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#i still log into rewritten a couple times a week to keep up on my cattlelog (the urge to Collect despite no intentions to Play again)
majorplayer · 2 years
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i can literally never go back to TTR at this point. i cannot possibly overstate the degree to which TTCC has permanently ruined rewritten for me in the ONE MONTH i have played it consistently this year so far. (i played it for a month when it first came out but i just never got into it back then.)
rewritten is just... so bad and unfun, relatively. it's fatally stuck in the past. it's for nostalgic people who want a few months of ignorant fun, not for long-term enjoyment. don't get me wrong, TTO was certifiably The Shit back in the late 2000s and all we stupid children loved it exactly how it was (which is how TTR still is), but how can it possibly be enjoyed anymore once you've seen the greener pastures? even if clash was almost an exact copy of rewritten and the only differences were the quality of life changes, those changes are so impactful on every aspect of gameplay that i'd still feel the same way.
but it's not even just QoL changes, clash also improves on every aspect of the story, characters, the game mechanics, etc. fuck, even just the clash team is infinitely better than rewritten's. they actually respond to emails, take action against bad actors, approve names within 24 hours (rewritten takes WELL over 1 month recently), and god man, it's so so SOOOO obvious just how passionate the clash team is about the game. it's not something they need to say out loud; it's something you straight up feel as you play it. they pour their hearts and souls into making clash the best it can possibly be.
i used to play rewritten thinking i was having fun, but i am honest to god questioning that now. i don't think i was ever having fun on it in the past few years, not seriously. it's all nostalgia for a game that suffers from crushing subscription-incentivizing design and 2003 capabilities. the entire game is going through the fucking Motions, wasting your life playing the most soul-suckingly repetitive ways disney could implement to keep a bunch of 9 year olds begging their parents for a monthly subscription back in 2009 so they wouldn't get locked out of their toon before they could complete their seventh Back Nine in a row to do one CEO before their math homework. there's not even any strategy involved in the gameplay because it's not meant to pose any sort of challenge, it's just a timesink for monthly subscriptions. clash feels fresh. there's actual strategy and it can be really difficult (in a fun way!!!!) even if you're experienced.
clash is the modern take on toontown, and man do they knock it out of the park on every single account. the fact that i have recently discovered one of my new favorite fictional characters ever and it comes from clash says a lot about how good it is. meanwhile in TTO/TTR, you can generally find people laughing about lil oldman or maybe saying they enjoy flippy, but not much else love for characters besides edge cases. the story of clash has genuine replayability. i feel actual excitement to replay the managers in clash and even to grind them, whereas i would always dread having to do another suit boss or field office in rewritten. playing it is almost like an abusive relationship. i never maxed a toon in TTO, so i really wanted to max a toon in TTR since it was the closest thing... it's such an extreme example of the sunk cost fallacy, blatantly so now that i've played clash.
the fact of the matter is, i grew up. TTO was, and now TTR is, fun for people under the age of 15, and/or people stuck in the early 2010s at the latest. despite being really into clash for such a short amount of time so far, i've already heard this sentiment echoed a number of times while playing it. no one who goes into clash with an open mind and gives it an honest chance goes back to rewritten in a meaningful capacity. no one hits 115 laff in rewritten and thinks "wow, almost all of the rest of my laff will come from suits, i'm so excited to do back nines!" meanwhile i'm about to hit 115 laff in clash and i'm not even remotely finished with the (compelling, well-written, and cohesive) story, much less doing anything repetitive. i'm only excited to continue where i'm at.
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wethepixies · 4 years
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Welcome to part two of our interview series, pixies! Today, we’re presenting our interview with four of the flaptastic people who make this rewrite possible. They had a lot to say, so this post is rather long - keep reading to see the full interviews!
Our first two Game Creator interviews feature two of our beloved artists - Rachel and Ci.
How did you first find out about the WTP project, and what inspired you to start working as an artist?
Rachel: In a computer graphics class I took last semester, one of our projects reminded me and my friend of Pixie Hollow, so we were reminiscing about the game and I really wanted to see if there was a rewritten version of it. When I found WTP and saw they were accepting artist applications, I was super excited because I loved the game and was starting to get into animation at the time as well. I also just adore the process of game development in general, so I was thrilled to become a part of WTP.
Ci was introduced to the project by a friend who’s also a staff member!
What is your favorite part of your job as a WTP artist?
Rachel: My favorite part is being able to contribute my work to a bigger project. Seeing the art I worked on in the game is really exciting to me. Just knowing that the work you put in is helping to further the game is really cool. As for my favorite thing to work on, it’s really strange, but I enjoy creating the UI buttons and signs for different meadows or shops.They’re super small and no one really pays attention to them, but they’re also extremely necessary so I guess I just like to make them, haha. They don’t always take too long to make but I think they’re cute. Also, I’m especially excited for all the new meadows, as I really enjoy helping to restore the beautiful art for the meadows.
Check out this gorgeous sign that Rachel restored for one of our meadow teleporters!
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Ci: My favorite piece of art that I’ve created for WTP was probably a background I restored for a general winter theme/season back when I first joined. It’s not being used right now, but it’s pretty and you’ll just have to take my word for it :’)
How long does it take for you to work on art for WTP, and how do you fit that in your schedule?
Rachel: The time it takes really depends on how much of the project we have completed already. Oftentimes we’ll be working collaboratively and finish what other people have started. So if we are working on something from scratch it can take quite a while, but sometimes it’s just a matter of adding finishing touches and compiling pieces together to create a finished product. And each task takes a different amount of time. For instance, resizing something small will take a few minutes, but creating an atlas for fairy clothing can take hours, especially when you need to restore an item from scratch. Either way, I think it’s still beneficial for us to take our time to create the best product we can. Personally, I don’t always get to work everyday, but when I do, I’ll spend hours because I like to finish tasks in one sitting if I can, although I can’t always haha.  I think that working in moderation is always a good idea as long as you’re getting your work done, and knowing we have so many fans really pushes me to get tasks done and do them well. As for fitting it into my schedule, because of quarantine, I definitely have a lot more time to work on WTP, but during the school semester I would have to plan out what I needed to get done and when I needed to do it in order make sure I could get all of my school projects and WTP work done on certain days in order to avoid as much stress as possible. 
Ci: I don’t have time to work on artwork daily, but I do try to stay on top of what other people are working on, so a small chunk of my day is dedicated to discord. Sometimes I’ll be busy for weeks and do a whole bunch of tasks afterwards in one go, and sometimes I try to take on smaller things (pre-corona I’d sometimes spend time between lectures because that’s often the only time I have!). Some tasks are 5 minute jobs, like UI, but others, like adding clothing, take a few hours. Backgrounds probably take me the longest. A couple hours for a few days, if I have time to work on them daily. They’re really fun when starting!! but after day 3 it’s quite the grind. I like to sleep on those, since there’s so much detail in the PH backgrounds that I’ll inevitably miss something.
Rachel, you mentioned atlases and spritesheets - can you explain what they are and how you use them?
Rachel: An atlas and spritesheet contains all of the different variations of a clothing item or anything you can change on the fairy. So for instance, the hair atlas has all of the different types of hair you can choose when creating your fairy packed into one single file. So in order to make one you have to create all the hair pieces, position them correctly on a fairy reference, export each hair image, and then combine them all onto the atlas file. Then a json file is also created to describe where each image is in the file in order to use it in the game. The spritesheet is similar and is basically a horizontal version of the atlas with all of the images that we use in CAF to scroll through whatever you’re changing.
Do you start the graphics by hand or via some digital web design program?
Rachel: I almost always use digital programs. Sometimes I’ll plan something out quickly on paper but most of the time I’ll use Photoshop. We also use DragonBones for animation.
Ci: All of the research we do is online, so it saves a couple of steps and retains image quality to just keep everything digital. I also don’t have a scanner :’)
And finally, what’s the most challenging piece of art that you’ve made for WTP?
Rachel: The most challenging piece that I’ve done for WTP was probably the hair atlas for when a player creates a fairy because it was the first project I was taking on. All the hair was made already, I just had to resize, reposition, and fix any pieces that were lower quality, and although it was daunting at first, once I started, I was able to get the hang of it (even if it took a few tries), and now I’m super happy I learned how to do it.
Ci: We were missing a whole area of the CAF background (the part that shows up when you’re picking a name) that got passed around for one or two months, and eventually I got to work on it. It was the closest to a custom piece of art that I’ve made for WTP; the middle was a giant blur when I got to it. My motivation to complete it was honestly just being able to get it off the to-do list forever, when I was done I posted a before and after to the staff chat (which I try not to do bc it’s not really productive) because I was so excited about it :’))
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We had so much fun learning more about our artists’ jobs! Next up, we decided to sit down with WTP game developer and administrator Teresa!
How did you first find out about the WTP project, and what inspired you to start working as a developer? 
Teresa: A friend I made in the Pixie Hollow community said that her favorite mini game was Bubble Bounce, so I decided to make it for her. I had started prototyping and showing it around, and someone from WTP saw my work and invited me to join the team.
As we know, WTP is a voluntary project. How do you fit working on WTP into your schedule?
Teresa: I’m actually quite good at time management, and I’ve decided to make WTP a priority. That means that I can’t always say ‘yes’ to other things I want to do, but that’s ok.
What are some of the main things you look for when adding staff members?
Teresa: You need to be able to take criticism well and communicate effectively. A certain level of quality needs to be maintained to build a good game, and criticism sheds light on any blind spots you may have. If you aren’t communicating clearly and frequently, then your value to the team is very low – everyone needs to be on the same page so that work doesn’t get redone and wasted, and to keep an accurate development schedule. Being willing to devote more than a couple of hours a week is also a major plus.
How do you decide which parts of the game you should work on first?
Teresa: There’s this concept called the Minimum Viable Product. Basically, you just strip the project down to what is necessary and work out the kinks. Then you can add new features that enhance the gameplay.
What’s the most challenging issue you’ve faced while creating the game?
Teresa: There was a problem with the animation plugin that I was hoping would be fixed by the maintainers before the demo release. It was a really big deal, the game would be entirely unplayable. At the last minute, I had to dig into the plugins source code and figure it out myself. In the end, it wasn’t actually so difficult – but boy was it stressful. Really I would say that the biggest problems have stemmed from not having enough artists on the team! There have been multiple times where we had to delay updates because we didn’t have all of the assets ready for me to use in the game.
How do you go about fixing a game bug?
Teresa: Gather all the info I can from users experiencing the bug, and try to reproduce it. Just observing the behavior is often enough to figure out the problem. When it’s not, check the logs or step through with the debugger.
Have you ever worked on or made a game before WTP?
Teresa: I’ve worked a bit on some 3D open source game projects, never worked on the multiplayer parts before, though. I also make mods for games.
Lastly, what are your favorite and most rewarding parts of being a game developer?
Teresa: Pushing the boundaries of my knowledge and comfort zone, definitely. As a developer, I’ve learned a lot of new technologies and some new domains specifically for WTP. I also find being able to fix things that I don’t like about games very rewarding. Being an administrator has benefitted me as well. As an admin, I’ve had to cultivate skills in team leadership and project management.
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Finally, we interviewed Lavender Merryheart, our sound designer.
First off, how did you first find out about the WTP project?
Lavender: I found WTP from a Youtube video, and played the demo. I was excited to be able to re-visit PH and when I saw the audio designer application, I wanted to help out however I could!
Are you remaking the music from scratch based on any remaining audio from sources like youtube?
Lavender: Both! We salvage what we can, and re-create what’s needed if. In the future, there will be some new, original music too! When we need a sound effect or music, we first check to see if there’s a good quality clip preserved of the original. It needs to be clear and without extra background sounds. If we can’t find any, then I will dissect the sound or song and try to figure out how it was made, then recreate it.
You mentioned that you make new sounds if needed, how do you go about making them?
Lavender: New sound effects are made by piecing different recordings together, such as the audio you hear when you click the talent orbs, which was re-made from the sounds of a heavy book shutting and wind chimes. If we need to remake a song, I make a new track by re-recording each instrument’s part on a midi keyboard. Then it will be edited it in Logic Pro X, using instruments and synths from the Kontakt audio library.
What’s the part of being an audio designer that you’re most excited about?
Lavender: I’m most excited about getting to write new music for the game! I can’t reveal to you what it’s going to be used for yet, but in the process for the last WTP track I wrote, I thought about how to represent the area it will be used for and what instruments and mood would suit it the best. It was a lot of fun to try to both express my style and also give it that Pixie-Hollow-sound!
Finally, how do you fit working on WTP into your schedule?
Lavender: I keep a to-do list and project notes to help organize what needs to be done, and work on WTP between class assignments. To refrain from burning out, I try to spread out my different tasks and work on a variety of things.
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After we learned about what goes on behind the scenes on WTP, we wanted to learn a little bit about some future plans and hopes the staff have for the game. 
Art wise, what sorts of things will be designed from scratch in the future?
Rachel: Although we still have a long way to go before creating our own work as we have to replicate what was in the original game first, I believe that new clothing and hair might be designed from scratch in the future.
Ci: Right now, we’re still committed to restoring the game in its original form–this means that we try not to design anything from scratch. We’ve discussed the possibility of custom content in the future (items + clothing, pets, meadows, maybe even minigames?), and when the time comes, all of that will be built from scratch. That said, pertaining to the look and feel of the original pixie hollow will be a priority for those updates too.
What game feature from Pixie Hollow are you most excited to have?
Teresa: Personally, I am excited for the skill system and wilderness! We have some new ideas to try out, but I don’t want to spoil anything.
Do you plan to have seasonal differences and events, as well as competitions and activities?
Teresa: Yep! Can’t wait! We are already featuring player’s outfits in the shop catalogue, so that’s sort of a mini fashion spotlight, but there’s definitely more exciting things to come. Fashion spotlight was one of the most beloved competitions/events in the original Pixie Hollow!
In the future, will the game be available for mobile and/or consoles?
Teresa: You can already play WTP on mobile! At some point we will have options that allow the game to run smoother on mobile devices. Console versions won’t be a thing, though.
Is there anything that was in the original Pixie Hollow that you’d like to change in WTP?
Lavender: I would change the whisper noise it made when you got a message, it got a bit annoying. And it would be really neat if you could choose from a few different songs to have played in your fairy’s home depending on your mood! I had the ice themed house and have heard the music a few too many times!
Teresa: There are things I want to tweak, and fully plan to! We have already added a couple of small new things, such as the second sitting pose and featuring real player’s outfits in the shop catalogue. I hope everyone enjoys them!
The last thing we wanted to talk about is the staff’s personal feelings about WTP and about their jobs, as well as ask them about their inspiration.
Is there anything new that working on WTP has teached you?
Rachel: As an artist here I am definitely learning new technical skills and developing as an artist in general. Some examples of art skills I’ve been able to develop include creating atlases and spritesheets for fairy clothing and hair, getting familiar with DragonBones as I’d never used it for animation, and just gaining more experience in Photoshop. And I basically just learned all these things by trying them out and asking questions if I needed help.
Lavender: Through WTP I’ve learned more about creating sound effects, because when remaking the old sounds for WTP, I really have to think about what each one is made out of (for example, the pouch sound was re-created using a paper bag rustling, leaves crunching, and a bell synth).
How do you feel about the community growing so much in a short amount of time?
Teresa: I really didn’t expect it, and it has been a bit stressful, but I hope we are handling it well. I would never have imagined that a TikTok would be the reason either! Having more eyes on us makes me feel restless. We had to adapt the discord server to keep it safe and make information more accessible to new members.
What do you remember about Pixie Hollow? And did it change your life in any way?
Lavender: I joined right at the beginning, and loved how it really felt like you were stepping into a different, magical world. My favorite thing to do was decorating and creating/collecting items for my house, as well as the minigames and item crafting/ baking, I’m most excited to see these features again! Also, a good memory from the game I have is going to the summer pool party in the ballroom, and playing games in the tearoom with friends! The music in Pixie Hollow was one of my earliest inspirations for pursuing a career in film/game scoring. Currently I am studying for a degree in film/game scoring! I’m obsessed with fantasy games, nature, fairy tales, magic, and mythology, and I write music to try and illustrate the stories and have the listener feel like they’re visiting the scene. You can hear some of my original music on Spotify under the name June Westfield!
Rachel: I was so young that I have trouble remembering everything. I do remember sometimes getting on the phone with my friends and talking as we played together and explored meadows, which was really fun. I also really enjoyed completing tasks and playing the minigames. I have no idea why that was so fun to me, but I just liked getting achievements and beating my scores.  
Do you feel like some people may have unrealistic expectations for WTP? And do you think it can ever be as big as Pixie Hollow was?
Teresa: Yes, but I can’t blame them. So far I am the only developer to have actually worked on this game, so it’s a lot of pressure, but of course the players can’t know that. For some reason the things that everyone thinks will be the easiest to code are always the more difficult ones, funnily enough. For example, a flying mechanic like the original game is sort of complex, whereas adding new meadows is extremely simple. Do I think WTP will ever be as big as PH? Definitely not. Pixie Hollow had millions of players, Disney advertised it, and it had a full development team behind it. A lot of the original players will have moved on. I’m actually surprised that so many people have found us already!
Are there any artists that you look up to or are inspired by?
Rachel: I don’t have anyone specific in mind who I look up to, but I do watch a lot of cartoons and really admire animation and all of the work that goes into it. I get really inspired seeing different animated works and am super impressed by the entire process of it.
Ci: I used to actively make art outside of WTP and definitely had a whole list of people whose styles I looked up to, but now that I’ve moved away from that I mostly remember individual pieces. I had to dig some up for this question! loish, gawki, and Hethe Srodawa, are a few.
Lavender: Some composers that inspire me are Enya, Faun, Loreena McKennitt, and Secret Garden. They are all fantasy/new age genre artists that create enchanting music!
The WTP community is a great place to make friends! Is there a person in the staff that you’ve formed a strong friendship with?
Rachel: I’ve definitely become a lot closer with many of the staff members, whether it be looking up to certain people like our team leads, chatting with the other artists in DMs and helping each other out, or just having fun conversations with all the other staff members and sharing funny stories and pictures.
Teresa: Asteria is probably the best friend I’ve made at WTP, as we have talked the most. I have also met Kass in real life – she’s the sweetest! I love everyone on our team.
(Kass is one of our moderators - we’ll hear from her in the final interview post!)
And finally, What does working on a game that’s so loved by people mean to you?
Teresa:  It is so heartwarming to be a part of something that brings people joy and makes them nostalgic. Pixie Hollow’s fan base can make me a bit anxious at times. Sometimes a group of players will want one thing, and then another group wants the exact opposite and it can be hard to make a choice. There’s a lot of pressure in trying to stay true to the original game’s vision while also being fresh, but it drives me to deliver the best work I can. I put a lot of time into WTP, and have actually burnt out a few times already. Luckily, I love building things so much that it never lasts long.
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Next up in our interview series - our social media team and server moderators! Stay tuned to hear their answers to some of your questions.
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The Angel Among Us (Cordelia X reader) Part 2
(This chapter has been rewritten/ edited since original post)
General Notice: I’m trying to get more works out during this time that is rough for all of us. That being said I am trying to keep it’s quality up.
This is technically a prequel to Fallen Angel (Work in progress), however it can be read as a stand alone series.
Summary:
If your reading as a stand alone: A witch heads back to Miss Robichaux's 20 years after she left in hopes of being a teacher there. The only problem is she hasn’t aged a day.
If your from Fallen Angel: The event’s leading up to Y/N joining Michael and the Cooperative.
I’m trying something with this and I’m not sure how it’s going to work so any feedback will be appreciated whether through comments, or anon asks. I did something similar in my Gone and left your world series were it had ~~~ in it and it either jumped, went to a flashback or dream. I did that here and it’s for the past/dream. 
This was originally going to be three different small chapters but wanted to reduce the number of chapters and decided to explain stuff I couldn’t through the ‘present’ basically context and junk. 
as these parts are split up I can make a post where there all together and link it here if anyone wants. 
Also they are so many parallels from my other series and some weren’t intentional.
Warnings: Slight smut, nightmare, murder and all that good stuff. (Everything is tame)
Parts: Part 1, Part 2, Part 3 , Part 4(will be added when done)
She gave you the job without a second thought, thrilled to have her friend back in her life. This time around, it was different. The way she interacted with you, there was more behind every touch, every word she said. You had danced around your feelings for her from the second you fell for her. You didn't know you were gay; you had never liked anyone before and haven't since. Maybe you weren't. Maybe it was just her. She was the only thing your heart desired. No one else seemed appealing. She was straight, she got married to a man and a vile man at that. No one liked him in Cordelia's close circle, but you were all nice for her sake. However, her mother was always vocal about how he detested the man. She wasn't the hugest fan of you either, but you had something worth wide in her eyes, power.
You weren't one to force your feelings upon people, you didn't want to burden her with the knowledge that her long-time best friend was in love with her. Knowing how she was back then; she would blame herself for you falling for her. You didn't want that. Keeping it a secret was better.
She asked you about your time away, but you were reluctant to tell. It was a blur, nothing notable ever happened or at least that's what you told her. "I spent most of your time at your flat." And some ramblings on about jobs so she didn't grow concerned.
You were offered a job here a few years back by her mother about the time Cordelia was blinded. You jumped at the opportunity but as you went to take the job, the balance of the world shifted. Something dark was living on our earth and growing with power. You tasked yourself with discovering it before it discovered your fellow witches or any other good on the planet.
Something told you that the answer to some of your woes would be found with the source of power. The self-appointment job was a failure and you found yourself at the place you ditched it for.
It had been a couple of weeks since you got hired. You sat cross-legged in Cordelia's room on the love seat marking some of the girls' work. Papers scattered on the ground and the couch you had been sleeping on. Cordelia had yet to give you a bedroom.
"Are you sure you're comfortable on the love seat? Wouldn't you prefer sleeping on the bed?" She would say. Her desire for you to join her on the bed masked in such a way that your tired brain couldn't register as her quietly begging for you to join her. In your head, she was still married. She had mentioned multiple times that her and her ex broke up but a month or two doesn't rewrite years in your mind.
You had finished your marking an hour ago and had moved onto Zoe's to ease her workload. She managed to get behind, having double the classes you had that day as well as having to plan her work next week. You thought it was a nice thing to do. While, you were trying to distract your brain. Stopping working forced you to think and that hadn't gone well for you in the past. Countless nights spent in denial, regretting what could have been if only you had spoken up. Stayed away from the school. Ignored your mother's letter. Those thoughts were less common now. Instead, your mind flooded with thoughts of what was wrong with your body. Why your growth had remained preserved at the ripe age of 18- if that.
You threw another log on the fire before heading back to the marking. You focused on the flames using your pyrokinesis to refuel the fire. You smiled at a successful job done. Another hour passed and you were struggling to keep your eyes open. Strong hands gripped your shoulders.
"You're still up Y/N/N?" You looked over your shoulder to face Cordelia. "It's nearly 3."
You checked your watch. She was right, you didn't notice the time pass.
"I'm marking-"
"Zoe's work. I know, she informed me." Cordelia gathered some of the work on the seat moving it to the floor.
"Don't put them near the unmarked ones," you call out as she does so. She moved them instantly away from the unmarked ones. Taking the seat next to you, she removed the paper and pen from your hands and set it with the other papers. "Delia?"
She shushed you, pulling you closer to her. The two of you stared at the fireplace, the crackling of fire was the only sound in the room. The students were long asleep as the two of you should have been. She shuffled even closer to you. She eased your head into her shoulder, her hand finding it's place in on your head, playing with your locks.
"I appreciate that you offered to help Zoe with her work, but you do need a break too-"
"I get breaks-"
"That don't involve studying magic?" Okay maybe not. She knew you too well. Magic was your life, what else do you need? "You barely get any proper sleep. You sleep on this uncomfortable chair which is too small for you to sleep on."
"It's fine-"
"No, it's not. You're sleeping on my bed tonight. No question."
"Where will you sleep?"
"On my bed."
"But-"
"It's big enough for the two of us and it's not the first time we've shared a bed." You blushed thinking back on the few times you've shared a bed with her. Cordelia chuckled at your reaction. "You're too cute." You got redder. You begged her to stop but she kept going. She eventually ended it when you got too loud but not before she attacked you with tickles. You both were dying of laughter, you were surprised no one came to see what was going on. "Okay, bedtime." She patted your leg before rising from her spot. She laid a handout for you to take it. You yawned. "Come on captain sleepy."
"That was stupid."
"Shut up."
You yawned again, "A goodnight's sleep does sound nice and your bed is really soft."
Cordelia led you into her wardrobe, forcing you to rest on an ottoman while she retrieved pyjamas for you. She came back to you half asleep propped up against the wall. She chuckled not wanting to wake you up. She ended up shaking you awake lightly, handing you the a long sleeve shirt and pants. Without complaint, you changed into the clothes as she got herself ready for bed.
Once tucked comfortably into her bed, you wiggled about to get comfortable. She hopped in beside you, pulling you closer to her before she covered herself in her sheets. You stilled and cleared your mind for a peaceful slumber. As the night progressed you found yourself growing closer to the warm body beside you.
~~~
"Catch her! Stop Y/N!" People shouted as you ran through people's heaven's gate crashing and accidentally destroying them in the process. You jumped from room to room, hiding amongst people's belongings to lose the guards chasing you.
The group zoomed past. You sighed before stepping out of your hideaway. The air was musky, you got the sense you weren't home anymore. Your powers were unhinged, unable to control them was becoming more dangerous than ever. Accidentally transmuting into an unknown location was never good.
You've stepped into the devil's den.
You wandered, getting your bearings. It was all too new to you, how where you expected to follow along?
You stumbled into him, the man you were designed after.
~~~
You screamed, bolting upright in the bed. Your legs bend and move closer to your chest. The think sheets flopped off the top part of your body, pooling at your lap. Your upper torso and head drenched in a layer of sweat. Your hands flew to her head, covering your eyes from the monstrosity you saw in your dream.
The light on the bedside table closest to Cordelia switched on.
It wasn't the first time Cordelia had woken from someone having night terrors. In a school with a wide range of ages, it was more common than you'd think. The younger girls had them the most, as you would expect. Their minds were more active but even the older ones had them from time to time. Some of the girls were unfortunately exposed to trauma while growing up, being unaccepted for who they were as a witch. What she didn't expect was for the reaction to be so jarring. The sudden snap from unconsciousness to conscious was difficult for her body to handle. She needed a second to wrap her brain around the situation which was something she didn't want to do.
"Y/N, look at me."
You shook your head, beginning to rock back and forth. You mumbled out incoherently, describing the beast you saw. It was horrifying.
She asked if she could touch you when you didn't respond she slowly reached out until she made contact. You didn't flinch away (which she took as a good sign) nor did you move towards her touch. Ever so gently, she eased your hands away from your face, revealing your blotchy face and irritated eyes.
Your eyes flickered open, taking in the room around you. The face was gone. Feeling the weight of a hand on your shoulder, you turned Cordelia.
The door opened revealing three girls checking in on their headmistress and her roommate. They heard screams and wanted to make sure nothing bad happened.
"What happened?", "Is everything alright?" the girls asked.
"Nightmare. Can one of you head to the bathroom and run a hot bath?" Mallory sneaked past to fulfil the request. Delicately, Cordelia moved you closer to her. If there was any sign of apprehension, she would stop and resume once you were comfortable. "Shh, everything's okay. You are safe. Nothing's going to hurt you."
You sobbed, occasionally choking while trying to get a breath in.
"I-I s-saw evil," you stuttered out. "H-he greet-ed 'e w-ith o-open-"
What scared you the most was how you felt when gazing at evil itself. There was a void in your soul and bearing witness to the being began the healing process. The wound like while was tender but the pain that came along with it was gone.
"Shh. Take a moment to catch your breath."
"I-I was in hell-"
"It must have been terrifying but your back now, with us," Cordelia said. You knew wasn't trying to be condescending but you felt like she was.
Mallory notified Cordelia when the bath was finished. The supreme thanked the girl. You had calmed down significantly since then. Zoe and the other girl, information anyone who was awoken by your screams that you were okay, and it was safe to go back to bed.
The bathwater was warm against your skin, relieving you of the dirty feeling you can only get from being drenched in sweat. Cordelia remained by your side as you begged her to be though she was reluctant to leave herself.
The times were few and far between when you would freak out as you did tonight. At least in Cordelia's eyes, she rarely had you complain about any major problems or come to her for some level of consolement.
"It felt so... real."
"Dreams usually do."
"I guess I can't get a good sleep even on a good bed."
"So, you liked the bed?"
"I said I liked it before."
"Yeah, you did, didn't you? Would you consider moving to it permanently?"
"You want me to share a bed with you?" Cordelia nodded. You chuckled. "I don't know how you expect me to keep my hands off you- I mean-" Cordelia looked up at you grinning. "Wait, have you purposely not given me a room?"
"You know as well as I do, there are beds to spare."
"You're evil. You forced me to sleep on that couch."
"You chose to sleep there, darling."
"'Darling', what are an old married couple now?"
"Weren't we always?"
"What the fuck Cordelia?"
~~~
You, the 2.0, crafted in his likeness with the removal of his ill-intent. You knew what you were, they didn't bother hiding that. You knew him to be pure evil, corrupter of God's plan.
Free will, something you weren't allowed to have. We were all meant to be subservient to the Lord. He, the morning star, was the first to be cast out of heaven. He was defiant, not agreeing with god. All he would've had to do was simply said "I sinned, I submit, please forgive me", and the matter would've been resolved. But he was too arrogant, feeling too proud to bow down. He used his own logic and blamed God for misguiding him. Why would God give them knowledge if they weren't meant to use it?
~~~
Cordelia had been going on a lot of emergency meetings through your time at the school. Some appeared to be beneficial, like the time she first went and returned with two girls (Queenie and Madison) whom you were informed later on had died under her care. Unbeknown to you, you were replacing one of their jobs.
You heard about the boy's school from the woman who attended but remained in the dark about the specifics, being told it was council business and to "not worry you pretty little head," by Cordelia. You reckoned you had a right to know if it concerned the students or Cordelia's (as your unofficial girlfriend) wellbeing in any way but she denied that it did. You stupidly accepted her answer convinced that she would tell you when something goes awry.
You got on incredibly well with Queenie. You had some of the same favourite tv shows and she had many interesting stories to tell about her time trapped as a ghost in the Hotel Cortez. You happened to be a supernatural nut which explained your love for everything magical. You may have bombarded her with way too many questions about what it was like to be a ghost, people had to pull you away in order for you to leave her alone. She filled you in on her side of attending the school, adding in all the juicy gossip that Zoe and Cordelia left out.
Madison was hesitant to interact with you. You were the young hip teacher that happened to join after she died. You mean she didn't have to be stuck with Cordelia holding them back the whole time? You hadn't interacted with her until the fifth night after your initial introduction. She was in the kitchen raiding the liquor cabinet.
"I wouldn't drink that one if I were you. Cordelia will have your head if you open that one."
"Like I care," she said breaking open the bottle of expensive white wine.
"At least pour me a glass if you aren't going to listen to my warning."
She groaned, pulling out two wine glasses and pouring you both a lot. The two of you talked about everything and nothing. You'd finished the bottle by the time you'd retire for the night. You made sure she made it to bed safely before retiring for the night. You were all giddy by the time you stumbled into Cordelia's room. The woman was bundled up under the blankets with a book in her hand. She took one look at you and shook her head, "Madison?"
"Madison," you confirmed, flopping onto the bed giving Cordelia little time for her to move her legs out of the way. "She drank your wine."
"All of it?"
"I had some too."
"I noticed."
"Told her I'd pay you back for it." You scrambled up, crawling on top of her. "I never told her how," you purred, leaning down and taking Cordelia's lips for yourself. Your tongue tasted of the wine. You took no time building into the passion of the kiss. She moaned, re-adjusting how she rested beneath you. You pulled away, murmuring "Would you like that?"
"Yes," she moaned.
You made your way down her body, removing any fabric that got in your path. You paused, seeing the wound on her abdomen. The skin surrounding it was irritated and bruised. What you assumed was a scab concaved into her. Cordelia whined asking why you had stopped. In need for more she forgot about the mark of her fading on her body. She'd hidden it well from you this far, always having that area dressed.
You shook off all the questions you wanted to ask her, instead giving her what she is owed. No reason to ruin the night for the sake of feeding your curiosity. You took your time liking and sucking the right places to turn her into a bumbling mess beneath you. She cried out for more attention. She recalled hearing the click of the door locking but knowing it wasn't her to do it. She wondered if you were going to soundproof the room too.
"Scream for me baby. Scream so the whole coven can hear."
In the little time the two of you had been a thing, you'd kept any PDA behind the close door of your shared bedroom. Anything fun you had, the noise was kept to a minimum or the room was soundproofed in advance. All those times, Cordelia had been in charge. She didn't want to ruin her reputation and didn't want any of the girls to know what she does in her spare time. You, in your tipsy state, was overcome with a newfound level of confidence. It was as though you were someone else feeding off your need to please the woman you'd been in love with for years.
The next morning you were down bright and earlier. Your chipper self poured a cup of coffee before making your way to where Zoe, Queenie and Madison were. They all turn their attention to you the moment you walk in. "I paid her back," you said, directed to Madison as you took her seat at the table. Madison looked slightly horrified (and maybe even impressed?) at you.
"How long do you think it will take her to come downstairs?"
"She's already late."
"I wouldn't expect her to be down any time soon, I wore her out last night."
"Too much detail," Zoe said. The other two laughed.
Fifteen minutes before the students were expected to be getting up, Cordelia rushed into the room. She tried to play it off as calm and collective but she was stressing about being behind schedule.
"Sorry about being late, I slept through my alarm."
"Didn't you get much sleep last night?" Queenie asked, her and Madison were trying to suppress their laugh.
Cordelia deadpanned to you, "You told them, didn't you?"
"Didn't have too, we heard it all," Madison said.
"Oh God, the students. Y/N, what were you thinking?"
"Delia, they're all old enough to know about sex."
"It doesn't mean they should be forced to hear that." You got up and headed to the kitchen before she could scold you any further. "Where are you going?"
"To get dressed, students will be up soon."
~~~
You resonated with his actions and logic, maybe because you were him in some way. That's the problem with the likeness, the blurred line between who you are and who you are seen to be. If he betrayed then so would you?
Human's fascinated you, the ability to come back from sin and earn there place in the holy kingdom. It wasn't forced but advised. Sin still existed and you could choose to break the 10 commandments. Choice. You wanted to choose your life not be bound to a memory of someone else and forced through the wrongdoings as if it were prophesied.
He wasn't like you expected, rude or demeaning. He was cunning, motivated by ill-intent, but who's to judge if it's morally good or bad? Those concepts confused you, bad could be good in another's eyes.
The man knew who you were exactly, rumours of your creation spread fast in the spirit world. "Sister. I didn't expect to meet you so soon. I would have prepared for your arrival." He offered his land to you, to help rule his throne. He had bigger plans for the end times than he let on. He fed into your desire, the same confusion he had experienced at the beginning of his rebellion.
He offered you whatever you could have wanted in order to steal you from the grips of your creator. "I want to understand the purpose of all of this. Why are humans so important? Why are expected to follow subserviently?." A life of my own.
"Then go, seek out your own answers and when you get bored or don't like the answers that you find, there's a place for you here."
"How do I get there? I don't have control-" You'd gotten there by mistake, you couldn't your powers yet. The angels expected you to which is how the ruckus in heaven began.
Think of suddenly being were you want to go and step forward. You'll be incognito unless you want to be seen. No angel has had long term exposure to humans, who knows the damages it could cause.
~~~
It was the first time Myrtle Snow had gotten some time alone with Cordelia after their arrival back from their council trip. She wasn't happy about Cordelia's decision to allow a male student at Hawthorne to compete in The Seven Wonders. Cordelia informed her that she'd seen the future and it appeared grim. At some point she knew she would have to identify her successor but she needed to buy herself some time to figure out who.
Myrtle mentioned Mallory, and how she witnessed the girl completely reversed the wounds of a dead doe and brought it back to its youth. They couldn't deny Langdon's power and though she doubted he was the next in line, he could be what brings the end.
Cordelia admitted her powers are growing weaker and feeling herself dying. She told her Aunt that she hadn't told anyone about her dwindling power except her.
"It's sooner or later Y/N is going to figure it out," Cordelia said. She feared telling you, you already noticed the markings her sickness brought along. You knew too much about magic, sooner or later you'd question her and her state. One of the perks of being the supreme was perfect health. Those mysterious marks don't match that. "I've tried to keep her out of all of this- I don't want her to get hurt." She knew you were more than capable of looking after yourself, but she still felt obligated to protect you from the world.
Myrtle brought up how painful it was to watch you swooning over her for years and it was nice to see that you get a break. The underlying threat that it will be cut short hung in the air but remained unsaid. Cordelia never having mentioned you two being together assumed she'd heard from one of the others.
Mallory interrupted them and told Cordelia that her two o'clock is here to see her.
You hadn't seen Cordelia much that day, having back to back classes, a doctor's appointment then marking once you got back. You'd worked through dinner, not realising what time it was until it was eight and your stomachs rumbling snapped you out of your concentrating state. You had one paper left on witch history. As much as you loved the history of Salem witches, you knew none of these girls cared enough to write a paper on it. There all here to improve their magic ability, history isn't going to help with that. You tossed the paper onto the rest deciding dinner was in order. Marking can be left until tomorrow.
You found a tupperware container full of left overs in the fridge. You scooped a helping of the pasta onto a plate before shoving it in the microwave. You felt two hands wrap around your waist. You chuckled and relaxed slightly.
"Missed you today baby," Cordelia said snuggling into your back. You told her you missed her back. You yawned. "Were you asleep?" she said referring to the robe you changed into when you got home from the doctors as well as your yawn.
"Had a doctor's appointment and had to mark after so I decided to get comfortable."
"Doctor's appointment? Are you alright?"
"Yeah, it was a checkup. I needed to see if my medication was working. They're giving me a higher dosage."
"I don't remember you being on medication."
"I've been on them for years. Some problem with my blood. I can't remember the specifics on the top of my head." You changed the topic, the last making you uncomfortable. "You're being more cuddly than you usually are in public. What happened to keep it in the bedroom."
"That went out the window when they heard us having sex."
"You have to admit you enjoyed it."
"I did," Cordelia admitted. "You could say, I owe you."
"Not tonight. I'm worn out. I'm going to go to bed after dinner."
"I might have to finish off my work early so I can have a cuddle session before bed."
"Sounds like a plan."
"I'll see you soon."
"See you soon."
Cordelia ran off to complete any work she had remained so she could spent her night with you.
You finished your meal and headed up your bedroom. You yawned as you entered the room. The ground felt muddy. Your eyes snapped open. You stood frozen in a forest of trees. A lone gas station stood with a mile of road on either side. "What the fuck-" you rubbed your eyes. This couldn't be real. A man stood there pumping gas into his car, nothing out of the ordinary. You reached for your pocket. You had none. You're in a robe. Outside. With nothing underneath. This hasn't happened before and hopefully never again.
You shouldn't be here, how did you get here? No level of teleportation would have gotten you this far without harm, this place wasn't near the school.
You step forwards to make your way towards the gas station. Maybe he could help you, tell you where you were so you could call Cordelia and explain what happened. A glove hand slipped over your mouth, another around your waist. You were tugged towards a body. You thrashed about trying to escape when the person spoke.
"I'm not going to hurt you Y/N." You said something but it was muffled by the hand. "I'll let you go in a second but you need to see something first."
Another car pulled up and a woman stepped out. The two interacted before the woman ended up cutting his Achille's heel. He collapsed onto the ground and she slit his throat as well. To finish him off she poured gasoline on him and set him on fire. The woman pulled away in her own car. You watched as the man's flesh, burnt to dust. You screamed, cried out watching the scene unfold. You were helpless to do anything but watch on in horror.
"That man's name was John Henry Moore. He taught at the Warlock school, you know the one. He was going to rat out his brother warlocks for treason. His key's are unharmed by the fire. You have one of two choices, drive back to the school and tell your precious supreme that a warlock was murdered and have to explain why you were out here in the middle of the night or you could drive away, dump the car and not tell a soul." Both hands let go of you.
"Why did you make me watch that? Who are you?"
You spun around but no one was there. You decided to test what the person said was true. You crouch by the pile of ash. John Henry Moore, you never heard of him. That wasn't surprising, he taught at a warlock school. You weren't familiar with too many, you were always taught you were superior to them so you never bothered to look into them. You hovered your hand above the ashes, concentrating on who they used to belong to. Come on Y/N, you can do it, you repeated in your head. You took a deep breath in and out.
Information filled your mind along with snippets of the man's face. The person was right.
You snatched the keys from the pile of ash and hopped into the car. What were you doing? You can't steal a dead man's car. He isn't going to need it, you reasoned. You start up the car, listening to it rev. The camera's, they would have seen you hop into the car. With a flick of the wrist you erase any record of you being here before speeding away. You didn't know what to do. How were you meant to explain why you were in the middle of nowhere. You didn't even know where you were going.
"Where did you go so late?" Cordelia asked as you stumbled through the front door.
"Grocery store."
"In your robe?"
"Yeah."
"How did you get there? The van's still parked-"
"You ask too many questions," you snapped. She was taken aback. "I've been through hell today. Can we just leave it there?" You didn't give her a second to respond before you headed towards the back of the school. She followed you, stopping when you did. Your back faced her.
You'd changed energies since you entered the academy. You were no longer the sweet and tired woman she was planning on spending her night with. Now you were agitated. You rarely found a reason to snap at her, she worried something happened to you. She let your behaviour slide, not wanting to push you any further and cause a scene at one thirty in the morning.
"We have a new student, Coco St. Pierre Vanderbilt. I put her in your class and organised a one on one with you and her today to get her comfortable being here."
You hummed fiddling with a pack of cigarettes you picked up along the way. You never smoked before in your life but the urge was all too tempting tonight. "Hmm~" you hummed, your mouth around the stick of death that was between your lips. Your hands fumbled about for the lighter you bought. Seemingly misplacing it, you groaned.
"I'm glad you're safe," Cordelia mused. "When you disappeared after you said you were going to bed, I worried." When you wouldn't pay her any attention, more focused on what you were doing she circled you. "What are you- Where did you get those?" She tried to take the cigarettes away from you but you moved away. "You don't smoke- how? Why?"
"I'm sleeping on the couch tonight," you said around your unlit cigarette, stepping outside and shutting the door with your powers.
You sat there until the sun rose. The birds chirping sounded like ringing in your ears. Visions of the man burning was all you could see. The hand around your waist and mouth, holding you in place. The helplessness you felt. What kind of witch were you? You had the chance to tell Cordelia where you were, what you say and you decided against it? Who were you? Not yourself.
Your robe slipped off your shoulders revealing your back to the cold day and showcasing your white ink tattoo of angel wings. You got paid 50 bucks to do it back in the day, now it's just scarring of the tattoo you once got.
You were on your third cigarette. You took another puff, missing the sound of the back door opening under the screams in your mind. A tap on your shoulder sent you zapping elsewhere. Landing on the other side of the garden, you quickly adjusted your robe, covering up your back and naked front. Your robe must have untied itself during the night. You dropped your cigarette butt stumping it out with your bare foot.
"Mal? What are you doing up so late?"
"It's 9 in the morning," she notified you. "Cordelia told me to talk to you after you didn't head up this morning."
"I told her I was going to sleep on the couch," she probably assumed the one in her room. Mallory walked up to you sitting down beside where you teleported to. "We don't need a mediator-"
"Go and talk to her. Assure her that there is nothing to worry about. She spent the couple hours you were missing tearing the place to shreds." You chuckled at the last bit. "She also wanted me to remind you, you had that class with Coco."
"Who?"
"The new student."
"Crap, yeah. When's that start?"
"Three minutes ago."
"Shit- you distract the girl, I'll quickly freshen up."
She nodded. You grabbed your belongings before teleporting upstairs to clean yourself up. You scrambled through your belongings looking for something quick to change into. You opted for a long maxi floral dress with your platform boots. You douse yourself in perfume before sprinting downstairs. You ran past Cordelia on her way to her office, she went to speak when you said, "Meeting late." and continued on your way.
You found Mallory sitting alongside another girl. You apologised for your tardiness, and greeted the girl with a handshake.
"Your hands are cold," she commented.
"I'm well aware. So as you're aware I'm meant to so you the ropes. If you are scared, it's normal."
You dreaded the time your class your one on one would end but when it did, you were happy that the new student was at least a little more comfortable being here. She reminded you of yourself when younger. No you weren't rich, you were scared of being in a place you didn't belong and not wanting to waste the teachers time. Any witch no matter how little their powers are deserved to be here.
Once you were done you were requested to go to your girlfriends office. You didn't bother knocking as she expected you. The door squeaked, "Your door needs some oil," you commented.
"I'll make sure someone does that later-"
"Oh, I can do it. It's no problem. I'll do it now-" You deflected.
"Leave the door. It's not important." Cordelia rose from her desk chair and moved to the set of chairs in front of her desk.She chose to do this to show you were not in trouble and to remove the desk from between the both of you. You'd both use it as a barrier to hide behind. She gestured you to take the other chair. You slowly shuffled to your designated spot, your platforms scraping across the floor. Normally you would have earned a look of disapprove from your girlfriend for ruining the school's flooring. Today was different, her pet peeves were tossed out the window, replaced with an emotion you had yet to determined.
She didn't speak until you were settled in your chair. Your eyes floated everywhere never focusing on one place and definitely not on her. She realised she wasn't going to get your undivided attention, it was for the best, you never made eye contact when you were in a stressful situation. The woman allowed you to get away with pushing her away far too long. She'd let you escape from her for years during her marriage or the nights back in high school were she'd gotten a smidgen to close. She saw why now, it was as clear as day. You'd pushed her away to save yourself heartbreak. It took her until she had the sight to figure out she was being cheated on and still she couldn't figure out how strong your feelings where for her. You were pushing her away again but this time she couldn't understand why, it wasn't like the last time you did so, you haven't left her yet. It was similar to moments in high school were she was getting a little experimental, bi-curious even, but you weren't having it. You didn't want to be second, you wanted the gold. Had you figured out her secret, that her days were numbered. You'd seen the markings. You could be bracing yourself for the pain, cutting off the ties before they were snapped from you. Self induced pain was easier to deal with.
"How did the session with Coco go?" It was best to ease into the conversation, make it seem normal, Cordelia thought. You both knew it was coming so there was no point in delaying the inevitable but scaring you off wasn't the end goal.
"The Vanderbilt girl is super nice. Is Vanderbilt or Pierre a better nickname? Pierre is a masculine name and she isn't very- Vanderbilt it is." You rambled on. "I think I did a pretty good job at convincing her she belongs here."
"I knew you'd be the perfect one for that."
"Yeah~"
"I want to talk about last night-" you went to interrupt but you were silenced. "I know you don't want to talk about it but that's what couples do, they communicate so we can move past it."
You nodded, your focus now stilled on the left leg of Cordelia's chair. There was a paper clip resting next to it, bent slightly out of shape. You wanted to pick it up and put it with the rest or at least fiddle with it to distract your mind from what she was asking you to do. Talking was a chore, why would you need to talk, can't she just read your mind, or the energy you're radiating? Her idea wasn't a good one. Emotions are meant to be expressed outwardly and if not, they should remain to one's self.
"You said you were going to bed. You could have given me a heads up or texted me that you had to go out."
"I did head to bed." Your voice was small. Your hands fiddle with the light fabric of your attire. "I didn't plan on going out... It kind of happened."
"You going somewhere doesn't usually just happen. You have to actively seek out doing it."
"I-I teleported- I think. Whatever happened wasn't intentional."
"You teleported? Where?"
"I don't-" Should you tell the truth? "A park, an hour away. I went to the grocery store on the way back and picked up-"
"The cigarettes. You know what I'm going to ask you to do with them." You shook your head. She laid her hand out. You pulled them out of your clothes pocket and handed them over. "I don't want you to get addicted to these. They ruin lives and I love you too much to watch you waste it away on this." You nodded in recognition. "Did anything happen while you were out?"
You shook your head, "Nothing happened-"
"You transmutated far, are you sure you didn't get hurt?" You nodded. "Can I have a look over?"
"You just want an excuse to see me naked, don't you?"
"Always, but it is strange that you are developing new powers now or at least of that strength."
"Developing them now? Are you calling me old?" you joked.
"You're older than me." Yeah, you were. "What are you, like 905?"
"Hey! I'm not immortal."
"You could have convinced me otherwise."
"We both know that wouldn't be a good thing. We both know the story of Scáthach. "
"Are you talking about My Roanoke Nightmare? I thought you hated that show."
As much as Cordelia hated horror, you were a fanatic- not because you enjoyed the film, you loved critiquing it, ripping their use of the supernatural. You often referenced horror movies and how they were wrong in class or when casually talking to Cordelia. Then the show My Roanoke nightmare was popular, you'd binged watch it and won't shut up about the show for weeks. Cordelia knew everything about the show without seeing it. She eventually did, so she could better understand what was irritating you so much.
"I do, but Audrey Tindall is hot."
"I hope neither of us ever met her." The both of you chuckled.
"No, but seriously. She's real or at least what they say about her is. She gained immortality from ancient gods. We both know you don't make deals with ancient gods, we teach that as part of the curriculum. You don't accept gifts from deities and all that jazz. It's witchcraft 101. All I know is if I had a choice between being normal and being immortal, i'd choose normally any day. Hell I'd probably give it up. Imagine living a life where you couldn't get attached to people because you know that one day they are going to die and you'll be alone. You can met new people but you know that they are going to die too. It's a long circle of death until the world explodes or hell raises over maybe even after that. It would get lonely. Plus, I'd lose you and I couldn't handle that."
"Don't worry, I'm not going anywhere." At least not for now, not today, Cordelia thought.
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hydrus · 7 years
Text
Version 289
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I had a great week. The new wx build is ready for all users, and I am back to normal schedule and work.
wx
Last week, I updated the client to an important new version of my user interface library, wxPython. It was a big change, so several bugs (tag lookup scripts broken, missing taglist scrollbars, and empty client->external file drag-and-drop were the big ones) and even a couple of crashes fell through the cracks. I believe I have now fixed pretty much everything, and I am much happier with the whole build in general, so I now recommend it for all users, including first-time users.
Please note that I fell back to Ubuntu 16.04 for my Linux build environment, and several users on different flavours report they can now run my build (the one linked above) when they previously could not. I believe this is true for some Arch users as well, which has previously been a real problem. If you have had trouble running hydrus in Linux from source (or getting the new wx going), please try the build, as you may find it just works now.
To repeat from last week: there is not a huge amount different in appearance with the new library version, but the behind-the-scenes works a lot better. There is less flickery and clunky behaviour all-around, and I've rewritten some auxilliary systems to use less CPU and memory. It was a lot of work, but I am pleased with this final result. I am feeling more enthusiastic about a similar update to Python 3 sometime this year.
Thank you to all the users who reported issues and the quick turnaround when I needed more information. If anything you reported is still happening or you discover any new crash conditions or anything, please let me know!
url classes
I got back to work on the downloader overhaul and was able to finish the new 'URL class' concept, which is a system that will eventually let any user define a site's URLs for the new downloader engine to recognise and interact with.
I have created default url classes for (I think) all the sites the client supports when you first install, and when you update, you will receive these defaults. When you next open the media viewer on a file with known urls, instead of seeing a list of web domains in the top-right URL list, you will get prettier 'gelbooru file page' or 'deviant art file page' for any recognised URL.
Please note that if you have played around with this system yourself, the update here will completely overwrite whatever you might have previously created with the new defaults. If you want to keep something, please export it in your current version before updating so you can reimport it afterwards.
misc
The options dialog now has an 'importing' page that lets you set up default 'file import options' for quiet and loud import contexts. If you prefer your page imports to only show new or inbox files, for instance, you can now set this as the default easily. You can also set up the 'exclude deleted' and minimum resolution and the other settings as well. The old 'exclude deleted' setting is removed from the 'files and trash' option page and reset to YES in both import contexts, so you if you typically do not exclude previously delete file imports, please check these new file import settings.
I have fixed an issue where thread watchers could pause themselves on certain network errors when trying to recheck. This was hitting some people on waking their computers--a bunch of their threads would check, but the computer had not yet initialised the network, and the threads would hit the error and all pause themselves. This could also happen during any other long network disconnection situation. So, thread watchers now catch network-related errors more cleverly and do a similar 'delay' system as subscriptions--they'll just wait four hours before trying again (although you can hit 'check now' to override this). Thread watchers also now prepend their names with a pause symbol, '⏸', whenever they are paused. You can set this prefix to be something else under options->downloading, like with the [DEAD] and [404] states.
full list
fixed an issue where scrollbars were only appearing on taglists after a resize event
fixed the raw filename component of file drag and drop events from the client to external programs
fixed the tag lookup scripts
fixed some wx menuhighlight issues
improved some shutdown code
fixed the add/edit namespace colours options panel, which needed to be updated to deal with the new wx's better alpha channel reporting
fixed an issue when hitting 'open externally' on a media collection
fixed a crash on client shutdown whenever closed pages were in the undo menu
think I fixed another shutdown crash
fixed a rare issue with the collect by dropdown not being able to generate a string to display
misc wx fixes
added a 'importing' page to the options dialog, which now sets the default file import options for quiet and loud file import contexts
the old and no longer used 'exclude deleted files' option is now removed from the 'files and trash' panel
finished off default url matches for all downloaders that come with the program--these will be set on update, so if you have custom ones, please export them before you update so you can import them again!
improved how urls are matched and presented for the user in the media viewer
added a 'delete "successful" file imports from the queue' entry to the file import status button right-click menu--this only removes 'successful' and 'already in db', leaving anomalies
improved locale instantiation in the client and added locale strings to the help->about dialog
you can now set the page name prefix for a paused thread checker. it defaults to a unicode pause character: ⏸
thread watchers will no longer pause on a network error during a check--they now have a 'delay' system like subscriptions, and on a network error, they will delay four hours (unless you hit 'check now')
patched in some simple 'connection cutoff' network error handling, we'll see how it does
wrote in some more proper error handling for a specific connection cutoff error that is being produced
the similar files search tree regen code now clears out orphaned files. if you have had blank 'unknown' files appear in similar files searches, please run database->regen->similar files search tree
bitmap buttons on download pages will now update using less CPU and will flicker less
improved some video rendering error reporting
fixed the 'author name' regex favourite default, which had a superfluous asterisk. if you would like to fix it yourself, please try: [^\\]+(?=\s-)
added 'flush log' debug command
client.pyw now makes a safe 'system' ui error popup if it fails to boot
next week
With the url classes now in place, I will start integrating it into the existing downloader engine. When the client can intelligently recognise any kind of url and match it to a parsing solution, we can start swapping in the new parsing engine and begin supporting downloads for any user-defined site.
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phylophe · 7 years
Text
Only Human
The Mechanic observes his Magnum Opus. 
----- 
There’s something different about him - he’s used to that shit-eating grin of this asshole, and something about this one just doesn’t feel right.
“Where’s your doctor?” He asks as Four throws himself down onto his couch and stretches out, as if he owned the place.
“Aww, what if I just came over here because I missed you and your rough treatment?” The out-of-place smile is still there, and it feels more wrong by the moment. Still, the man’s committed to his acting, if nothing else, and keeps up the cocky composure even as he smears blood onto one of the new cushions. “Or maybe I just wanted to have a catch-up with my favourite mechanic?”
“Sure. In the small hours of the morning. Covered in dried blood. And… did you get shot?”
Four doesn’t retort immediately with some smart comment; only after a few seconds does he manage a feeble comeback. “I didn’t get shot. I got shot at, and they missed.”
“Nice try with the bullshit.” He doesn’t press further. He hasn’t seen Four so weak, so broken, so human, since the time he’d spent months putting the man’s body back together.
He doesn’t ask anymore questions, and Four doesn’t tell anymore lies. Two days later, he wakes up to find his couch empty.
Don’t do anything stupid, he thinks.
-----
But of course the bastard goes and does multiple stupid things.
Over the following weeks, the double-agent does an abysmal job of upholding that title, and ends up dirtying his couch three more times. The last of these times, his partner ended up having to actively hack into the government surveillance records and manually overwrite some files.
“Are you so full of crap that it’s finally filling up the space in your skull, shit-for-brains?” Four’s actions were reckless and selfish, so he figures he deserves a taste of his own medicine, if only in the form of a scolding. “Please tell me you’re fucking up on purpose, because if you’re getting us into trouble by actual stupidity, I’ll have to kick your ass myself.”
“Maybe I don’t have enough fibre in my diet?” Even while sedated, the shithead somehow musters up enough energy to pull a jerk-ass face, and he’d like nothing more than to put his fist in it, except his hands are currently occupied by clamps and a scalpel.
“I’m serious, Ilvait.” The emphasis on his real name does the trick - Four’s face grows stern and his eye sharpens with attention. “I couldn’t care less if you got your sorry ass handed to you and die in some rat-hole, but if you keep pulling crazy stunts and jeopardising the safety of the rest of us, I’ll go have a word with your superiors on both sides.”
Four doesn’t bother with a reply - that alone tells him that the agent’s streak of poor performance isn’t simply coincidental.
“What happened to your doctor?” His anger is diffusing a bit. He’s only human, after all.
Four supplies a single word: “Hrodna.”
The airstrike. They’d attacked not only the infantry, but also one of the field hospitals. “Did she die?”
“No.”
The gears turn in his head and the pieces click into place. “So are you going to do anything about that stick up your ass, before it migrates too high and gives you a heart attack or a stroke or something?”
“What do you suggest?” Four asks with his face turned away; he can’t say he likes it better when the asshole’s grinning, but he also can’t deny his pity for the guy. “Should I take a leaf out of your book: Insubordination For Dummies?”
“I thought you of all people would somehow find a way around it, what with all those nasty thoughts squirming around in there.” He cauterises a blood vessel with an electric scalpel. There’s some nerve damage and a number of small arteries need to be reconnected - procedures that are beyond his abilities. Four will have to get a proper doctor back at home. “Assuming you can even manage rational thought at this point.”
Four doesn’t respond. Oh my god, he’s actually listening.
“Look, if it’s bothering you to this extent - damned if you do and damned if you don’t - go take care of this personal shit before you fuck up everything else.” He puts down the scalpel and picks up a suturing needle, sighing as he turns back to his subject. “If it’s that difficult, I’ll do what I can. Marclai will help, too.”
He braces himself for a smug quip, perhaps preceded by a coy, overly-affectionate coo.
“Thanks.”
He didn’t expect that. “Don’t thank me.” He waves it off with a soft grunt. “I just don’t want me, or him, or anyone else getting caught up in this mess because you’re worried about your woman.”
Four is only human, after all. The reminder rings once again in his head. And nothing is more human than the weakness for love.
-----
He squints at the scanned document on the screen. It looks like a scientific paper, impeccably formatted with LaTeX, complete with figures, tables, and equations. The author had identified himself as ‘Ivan Mikael Fore’.
The text, however, consists of just one word: chicken, over and over. He glances over to the page count: Page 1/34. “What’s this?”
“Something that came to the attention of the general himself. Apparently one of his close associates - a civilian, to boot - got tipped off with this piece of intelligence.” His boss sounds exasperated through his headset. “It looks like a prank, but there’s a hidden message in this apparent nonsense.” A PDF file is opened, with a short message occupying a tiny fraction of the page:
on ap ril twen ty nin th at ze ro thr ee hund red ho urs th ere will be an acci den tal deto nat ion of a seri es of six und isco ver ed la ndmi nes five po int two ki lome tres sou the ast of the ca mp
He recalls a conversation he had with Marclai a couple of weeks ago. Apparently Four had requested access to the secured bunker where all the yet-to-be-defused explosives from previous wars are kept, and asked to have the records rewritten so the missing items couldn’t be traced. There was also something about drawing up a circuit involving a timer.
“Do you know anything about this, Haekel?” His silence probably answered that question already. Shit. “This has Ilvait written all over it, don’t you think?”
“I can’t say for certain, ma’am.” He fumbles with the mic of his headset. “What camp is this, if I may ask? Does the general have an idea? Any matches with anything in our records?”
“The general thinks it’s Dzisna.” Oh, damn it, Four. “The Naveau name has been popping up mysteriously lately - someone bumped the Hrodna-Dzisna case up the priority list, the password access to files of missing personnel has been removed by an unknown hacker, and rumours are gaining traction. The media loves it, of course, and wants to know what the military’s doing about it.”
“My apologies, but I don’t know anything about this chicken manuscript, ma’am.” He leans back in his chair, feeling both amazed and exasperated. “I can have my associate dig into the server’s logs if you wish - do some data-mining, see if anything turns up.”
“That’d be useful. I’ll send you the details after further discussions with the unit, then.” His boss sighs. “It just seems like too much of a coincidence, with Ilvait volunteering to be deployed to that month-long recon mission in Azerbaijan. Is he trying to create an alibi for himself?”
“I really don’t have an answer for that, but I’ll see what we can do, Major General.”
He waits until the electronic security scan is complete before turning to his partner. “You helped him, didn’t you, Ilya?”
He really pulled a leaf out of your book, after all, Marclai signs from across the room. Since it’s for a righteous reason for once, I agreed. It reminds me of old times.
“I’d be impressed if he can pull this off.” He pulls off his glasses and rubs at his eyes. “Truth be told, I kinda hope he does.”
He will, if I’m backing him up.
-----
Okay, he’s impressed.
The Special Reconnaissance Unit had decided, in conjunction with General Naveau and the rest of intelligence, that the tip was genuine, and too good of a wave not to ride. 
In the chaos provided by the ‘accidental detonation’, a small taskforce composed of volunteers stormed the place, and rescued the surviving prisoners - Four’s doctor among them. The base itself was heavily bombed to erase any evidence of the taskforce’s intrusion.
When Four returned from Azerbaijan, he was taken into custody almost straight off the plane, ferried back to headquarters, and questioned thoroughly and mercilessly, but there’s no solid evidence of his involvement, and his alibi was flawless.
He was even more pleased when the Major General decided to unofficially punish Four, anyway. He sure couldn’t say no to the offer.
“So… you’re my bitch for the next four weeks.” He pulls the most smug, snide, shit-eating smirk he can manage, and drops a stack of dusty binders on top of the pile of documents. It’s probably got nothing on Four’s face, but damn, it feels good. “Looking forward to all the old cases you’ll have the honour to look through?”
“I hate you so much,” Four grumbles, but there’s something behind his petulance - a hint of pride, and satisfaction. He’s back.
“Aww, is that the way to talk to your master?” He chuckles, and not entirely out of spite. “Aren’t you at least a little bit grateful you’re not in a worse situation right now?”
“I guess so.” Four shrugs, pouting as he turns back to his fort of files, and hunches over the computer. “I could be stuck with old case reports and not have air-conditioning.”
He laughs heartily at Four’s sign of defeat. He thinks things over, and after a few minutes of silence broken only by the white noise of fingers tapping away on a keyboard and shuffling through papers, he spins around in his swivel chair to address the man once more. “Did you see her?”
“Nope.” The typing and shuffling don’t pause for even a moment.
“Planning to?”
“Maybe when she gives her statement at the capital.” The man slaps a stained, crinkled stack of paper onto the end of the desk. “Probably not the right time for a catch-up over coffee, though.”
“Probably not.” He agrees. Still, it all feels so… sad - this secrecy, this distance, this unfulfilled longing. “Hey, Four?”
“Hmm?”
“I hope things work out for you.”
“Thanks.” The typing and shuffling stop. A sigh - miserable, weak, human. “I hope so, too.”
-----
He thought he was done dealing with his bullshit once he’s resigned from the unit, but in true Four fashion, the man has once again proved him wrong. 
“What the fuck, Four?” He’s concerned - the man is properly dressed, but his complexion is pale, and there’s this disturbingly absent look in his eyes, but that doesn’t negate how angry he is at the former-agent putting the safety of himself and everyone around him at risk. Again. “Don’t tell me you went around looking like that - in case you’ve forgotten, you’re meant to be dead now, dumb shit.” 
Four has the gall to look up at him - straight in the eyes, then simply shakes his head. “I covered my tracks.” 
He allows Four to shove past him into his workshop, and watches as the man sheds his coat, scarf and gloves in turn, tossing it over his stained couch.
His eyes scan over his body, and stop at his right hand, which is covered in soiled, carelessly-wound bandages. The blood on it looks old. 
He rolls his eyes and lets out a groan. “Sit your sorry ass down before you fall over and break something.” He digs under his desk for his medical kit, gnashing his teeth. He gets the feeling that this will be beyond his ability to fix. “Who and how did you fuck up, this time? You look like shit.” His stomach is flipping. Four isn’t an agent anymore. This wasn’t a mission - this was personal. 
He fucked up someone as a personal errand. 
Four still won’t talk to him, but at least he’s sat down on the couch. “I know you’ve been moving around.” He reaches for the bandaged hand, grabbing Four’s wrist rather roughly. “Ticking off that hit-list you’ve been compiling, right?” 
Four is silent. He takes that as a ‘yes’. 
“Did you catch and release?” He has to reduce his questions to yes-or-no ones; his friend looks damned near catatonic at this stage. 
“No.” Ah, he spoke. “Took care of the last one.” 
“And how long ago was that?” He peels off the bandages - blood and pus and iodine soak the dressing, sticking the layers together, and there’s no way he can be as gentle with it as he’d like. “Long enough for you to take piss-poor care of a simple cut and catch an infection.” He lets out an angry huff at the state of the wound - it’s probably once a neat gash across the palm, but infection has reduced it to a swollen, discoloured, feverish mess. He starts cleaning it with disinfectant. 
Four is muttering. “I was in Dzisna.” 
“…Fuck.” He can’t find a more suitable response. “You screwed up.” It wasn’t a question, because of course he did. 
He’s only human. That place is haunted for him. No way he’d have gotten out of that unscathed. 
He tries his best to get the details out of Four over the next hour as he worked on the wound, asking him short questions and prompting him to divulge. He learns enough to piece things together: Four has been committing to some vigilante work and tracked down those who’d wronged his doctor - his woman - in that camp. He’s appointed himself judge, jury, and executioner, and hit a roadblock when it came to his final victim. 
The sergeant in charge of the camp; the man who’s allowed for the vicious abuse of his woman during her imprisonment there. 
“No wonder you snapped. Damn it, Four.” He glances over at Marclai, making sure his patient is held still, before he tugs the piece of rusty, chipped scalpel out of Four’s palm. The man jolts, but the movement is much weaker than anticipated. “I know you have a lot of mechanical parts in you, but news flash: you’re still human. You have feelings. You’re not invincible.” He starts to suture the swollen, infected mess as best he can. “Don’t put yourself into stupid-ass situations like that, you extra son-of-a-bitch.”
Four doesn’t retort. He finds himself feeling too sorry for the man to scold him anymore, however much he deserves it. “Stay here for a while.” He suggests, and Marclai nods in agreement. “I have to order some shots for the technicolour mess that is your hand, and until you’re better, you’re staying here. I don’t want you passing out somewhere out there and risk exposing all of us.” 
“Until I’m better, huh?” Four lets out a pathetic little snort. 
I know; for people like us, things may never truly get better. Still– “Until you’re good enough to go back to your woman.” He tries to be firm. “No more stupid shit. Your woman doesn’t deserve to see you looking as fucked up as you do now.” 
“Okay.” Four’s response has an edge of his obnoxious sarcasm, but when he opens his mouth to reassert his message, he fancies he can see tears in the former-agent’s eyes. 
“Go lie down before you fall over.” He walks off; Marclai has long since disappeared. He understands it well - space and time are the only things that can make it better, now.
We’re all only human, after all. 
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