#i say second draft very loosely. heavily editing the first draft is closer
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high of getting to write more kaptein sabeltann stuff quickly killed by need to proof read and write second drafts.......
#what do you mean i cant just incoherently ramble about why ruben and bassa are the best#and i have to talk about the main plot??#look a talking muffin#i say second draft very loosely. heavily editing the first draft is closer
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illicit affairs (Spencer Reid one-shot)
This is wayyy overdue! It’s just been sitting in my drafts, waiting for me to edit her, but she’s finally here. This is very loosely based on Taylor Swift’s song of the same title. And it’s 100% me writing out some feelings through fanfiction, so it’s also loosely based on true events. Enjoy!
Summary: You and Spencer have been “dating” without a label for a few months now, until you witness something that has you wondering if it was too good to be true (as always).
Warnings: it’s so dramatic. Angst with a happy ending!
Spencer has no fucking clue what he did.
Well, to be more accurate, Spencer has no idea if he even did anything at all.
One second the two of you were acting as normal as ever, attached at the hip and nothing less, and the next you’re barely able to look at him. You won’t speak to him, you insist you’re fine, and you ask him to leave you alone -- please.
A new case comes and he thinks things will fall back into their rightful place. He expects you to sit with him on the plane, but you choose the farthest seat away from him. He expects you’ll be paired with him when he says he’ll go to the local station to work on victimology, but instead you agree to Morgan’s offer to look at the crime scene.
He’s desperate. He’s a so-called genius, and he’s losing his mind.
“Morgan, help me out here, man,” Spencer pleads, cornering Morgan when he’s getting a coffee. He’s just returned from the crime scene with you, but of course, you’ve ducked away from Spencer.
Derek’s eyebrows raise. Slowly, he turns around, eyeing the desperate genius. “You’re asking for my advice?”
“She won’t talk to me,” Spencer whispers, eyes cutting to you, but only for a second. He doesn’t want you to think he’s creepily staring at you all the time. So far, you haven’t caught him (that he knows of).
“Well, what did you do?” Morgan asks like the answer should be blatantly obvious.
“I don’t know!”
“Alright, let me rephrase that for you,” Morgan’s tone is bordering on teasing, but he can’t help it. The resident genius of the BAU is having trouble talking to a woman. Who knew? “Have you done anything that would lead her to believe you’re not interested in her anymore?”
“What? No!”
“Think, Reid,” Morgan replies, tipping his cup of coffee in the air. “And when you figure it out, apologize.”
He leaves without another word. Morgan joins you and Emily back in the room where the team has set up base. You share a particularly heated look with Morgan, but he shakes his head, letting you know he didn’t betray your confidence. You relax.
Spencer doesn’t know this, but earlier when you were riding with Morgan to the crime scene, you confided in him.
It had been completely accidental. Something about car rides brings out the need to ask for advice. Maybe it’s the fact that there’s the road to focus on, or the case to segway into, you don’t know. But what you do know, is that when you confided in Morgan, he shook his head, and called Spencer a dumbass.
“Hypothetically,” you had begun, and Morgan remembers wondering if you were going to talk about the case, but you didn’t. “If you’ve been talking-- flirting with a guy and going on a few dates over the past few months -- but there’s no label -- but so if you’ve been doing all this and then you suddenly see him outside his apartment hugging another woman -- like arms around her waist kind of deal, face in her neck...what does that mean?”
Morgan had nearly slammed on the brakes. Reid? A two-timer? He never would’ve guessed. The kid could barely get his words out when he first met you, and now he’s playing you?
“Well, hypothetically,” Morgan played into your game. “I’d be suspicious. Personally, I don’t just hug any woman like that if I don’t have other intentions,” he shook his head. What you’re describing is intimate, especially for Reid. “You’re right to think something else is going on.”
“Who said it was about me?”
Morgan looked at you with his usual knowing stare. Sometimes you forget you’re all profilers. You’ve made deals not to profile one another, but you’re sure it still happens. You all have another silence agreement to never voice it aloud, unless needed.
“Fine,” you caved, crossing your arms over your chest. “I don’t know, I just-- I was going to drop off his stupid jacket that he left in my car the night before, and I saw him hugging her right on his doorstep and she kissed his cheek and I just-- I bolted. I don’t know.” You had let out a frustrated sigh. “I thought he was different.”
“If it helps,” Morgan shrugged, “I’ll kick his ass.” He might protect Reid like a mother hen, but he’s not afraid to give him a hard time, either.
“No, no, don’t,” you groaned. “I’m just gonna keep my distance. No sense in putting effort into something that clearly is never going to happen.”
“Oh, come on, don’t talk like that,” Morgan said. You used to talk that way all the time when you first started at the BAU, but it slowly died out the more you hung out with Spencer. Morgan connected the dots, but never told you.
“You know I’ve never been in a relationship?”
This time, Morgan did slam on the brakes.
“What?”
“Never,” you shook your head, motioning for him to keep driving. “Not one. They all fall through. I started thinking something was wrong with me, you know?” Morgan gave you another look, his sad, big brother one this time. “But then Spencer and I started getting closer, he took me on what I thought, I guess, were a couple of dates. I mean, he paid and drove and walked me to my door and all that cute shit. That’s a date, right? I mean, he never kissed me on the lips, but it’s Spencer.” You didn’t even look to see Morgan’s reaction, but he was nodding. “I started to think maybe it was never me, maybe it was the guys--”
“It was the guys,” Morgan argued. “Alright? You’re amazing. Anyone would be lucky to have you. It would be a damn honor. Don’t let that head of yours convince you otherwise.”
You shook your head, the crime scene rapidly approaching. “I’m not so sure anymore.”
You were out of the car and introducing yourself to the police on the scene before Morgan could even blink.
Morgan can only hope Reid had a good reason for having a woman at his door and hugging her, and letting her kiss his cheek. Reid doesn’t give hugs to just anyone, let alone accept a kiss, so whoever it was, obviously she was more than a friend.
The thought of Reid being a player makes Morgan smile. On the one hand, he’s a little bit proud. On the other, he’s pissed. It’s one thing to have one night stands with women who are into that sort of thing, but it’s another to drag someone along -- someone like you, someone who is too good, who deserves better than that.
Morgan had thought about telling you to just talk to Spencer, in hopes that there was a good reason for what you saw, but you’ve made it painfully clear over the past two weeks that you’d rather keep your distance instead.
So, he lets you. He can’t say that he blames you, really. Not after what you told him. He can only hope Spencer will figure this one out before it’s too late.
+++
After the case is closed and you’re back home, you immediately head for the shower. Cases are exhausting enough, but avoiding Spencer made it worse. Going from being attached at the hip to trying to be anywhere except in the same room as him took a toll on you. Not to mention, dodging everyone else’s worried looks. Morgan is the only one you’ve confided in, but that hasn’t stopped Hotch, Emily, JJ, and even Garcia from constantly asking if you’re alright.
Once you’re finished showering and in your pajamas, you head back to the living area. Spencer’s forgotten cardigan lays on the arm of your couch, lonely.
You know you shouldn’t, but you shrug it on anyway. No harm in wearing it. Not like he misses it. He probably has a hundred others.
You head to the kitchen to make yourself some tea, hoping it’ll soothe your nerves and help you drift off to sleep before your mind has the time to make you think of Spencer.
Too late.
Sighing heavily, you place the kettle on the stove. You hum a song while you’re at it, knowing that you’re being endlessly dramatic.
It’s not like you had sex with Spencer. Hell, the most the two of you did was hold hands and you kissed his cheek. He kissed your head once, though you think it was an accident.
Still, there was never a label. Why are you so upset?
Don’t call me kid, don’t call me baby/Look at this idiotic fool that you made me
It’s stupid, really, how hung up you are over this. A few dates don’t exactly mean anything at all. Flirting nowadays can mean nothing, too. You don’t understand any of it.
You cup your cheek gently, foolishly wondering what it would feel like if Spencer’s hand was there instead -- maybe even as he kissed you, but you don’t want to get too carried away. It’s not like anything will ever happen now.
And you know damn well/for you I would ruin myself/a million little times
Maybe you just need more time. This was the first time in a long time that you had let your guard down, let yourself go on dates. So many times it had all gone wrong, so you closed yourself off and focused on your career. You thought since you were stable at the BAU that now it was okay.
You thought Spencer -- Spencer Reid, of all people, you really thought he would’ve been different.
Maybe it’s just your type. Maybe that’s who you attract. The men who don’t want anything serious and never will. They’re stuck in Peter Pan mode. You must be Wendy. It must be a curse.
The kettle boils and you cut the burner off, fixing your tea.
You’re just walking back to the living room when there’s a knock on your door. You freeze, your panicked mind expecting the absolute worst, until you hear Spencer’s voice.
“Y/N?” He calls out. “It’s Spencer-- You probably knew that already.”
You smile into your tea, but you make no move for the door. You want-- no, you ache to let him inside, but you know it’s a bad idea. He’s probably here to ask if you’re alright, and you don’t have the energy to answer him. He’s probably going to go back to his girlfriend after this. You really don’t know that you can handle a face-to-face rejection.
“Y/N, please,” Spencer says again, pleading. He knocks once more, quietly. “I see lights are on, so I’m just going to...assume you can hear me.”
You walk a step closer. You don’t want to let him inside, but maybe you can listen. That won’t be too bad, right?
“Y/N, I’m...I’m sorry.”
Oh, tears. Stupid, stupid tears. You wipe them on the sleeve of his cardigan, glad that they’re at least falling quietly right now.
“I don’t know what I did, but I’m...I’m just sorry and I miss you and it’s killing me that you won’t even look at me. I…” Spencer pauses, and you walk closer, biting on the sleeve to keep from letting out a sob. “I’m sorry, I don’t… Please, just tell me what I did.”
You press your back to the door, sliding down until you hit the floor. You keep your knees against your chest and set the mug of tea down next to you. The noise causes Spencer’s ears to perk up.
“Y/N? Is that you?”
“Yeah, Spencer,” you barely speak loud enough for him to hear. “It’s me.”
“Please, tell me what I did,” he pleads, voice breaking. Is he crying, too? “I don’t know what it was, but I’ll fix it. Or I’ll try-- Please, let me try.”
“Spencer…” You sigh, tears falling down your cheeks with no restraint. “Be honest with me, are you seeing someone else?” You pause, choking on a sob. So many times you’ve had this conversation, the rejection, finding out you weren’t the one they wanted. Too many times. But none of them ever hurt this bad. “Do you have a girlfriend?”
“What?” Spencer nearly falls over. Why on earth would you think that? “What are you talking about? Of course not.”
“Don’t lie to me, please,” you groan, pressing your hand to your forehead. This is pathetic. You shouldn’t be showing him how upset you are. And through a door, no less. Can you get any more dramatic?
“What are you talking about?”
“I was at your apartment, Spencer,” you mutter, wiping angrily at your cheeks. “I went to drop off this stupid cardigan of yours and you-- You were hugging a woman outside your door and I saw it and I saw her kiss you--”
You cut yourself off, choking on another sob, and Spencer sighs. He understands now.
“Open the door. Please,” he says.
“Why?” You reply quietly. “If you’re just going to reject me, please, just do it through the door.” The last thing you want is for him to see you like this when he tells you he’s seeing someone else, that he didn’t even know you liked him, and so on.
“I’m not rejecting you,” he says softly. “Please.”
You know it’s a bad idea, but how much worse can things get?
You stand to your feet and open the door, careful of the mug of tea on the floor. Spencer’s heart drops at the sight of you. Tear stains on your cheeks, red eyes, your quivering lip as you try to hold things together, and...his cardigan hanging off your shoulders. Somehow the last tops it all off, sends a strike of pain right to his heart.
You wipe some more tears away with the sleeve, motioning for him to start talking. “Go on.”
“She’s an old friend. We did kiss before, once. But she’s not my girlfriend. She was in town and wanted to stop by to tell me she’s getting married...to her girlfriend of three years.”
You nod slowly. For some reason, that doesn’t even make you feel better. “Okay.”
“Okay?” Spencer asks, hopeful tone and all. “Are we okay?”
“What are we, Spencer?” You ask, eyes still watering. “I can’t keep going on the way we were going, you know? It’s agonizing, I just want to know what’s going on in your head.”
Spencer smiles softly. “I want you to...to be my girlfriend.”
Your ears are deceiving you. They must be. “Are you sure?”
“Of course I’m sure. I thought it was obvious,” he chuckles. “That’s one of the things I talked to her about -- her name’s Jess. She invited me-- us to the wedding. I was gonna ask you to be my girlfriend-- I still want to, I mean, if you’ll have me.”
More tears spring to your eyes and Spencer’s heart jumps, thinking he did something completely wrong.
“What happened? Did I say something?”
“No,” you shake your head. “God.” You wipe at your cheeks before turning and retreating back into your apartment. Spencer has no choice but to follow you.
He spots your mug of tea and places it on the coffee table as he shuts your front door gently with his foot.
“I’m so...stupid,” you mutter, jumping when you see he’s followed you inside. He’s not unwelcome here by any means, you’re just an idiot. A huge idiot.
“You’re not stupid,” he argues. “I wish you would’ve talked to me.”
“Would you believe me if I told you this has happened to me before?” You murmur pathetically, propping your body against the arm of your couch.
Spencer’s heart breaks more. You won’t look at him again.
“I’m sorry,” you sigh, clasping your hands together, fighting the shakes. “I should’ve talked to you, I just-- This has happened before and those times it was… Well, you know.” You finally look up at him, tears falling. “The first time the guy didn’t even try hiding it. The second one did, but not very well because I still found out. The third wasn’t even aware that he was flirting with me, I guess. I don’t know how you can take someone on dates for months and not be aware, but he said he wasn’t.” You pause, looking away again. “I just saw a pattern and I freaked out and I’m sorry.”
“It’s okay,” Spencer whispers, even though you still feel like it’s not.
You shake your head.
“Y/N, it is,” he presses on. “I should’ve...talked to you about how I’m feeling, but I was scared. You’re the first girl that’s-- I don’t know, liked me for me, I guess. Dorkiness and all.”
You chuckle, and Spencer nearly grins. He got a laugh. That’s something.
“How about we both make a deal to communicate better?” He offers. You nod, so he keeps going. “I’ll go first. I really want you to be my girlfriend.”
You can’t help but smile now, all dumb and trying to hide it in the sleeve of his cardigan. “I’d really love to be your girlfriend.”
“Yeah?” He asks, almost like he wasn’t even expecting you to agree, but you nod, confirming it for his genius brain.
The kiss the two of you share is a long time coming. It’s gentle and warm, relaxing your muscles and easing the tension you’ve held in them for the past two weeks. Spencer gathers you in his arms, keeping you close, with zero intent of ever letting you go.
+++
When you walk into the BAU the next morning, you are painfully reminded that you are surrounded by the best profilers in the country.
It’s no secret that you and Spencer have been “dating” for a while, but you never showed PDA -- partly because the two of you were fumbling around your true feelings, and partly because you’re not too sure how relationships stand with protocol here.
Apparently, despite coming in fifteen minutes apart from one another, everyone can see right through you both.
Morgan is the first to say something. He catches you when the elevator doors open and you have Spencer’s cardigan hanging over your shoulders. In your defense, Spencer forgot to grab it when he left your house sometime this morning, so you were just trying to return it -- again.
“Late night?” Morgan raised his eyebrows.
Realizing your mistake, your eyes widen. “Shut up.” You step off the elevator and point a threatening finger in his face. “Not a word.”
Morgan’s hands raise in surrender, but he still has that goddamn smile on his face. “Might wanna take off that cardigan, sweetheart. You’re too obvious.”
Angrily, you shrug it off and walk into the bullpen.
Spencer is at his desk, so you shove his cardigan into his chest. “You forgot this.”
Upon seeing that it’s you, Spencer’s lips stretch into a grin. “Thanks.” He pauses, folding the cardigan over his arm. “I was kind of hoping you’d keep it,” he whispers, eyes darting around to be sure no one is listening. “It looks better on you, anyway.”
You bite down hard on the inside of your cheek. “Give it to me tonight, then,” you wink, earning a light blush on Spencer’s cheeks.
Hotch watches this encounter from the railing and smiles. He’s sure neither of you will do anything to warrant him giving you a stern talk about relationships and work, so he won’t mention anything for now.
Instead, he retreats back into his office, glad you’ve finally gotten over yourselves.
Garcia catches on when you come to visit her in her office only to find Spencer already standing there. He’s animatedly talking about Doctor Who, but stops abruptly when he sees you. It doesn’t take a profiler to understand the glances, the smiles, and awkward goodbyes that were shared so you could ask Garcia a question.
Prentiss is just glad the two of you will look at one another again, but the way you keep glancing over her shoulder to see Spencer is more than obvious. It’s so obvious that Prentiss and JJ share a knowing look, but say nothing. They should’ve placed bets.
You and Spencer catch each other’s eyes more than a dozen times every hour, and he follows you to the break room to conveniently get a coffee at the same time as you.
Yeah, you’re not being obvious at all.
Neither of you notice that the team has caught on, so you take your chances when you find yourselves alone in the break room. You can practically hear the conversations the rest of the team is having out in the bullpen, so you let Spencer pull you into his arms, his chin resting on top of your head.
This is a lot for Spencer, and you too, if you’re honest. Hugs are something you never found yourself enjoying, but when you’re tucked into Spencer’s chest, you never want to leave.
You’re both too busy holding one another to hear Hotch’s footsteps as he enters the room. The clearing of his throat is what finally breaks the two of you apart.
“Agent Hotchner,” you blurt, straightening yourself and taking one too many steps away from Reid.
Hotch smirks. You haven’t called him that since your first day. “New case. Looks like a short one. Conference room in five minutes.”
And he leaves as quick as he came, chuckling under his breath.
You and Spencer share a look before dissolving into laughter and fixing your coffee. You don’t try to walk out of the break room separately, knowing that there’s no use.
Especially not when you get cold on your way to the conference room, and Spencer promptly wraps you in his cardigan.
#criminal minds#spencer reid#dr spencer reid#spencer reid x reader#spencer reid x you#spencer reid fanfic#spencer reid fanfiction#spencer reid angst#spencer reid fluff#angst#fluff#angst with a happy ending#criminal minds fanfic#criminal minds fanfiction
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I’m very sorry for all of the asks Madam Sincerely, but I’ve just recently gone on a binge of all of your fics, and I don’t think there’s any more questions on the ask game, so can I ask here: Do you have any ideas on future works that you haven’t started writing yet? If so, can we hear some? I was scrolling back through your tumblr to cheer myself up yesterday (my country’s gone back into lockdown) and saw you mentioned a few ideas, like the one in the SubDavey ask? Sorry, just curious <3
No need to be sorry, the asks are lovely! I’m sorry to hear that things have shut down where you are, I’m sure that’s incredibly difficult. Sending all the positivity your way 💕💜✨⭐️💕💜
The Domestic au is the QUEEN of inspiring random story ideas and dangling plot threads. There’s several floating around in the domestic au/ideas for later tags but if I was going to narrow it down to a handful of ideas that have a good chance of existing in the near-ish future, then I’d say 1) the Jack and Davey preparing for college fic 2) the Davey picking Race & Charlie up from the elementary school because Jack’s sick fic 3) the Race and Charlie needing a cuddle pile fic and 4) the bedsharing fic where Jack is struggling under the pressure of fighting for custody and needs some comfort.
I’m just in the mood for some stuff set in the high school/college era of that au, probably because ‘it’s beginning to look a lot like...’ has got me in the mindset. All of these would be one shots, just showing more landmarks in the boys’ history since ‘it’s so easy (too easy) to love you’ sort of just drops you right into the ocean as far as circumstances lol. And also, there’s a lot of family building that goes on before Jack and Davey get together that I’m very interested in exploring! I think Race describes it as ‘eight years of waiting for Jack and Davey to get their shit together?’ Yeah. So definitely lots of domestic au in the upcoming year.
I’ve talked the tiniest bit about ‘there’s you and me (and everyone else)’ and ‘a few letters off’ but after doing the first bits & bobs for each of them, I got distracted by other projects as I so often do, 😅 so I’ll talk about them here. Actually, I’m not even sure if these had working title ideas last time I mentioned them here, it’s been that long lol.
Anyway, these two fics are very similar, but just different enough to need separate fics. The first is a modern, high school au that features different examples of Jack and Davey being the accidental co-parents of their friend group while obliviously pining for each other. I’m thinking it will be individual scenes tied together by the theme; I’ll put the original idea post here and the bits & bobs here. Besides what I already talked about, I also think I want to include a scene where Albert and Crutchie are going on a first date (a pairing that is absolutely inspired by @agentsnickers, you’ve converted me) and they both separately approach Jack and Davey for advice on what to do/wear/etc. Like, a total ‘our-kids-on-their-first-date-get-the-camera’ type thing, plus Jack being an overprotective older brother and giving Charlie a curfew because he’s ridiculous.
“Be home by nine,” Jack says, a little surly. “Nine?” Davey asks, incredulous “They’re seventeen not seven. Eleven o’clock.” “I’m supposed to trust Albert with my baby brother at eleven o’clock?” Jack asks, scowling. “That’s just asking for trouble.” He says trouble in the sort of ominous tone other people reserve for imminent nuclear meltdown or battlefield heart surgery. “What do you think Albert’s gonna do, stick his hand down Crutchie’s pants the moment they walk out the door?” Davey says with a scoff. “It’s Albert.” “Ten-thirty,” Jack eventually offers. Davey nods, then looks back at Albert and Crutchie, who have been following this exchange like a tennis match and are both now a little pink in the face, and shrugs, trying to convey something like ‘pick your battles’. “Great!” Crutchie squeaks out, sounding absolutely mortified. “Great, ten-thirty it is, oh my god, Albert let’s go before theykeeptalking—“
Oh! And I want Davey to full name someone in the ultimate you-fucked-up-and-mom-is-pissed move. I even went and made full names for everyone just to be prepared 😊
Then, ‘a few letters off’ is the Jack-and-Davey’s-friends’-perspectives-on-the-nonsense-that-is-Javid fic. I’ve basically finished the Buttons scene, but I’m also hoping to include one each from the povs of Katherine, Crutchie, Racetrack, Spot, and Albert at minimum.
I’m thinking:
Katherine - catching Jack painting/drawing Davey while Jack tries to cover and deny
Spot - The aftermath of him and Jack getting into a fight with the DeLancey’s and him watching Davey fluttered worriedly around Jack, scolding him for being a reckless but still dabbing carefully at his injuries.
Racetrack - comes home to find Jack and Davey watching a movie, except that Jack’s fallen asleep halfway through, head in Davey’s lap, and Davey is adamant that Race doesn’t wake him.
Crutchie - watching Javid eating lunch together and noting how totally domestic it is: stealing food from each other’s plates, Jack gives Davey his extra fruit cup then swipes his milk carton and Davey doesn’t even say anything because it’s so routine, and how they’re able to move in and around each other effortlessly while eating and holding two separate conversations.
Albert - watching Jack and Davey flirt/bicker from the backseat on the drive to school.
And then some sort of culminating/getting together scene at the end.
There’s the infamous quarantine fic, which I waxed poetically about for all of two seconds and then never expanded on. (Here and here) The reason I haven’t done anything with it yet is because it will be a multi-chapter and between tie fic, take a shot fic, and now the domestic au holiday fic, I’m really at my limit for multi chapters at the mo’. But I do still want to do something with this once I finish tie fic and DAUHF, as take a shot knows no bounds and cannot be quantified by earthly means.
Then, as for the idea I mentioned in the sub!Davey post.... I think I’m going to be able to repurpose the general scenario/concept I was imagining for the final, E rated chapter of Tie Fic, so I don’t think the original idea will ever make it to a final cut. (I won’t say never because anything’s possible lol) But, I’m happy to put the bit I have here! Things don’t quite get E rated in this excerpt, but they’re definitely a solid M. This would’ve been an addition to the Tease series and I think this has been sitting in my drafts for almost as long as the letterman fic, and it hasn’t been edited in at least two years, so yeah 😅
00000
“I really wanted to work on my thesis proposal, that’s why I was in the library most of the day,” Davey says suddenly, pushing Jack down against the couch and straddling him, his voice light and conversational. “It was nice of you to check on me so often, though I’m sorry I wasn’t very good company. I was trying to stay focused, you know how it is.”
Davey looks at Jack expectantly, making it clear that he’s waiting for a response. Jack stares up at him, his expression equal parts confused, transfixed, and aroused. He swallows heavily, then nods.
“But I did warn you, didn’t I?” Davey continues, bracing himself with a hand on each of Jack’s shoulders, rolling their hips together as he presses closer. “That I had a lot of work to do? That this paper is really important to me and that I wanted to get a head start? That I really needed to focus and didn’t want to be distracted? I distinctly remember warning you about all of that.”
He nuzzles down the curve of Jack’s jaw, then nips at his neck. “But you didn’t listen,” he says against Jack’s pulse point. Davey smooths his hands down Jack’s chest, then back up to his throat, tugging at his collar. He unbuttons the first few buttons of his shirt.
“In fact, one could argue that you did the exact opposite of what I asked you to do,” Davey says, working his way slowly through the buttons on Jack’s shirt. “Trailing your fingers across my arm, rubbing a thumb across the nape of my neck, sneaking a hand up my shirt… I would call all of that distracting, wouldn’t you?” He finishes unbuttoning Jack’s shirt and pushes it off his shoulders, admiring his muscular chest.
Davey glances up sharply. “Answer me, Jack.”
Jack blinks himself out of his daze. “I-uh, what did you ask me?”
Davey leans forward. They’re so close that he can feel the warmth of Jack’s breath against his face. “I asked you,” he starts, wrapping his arms loosely around Jack’s neck, “whether you thought constantly caressing someone while they were trying to work would distract them.”
It takes Jack a long moment to respond. “Yeah.”
One of Davey’s hands trails up the back of Jack’s neck. “You agree that doing something like that would be impossibly flustering?” Davey asks in that same, unaffected voice—as if clarifying a statement for a news article—threading his fingers through Jack’s hair. “That it would thoroughly divert that person’s focus? That it would leave them feeling unbalanced, frustrated, and downright agitated?
He leans impossibly closer, so close that the barest tilt of his head would press their lips together. “That it would drive them so crazy that all they could think about was how desperately they needed to be fucked,” Davey growls out, and his voice low and rough.
“Christ, Davey,” Jack groans, his pupils blown wide. He leans up to kiss him, but Davey anticipates this and tugs sharply on his hair, holding him in place. “So, we’re in agreement?” Davey continues in his casual voice, letting go of the dark strands and pulling away slightly, ignoring Jack’s groan of disappointment, “that all of those actions would, in fact, be extremely distracting.”
He trails his hands lovingly across Jack’s shoulders and down his chest, his movements unhurried. He licks a hot stripe up Jack’s neck, then sucks hard at a spot just under his jaw.
“Considering both of these facts, I can only conclude that you were distracting me on purpose.” Davey presses a line of kisses along Jack’s collar bone, delighting in the moan that tears its way out of Jack’s throat. He scratches lightly at the tanned skin of Jack’s chest, then sucks a bruise just above his collarbone.
“Were you doing it on purpose, Jack?” he asks, then before Jack can answer, rolls his hips hard and slow against Jack’s, grinding their erections together. Jack’s hands spasm, then tighten, clenching hard against Davey’s sides. Davey continues his ministrations, circling his hips against Jack’s, teasing him with the friction. Then, just as Jack seems to catch on to Davey’s rhythm and starts to move with him, Davey stills. “Were you teasing me on purpose?”
Jack’s mouth opens and closes, his throat working furiously. “I-yeah.”
David hums in acknowledgment, then continues his slow perusal of his boyfriend’s chest. He nibbles lightly across his sternum, then draws the flat of his tongue across one of one Jack’s nipples. Jack arches into him but Davey pushes him back, using his leverage to hold Jack down against the couch cushions. He sits up, admiring the mess he’s made of Jack’s neck and torso.
Jack stares up at him, chest heaving, waiting for Davey’s next move.
....
Davey runs his hands down Jack’s stomach and between his hips, fingers brushing gently against the front of Jack’s jeans.
Jack lets out a guttural noise. “God, Davey, let me—“ he starts, one hand slipping back to kneed at Davey’s ass, the other inching towards Davey’s fly.
“No,” Davey says firmly, moving Jack’s hands back to his waist. “This is what you wanted, isn’t it?”
00000
That’s all that comes to mind at the moment! Oh, and the Brooklyn Davey AU idea, but I got a different ask about that, so I’ll just link it. (Here)
@saysflora
#*editor's note#*ask#ideas for later#*the writing desk#this was a lot but hopefully it was interesting!#thank you for the ask#blessings and good vibes on your house
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A Brief tl;dr
This is probably a lot to say for 20 unfinished webcomic pages and I know I can be fairly long-winded so if you just wanna skip ahead and click through the pictures I’ve put up, I understand.
The TL;DR is
Hello and welcome to Mage Punk Archives! My name is Tables and this is some of the work that I’ve done over the last few years and what I’ve been up to in my little corner of the world. This is the third and last of a series of posts, outlining a number of updates that I completed on the site.
Included are some of my inspirations and a little of what I’ve learned so far about myself as an ever growing artist up to this point.
After this, I want to keep the content more focused on the actual art and story.
I’ll post to this site as often as I am able.
Thanks for reading!
***
Long Ago, Before the miracle of handheld internet searches and Instagram
When I was but a young, internet webling, I was heavily into shitty online flash games and looking for anything even remotely related to my interests at the time. From Mario and Sonic to various comics, videos games, anime and things never to be said aloud (pornpornporn). My love of the likes of Super Mario Bros and Sonic the Hedgehog (big fandoms for me at the time) would later lead me to sprite comics. Today, my feelings for the little hodge podge collage strips of old video game sprite sheets and backgrounds are a little mixed.
(They were beautiful and I’m gonna make one someday)
Then, in Highschool, I took a basic Web Design class. It was a VVoid World Web of Notepad and Internet Explorer where a kindly old crone passed on to those of us there, some knowledge of the ancient runic language which forms the foundations of the World Wide Web: HTML. Tables, frames, css, oh my! This knowledge would eventually prove invaluable.
Throughout our studies we were occasionally allowed to venture out into the Wider World Web. It was during these little adventures and travels across the Web that I happened upon the magical land of Webcomics. It was also during this time that I began break free of the enchantment of sprites. Even though I would probably never return to them, they would always hold a special place in my heart.
The Internet is for [Comics]
Webcomics – Synonymous with “Masochism”
At first, I had no idea just how grueling webcomics could be. Most webcomic artists pump out pages one to three times a week. At the time I got into them, MegaTokyo, then still partially a video game webcomic, was just releasing its third printed book; 2-3 updates a week with a loosely set schedule. Evan Dahm was wrapping up his surreal fantasy epic, Rice Boy; with updates consistently going up Monday, Wednesday, and Friday. The various sprite and drawn webcomics that I was following at the time were updating all the time. Seeing all the great work going up, I felt encouraged to try it myself.
I drew these closer to the end of my junior year of high school.
Desu
Taking major inspiration from a lot of the manga and anime that I was enjoying then, I used pen and ink to make my comic pages. I liked working in black and white because it felt direct and skipping on color made it easier to finish faster. I figured I could work faster if I didn’t have to worry about the extra step. When I did want to use color, as is typical for the early pages of a new manga, I used markers.
At the time, I had no idea that mangakas used assistants. That’s messed up.
Not to say that it was completely unrealistic, but back in the real world I could only average one black and white page a week. If even. The spider webs I was drawing all over were so that I wouldn’t have to use a ruler to draw my panel proper borders. I thought it gave the comic an “old archive”. In the end, I concluded that the spider webs should have their place and not be all over.
This time, I decided to work a little more carefully and deliberately.
Moving Forward
It was going pretty well but by the time page 7 rolled around, it was time for midterms and I had become too self-conscious and uncomfortable with the way I was drawing my comic pages then. Then, it was time to take finishing high school seriously and before I knew it, I was a freshman at The Art Institute of Fort Lauderdale. I did a lot of growing in the next four years that I attended there. Unfortunately, I never revisited those pages. Instead, near the end of my sophomore year, I took a Sequential Art class where the Final was a full-color, 5-page comic.
These are the ink-wash versions of the 7-page Final that I submitted. I’d originally colored them digitally to meet project requirements but I don’t want to post those just yet..
In the End
I wasn’t satisfied. The truth was that I waited until the last minute, rushed it, and over-reached on a re-draw that wasn’t much fun for me to work on. During the course of that Sequential Art class my professor turned my attention to artists like Moebius and Mike Mignola. I also came across Katsuya Terada’s stuff around this time.
And school went on…
I worked on Mage Punk when I could between assignments.
Between thinking I could possibly work on a for-print comic…
…and a webcomic at the same time.
The End was Near
Most of these were actually made towards the end of my four years at Ai. Those of us graduating were tasked with compiling our work from the years past in accordance with the requirements for obtaining our degrees. I believe that we were given two semesters to gather our pieces and do any revisions to previous works to get them up to date with the rest of the portfolio piece. Illustration Graduates at AiFL were typically required to gather a required selection of their work into an on-demand printed book. The year that I graduated, my department decided to change things around a little. Specifically, we were given the option to collect the requirement work into a plain black binder portfolio and make the printed book more geared towards our pursuits. I opted to make a Mage Punk/Orbyss Archives “Zine” as my main portfolio piece.
And Then College was Over
I drew a few more pages of the comic until I became employed full-time. These days, there aren’t enough free hours in my days for me to keep up with any typical webcomic’s update schedule so for a long while I stopped working on the comic altogether. I’m squeezing as much work out of every second that I’m not there; with whatever energy I can muster. This includes planning, writing, sketching and drawing. Before I got back to work on the site, I was posting fairly regularly to my Twitter and Instagram; those posts took time to do as well.
Most of this post was written in separate sessions on my commutes to work.
“Shortcuts”
Even though I always wanted to present Mage Punk as a webcomic, I always worked on it like it would go to print eventually. This created a confusing mindset for me when working on the comic, where I had to work on a whole book, but I have to rush to finish every page. If I wanted to put out pages more frequently I took shortcuts at any point I could to be done with them. Even if I created a good buffer of finished pages, I’d still run into that same pitfall eventually. I wasn’t enjoying my project because of a pressure I applied on myself to finish it in a way I wasn’t necessarily comfortable with. I didn’t even get that much done in the end.
It’s important that I work on it at a pace that lets me show the best of my ability. I would love it if I could be properly finished with the pages before I post them but if I wait before it’s all good and done I’ll just never get around to posting anything, forever floating, aimlessly, throughout creative internet limbo.
Instead, if I have to work on my comic in piecemeal, I’ll just post it up in piecemeal. Mage Punk will still be presented as a webcomic but, until the end of the book is done, certain changes are still a possibility. Editing is an important part of producing any book and I’m going to make its presentation reflect that.
Cue Rhidiculous shouting “I told you so!” from some nearby bushes.
A Webcomic in Presentation Only?
Those Two Images are the Same Page
Instead of trying to finish things at breakneck speeds, I’m going to work on the comics at a more reasonable pace. I’ll try to work on it mainly Chapter to chapter instead of page to page like how a webcomic normally is done (buffers aside) This gives me the opportunity to take a step back and get a broader look at the story while still putting out content in enjoyable chunks.
It’s difficult for me to wrap my head around drawing a comic on a start-to-finish, page-by-page basis. While I was working on the later pages in the chapter I kept finding myself jumping around and making changes to previous pages to make some things more consistent with later parts of the story. Instead of working page-by-page, I was editing the chapter as a whole to try to strengthen the narrative I’m trying to tell.
To that end, I still want to present it on this site as a webcomic; if only in name and archive.
The Process
At the VERY longtime behest of my editor, I’ll be presenting the comic as a work in progress at various points in the following production stages.
Writing
I’ll post dialog excerpts here and there. Nothing that can spoil the story too much.
This step will be kept largely behind the scenes.
Thumbnails
I do these on index cards in ballpoint pen to figure out the sequence of events that I most prefer.
This is the step where I’m prone to overloading a page with information.
First Drafts
Full size roughs of the earlier thumbnails. This step helps me get a better sense of how crowded or unbalanced a page might be early on.
This step also helps to prune out any strenuous scenes or dialog that could otherwise have their own pages.
If it isn’t working visually at this point, it’s not going to work in the next step.
Pencils
This is where the real drawing happens. Drawings in this step are made by either digital or traditional means depending on when or where I’m working.
Inking
This step is exactly like the drawing step but in pen and ink. Despite my affinity for real pen and ink, I’ll mainly be working this step digitally.
Color
This step is wrought with indecision but it also one of the faster, more fun steps to do.
Lettering
I’ve removed the dialog from all the pages currently up, opting to keep that out until a chapter is completed; it’s the thing I’m likeliest to change the most frequently until the end.
All lettering is currently done digitally but I’m considering the possibility of hand lettering.
Drawing dialog can be quite fulfilling but it takes a lot of practice.
Editing
This part will be happening all throughout. Page re-orders, panel redraws, changes in dialog.
Until the book is done.
Here We Are
I’ve already made some revisions to a handful of the pages that are already up; if you browse through the comics you can see the revisions noted in the comic descriptions. I’ll make blog posts for any major revisions or series of revisions that I do. I have a few ideas for some smaller projects that I can work on while I work on Mage Punk. Whether they be illustrations, stories, or even mini-comics like this silly thing down here.
Moving on
I might have also mentioned before that I have a few other drawings that I wanted to make for the site. In particular I have a neat idea for some social media icon illustrations. I wanna make something that takes advantage of what I’ve learned with using CSS. It’s nothing too fancy.
All that said, future posts will be a bit more brief than these last three were. I’d much rather write and post about the work itself, but I feel like I’ve hit a personal milestone and felt the need to ramble on about it a little.
Until next time,
Thanks for reading!
The Big Site Update (Part 3) A Brief tl;dr This is probably a lot to say for 20 unfinished webcomic pages and
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