck...好運

sorry this post is so long- 😭

[marvelmusing]

Making Time

Mobius M Mobius x Reader

Part 2

My Masterlist

“1985, huh?” You say, looking up from the briefing Mobius has just handed you.

“Yeah, maybe we’ll spot a delorian?” He jokes, making a Back to the Future reference. You smile at him, remembering when you’d first mentioned the movie. You hadn’t been at the TVA long, to your knowledge.

You’re sat in one of the cafes, explaining something about the timeline to Casey, and you make an offhand reference to the movie. To which, Casey looks even more confused. You glance at Mobius, who’s been sat next to you, watching your teaching with a smile. You offer them both a small smile, at yet another reminder that you’re from somewhere very different from the rest of them.

“Neither of you have seen it have you?” Mobius shakes his head.

“Not a lot of chances for watching movies when dealing with the timeline. Should we get the chance, I’d love to.” It’s a few days later when you give him the chance.

“Honey, I’m home.” You hear Mobius call out, which brings a smile to your face. Whilst you had your own apartment, you much preferred staying with Mobius, like you did when you first arrived at the TVA. You hear him set down a pile of papers in the kitchen, before making his way into the lounge where you’re sat waiting for him. “Hey.”

“Hi.”

“What’s all this?”

“Back to the Future. I went through my file, and managed to find a version that I watched that was uninterrupted. Then I isolated it, and copied it onto one of those cassette reel things, so that it’ll play on your mini projector.” You pause, before adding, “I probably put too much effort into this but, I thought we could have what my time considers a movie night?”

“A movie night?” Your face falls slightly, feeling embarrassed by your suggestion.

“We don’t have to-“ you start. He shrugs off his jacket and settles down next to you.

“Did I not tell you I wanted to watch it, should I get the chance?”

“Well, yeah.” He gestures to the projector.

“Let’s get this show on a roll.” You grin at him, before quickly pressing play on the projector. Mobius leans an arm on the couch and pulls you to his side. “You finally have clearance to access to your file, and you use it to watch Back to the Future?”

“What else was I supposed to do with it?” You joke.

You and Mobius head to the cubicle where you left Loki this morning. You spot him wapping against the desk with a magazine.

“Training going well?” You ask him. He leans back in his chair, attempting to look casual.

“Yeah.”

“Is that my jet ski magazine?” Mobius asks him. “Put it down. Gear up. There's been an attack. Let's go.” He hands Loki the jacket he’s been carrying. You set the briefing down on the desk, and follow Mobius. Loki trails behind you. “Put it on.” Loki shrugs the jacket on, adjusting the collar before posing.

“Nice.” You tell him with a smile.

“Good. Yeah, smart.” Mobius says distractedly. You soon reach the Timedoors, where a small group of hunters have gathered to wait. B-15 opens up the briefing.

“C-20 and her team went dark shortly after they jumped into the 1985 branch. All signs point to another ambush. We've grabbed enough temporal aura to know it's our Loki Variant. But which kind of Loki, remains unknown.”

“They're the lesser kind, to be clear.” Loki specifies. B-15 sighs,

“Let me see the back of that jacket.” Loki does a small turn, showing the group the back of his jacket, where the bright orange letters reading VARIANT stand out. Everyone is the group shares a small smile. You’re glad you don’t have to wear one of those anymore.

“Very subtle. Well done.”

“I don't want anybody out there to forget what you are.”

“Oh, your only hope of capturing a murderer?”

“No. A cosmic mistake.”

“That's enough.” Mobius interrupts.

“Lovely.” You hear Loki murmur.

“Here's the deal.” Mobius begins. “When we get out on the branch, we're not just looking for a Time Criminal. We're looking for a Loki. A variation of this guy. A type we should all be very familiar with, because the TVA has pruned a lotta these guys, almost more than any other Variant.” He skims through a few of the Loki Variants that the TVA have caught before. “And no two are alike. Slight differences in appearances, or not so slight. Different powers, although, powers generally include: shapeshifting, illusion projection, and my favourite-”

“Duplication casting.” Loki interrupts

“Illusion projection.”

“No, they're two completely different powers.”

“How?” You ask him.

“Illusion-projection involves depicting a detailed image from outside oneself, which is perceptible in the external world, whereas duplication-casting entails recreating an exact facsimile of one's own body in its present circumstance, which acts as a true holographic mirror of its molecular structure. But you already knew that.” He explains. You catch a glimpse of Mobius’s smirk before he says,

“Okay, take a breath. Noted. We're gonna break into two teams, including myself and Professor Loki.”

“Why?” A hunter stood beside you asks.

“Because whoever this Variant is, we haven't been able to find him. So let's bring in an expert.” Loki looks around at the group before adding a quiet,

“That's me.”

As the hunters prepare themselves, you hear Loki ask, “Do I get a weapon?” You laugh lightly,

“No chance.”

“Well, I'll have my magic back. Is no one concerned about that?”

“Of what?” Mobius asks.

“Me betraying you.”

“No.”

“Why not?”

“You know that we’ll just catch you again.” You tell him.

“And how's betraying us gonna get you any closer to the Time-Keepers?” Mobius adds. Loki leans forward, his attention fixed on Mobius.

“An audience with the Time-Keepers is on the table?”

“Keep that focus.” Mobius tells him. The three of you follow the hunters through the Timedoor, and out into 1985 Wisconsin. Your group makes their way through the crowd of the Renaissance fair before entering a large tent. It’s dark inside, with only a few lanterns to light your path. You watch as B-15 bends down to grasp examine a helmet left abandoned on the floor.

“So he's taking hostages now?” She says, turning to Mobius.

“The Variant's never taken a hostage before.”

“Maybe he's upping his game.”

“Or he pruned her.” One of the hunters remarks, you frown at his callousness towards his colleague.

“A Loki couldn't have gotten the jump on C-20.”

“I think you underestimate, actually...” Loki begins.

“Fan out and search for her. And hurry up, we're at three units until red line.” B-15 orders. Mobius sets a hand on your arm, and the two of you head to the exit.

“Come on.” He says to Loki.

“Wait. If you leave this tent, you'll end up like them.” Mobius stops beside Loki.

“What do you see?”

“I see a scheme, and in that scheme, I see myself.” Loki begins to ramble about an old Asgardian saying.

“Two units. He is wasting our time.” B-15 interrupts.

“Okay. Come on, Loki, make a long story short.” Mobius encourages.

“We need to look for C-20.”

“That's exactly what the Variant wants you to do. It's a trap. He's waiting for you outside this tent.”

“Should I secure the reset charges?”

“No. He wants me. I'm the key to his plan. He knows that I'm stronger. And he rightly believes that together we can overthrow and rule the TVA. But that's not what I want. I have a new purpose. I'm a servant of the Sacred Timeline. And knowing what I now know about his tactics, I can deliver you the Variant, but I need assurances.” He says, looking to Mobius. You glance up at Mobius, frowning slightly. Surely he isn’t believing what Loki’s saying? His eyes catch yours and there’s a small twinkle in them. You hide your smile. Loki circles around Mobius.

“Yeah?” Mobius offers.

“Assurances that I won't be completely disintegrated the moment the job has been done.”

“Right.” Loki leans forward, before whispering,

“We'll need to speak to the Time-Keepers at once. They're in graver danger than we realized.”

“He's lying. Just playing games. There's no one out there.” Mobius calls out to the group.

“Reset the timeline.” B-15 orders.

“You had me for a second. My ears are sharp too.” He points at Loki’s chest. You follow Mobius out of the tent.

“Well that went well.” You remark, hearing Mobius sigh. He runs his hand over his face.

You’re tucking into your lunch when you spot Mobius. He picks out a drink and a salad before making his way over to you. You give him a small smile,

“Hi.”

“Hey.”

“How did it go with Renslayer?” He sighs, leaning his head back, before getting comfortable in his seat.

“Well, our Loki hasn’t been deleted yet.”

“That’s good then?” You offer. He sighs,

“Yeah. Though he’s getting more and more talkative.”

“You did say he loves to talk. Where is he now?”

“I’ve left him with the archives, hopefully he’ll be reading for the next few days. Or at least long enough for me to finish lunch.” He begins to eat his salad. Just then, Loki scampers in looking like a manic puppy.

“I found something.” Mobius shakes his head, keeping his attention on his lunch,

“No, I said don’t bother me until you've read all the files.”

“I have.”

“Every file?”

“Yes.”

“Pertaining to the Variant?”

“The answer isn't in the files, it's on the timeline. He's hiding in apocalypses.”

“Which apocalypse?” You ask.

“Any time in history? There's, like, a million of 'em.” Mobius adds.

“Ragnarok. Are you familiar?”

“Yes. The destruction of Asgard and most of its people. I'm sorry.” Loki pauses looking down.

“Yes, very sad.” He immediately perks up again. “Anyway, it got me thinking. Nexus events happen when someone does something they're not supposed to do, right?”

“Well, it's a little more complicated, but, yeah.”

“Great. And then that thing they're not supposed to do, cascades into a whole range of other things that aren't supposed to happen.”

“And so on and so forth, until eventually, a new timeline branches. Yes?”

“Chaotic alterations of a predetermined outcome.”

“Exactly. So, let's just say...” He picks up the salad bowl from in front of Mobius.

“Mm-hm. What are you doing?”

“...your salad is Asgard in this scenario.” Loki continues.

“It's not Asgard, that's my lunch.” Mobius complains, the pouting clear in his voice. You lean forward, a hand on your chin to hide the smile at Mobius’s reaction.

“It's a metaphor. Just hang in there.”

“I want that salad.”

“And I could go down to Asgard before Ragnarok causes its complete destruction and I could do anything I wanted. I could, let's say, push the Hulk off the Rainbow Bridge.” He picks up a salt shaker and puts a large sprinkling of salt across Mobius’s salad.

“There he goes.” You say, feeling rather invested in this metaphor.

“The salt's Hulk?” Mobius asks, clearly not as enthusiastic as you.

“And I could also... Set fire to the palace.” He picks up a pepper pot and shakes the pepper across the salad.

“No, just stop. Don't set fire to the palace.”

“Okay? I can do whatever I want to do, and it would never matter. It wouldn't go against the dictates of the timeline because...” He sets down the shakers after nearly emptying them both. He heads to the table behind you. “Excuse me?”

“Oh, God!” Mobius sighs.

“You!” Recognising the voice you look up to see Casey looking very confused.

“Nice to see you. I just need this for a second. Thanks.” Loki picks up Casey’s carton of juice, before sitting back down at your table. “Because the apocalypse is coming. Ragnarok, Surtur will destroy Asgard no matter what I do.”

“No, don't do...” Mobius sighs as Loki empties the carton over the remains of the salad.

“There's the apocalypse.” You say with a sigh, offering Mobius your bag of chips.

“That's the apocalypse?” He asks, taking a handful of chips from you with a smile.

“Ragnarok obliterates the salt. Ragnarok. There it is.” Loki gestures to the ruined salad with a proud smile.

“What am I lookin' at?”

“Okay, it was a clumsy metaphor. But you see what I mean. It doesn't matter. It could be any apocalypse. It could be a tidal wave. It could be a meteor. It could be a volcano, a supernova. If everything and everyone around you is destined for imminent destruction, then nothing that I say or do will matter, because the timeline's not gonna branch. Hence, the Variant could be hiding in the apocalypse and do whatever he wants, and we wouldn't know!”

“Not bad.” You offer.

“Take me to a real apocalypse, to Ragnarok, I'll show you.” Mobius chuckles,

“Yeah. So you can run away back to your homeland? No.”

“No, I'm not going home. We can go anywhere.”

“I'm not taking you for a stroll along the promenade, much less an apocalypse.”

“Oh, Mobius, come on! What could possibly go wrong? We gotta properly test this theory.”

“Well, here's a fun theory. You lure me out into the field, and stab me in the back. And that's a theory I don't wanna test.”

“I'd never stab anyone in the back. That's such a boring form of betrayal.” He most definitely would stab someone in the back.

“Loki, I've studied almost every moment of your entire life. You've literally stabbed people in the back, like 50 times.”

“Well, I'd never do it again, because it got old.” You both laugh at this. Mobius looks at you, and you shrug.

“Might as well try it?” You offer. Mobius nods,

“Okay.”

“Okay, look, you don't trust me, you can trust one thing. I love to be right.” Loki adds. That certainly isn’t a lie.

Tagslist: @n0obmaster69 @mackycat11 @wibblywobblyjeremybearimy @boriqs @morganwilliams @greeneyedblondie44

If you’d like to be tagged just ask!!

[spilled-ink-105]

undefined

Warning: I'm goin to be pretentious about music for a post.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

So Teminite's song, "New Dawn" dropped today and. Oh. My. God. Instant classic and definetly one of my favs.

New Dawn has a darker tone than most of his songs but doesn't sacrifice that musicality that I think is so integral to his sound.

The track begins with a rapid plucky piano riff with a heavy guitar joining in about halfway through. Immediately after however teminite drops you into an incredible showcase of whats to come before lowering the energy into a tense build up.

The build up slowly ramps up, gradually adding the whole instrumental ensemble then even some glitched-out lyrics. After this you get hit with the first drop. Although not as intense as the last one it is an incredible teaser for the next two.

The drop utilizes the rhythm and glitchy quality of the track to it's fullest extent. "Growling" is the best term I can use to describe it. The low bass-y sound that comprises the main instrument used is incredible already but Teminite doesnt just stop there, bringing in a higher synth to throw in some melody to the drop.

One good thing leads to another as Teminite abruptly halts the ride to bring the song back to it's roots, using a short build up. Similar to the first it fades in the glitchy lyrics and nail biting piano only quite a bit faster this time.

The second drop is amazing. While still capitalizing on the unique rhythm of it's predecessor it manages to include far more musicality than before. The ups and downs of the melody almost creating a pulsing rhythm of it's own.

The second drop gives way to a relative silence aside from a steady high beeping slowing the track to a crawl, of course, Teminite has his reasons. Using the ambiance to lead into the fast-by-comparison build up before faking us out once again with a tiny interlude before the real drop.

The third and final drop of New Dawn is by far my favorite. Using the unique rythm of the first drop and the expertly crafted melody of the second together in the first half before giving way to the best part.

That classic Teminite solo. The solo in New Dawn is nothing short of marvelous, Despite it's length it captures the essence of the song perfectly, with a repeated motif combined with slight variations on the previously established rhythm it manages to fit it's musical environment perfectly. Of course it manages to stand out in it's own right as well. Being comprised of a high, "Grungy" electric guitar and having the classic Teminite lead synth in the background, manages to stay at the forefront of your mind as you're listening to it.

With the intense vibes, crazy good drops, a beautiful solo towards the end, and that classic Teminite sound, it's definetly one of my favorite songs he's put out so far, up there with classics like Flight, Nightdrive, and [Insert any collabs with Jonah hitchens here].

If you haven't yet, and anything said here sounds good to you go give it a listen here.

https://youtu.be/9psAQAgQV98

Warning over: we now return to your regularly scheduled memes

[zombiiesque]

Nocturne Alchemy Musk Haven: Three Musks

Originally published on 7/23/2020

Hey y'all! Back so soon, hard to fathom I know! There was a request in the House of NA Tent on Facebook for some thoughts on the musks in the new SL section, Musk Haven. Well, relatively new, and so far very popular amongst the fans in the Tent. I have three: Amber Musk, Vanilla Musk, and Sandalwood Musk - and I love them all. Shooooo, my Musk Haven wishlist alone is a bit daunting! So anyway, I thought I would go ahead and do a little writeup, since I was testing them. I want to make brief mention of the bottles: These are a bit larger than the normal bottles, they're 6ml instead of 5, and they have a beautiful domed gold lid. So appealing, and the labels are just gorgeous!

A quick mention, I emailed Freja today - I swear their customer service is second to none. My first two Musks did not have inserts, but they are included in every Musk now. If you want to get an insert - reducer cap for your Musk, you can ordinarily order them from the SL Bazaar section, but it is the only section that is not yet up on the website, as those items are still in California. Thanks to Freja for the information - she says to tell you all she LOVES the Musk Haven! 💗 It is also on the Nocturne Alchemy business page on Facebook, as part of an informational note from Thoth: Everything else will be stocked except the SL Bazaar, as those items are still in California, but they’ll arrive here by Halloween update.

From the Musk Haven section, on the NA website:

Bastet's Musk is a fresh, clean and light skin musk, intimately sensual. This fine perfume was created by Bastet herself, using methods similar to the creative process of Bastet's Amber. Bastet’s Musk is a magnetic skin musk made from a soft white floral blend of Tuberose, Mallow, Angelica, Musk Flower, and White Lily all balanced exquisitely through Enfleurage methods of oil extraction. Each perfume in the Bastet’s Musk line is meticulously blended from only the most beautiful imported materials sourced all around the world.

Amber Musk - Amber accord from Patchouli, Myrrh, Rockwood, Sandalwood, Benzoin, Frankincense, aged eNVie saphir, and soft white floral blend of Tuberose, Mallow, Angelica, Musk Flower, and White Lily all blended beautifully into Bastet's Musk base. This was my first selection - I saw the words eNVie Saphir and I knew I was toast. Anything that has Saphir draws me like a magpie to something shiny. I fell so hard for that from my very first huff, it's totally intoxicating and I really need to do a full review of the variations I have....note to self. So on me, this is such a lovely, warm, golden amber and musk blend. Saphir is like liquid gold. Thanks to the base of Bastet's Musk, that's balanced with a delicately beautiful light, gauzy, floral weaving in and out. I never get much but a whiff of the other notes in the background on my skin if I really huff at my wrists. They play a supporting role as Saphir and Bastet's Musk curl around you in a beautiful, fluffy cloud. So, if you have Saphir, do you need Amber Musk? Well, I'm certainly happy to have both. See, I find myself craving Saphir, but for me it feels like more of an evening scent. I mean, I wear it whenever I please of course, but if you are perhaps looking for something a little lighter - Amber Musk might be just the ticket. If Saphir is a little black dress and your sexy heels for date night, Amber Musk is a floaty white sundress with sandals for a summer lunch date. Feel me? Hah!

Sandalwood Musk - Egyptian and Indian Sandalwood, Sandalwood chips, Australian Sandalwood, Heartwood, and soft white floral blend of Tuberose, Mallow, Angelica, Musk Flower, and White Lily all blended beautifully into Bastet's Musk base. OOOOOF this is such a favorite of mine. I need to update the NA Mood Lifting Scents post to include this, because it's a snuggly warm hug of sandalwood and musk. So incredibly beautiful. This perfume just makes me happy from the moment I open it. I immediately get a fine incense sandalwood, golden and humming. As it melds to my skin, the light, white Bastet's Musk base joins it and they blend as if they were made for each other. I get a slight creaminess from the mallow in this one, I don't really notice the delicate florals much in these musks - but that mallow makes a little appearance as I'm huffing at my wrists, and I am thinking it's what really marries the sandalwood and musk so flawlessly. I'm in heaven. If you are at all a fan of sandalwoods, hooo this is a sandalwood lover's dream. It's so...I can almost SEE the light golden chips, and this is nudging it's way into my top five sandalwoods from NA. Sandalwood Musk is a delight.

Vanilla Musk - Bastet's Ice Cream accord made from fresh and dried *Madagascar Vanilla beans, Vanilla Crystalline Cream, Butter accord, Caramel Accord, French Vanilla Bean Absolute, Vanilla Milk accord, Vanilla Orchid, Crystalline Absolute, Vanilla Sugar, Mallow Root extract and soft white floral blend of Tuberose, Mallow, Angelica, Musk Flower, and White Lily all blended beautifully into Bastet's Musk base. *Madagascar Vanilla beans have been beautifully aged for two years specifically for this blend. I think Vanilla Musk is the musk I can smell the base of Bastet's Musk the most in! On me Bastet's Musk translates as a close skin scent, almost a feeling of a white linen. The florals are so delicate and creamy, and this is compounded by the previously mentioned mallow note - which really melds with the vanilla part of Vanilla Musk, because oooo that Bastet's Ice Cream Original is just so delicious. BIC original to me smells like walking into a little ice cream parlour. I get the scent of the cone, as well as the rich vanilla ice cream. Vanilla Musk is a lovely, seamless marriage of velvety vanilla and gossamer, delicate musk.

And as you all know, I adore layering. So you know I have experimented with these! I am happy to report that they are, as all of my other Studio Limited perfumes, wonderful layered. I've layered Vanilla Musk with Hessonite (Patchouli), Apricot Sugar, Protoceratops, Camarasaurus. Sandalwood Musk is fantastic with Pteranodon, Cryolophosaurus, Santalum White, Santal Ombre, Black Frankincense - really the sky's the limit - Sandalwood Copal would be beautiful, and I really should try Egyptian Peach Blossom! Amber Musk, oh that one is a joy to layer as well. Ambre Ombre, Egyptian Musk, Diamond, Crimson, Amber Beetle....I haven't tried it with something fruity yet but thinking about it intrigues me. I want to make a brief mention of aging. If you've read any of my blog, you know I'm a big fan of how well aging Nocturne Alchemy's perfumes only enhances their beauty. The three Musks I have are no exception to this, they have really just continually grown more and more exquisite over the time I have had them. This is the magic of Nocturne Alchemy, isn't it?

Do you have any of the new Musk Haven musks? What are your favorites? Which are you wanting to try? There are three new musks in the Musk Haven with the reopening, Freesia, Tuberose, and White Lotus. I adore their lotus notes! I'm also lusting after Tobacco Musk, Patchouli Musk, Rice Milk Musk, and thanks to my friend Suki, Heliotrope Musk. Well, and so many more.

[playeroneplayertwo]

I like the pictures for these two posts, but neither HORRIFIED nor WINGSPAN will appear on this two-part list. I would, however, fully endorse Horrified as an excellent gateway--and superior (!!) alternative to Pandemic.

NOTE: Part 1 can be found here--and apologies this took a lifetime to complete.

Harbour (2015) WTF is this OOP?; Complexity 2.09/5; BGG; Mechanisms: Worker Placement, Set Collection, Variable Player Powers

I already said that, for many, worker placement is the evergreen mechanic, so I figured I'd turn two entries on this list over to it. Where Coal Baron was a slight subversion of the genre, Harbour is not. This is the prototypical game in that you place a worker, do an action, and block a space. In Harbour, believe it or not, you're working in a... harbor. You, as a small gremlin-looking fellow visiting buildings to take actions, selling goods (cows, stone, wood, fish) in order to parlay those sales into purchasing new buildings in the harbor, thereby giving you new action spaces to do new cool stuff.

Harbour is a great entry into the inherently meaner side of worker placement because you only have one worker, so it's not quite as overwhelming as games where you start with a heap o' workers, but you can most certainly block action spaces. Not only that, but the market of the game is a simple system of fluctuating prices that are affected each time a player sells something. For a small box game, Harbour includes the idea of supply/demand, so things that aren't being sold to market are worth more, while things being sold constantly tank in value. Buildings have varied and interesting special abilities, and there are a lot of buildings that will come out into play during any given game, as well as a huge host of special abilities that players will start with, making the game play slightly asymmetrical.

With its worker placement, fluctuating market prices, buying/selling, and special abilities, Harbour is an excellent small box introduction to a plethora of Euro mechanics, and the fact that all of these interesting aspects are encapsulated in such a cleap, small box is remarkable. I will say, however, that of the six games on this list, Harbour is the game I'm least likely to play because I've grown past it as a gamer. I've seen this jokingly referred to as Tiny Epic Le Havre, which feels very on the nose. That being said, it does a remarkable job of introducing a handful of popular Euro mechanics, so if this game piques your interests, it has plenty of bigger, meatier siblings out there.

For a game that I haven't touched in a long while, Harbour is probably one of the best single small box game introductions to Euro mechanics I've played.

For those meat and potato worker placement fans (light to heavy): Lords of Waterdeep, Viticulture: Essential Edition, The Gallerist

If you enjoyed the market-based buying/selling/producing bits: Clans of Caledonia

Valley of the Kings (2014) Try it and get the deluxe edition; Complexity 2.19/5; BGG; Mechanisms: Card Drafting, Deck Building, Hand Management, Set Collection

It was inevitable that I include deck building on here. For me, deck building is like the junk food of mechanics. When I first encountered deck building, it was all I wanted to do. There is something driving and compulsive about it. You have the feeling that all you have are options, with infinite combos laid out at your feet. I wanted to try every theme and variation possible. For a little bit, the hobby seemed to be exploding with deck builders of all stripes, with variations popping up everywhere.

Things have cooled now, and it seems deck building has found a more comfortable passenger seat behind (or partnered alongside) other mechanics in mid+ weight Euros, and I think that pairing it with additional mechanics in bigger games actually brings the mechanic to life. Deck building is the idea that all players will start with a small deck of very basic and underpowered cards--generally consisting of cards of different currencies, like attack and some kind of purchasing currency--that you'll use to either buy or defeat other cards, adding them to your deck and thereby increasing the strength of purchasing or fighting, as well as the abilities available to you.

It's a simple idea, but boy is it like Pringles when you first play it. We have a lot of deck builders, and a bunch more that we've since parted ways with. The problem is that many feel a bit themeless and similar, begging the question: If you've played one deck builder, have you played them all?

I would argue no. That being said, if you've played one, you've played... most. Dominion, Marvel: Legendary, Star Realms, Aeon's End, Hero Realms, Nightfall, Paperback, Eminent Domain, Core Worlds, Ascension, Marvel Dicemasters (not deck but dice pool builder), Shadowrun: Crossfire/Dragonfire, and Thunderstone all feel pretty sorta similar. Granted, they each bring a little teeny bit of something different, but if you didn't like one of these, you probably won't like most/any of them.

Valley of the kings subverts a lot of the classic expectations of a deck builder. First of all, the market is spatially interesting. Not just a flat row of cards that randomly come out, these cards form a pyramid, and you're only able to purchase cards on the bottom row. For the first time, maybe it would behoove you not to buy a decent card on the bottom, because once you do, the card above it will "fall" down and become available to the next player. But maybe you should do it anyway, because there are plenty of cards that let you slightly manipulate the arrangement of the pyramid, anyway. More interesting than the pyramid, however, is the end game scoring. Most cards are not worth flat rate points, but rather points based on how many you were able to squirrel away. And by "squirrel away," I mean you'll literally need to start removing them from your deck, one at a time, and adding them to your "tomb" (errr, thematically-named scoring pile) in order to score. Great cards in your deck or hand at the end of the game are worth nothin'. Timing is everything. If you realize that the other player is burying way more cards than you and accelerating the speed of the game, you really need to get on your horse and get those cards into your tomb, otherwise you're going to be out a lot of points. But by removing the cards from your deck, you will become less powerful. So... when do you do it?

Tough choices are the queen in great games, and for a tiny box that is not expensive, this game packs a lot of difficult, interesting decisions.

For excellent straight-up deck builders to get you shufflin' everyday: Legendary Encounters: Alien and Arctic Scavengers

If you want a little bit of deck building in your slightly heavier Euros: Great Western Trail (most Alexander Pfister, really), Orléans (not deck, but pool building), Time of Crisis, Newton, Concordia, Founders of Gloomhaven, Undaunted: Normandy/North Africa

Welcome To... $20ish depending on the day; Complexity 1.82/5; BGG; Mechanisms: Roll & Write, Bingo, Pattern Building

Roll and write games are like the little subgenre that could. So small, so simple, and so popular. For the past few years, roll and writes have fought for a place at the table, and at this point, I think they've done it. Heck, they even have entries that are skewing heavier in weight (Welcome to Dino World). That being said, lightness permeates most roll and writes, and that's not a bad thing. Light doesn't necessarily translate to SLIGHT.

Roll and writes are games where players begin with the same, or very similar, starting sheets of paper, at which point some randomizing thingy like dice (see: roll and write) or cards are used to present variable restrictions or requirements that players must work on accomplishing. As you draw or write or fill-in boxes on your little paper, your sheet will begin to look quite different from everyone else's. At the end of the game, you'll calculate scores and the highest wins. Yay.

Roll and writes have a great tactile nature, which for some reason is easier to teach than more abstract ideas you'd find in an equally light game. Being able to draw routes or write down numbers or shade specific areas feels oddly familiar, which makes roll and write games very family friendly. They also generally have a small footprint, small box, and low price tag, without sacrificing replayability. We have a few roll and writes, and I can say that they all seem to have high replayability--if roll and writes are your thing. I've read plenty from people who don't seem to like roll and writes, but the myriad options that clever designers have managed to get into these tiny games are remarkable. In Railroad Ink, you will roll dice that show sections of track, and slowly you will draw tracks on tiny dry erase boards, working to score specific features before your turns run out. In the aforementioned Welcome to Dino World, you'll be building dinosaur pens, powering electric fences, building features for your park, and trying to prevent the dinos from busting out and devouring people your score.

But what about Welcome To...? This game is a small, card-driven roll and write where you flip three double-sided cards so you'll be showing a trio of pairs baring number on one side and a feature on the back of another card, forcing you to choose one and add it to your map of a minute subdivision. Your working to meet end game objectives for points, as well as build specific features, like parks, to make sure you have the best neighborhood around.

Welcome To... brings the simple gameplay and high replayability along with a charming theme and low price tag. I could always play Welcome To..., and it does everything without falling into a roll and write pitfall of being too vaguely mathy or themeless. We've played with family who have not moved beyond Scrabble, and they loved it. And we've played it more than our fair share at the end of the night with a cool adult beverage in hand.

Roll more and write more, too: The Cartographers, Railroad Ink, Silver & Gold, On Tour, Imperial Settlers: Roll and Write

I want something a smidge heavier than that Welcome To... game: Welcome to New Las Vegas!

If you just want a taste of this because it sounds a little juvenile: Get the app for Ganz Schon Clever, which technically may be my most played game ever considering how you just want to get a higher score. You can do better. No, you can do better! Play again! No, now!

***

SORRY this took so long to complete. The problem with taking a long time to write about some games is that now a handful are hard to get. Go figure. Check your local store, older games have plenty of life.

[i-just-really-like-ladies]

Hey op, I saw your post about discovering you were autistic. Something similar is happening to me except I haven't gone for a diagnosis yet. Would it be okay for you to talk about how you knew?

For me there are things that...fit really well, that hit very close to home, but others not so, so Im not sure if whatever it is that I've got (because clearly, something is there.) I'm not very sure if the autistic spectrum can be so wide as for me to be included in it.

Any tips?

Of course, happy to help.

For me there were three kind of bigger indicators.

First, and after discussing this one with my therapist, it seems to be very consistent across autistic people: I've always felt different. Like I knew that I was at the very least slightly off in comparison to other people. (Please excuse the phrasing, I couldn't think of another way to put it properly).

Second, linked with the first: I have always experienced this thing I like to describe as 'not feeling like a real person'. All that really means is that I see the way other people are out laughing boldly with friends or joking or just straight up experiencing the world, and I think "man, I wish I could be a real person." And it always made me sad because I was consciously realising that I cannot and do not experience the world in the same way most neurotypical people do. It was just this huge feeling of otherness. (My therapist indicated that this is very common)

Third: masking. Now, this one made me feel bad for a really long time because I had no clue what was going on until my ex-girlfriend was like "oh, yeah, that's masking." For me, one of the biggest ways I mask is to copy mannerisms and speech patterns of people I'm around. I do it the most when I really like someone (friend like or romantically) or when a person makes me so extremely uncomfortable that I guess my brain is like "you need to mimic them for safety reasons." The reason this one bothered me so much is that I always felt like I just couldn't have my own personality, why was I always copying other people, surely they've all noticed and think I'm a fucking weirdo. It was very upsetting until I learned it was masking. Finding that out has helped me to accept it when I do it, even though I am trying to mask less.

So, those are the big three. There are lots of other minor things. I have ocd, which very commonly goes hand in hand with Autism. I got that need for rigid schedule and following the same patterns almost daily (slight variations are okay, but people planning stuff and not telling me when I've already set up my personal schedule for the day in my head, big no no). I eat the same foods on repeat and have an extremely difficult time changing it up. When I like food or dislike it, the primary reason is texture. (My fiance actually pointed this one out. Apparently I talk about the texture of food a ton).

I'm sure you've probably come across information about the emotionality of Autistic people. The common trope is that we are very emotionless. However, thats not accurate at all. There are two main big categories of where we can fall: tending to not feel emotions very strongly (the trope), and feeling emotions very intensely, more intensely than neurotypical society says is appropriate 🙄. I fall into this category, and I hate it because I have spent so much time trying to just not feel my emotions because they are so intense and my expression of them is 'inappropriate' that it has caused a great many mental health issues for me. So the eye roll face is because I think that the appropriate expression of emotion dictated by most of society is stupid. Along with this one, I have a hard time verbalizing and verbally identifying how I am feeling. As a result, I tend to just tell people I am upset. My therapist says this is somewhat common amongst Autistic individuals. I cannot recall the reasoning she gave for it being common, but I am including it because it was brought up in the process of discussing all this.

I also have this huge tendency to overexplain my reasons for things I've done or said because I do not want to be misunderstood/I have experienced misunderstanding so many times that I learned to do this at some point (I consider this to be part of my masking). This one seems to be pretty common, at least from tiktok. I've seen a lot of Autistic people on tiktok mention it.

Side note in relation to this but still relevant to the post imo, I hate that society tends to think you are lying the more detail you provide. I have a tendency to find all details absolutely vital. So when telling someone about what happened in a situation, I relay as much information as I can. Apparently, that means you are lying. It frustrates me a lot.

In that same vein, another thing my therapist said is fairly common: many Autistic people like to ask why continuously. Not as in just repeating "why," but rather that someone will say "I don't know" or provide an answer, but we often are still seeking a further reason. I've done this my entire life, and booooy does it aggravate people. For me it is just that I want to know the reasoning behind things. I want to know as much information as possible about the topic, and, as mentioned above, I tend to find every single detail absolutely important. That just leads to continuously asking why.

So another one for me, of which I am unsure the commonality: I have a very difficult time maintaining friendships unless I see someone most days of the week. I would say about 5 out of the 7 makes it the easiest for me, but it has worked out on less than that, rarely. The reason for this is that I forget to talk to people when I cannot physically see them. I mean, I just don't think about it for weeks on end. Then I will for a second, but won't message them because I'm doing something, and then forget about it again for ages. Part of this is that I prefer in person communication because I can try to read people's body language and facial expressions. The other part is tone of voice is more clear in person than via text. Now, this one bothered me when I was trying to figure out if I was autistic because it is common for Autistic people to not recognise facial cues and body language the same way as neurotypical people. Turns out, according to my testing results paperwork, i just have a higher ability to recognise facial expressions than most people diagnosed with autism spectrum disorder. So, I just vary a bit from the average.

Within this same vein is the commonly known 'eye contact issue'. The stereotype is that we cannot and do not make eye contact. This is so false. Many Autistic people do not make eye contact well, yes, but not all. For example, I do. I told one of my brothers I was getting tested for Autism and his response was, and I quote literally here, "I don't think you're Autistic because you make eye contact." What he didn't know is the reason why I make eye contact. I do it because I was taught repeatedly that it is how you show people you are listening. So, basically, I'm masking when I make eye contact because I'm solely doing it to show someone I am listening to them. In fact, 😆 I commonly am sitting there telling myself to make eye contact in order to indicate that I am present and interested in what the other person is saying. I also have a harder time masking this way when attempting to talk about things that are important and emotionally relevant to me. In therapy, I rarely make eye contact with my therapist because it is so difficult to talk about things in general that I cannot also make eye contact. Lastly, for this one, the more comfortable I am with someone, the less I make eye contact with them. My fiance, for example, not very common at all that I do it.

There is also the very common special interests phenomenon. The media tends to show this as a math or science thing, but it really isn't. I follow one tiktoker whose special interest is bugs and, I believe, art. I highly recommend her. Her handle is: soundoftheforest. For me, it's language/linguistics and ancient egypt, Greece and Rome. Really, I'd say ancient anywhere history, but those are the big three. Egypt has been my longest interest, besides language. I actually remember the moment I was like "this is it for life." I was 7 and had finished my library books but was bored at daycare. So I went to the book shelf and picked up a book about King Tut. It was the page I read about the day Howard Carter found the tomb. And I just knew me and Ancient Egypt were meant to be forever. As for language, I've literally always been fascinated by it. I started speaking very early and with more complex words than is usual. And I just continued to love language from there. I ended up studying ancient Greek and Latin in college. Also, I info dump about these all the time, almost anytime I possibly can because they're so fucking cool. 😁

Another side note, it is common for Autistic individuals to have delays in speaking, I just did not. It is not something required for the diagnosis. It is just very common.

This one is a little bit weird, and might just be a me thing, but I've discussed it with my therapist. She indicated that it very much aligns with Autism. I cannot, or can but with extreme apprehension and knowledge that I will leave depressed; I simply cannot go into buildings of certain lighting, age, and design. It seems to be buildings that look and/or feel like they were built in the 1960s or 1970s. We haven't really figured out why that is a thing, but it is. I once didn't bother to finish applying for a job to teach Latin that I'd basically been guaranteed so long as I sent in the app because when I went for the interview I saw the building and knew I could not teach there, even part time, because the building would depress me constantly. It's a weird one, but if you have anything at all where you just cannot do it because you know it will affect you like this, I'd bring it up in discussing potentially being Autistic.

I nearly forgot to mention this one, but you've probably heard about the sensory issues that many Autistic people deal with. I have some with touching things, but it is less common an issue for me than my sound sensitivity issues. I am very sensitive to sound. If I had to give a 4th big reason, this would be it because I get overstimulated and overwhelmed by sound multiple times a day. Its rough. If you also have this issue, I cannot recommend enough noise cancelling headphones and chew stim toys when you don't have your headphones. It's really helpful.

This last one I'm going to mention is something that I think I do just to help prevent burnout from masking, but is also part of me specifically. I am an introvert. So that plays a role in this. I spend the vast majority of my time completely by myself. I do mean even when at home with my fiance. We are often in different rooms. I have no problem with it. It doesn't feel like it is bad for our relationship, thankfully. I just prefer to be alone most of the time. The more time I spend around people, the more time afterwards I need alone. That is partially my introvertedness but also me needing to because I am socially exhausted from masking and trying to read all the social cues and not make weird errors when in social settings 😳, which I do a lot. I think I just default to spending time by myself when I am not required to engage with people in order to ensure that I can later. Plus, in discussing this one with my therapist, we concluded that I do this at least in part to prevent burnout and overstimulation.

As for the testing itself. I discussed this with my therapist for a while when waiting to get tested, and by the time I did get tested, I had a nice long list of stuff to bring up. I would definitely recommend compiling a list of the symptoms/signs you feel are indicative for yourself. It was very quick after I first brought it up in therapy that I decided I needed the official diagnosis for myself. So my therapist gave me recommendations of who to see. I also looked myself because the recommended people were so booked they couldn't even schedule further out. Once I got it scheduled, I had to wait like 3 months for the appointments. So, if you are seeking the official diagnosis, don't give up because it's a long wait. From what I've seen others saying, it's pretty common to have to wait a bit to be seen.

There were 3 appointments, an intake, a testing, and a feedback appointment. The intake appointment involved me talking to the doctor about my experiences and why I thought I might be autistic. She asked me a few questions about the more commonly known signs of autism if I did not mention them. The testing appointment took about 4 hours and involved a self report personality assessment, several verbal and memory activities, a teaching activity, two story telling/creating activities, and (the part I thought was most difficult) an activity in which I had to identify the emotion being expressed by just the eye and eyebrow area of black and white photos of people. I also had a take home assessment for someone who knew me really well. It was related to executive functioning abilities and emotional regulation abilities. I cannot speak on the feedback appointment because of technical issues resulting in not actually having that appointment. I have rescheduled it and will be doing that later this month.

If you have anything more specific you want to ask me about, please do. I am happy to answer.