#i really hope they have some sort of major interaction when slayer is added to ggst

[nukuome]

Yellow internet. I made this two days before slayer's official reveal

[demonslayedher]

Hello! I don't know if you've been asked about this before but I love your analysis and reflections and I'd love to know all your thoughts about Zennezu if you don't mind 👀⚡🎀 Thanks so much for this blog!! 😊💝

Thank you again for your patience, as well as your comments on my fics and stuff in the meantime (even on Bird Fic, kya~ thank you <3). All my thoughts, hmmmmn…. Well, clearly I am a fluffy ZenNezu shipper and ship-content creator now, but I sure didn’t start that way. This may be long and rambling and mixed between analysis and personal taste. (Actually, it turned into almost 4000 words.)

So. First a little background. I usually am not much of a shipper. The very few OTPs I have all ended in horrific tragedy, and when romance is a big focus of something I’m otherwise enjoying I usually end up not paying much attention to it in favor of all the other elements I like. This is so much more the case when you can tell they’re going to wind up happily ever after. So what happened to make me so soft and fuzzy about the Kimetsu ships, when I otherwise usually don’t have an appetite for happy fluffy romantic endings?

Three major factors: 1. I’m obsessed. 2. I love these characters and want to see anything and everything about them. 3. Romance wasn’t actually a big element at all in canon, so it left me with an appetite and curiosity for it.

Even though I figured from long ago that ZenNezu would be end game, initially I was somewhere between indifferent and put-off. As much as I love Zenitsu, and I acknowledge that Ufotable the added the “run around and chase Nezuko” bit and removed the part with Zenitsu adoringly talking to Nezuko through her box, and as much as he can be defended for being lonely rather a pervert, the fact still stands that his level of appreciation for girls makes the characters around him uncomfortable. His most cringe-worthy lines at the Butterfly Mansion are all straight from the manga, and even though he was easily one of my favorite characters by the end of my initial watch of the series, I was very put off by his “girls are all queens” surface-level comments and more disturbing pleasure he took in the presence of girls (especially when he could physically interact with them), not to mention his pathetic introduction bothering a complete stranger and displaying that he doesn’t actually take girls’ feelings into consideration.

All this made me inwardly groan, feeling bad for Nezuko, figuring they were going to wind up together because she’s a saint who can find the patience to deal with someone like that, as he clearly wasn’t going to be desirable to any of the rest of the female cast. Enjoying the series well enough despite this, it didn’t bother me terribly much, pairings happen, whatever, I have a history of ignoring them. But one day, well and deep into caring about this whole cast like they’re all my children, I realized something. Isn’t… isn’t it cute how they both get their strength from taking naps? W-wouldn’t it be cute to see them innocently take naps together? Naps to protect each other? Oh. Oh-h-h-h-h. Oh dear. Oh no, it’s cute. Oh no. OH NO.

And that was how my warming up to this pairing started, it very quickly grew into “I love these children and I want them to be happy, being with Nezuko will make Zenitsu very, very happy, I love seeing him happy, happy Zenitsu” but was still a little reserved about Nezuko. Zenitsu was going to make her happy, right? It wasn’t just going to be a case of Nezuko having gotten fond of him over the course of everything they’ve been though, he is actually going to be her taste and make her heart go “kyun” right? Oh Nezuko, oh saintly Nezuko…

Let’s take a moment to pause here and think chronologically, though, as well as analyze their personalities and tastes. Neither of them are particularly picky, we can start there. Aside from fussy busy-bodies like Aoi, as long as it’s a girl, any girl is Zenitsu’s type. He’s desperate, and he’s painted the whole of girl-kind in pretty similar, not always realistic rosy colors. Even though he’s been used and abused by so many girls in his past, it’s his desire to believe that each new one he meets will fit that rosy imaginary color he paints over them that he chooses to let himself be duped, because he really is that lonely. I’ll give him that, sure, he’s a healthy young man with an interest in physical touch, but his dream in Mugen Ressha gives a good indication of what he’s really looking for: companionship, someone who likes spending time with him, someone who will find him useful and believe in him and look to him for protection, someone who likes him enough to spare him the physical intimacy of simply holding his hand. This is all an extension of what Zenitsu desires as whole, hoping he can better himself enough to be reliable and valued in general. Picturing it in the form of a significant other is one very vivid way to focus all those feelings, resulting in that rosy ideal which Zenitsu probably knows in his heart of hearts is too good to be true. That’s why he probably doesn’t think he’s ever going to find it, and therefore why he’s all over any slightest chance of attaining it.

My gosh, if being abandoned over and over isn’t enough, the fact that none of the girls he dated in the past were ever willing to even hold his hand hurts so much.

Nezuko, though, grew up in a secure family with a good relationship to observe between her parents. She probably always envisioned growing up to be like her mother, the quintessential “good wife, wise mother” (a phrase coined later on in the Taisho period to idealize the traditional roles of a woman). She cooks and cleans and sews and the first fanbook even tells us she was good at using an abacus, so she can handle family finances like a pro. Her traditional values probably made her tastes pretty standard, hoping for a reliable protector, but also someone who might be as kind as her father and her brother. But as for what makes her heart go doki-doki? The extra comic at the end of volume 3 tells us that she does long since have a type, it’s a person who’s like a Hisha.

Hisha: a chess/Shougi piece that can move an unlimited number of spaces in horizontal and vertical directions, and is crowned a dragon when it enters enemy territory.

So, yes, this is the part where we all smile and point at Gotouge and say, “I see what you did there, Wani-sensei.”

I find this reassuring; it tells me that Nezuko can find her heart squeezed at how cool Zenitsu is instead of just coming around and liking him because she was flattered by his affection and learned to see how nice he is and stuff. There are plenty of nice Demon Slayers who are strong and cool protectors, but that ZING that Zenitsu has (when he’s asleep) is something that can make her heart race. I’m all for this. I hinge so much of my ZenNezu feelings on this Hisha comment.

The second fanbook states that Nezuko initially had trouble sorting out her memories, and because Zenitsu gave her two such different impressions, it felt like memories of two different people, but over time the memories overlapped to form one complete person. We could say that she and Zenitsu had two first meetings.

Initially, when she was in the box, her little demon heart did go doki-doki; it was the first time a boy besides her brother had protected her, so even though Oniichan is Number One in her heart for the general duration of canon, this encounter was sure to leave a flattering impression. However, when they met face to face that night, he was just some confusing dandelion yelling and screaming about weird stuff, and then he was just a confusing (and possible bothersome) dandelion wanting to hang around her and give her flowers and stuff. It’s anyone’s guess just how “there” Nezuko was at this stage, as she does seem to gain back more of her own will and thought processes over the course of the series, rather than being guided by very, very simple rules to govern her behavior.

Zenitsu feel in love at first sight, and the second fanbook tells us he asked Tanjiro about her human personality, seeing as she wasn’t fully there. He was initially doubtful that anyone so perfect as Nezuko could exist and figured Tanjiro must had been biased and therefore exaggerating, but can we blame Zenitsu for being a smidge guarded? He’s been let down a lot, after all.

We know from Taisho Secrets and side novels that Zenitsu spent a lot of time with Nezuko during their long recovery at the Butterfly Mansion. Even how much more thought we see Nezuko display in the Train arc, she probably underwent a lot of mental development in this time, and my guess is that due to how much he interacted with her, this is probably when Zenitsu went from being a strange dandelion to a strange companion. She probably focused more on the goldfish and the pretty flowers (which he did take her to see!) and any flattering mention of her brother, though. Zenitsu, I’m relieved to say, seemed to genuinely care about what would make Nezuko happy instead of selfishly assuming something like “she likes me too, she wants to marry me.” But knowing Zenitsu, he probably assumed that her willingness to spend time with him was an indication of being willing to talk marriage once she was more herself again, though.

Let’s pause here and put on our Oniichan goggles, though. Early on, Tanjiro has to insist to just about everyone that Nezuko is still her own person with her own thoughts and feelings. Being a demon has taken a lot of her freedom to act on her true nature away from her, but he knows she’s still in there and he treats her like an equal human being. He had to watch over and over as people see his sister and only think, “demon.”

And then there’s his friend Zenitsu, who looks at her and thinks, “girl. Girl! Girl. Girl. Sweet girl, adorable girl, best girl in the world.” And maybe that’s a little bothersome, but yes, someone gets it!! Someone understands! Even though Tanjiro’s initial concerns are keeping Nezuko from being bothered by unwelcome advances, as long as Zenitsu is willing to respect that Nezuko is not entirely able to speak for herself now, he seems pretty approving of Zenitsu (provided Nezuko decides she likes him back). I’d like to think there was an unspoken promise between bros on what boundaries to follow. Besides that, Tanjiro believes in Zenitsu a lot more than Zenitsu believes in himself, so Tanjiro probably wasn’t worried about the “strong protector” role a future husband should fulfil. Or at least, Tanjiro doesn’t seem concerned once he gets to know Zenitsu, he’d have rejected Zenitsu flat-out on that first meeting. Zenitsu, you are so lucky Tanjiro is so forgiving.

However, for as much as Zenitsu sees Nezuko as “GIRL!! Girl, girl, girl!”, he’s still got his rosy vision that conveniently clouds out any disturbing realities. She is, after all, a demon.

This is something Zenitsu never actually had the chance to struggle with, and I would have really liked to see him challenged by that reality a bit more. He never witnessed Nezuko’s berserker mode, nor did he ever see her struggle to keep from eating someone, he wasn’t even awake to watch her fight like a violent animal/angry toddler on the train. Had there been a scene of Zenitsu forced to face how terrifying she had potential to be, it would had really sold his commitment to Nezuko specifically, instead of only Nezuko as his most likely girlfriend candidate.

On the train, Nezuko has the good fortune of seeing another side of Zenitsu, getting one hell of a doki-doki moment. As she’s gaining more self-awareness back, it probably made those doki-dokis more complex too. While I understand there wasn’t a good opportunity to fit in the pace of the story, I love that Taisho Secret of her concerned about him before he wakes up. Instead of him just being that boy who shows her pretty things and says nice things about her Oniichan, this is when he starts becoming something a little more unique among all the people whom little demon Nezuko has bet and who have been nice to her.

In the months that follow, we don’t get much deviation from this slow development. Zenitsu’s feelings toward Nezuko don’t really change at all, but there’s another thing about this ship: neither one chose the other over anybody else. They sort of just came together, Zenitsu gets hooked on one girl at a time, but what if someone had come along with an interest in him? At what point would he had given up on Nezuko? Probably pretty quickly, if someone was serious enough about him. It wouldn’t have been a break up either, since he was still in the pursuing stages (might be more of a break-up conversation with Tanjiro, who had been tacitly supportive).

Actually, for most of the remainder of the series, the affection that Nezuko and Zenitsu build for each other is done when they’re apart, dwelling on their thoughts of each other. For Nezuko, we see this come out after the Swordsmith Village arc in her sunlit elation to see him again, and her efforts to greet him. She very clearly recognizes him and is happy to see him, a big difference compared to how she was more elated by the sight of a fishbowl before. In Zenitsu’s case, this deepening of his affections and running away with his thoughts and feelings results him declaring once and for all, this is her. He’s found her. This is the girl who he will be committed to his whole life, in his heart she is already his wife.

When human!Nezuko is gaining her memories back, her first impressions are of the boy showing her pretty things and giving her flowers, someone who probably has a crush on her, rather than thinking back to someone who she may have had a crush on. (Those cool impressions probably hit her later, I’m assuming, given the stress of the moment.) Romance is not immediately on her mind, though she does quickly recall having friendly affection for this boy for has always been so sweet to her. And Nezuko, handling his surprising level of affection gracefully, helps Zenitsu off the battlefield while he’s in terrible pain (though she probably was too, my poor girl, that fight with demon!Tanjiro was so rough). But honestly, not only is she probably too overwhelmed by everything to think much about romance, but she probably doesn’t take Zenitsu very seriously initially. She knows he’s got a tendency to overexaggerate, and it’s nice that he’s so sweet to her, but since he acts all fluffy and silly around her she probably thinks he’s not being that serious either. Furthermore, she’s got a lot of people to suddenly care about, Zenitsu has a lot to contend with for trying to get special attention. Hell, Zenitsu was probably awake and causing a racket while she was frantic with worry that comatose Giyuu might die. While she did remake Jiichan’s haori to fit Zenitsu’s later, see spent her time in the hospital mending Giyuu’s haori (Nezuko, baby, doesn’t your hand hurt though!?). While Zenitsu was swept up in happy “Nezuko is human now, we’re totally gonna get married” feels, he probably didn’t even notice that he was only one slice in a very big pie of memories that Nezuko suddenly found in her lap and had to slowly chew and digest.

So… this brings us to the extra post-canon comic in the second fanbook, which I initially did not like very much back when it came out in February. I’ve come around a lot to it, but what really hit me at first was “oh no, Nezuko really is only going to accept this marriage because she’s a saint, he’s not being desirable at all.”

But, treating it with a little more patience and sympathy for Zenitsu… he’s just gotten what he’s always wanted, of course he’s going to stop striving a bit and get blissfully carried away in it. And Nezuko, the ever sweet, isn’t going to stop him.

Some of the other commentary in the fanbook states that Zenitsu, for a time, found himself terrified of how girls could be sweet to his face while hiding their true thoughts about him. But, finding that Nezuko was not at all two-faced, he nearly “died and went to heaven” as the exaggeration goes. He doesn’t like to work hard in the first place (but does, because it will make people like Jiichan proud), so getting away with being spoiled is too big of a temptation to resist. Nezuko is sensitive to what makes the people around her happy or uncomfortable, so she never makes any request of Zenitsu. She’s so grateful to have their new little family that her happiness is everyone else’s happiness, she doesn’t really desire a heartthrob romance, even if being a wife and mother is an eventual goal. And, without being under any pressure to make someone proud, Zenitsu gets swept away and indulges.

Thank you, Tanjiro, for putting a stop to this.

He’s still rooting for Zenitsu, since this is his friend and he knows it would make his friend happy to wind up with Nezuko, but he’s setting himself up for failure, or setting Nezuko up to be cheated out on a good match at this rate (if she were to accept out of being nice). Very, very thankfully, Zenitsu responds well to pressure. By this point Nezuko has gotten so used to sweet but indulgent Zenitsu that he seems she totally accepted that his Hisha side didn’t exist anymore, if it even existed in the first place.

Good for Zenitsu asking for her response a year later (when they’d be getting to the legal marriage ages for the Taisho period anyway), he knew he still had shaping up to do to earn her affection. And Nezuko probably needed time to build some admiration for him again, since the doki-dokis were so gone. Even if he couldn’t use that super cool Thunder Breath anymore, it would probably catch her attention to see him strive again, to put effort into being manly, specifically for her. It wasn’t just the Thunder Breath that gave her doki-dokis, it was the Hisha knight-like attitude too, whether asleep and acting on his inner potential, or awake and bravely defending her based on his own goodness and faith.

I hope that in their married life, Zenitsu will retain that sort of manliness in being a provider for her, even he does get indulged a lot at home.

Now for how this plays into some of my fanwork and headcanons:

You know how I said all my OTPs were tragedies? Yeah, I love a good dose of angst. I did start writing a single-scene fic one time of injured Zenitsu desperately trying to cover Nezuko from the sun while waiting for Tanjiro to find them, and in Nezuko’s panic about the sun she starts losing her self-control over her appetite, and Zenitsu is forced to confront that the girl he loves could very easily kill him. I never finished it, though, and it was embarrassingly self-indulgent.

For my big favorite AU of a monster fanfic, I did add more ZenNezu on the massive edit, because by this point I just enjoy ZenNezu so much that I wanted more of it. But!! What I really like about working with it in this fic is that there’s a conflict: Demon!Tanjiro. In this canon divergence, Human!Nezuko and Zenitsu get to interact more than they ever did while she was a demon, and they both already have affection for each other, but the lingering fact that Tanjiro is technically their enemy gives me some tension and angst to work with.

Yes, I wrote a One Shot of Zenitsu and Nezuko as fresh new parents, but it was a bit of a dark dive into Zenitsu’s feelings of inadequacy. But domesticity comes with some inevitable fluff anyway, and likewise it felt embarrassing indulgent, and I can’t write fluff without a little bittersweetness. M…maybe the reason I’m not a shipper is because I’m easily flustered???

I’d like to think that Zenitsu got a desk job that he worked hard at because he wants to be a provider, and Nezuko does find his hard work attractive. I headcanon it was at an electric company, because hahahaha, electricity. I’d like to think he had a long career in that company (and although his colleagues know him for having a bit of an extreme personality and being obsessed with his wife, they sometimes catch glimpses of a very, very strong side of Zenitsu—like, scarily strong), and that when he’s old and retired in the Postwar Economic Miracle, he buys a fancy camera to take pictures of Nezuko (instead of “say cheese” it’s “Thunderclap and Flash!”), and he takes Nezuko to Paris because that’s the romantic thing to do. Also, I don’t like moustaches as a rule, but I totally approve of old man Zenitsu having a fluffy moustache.

World War Two, though… I’d like to think that if his job had him in the city, he was extremely reliable when it came to protecting his family in case of bombing. I’d also like to think that this was when the Kamado family moved to the city, because Nezuko was worried about Kanao and her nieces and nephews, so Zenitsu made sure they were all together. Inosuke might had taken the opposite route and taken his family to the mountains to shelter out there in the wild.

AAAAHHHH, listen to me being so self-indulgent with headcanons, I pride myself on sticking close to canon in my fanwork, I will never produce this, AAAAHHHH, I’m embarrassed~~~~I---I’m not a shipper! No! I don’t have a shipper’s bone in my body! Who needs romance, it means nothing to me, I don’t get swept up in happy fantasies about young newlywed Zenitsu and Nezuko, really I don’t, I take what canon gives me and I stick with it, I’m here for bromance and comradery and fights to the death, I—I don’t need disgusting fluffy feelings, ew, ew, no, really-----ahhh, too flustered, too flustered, too flustered, no, no, no, no, no, no, WHEN DID I BECOME A SHIPPER, nnnnnnnnhhhhjjjj

Which is all to say that Zenitsu and Nezuko as a pairing really grew on me, even though it is essentially a fluffy happy pairing that only got surface-level interaction and was never seriously challenged. It’s got some shadows lurking in there, especially diving into Zenitsu’s heart, but in general this was a slow build-up of mutual affection between two characters with pretty simple desires of their own, and most of all, a desire to see each other happy. That makes it a good comfort ship.

And they’re both are sleepyheads, hNNNGGGHHHhhhhHHHHHHHHHHH

[simon-newman]

Newman’s Anime Reviews - Kimetsu no Yaiba

Hello Everyone and welcome to my first anime review in… Nearly 4 years?

*Cough*

Yeah - I know - I am still supposed to write the Seven Witches review… I have no excuses. I will get to it. SOMEDAY!

But today I’m going to talk about another anime. The first title from my 2021 anime challenge.

Actually this is the only anime from the challenge list that I’ve picked myself because I’ve been intending to watch it for a while now.

I’m talking about

Kimetsu no Yaiba

Now - I didn’t really know what I’m getting myself into. I’m not sure if this counts as an achievement but I didn’t know shit about this title outside of:

Some people I know highly recommended it to me,

Nezuko is the best girl (and a demon)

There’s some dude wearing boar’s head as a mask,

Swords

Apparently it’s about killing demons

This is everything. EVERYTHING I knew when I started watching.

First things first however - let's start with the premise.

We meet our protagonist - Kamaboko Gonpachiro as he’s living his harsh but happy life with his large family. Monjiro takes on the responsibility of caring for his mother and younger siblings as the oldest male in the family after his father’s death before the start of the plot.

We join our protagonist as he goes down the mountain to sell charcoal at the nearby village and promises to come back with a lot of goods and food for the New Year’s.

Right off the bat we’re presented with beautiful scenes of  a loving family life our protagonist enjoys and I’m not going to make any anime veteran jokes about it.

Long story short - Tontaro’s trip lasts longer than he expected and he ends up staying the night at the village. It is then that we learn about demons that prowl the night of Kimetsu no Yaiba world. Evil creatures of darkness that feed on the flesh of humans. We also learn about demon hunters who protect people from those demons.

Gengoro resumes his trip back early in the morning but thanks to his keen sense of smell soon realizes that something is wrong. Very wrong. He rushes forward to get back as soon as possible but it is already too late.

There was a demon attack during the night and his family got killed with the sole exception of his sister Nezuko who was turned into a demon.

Surprising a demon hunter who appears shortly after Nezuko manages to regain her senses and has strong enough will to resist attacking humans. Thus begins Kanjiro’s journey - to become a demon slayer himself, avenge his family, protect others from what happened to him and find a way to turn his sister back into a regular human.

Sounds easy, right?

  I’ll be honest here that while the beginning was executed beautifully I must admit that I wasn’t really feeling this anime right away.

It seemed like your standard shounen anime from the start. Greatly executed despite being very cliche but still not outstanding.

Tragedy to set our protagonists on their way followed by the training arc and Jangoro finally becoming a demon slayer while Nezuko changes in her own way to be able to live without consuming humans - surprising experienced demon slayers.

It is only after that that the real story begins and we follow Tanjiro as he starts his mission as a true demon slayer himself.

Truly basics of the basics if I were to be honest. At that point I couldn’t really complain about anything in this show but at the same time nothing really stood out. As mentioned - the story was cliche. The fights so far were so-so. Animation was good but at the same time I knew that Ufotable isn’t showing it’s best yet. Somehow however it all just worked - together with music which really played into my tastes - yes - I really enjoy the music in this show (make it the one thing i really liked at that point).

But then everything changed with the Asakusa Arc.

Oh no! It’s Michael Jackson! RUN!

  The introduction of the Big Bad Muzan, his Twelve Demon Moons and the possible way of turning Nezuko back into human set our vague goals in place and Kentaro finally had a clear mission to accomplish.

What’s more - from this point on the fights become far more entertaining as well.

I did get the impression that this progress might be done too rapidly but thinking back it’s a good thing actually. We got too used to 150 episodes of nothing important happening and now any sort of early development seems rapid.

Before you say that I contradict my statements from earlier reviews hear me out: While we do meet major antagonists early on we don’t really get much from it outside of direction in the story. The Big Bad doesn’t make a move himself and is not even fought directly but becomes aware of Tangoro’s existence and wants him gone.

This is a good development to happen early in the story to keep the stakes high while not resolving anything just yet.

But this is not the end of improvements.

In the following story arc (Tsuzumi Mansion Arc) Santarou meets with two fellow demon slayer newbies - Zenitsu and Insouke who add some team dynamics to our already decent story and IMO further improves the fights we get to see.

As for the new team members… Zenitsu starts out pretty annoying at first with his extremely cowardly demeanor while Inosuke is the polar opposite with a fearless, rash personality.

I might be overthinking it but I see Inosuke as a parody - of sorts - for a character I personally dislike - Kirito from SAO. Both are dual-wielding master swordsmen with a feminine face (and for added bonus they’re both voiced by Yoshitsugu Matsuoka) but while Kirito’s strong because he’s the protag (Gary Stu) Inosuke is insanely ripped from his harsh life in the wilderness and… Well… Pretty much insane.

Pretty amazing, aren’t I? Pretty amazing, aren’t I?

  This change of pace - going from just Gentaro and Nezuko to a 4 man team with Zenitsu and Inosuke - marks the difference between the first and second half of this anime (and i forgot to mention it’s a whole 26 episodes show - not the 12 episodes short we got used to in recent years).

While the first half was kinda decent but not outstanding the second half is really, really entertaining to watch. Both the characters get a lot more chances at interaction and development and the action steps up from what we’ve seen before.

In short - two story arcs I’ve mentioned above supplemented what was lacking before. Things I wasn’t even clearly aware of initially.

Without a clear mission for Tenpachirou to accomplish we’d just descend into a monster-of-the-week formula and without more team members we’d be left with no means to explore our protagonists’ character in full.

What’s of Ponjirou extreme kindness if we don’t get to see him affect people with it outside of one-time-only interactions and his good relationship with his sister?

Yes - you can show it time and time again but from this point on it comes out more naturally and as I’ve mentioned already - we get to see it affect people in the long run - something I hope we’ll see further in the story.

Left to right: Boss Honey Badger, Sleeping Badass, Best Girl and Cinnamon Roll.

  Which brings me to this sad point…

Despite being a full 26 episodes show it still feels more like an introduction. We barely get to the right formula in the midpoint and conclude the fight against the first real enemy shortly before the anime is over. Souchirou’s journey has only just begun.

I’ve really wanted to write this review after watching the following Kimetsu no Yaiba Movie: Mugen Ressha-hen. That’s for multiple reasons.

At this point I know that this story arc is going to further up the stakes with the Upper Ranks of the Demon Moons getting into action but at the same time I’m really excited to see if Ufotable is going to show us what they’re capable of in terms of animation.

Because I think this anime deserves it.

Sadly - while the movie was out already I didn’t manage to watch it before writing this review.

Kamado Tanjirou vs Lower Moon One - Enmu.

  To sum it up - It was an interesting experience to see the anime develop in front of me - from a decent cliche show that didn’t make any major mistakes and played all the tropes just right into a really good and entertaining show in it’s own right.

My final assessment of the show is also the result of a certain niche this anime fits into. Namely the enjoyable sword fight scenes.

I’m definitely going to watch the movie when I’m able to and dive right into the following seasons of anime if they are made.

At this point something with this anime resonates with me - this show feels “just right” for some reason.

There’s also an added benefit of it not being dragged into infinity. From what I’ve heard the manga is already finished and we could get a definite end line before the story gets watered down into tasteless money grab.

Something to be appreciated when it comes to shounen manga…

Well. It is time to wrap up this review as well.

With all the above being said my final verdict is...

  Final Score: 8/10  +Newman’s Mark of Quality

Status: Completed

Sentence: Butterfly Mansion rehabilitation training (I bet I’d enjoy it after a while).

 Next: Code Geass

[kitsunesbooks]

Re:Creators: My Favorite Anime of Spring 2017

As a writer who happens to dabble in the realms of philosophy, often do questions arise that entertain me for hours on end. I’ve sometimes found myself asking what it would be like to see my characters face to face. I’ve wondered what they would think of me, would we get along or would they all hate me for pitting them against such harsh environments and situations? It’s funny to think about things like this because I’m sure everyday people wonder what they would do if they met their god. It’s just that in this instance, I represent the god, as prideful and cocky as that sounds. Nevertheless, it’s been my belief for awhile now that an artist is the closest thing that humanity has come to becoming gods. Through art, and especially story telling, entire worlds can come into existence. This is the kind of subject material that Re: Creators tackles.

Re: Creators is for all intents and purposes, an isekai story. Isekai being that very prevalent anime trope/sub genre of story where the main character gets trapped in a fantasy world. However, to keep things somewhat fresh, the fantasy world comes into our world, or at least a version of our world. Within Re:Creators, characters from anime, manga, and videogames somehow make their way out into the real world and engage in kickass battles and debates on metaphysics. So if you know anything about me from the articles I’ve written, then you’ve figured out that I am 100% in on this show. The action and meat of the plot is great and all but it's all the metaphysics and mechanics of this universe that keep me thoroughly entertained. The conversations that occur between “creations” and “creators” are in depth and thought provoking. In a way, this anime is some bizarre form of wish fulfillment because I am actually getting theoretical answers to my questions.

The beauty of Re:Creators is how it takes characters who, for all intents and purposes, fit into strict archetypes and then slowly bends them to conform to our world’s rules. While using archetypes as a basis for character development is nothing new to storytelling, Re:Creators more or less bends the archetypes themselves through the small tidbits of character development shown throughout the series. One of the best characters in the entire show thus far is Magical Slayer Mamika. Mamika is a magical girl from what essentially is knock off Sailor Moon. As an added bonus, her design is heavily reminiscent of Madoka from Madoka Magica, which sort of helps to further cement her development and almost poke fun at a certain trope. Mamika basically tears apart the idea that injecting some “realism” into a magical girl story is in someway nuanced. While Madoka gets credit for making it work, it has opened the floodgates for a ton of really bad, edgy magical girl stories that are honestly hot garbage. Mamika however is more based in actual reality as opposed to realism. The first instance we see of Mamika is her fight with another “creation,” Selesia. Mamika recklessly goes all out and unleashes some devastating magic on her opponent with complete disregard to her surroundings. If this were any other character in any other show, she would be written off as just an asshole or a generic “sadist” character. However, when Mamika realizes that rules of our world conflict with her own, it shocks her. She came from a children’s magical girl show. Basically a Saturday morning cartoon. There isn’t any blood in her world and morality is all black and white for the most part. It is a simplistic world with little thought put into it and Mamika’s first interaction in our world is incredibly evident of that.

That first battle Mamika experiences is what sets her character arc into motion and has pretty much made her one of the best characters in the series thus far. Her eventual turnaround was very well paced and written and I hope we get to see just as much inventive and clever writing for all of our cast members. Mamika goes through a rampant sequence of development during the more recent episodes. We see that she still clings to her sense of morals but also shows that she is even willing to go against her own friends when they are doing something wrong. Mamika wants nothing more than peace, which makes sense given her source material. However, instead of Mamika’s judgement being simple minded as it would be in any magical girl show, or the plot focusing on how depressing her situation is, we see her learn and adapt. Her sense of justice doesn’t waver and instead adapts to the morals of our own world as she fights to protect both sides. All she wants is for the fighting to stop and for no one to be killed, and when she finally makes up her mind on what side to take, her actions have that much more weight behind them. Being the type of character she is, she shows everyone kindness, even the villains of this story, especially given they don’t match the archetypes of villains in a typical kid’s show. To Mamika, the villains of Re:Creators aren’t villains at all, they are just people who want to do bad things with good intentions. I could go on and on about Mamika’s character arc, but you are more than likely better off checking out the video Mother’s Basement put out on Re:Creators. Geoff does a, MUCH, better job at analyzing these characters than I do. Nevertheless, Mamika gives you just a taste of the kind of meta story Re:Creators is and honestly it is a hot contender for anime of the season if it hits the right notes.

One thing I can talk about that hasn’t been mentioned before is yet another intriguing character. With our Military Uniform Princess taking the role of main villain it was hard to think that the show would introduce an even greater threat, but it did. Magane Chikujoin is a villain character from a series in Re:Creators world called Yoru Mado Kiroku. Judging by how she acts and behaves as well as her abilities I pegged her as coming from a straight up horror series or maybe even a battle seinen with darker and more mature themes than your typical shonen series. She has a very clever ability that protects her almost indefinitely and she is a complete liar, so much so that she get’s a kick out of it. Lying is her weapon and she uses it to devastating effect. Magane is honestly a terrifying character due to her incredible ability as well as her contrasting schoool girl attitude. She is definitely much more of a villain than the Military Uniform Princess and there some big reasons why. Her knack for telling lies has gotten her involved with every major character in the series. She has a variety of strings she can pull, and while we saw her latest machination get foiled by the heroes’ raw determination and will, it is clear that Magane is willing to say ANYTHING to get what she wants. Compared to Mamika who has undergone a dramatic shift in her archetype, Magane’s archetype has only grown more rotten. She now finds herself in a world where she can do anything she wants without having her fellow characters get in the way. Bringing her to the real world was essentially the equivalent of unchaining a feral beast. Magane is shaping up to be the series’ true villain and it shows. The events of the latest episode proved her to be much more powerful than we anticipated, and with her acknowledgement of zero restraints she becomes that much more dangerous. Magane isn’t just a simple sadistic villain, she is a self-aware villain. She is aware of the existence of her world and ours. Not only that, but the way she behaves makes the viewer think that she might be aware of the world outside the screen, because Re: Creators is still an anime. It doesn’t exist in our world outside of that medium, yet there are several moments where Magane is talking directly to the camera and it seems more like she is talking to us, the viewer. There is one scene in Episode 9 that really hammers this home where she begins talking to herself, yet she is staring straight at us. Not only that, but the things she says are inquisitive and it’s almost like she is trying to convince us, the viewers, that she told the truth, when in reality she bent it. It is that one thing that adds so much more gravity to a character like this and it is incredibly intense.

I could probably talk about this show forever, but I want to leave some of these characters as a surprise for those of you who intend to give the series a shot. This is an anime that is clearly aimed at artists. Whether you draw, animate, or just write, this series was made to be watched by you. The questions and conversations posed by Re:Creators can easily be applied to your own work, and through that it provides perspective. It makes us question the content we create. It makes us wonder just exactly how our characters would truly feel in the situations we put them in. It also makes us question the level of detail we give our worlds. There are so many minor and major details across this series that resonate with me immensely. Because of that, it has become one of favorites of this season, if not this entire year. If you are an artist, I urge you to watch this show. You will not be disappointed, and I’m sure you’ll come away from it with a renewed view on your work. Hope you enjoyed the article.