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#i spent forever trying to rephrase this critique to be as fair as possible
princesskairi · 6 years
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Potentially minor, nitpicky criticism to a small section of the Sleeping Realm Theory Doc. Note: This criticism has nothing to do with ship wars (at least that’s the intention!) as the doc has nothing to do with ship wars too.
This is referring to the doc’s analysis of the scene where Kairi and Sora reunite in the light tunnel under the section Riku is Light -> Light in the Darkness. Read more underneath.
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My biggest criticism in this analysis is how it presents Kairi and her importance to Sora in conjunction with Riku. This criticism also calls into question some of the claims used to debunk Kairi as being the light in the tunnel.
To start off, it’s not that I dislike the suggestion that Riku is the light in that scene, it’s that to then follow up and say that Kairi is off to the side then moves and “eclipses” that light from Sora’s view is risky framing whether intentional or not. 
While it might not be the writers’ intentions, it’s dangerous to paint that scene that way without further warning/clarification as it can easily fall into the toxic rhetoric that Kairi is in the way of Sora’s realization about Riku (unfortunately, something that is not uncommon in fanon). It takes a scene that is largely meant to display Kairi’s strength and resolve to protect Sora and shifts its focal point to Sora’s thoughts about Riku, which I feel is rather unfair to one of Kairi’s few spotlights in KH3.
The light can very well be Riku’s in that scene (considering the whole “Riku! Answer me!” analysis), but to present Kairi as “eclipsing” that light, leading readers to pick up a double meaning, and then to say that it is never Sora himself that figures she is his light severely downplays Kairi’s real significance to Sora and how he views her. If it is the case that Nomura intended to have double meaning in Kairi eclipsing the light and mislead the audience to think that she is the light by having Sora claim that she is, then of course my anger would be directed towards him alone. 
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The part where the writers bring up a screenshot of Namine telling Sora that Kairi’s his light to emphasize that Sora does not figure it out himself is out of fair play. It’s taken out of context. Namine explicitly tells Sora that because she’s been messing with his memories up to that point. She guides and allows Sora to remember for himself that important connection before putting him to sleep to fix his faulty memories. Even if Namine doesn’t tell Sora that, there is no doubt Sora believes it himself. In fact, Sora has already since equated Kairi to light in KH1 (before Namine reinforces it to him) in his speech with Kairi in Traverse Town. He tells Kairi that it was her voice that saved him from the darkness. When Kairi responds that she didn’t want to forget about him, it is Sora that goes “That’s it! Our hearts are connected and the light from our hearts broke through the darkness. I saw that light.” With the prior context, that’s basically Sora figuring out for himself that “that light” was Kairi’s and the same concepts can be applied to reach and save Riku too. Also, Sora does explicitly conclude on his own in KH3 to Kairi that, “The light in the darkness. It is you”. It’s strange why the narrative that Sora is being misled to think Kairi’s his light (i.e. simply told by others) has to be included to further emphasize the idea that Riku is Sora’s light (esp. when there’s plenty of evidence that Riku is Sora’s light without needing to reevaluate Kairi-centric scenes and call to question Sora’s own revelations about her)? 
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Quote from the doc:
“And so ask yourself this, how is Kairi supposed to be following her own light back?”
Following the same logic, in KH1, how does Kairi, who at the time resides in Sora, also follow the light back to her flashback of her grandmother? Not only that, after her heart is restored to her own body, she tells Sora in Traverse Town, “A light at the end of the tunnel” to which he responds “Oh, your grandma's story right?” and she responds back, “That’s right, we were together”. This shows that Kairi too can in essence “follow her own light back” or at the very least experience that light from an outside perspective. But to leave it open, perhaps this ability is due to the weird oddities from her being in Sora’s body? Or a bolder take is that the light is actually Kairi’s grandmother’s light this entire time! lol! (I highly doubt that this was the intent but who knows! Unless past interviews/Ultimanias can shed some light.) In any case, before one can disprove Kairi being the light on this basis, one needs to also explain this contradiction (considering the doc makes a point that this kh1 scene is meant to be Kairi’s light).
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Passage from the doc:
“And if this scene were truly meant to be taken at face value, why do we get these specific visions, inexplicably in the middle of it. Sudden visions of self sacrifice, both referred to as True Love and the reviving power it has. Except, neither Kairi or Sora had sacrificed themselves for just each other at this point, Sora tries to shield her (an act that read as surprisingly desperate and hopeless for the first sign of danger she faced, like he—his heart, remembered she was going to die in this battle no matter what) but Goofy blocked the attack and nothing came of it. And most importantly for all the danger she’s in, none of Kairi’s scenes read as self sacrificial, they read as resigned.”
As for the Disney visions, I do believe that the general takeaway was meant for Sora equating feelings of self-sacrifice, love, and care to his own situation. I do not believe it is exclusively meant for Riku and I do not believe that Kairi can not be equated to these scenes just on the merit that there is no direct self-sacrificial parallel of them in KH3 up to that point. One can argue that even if Goofy came to protect them, that doesn’t lessen the impact that Sora was ready to sacrifice his own danger for Kairi.
In any case, if self-sacrifice is a needed component to link these Disney scenes to someone then Kairi and Sora also have their share as do Sora and Riku. In KH1, Sora sacrifices himself to revive Kairi because of his love for her like how Eugene sacrifices himself for Rapunzel and Anna sacrifices herself for Elsa. Elsa and Rapunzel bring Anna and Eugene back due to their love for them. Same thing happens on Kairi’s end. While Kairi is made of pure light and has no immediate danger in getting pummeled by heartless when she hugs heartless Sora, she herself doesn’t know that she wouldn’t be in danger. That scene could be still interpreted as sacrificial to an extent. Kairi sacrifices her own danger to revive Sora with the power of her light and love for him. Same with Riku, he’s sacrificed himself plenty times for Sora out of his love for him throughout the franchise. These actions are still seen as sacrificial in nature despite Riku not actually dying at the end of it. Riku’s sacrifice (i.e. demon tide) is more recent, so these visions may better equate to Riku esp. with Sora remembering Riku when talking to Anna and others, but considering that this scene is about Sora and Kairi reuniting and Sora showing gratitude towards Kairi, it’s not fair to write Kairi off as not a trigger for these Disney scenes as well.
“This light, that Sora assumes is Kairi, but which she never confirms or denies, a light that led him to Riku’s heart originally. This light begins showing him these scenes of self sacrifice, and Sora makes a confused, jerking motion. And in reaction, Kairi is also confused. Which is weird considering if she’s the light, she would be the one showing him these visions in the first place, right?“
This isn’t quite a fair take. It’s impossible for Kairi to show these visions to Sora as she was not present when those scenes occurred. The same logic should apply to Riku. He was not present when those scenes occurred; he would not be able to show these visions either. So what gives? I don’t believe these visions are being shown to Sora rather Sora is literally remembering these scenes himself and equating them to what he feels right now in his own situation. He jerks up, which causes Kairi to be confused bc she simply can’t know what’s up with Sora’s reaction even if she is able to somehow show these visions herself. She checks to see if Sora’s okay and when she sees that he is, she states, “I told you Sora. You’re safe with me”. 
If what was really meant was that “Riku is the light in the tunnel -> Riku’s light embodies Riku’s self sacrifice, which in turn causes Sora to connect it with his own memories in the Disney worlds” then that’s a different thing and totally valid but was not presented that way in the doc. I also feel that Sora isn’t confused rather in a state of realization and coming back to reality after these visions, which explains why he’s a bit shaken up/disoriented at first with his “Ooh”. Regardless of whose light it is, I firmly believe it is Sora making these connections for himself and not the light showing them for him. Bc of this interpretation, the theory that “Kairi is the light” or “Riku is the light” is not necessarily disproven or illogical on the basis that neither one has been there to experience these Disney scenes. This is different from when the light shows Kairi’s Radiant Garden memories to Sora and is not a perfect parallel but does not need to be.
All in all, Riku’s love for Sora is integral to understand the sacrifices made to facilitate the “drops” and bring everyone to a new worldline, but I personally feel that this specific analysis of Kairi and Sora’s scene does not need to be presented in a way that makes Kairi seem like a misleading device for both Sora and the audience to realize Riku’s love/light. There is no need to disregard Kairi and Sora’s potential connection with the Disney scenes rather than simply show that these scenes are strongly attributed to Riku. There is no need to treat Sora as if he cannot or doesn’t accurately conclude what light means for himself.
I hope my criticism for this specific section does not come off as mean-spirited and I do not want this to be a playground to incite s/hipping wars either bc it’s not even about ships. To make it extremely clear, my criticism does not have to do with ships NOR do I think the theory doc is trying to force a ship onto people either. The word “love” can be interpreted however way you want: romantic, platonic, whatever. I do think that the writers were a bit too quick to dismiss Kairi as the light in this scene and that there was an over emphasis towards Riku in a scene meant to establish Kairi’s importance and I wanted to address that. If it is misreading on my part, feel free to discuss! I don’t want to put words into other people’s mouths. I am open to critique too. This one criticism doesn’t negate all the other interesting insights the doc makes. The doc as a whole is an interesting read and I offer nothing but support and thanks to those involved in the process. 
And who knows, maybe Nomura will come out and confirm that this portion of the doc is right! Then jokes on me but until then, I believe this criticism holds fair.
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