#i’d honestly be more into self-shipping if i had the capacity to be detailed enough

[pileofmush]

i think it’s amazing how idea-less i am LMAO. wish i could be the type of blog that spits out headcanons abt my faves every day but i literally do not. think

[rpbetter]

I'm a novella roleplayer who writes long-term threads. Since this is very rare on tumblr, I've noticed that many muns are intimidated or put off by how much I write, how much information there is on my muse, and other things inherent to long-term roleplay. People have even told me outright, "I'm intimidated by you". But I do wonder if there's another component besides, well, just the amount of writing I do. Maybe there's a way to negate some of this by using certain techniques, wording, etc in my rules and overall presentation. Do you have any advice on how to reduce how intimidating I seem, even with the amount of writing I do? Any particular things I should avoid? And at what point should I just not worry about it, because it's out of my control?

Hello, Anon! Thank you very much for this question, I think it's a discussion many could benefit from. That should probably be head's up for everyone that this is going to get long, yes.

People have also told me, outright, that they're "intimidated," and I know that's something my writing partners have been told as well. It's also something that seems to be a common statement toward novella roleplayers in particular, and one's chance of having it said increases with factors such as being a long-term RPer, particularly good vocabulary, visible skill with writing, and indeed, having a muse you've dedicated obvious time to developing - made obvious in not only the amount of information available on your muse but also in your confidence about that muse.

I honestly do not think most people who say this any more realize that it's a little offensive than they know precisely what it is they are trying to tell you. Regardless, it makes it a bit hard to know what you're doing, if it's actually something wrong, is it something you can or should change, or is it just another case of being the minority in the RPC, therefore, having more muns out there that you're not suited to writing with? No one knows, because it's vague!

So, I’m additionally going to beg everyone out there to not say this. Please, if you find yourself categorizing another RPer as “intimidating,” do everyone a favor and consider what is making you feel this way, even if you never tell them this. Eventually, you will tell someone, and if you’ve thought on it already, you’ll be better able to express yourself in a way that is neither offensive nor vague. If you do tell someone they are “intimidating,” expand on it and be specific. Tell them whether it is the length, writing style, the mun OOC, it’ll be very helpful. You needn’t be shitty about it, just honest and polite.

Try: “I’m not confident enough to write with you, I don’t feel like I’m capable of writing that much, or that well, but I would love to keep following so I can read it!”

You’ve not been offensive at all, but have told them what your difficulty is. You’ve also kept this a you problem, not a them problem. When we tell people they are “intimidating,” that is a negative connotation that implies they are doing something wrong. We've made it a Them Problem. Maybe there is something they could work on, but your feelings over perceived limitations aren’t their problem. They can’t change the way you feel about yourself and your writing in contrast to theirs. By saying it this way, it’s still clear that you don’t think this will work out, you’ve told them why, and you’ve done it without projecting responsibility.

Alright, sorry, just in case anyone out there who says this and isn’t immediately turned off by the length of this reads it.

As I said, I've been told this as well, when it seemed like a mun that would be alright with me asking for specifics, I have. Unfortunately, they couldn't describe those specifics in any more detailed terms. I'm not saying this to shame anyone's capacity to describe their impressions or wishes, sometimes even the best writers aren't good at expressing themselves more personally. I'm just saying that a clearer description wasn't possible, and that I am taking this from what has been expressed by these people and others in limited ways, directly stated or vented about vaguely.

The length appears to be the predominating issue.

"It's just a lot," "I feel like I'd miss things in it," "intense," and "I like quicker back and forth" are some of the major points that have been made to or around me. They're the first and primary things that are mentioned, and they all deal with the length (though, the intensity thing also deals with the writing itself).

As you already know, as a novella RPer and how unpopular that is, the length is usually an issue, yes. Let me rephrase that - it is an issue that is a part of the vague descriptor of being "intimidating," I do not feel that lengthy RP itself is a problem! Just the problem that some muns are having with seeing you as a viable, approachable RP partner.

Looking at someone's writing is something I always highly advise doing while looking for new partners, but I believe that our writing as novella RPers can obscure it for some when they're not actively a writing partner yet, thus, not involved in it. I enjoy reading threads I am not a part of, and since everyone I write with is also novella, that means I'm essentially reading short stories every time I do - that's not typical. Most people just see Wall of Text in a novella thread they're not involved in.

It's kind of a seeing the individual trees in a forest situation, and might not have anything to do with the mun's potential interest or viability as a partner. I mean, I doubt you're looking to engage interest of short multi-para or one-line muns, since that isn't your preferred writing type and yours is not theirs. So, you're likely looking at the few and far between other novella and any lengthier multi-para muns. So, it's not going to be an issue of simply being novella, thus immensely overwhelming and not their thing. It's more likely to be that your novella is particularly lengthy, and again, they're not yet involved in it. They’re seeing a task, not the fun engagement of it yet.

I know that I've had several mid to lengthier multi-para muns approach me wanting to write, they're usually interested specifically in beginning to move toward doing novella. They also see the fruits of these great storylines, OOC friendships, and in-thread relationships on the dash, not the building that went into them. The expectation is different from the reality, and once they start receiving my replies, that can quickly turn overwhelming. They've now got something on their hands that has been too lengthy for other, established novella writers, and it's all at the beginning still with the muses.

This is when I tend to get that I'm intimidating from people who have begun to write with me, and I think it is telling of the Wall of Text problem with partners you've not gained yet, too. The problem of how they're viewing the writing is that they do not see things within it that are immediately, and easily, engaging to them specifically.

The people I referenced, they're having the same problem. Our muses do not know each other, there is no established connection of animosity or affection, no "dynamic" to fuel their replies. When looking at a lengthy novella reply and trying to judge interest in writing with the mun, they're naturally not going to see that either, since it doesn't exist yet.

And it might not exist at all.

I want to be clear to everyone that I am not saying one needs to write in a way that is not enjoyable to them, I'm just guessing at problems based on the majority of the RPC's interests and what I have been told over the years, a lot of years. Like, no one come at me about forcing anyone to write anything, or being acephobic or something fucking nuts, thanks!

People are really, really into the romantic ships. I do not care what the RPC says because it knows it's the right thing to say lol if it wasn't true, it wouldn't be a huge, and totally observable as true, problem that characters who are hard to ship with or do not ship are passed over. Regardless of beautiful writing, engaging muses, and incredible worldbuilding, they're passed over because they're not a ship partner in the waiting.

So, it's quite possible that if you do not have threads in which there are observable ships, muns are seeing the Wall of Text because there's nothing that grabs at their particular interests. I don't even just mean smut, either. I've found that far more muns than there used to be are willing to not write that, but they still want the ships.

You might be a RPer who does not do shipping at all, has a difficult to ship with muse, or who simply does not place this as a priority in your own interests. There is nothing wrong with either direction of this preference! It’s alright for people to have preferences, even if they can feel annoying to us because they’re leaving us out, or we genuinely just do not get the thrill. It’s totally okay for people to not be interested in shipping, or not place a particularly high value on it, and more muns than the RPC realizes feel this way. It’s as unpopular, and far more limiting, take on RP as being here openly only for them is. There’s nothing wrong with you as a writer or a person if you don’t write ships and smut, but it is the opposite of many people’s interests here. This would be something you can’t control, yeah. It’s still good to know as a part of the puzzle!

They see a lot of things they do not have any instant feelings about and/or what they perceive as interaction points. As, unfortunately, the predominant mode of writing here is reactive, and in brutal honesty, often self-interested. It's not rewarding to many muns in this RPC to build stories cooperatively together for the sake of those stories and love of the muses, they require putting their muse on display, having impassioned interactions through that muse's reactions.

So, you might be writing the most vivid scenes, the most beautiful character study, and letting your muse be a fleshed out, realistic person, but they're seeing "I can't react to this."

Which is, by the way, bullshit. Not just that it's bullshit as a way to try to write together, it's also bullshit in that you can react to anything. You can react to, literally, nothing. If you're muse has said not a word to mine for an entire reply, not physically interacted with them, they're just sitting there in a chair staring off into space (also not a great way to write, but I'm giving an extreme example) the whole time, I can react to that.

To be fair, my primary muse is really uh, busy, let's say lol it does make him both incredibly easy to interact with and very easy to generate natural reactions from. And that might also be a problem people are having...

Your muse is quiet.

They're the opposite of someone who is physically or verbally “busy.” They think more than they move or speak, they remain at emotional, verbal, and physical distances from others. The quiet, and still, type on the outside.

I don't think there's anything wrong with that, I love reading a muse's internal processes because I'm approaching this as a reader as much as I am a writer. It doesn't need to be something my muse can know or react to for me to enjoy it, I want to enjoy your muse, other people's muses are part of the joy of RP for me. And not just in what I might achieve having mine interact with them. There are muses mine very, very much did not work out with that I have continued to enjoy the stories of for years without writing with them!

But that's me. And I'm weird.

A lot of people are going to look at the sort of writing, particularly when not involved with it yet, and see...Words. Maybe they don't find them boring or any such thing, but they can't so easily envision themselves responding to it with the sort of vigor required to reply with length in kind. It's again the same dual issue going on that might just be making your writing difficult to approach.

It might be legitimately daunting, and might be more so if...

You're well-written.

One would think this would be a boon to written roleplay, but I haven't seen it be that in a long time. On tumblr, that has weirdly come to signify "elitism."

It's not just more legitimately intimidating for some out there because they feel they cannot write as well as you, might appear lacking or boring, end up dropped because of it. No, of course not! It's tumblr, where decent behavior as well as logic comes to die! It's because they've gotten the idea that you might be shitty to them because you posses more experience, skill, or innate talent with writing.

That's not helped when every time someone is told on any basis at all, in any manner at all, or one has any existent expectations for RPing that someone else might take issue with as though they're being forced to comply with them instead of not interacting, people freak out and call it elitism. Since most people who choose to be mutuals only and as such, are going to have to decline sometimes, are also those who are lengthier RPers...we're all categorized as Elitists.

People see what works for us as different kinds of RPers as something that is in opposition to them, and judgement of them. We can’t have scores of active partners when we write ten thousand word or more replies to everyone, it doesn’t work for us, and that doesn’t mean we think you’re an awful RPer for doing this differently than we do. We’re just exercising boundaries that are necessary for the way we enjoy it. Like how much length in return, literacy, and dedication we’re going to give and expect in return. It isn’t passing judgement, but when you want to write with a particular portrayal and they’re limited threads, mutuals only, novella and it shuts you out of the interaction, it’s easy to agree with the posts you’ve seen condemning differences of choice as elitist and hateful.

While you'd hope that people would exercise their own judgement, with the way that the RPC is so often on edge, you can't entirely blame people for being willing to believe they can identity a potential source of unpleasantness to avoid. As wild as it is, that includes people within the novella community. Your OOC is too well-spoken, your writing is too well-written? Might be an elitist. Even while they write much the same way as you do without realizing it!

I think when most people say someone here is "intimidating," it's not exactly what they mean, but for others, it's more literal than it is literary.

If you have any reason to believe this might be part of the issue, while I would never advise anyone to alter their writing to be something they personally feel is lesser than what they're capable of, you might want to consider a greater air of the casual in any OOC posts you make. Try to be as approachable there as you can - so long as that doesn't mean lying about it, of course! If we're genuinely not that gregarious or socially open, we shouldn't act like that's the case. That sets up one party with expectations that are neither true nor going to prove anything but frustrating to the other party.

I've had some success with that! And, even at my most casual, I'm not the most approachable of people lol I come off as rather intense, kind of aggressive, way too salty, curses flow from me like water during a monsoon, interspersed with...well, things like "interspersed." So, if I've seen success with that, it's possible that muns who are more genuinely gregarious, chill, and verbally polite people might see it as well!

It seems to be a case of allowing other muns the opportunity to see that you, yourself, are not frightening. You're just a person like they are, and a person who isn't going to be hateful to them if they are not perfect writers or perfectly on your level of writing. When that is apparent, approaching the writing itself is more openly done - yes, this mun has a grasp on description/dialogue/vocabulary/descriptive scenes that I do not, but they don't aggressively think they're the shit for it, so, it's safe for me to try to interact.

The Wall of Words that was once a poster for how badly they might be treated is now a collection of RP replies.

Write for the partners you want to attract.

Again, I do not want anyone to stop writing in the way they enjoy! However, what we put out is also what we attract to a large degree. It could be that your writing is an attractant for only a very small portion of the RPC, and it already is, by virtue of being both novella and the sort of novella it is.

That's very easy to do anyway, but even more so if we have few partners to write with. What we have on display is minimal, it might not have the range we're actually capable of, and therefore, might not be attracting that range of muns.

This is something I have experienced as well, though it was a little different a situation. Upon first writing RP on tumblr, I couldn't find anyone writing novella. I could barely find anyone doing short multi-para. Just as I'd find it inappropriate for someone approaching me to insist that I do one-line RP because it's what they do, I didn't find it appropriate to force novella on these muns. That's what I agreed to by interacting with them, after all! It isn't what I enjoy doing, however, it's harder for me to write short replies, so, I was consistently on the lookout for novella partners.

Those novella partners couldn't exactly see decades of my lengthy RPs, though, since they didn't take place on tumblr. They could only see the current threads, which were all quite short and rather limited in range of action, tone, muse interaction, and so on. Basically, just about whatever someone was willing to give me, and those things were pretty similar. I couldn't exactly blame potential partners for looking at this "resume" and thinking that I just thought I wanted to write novella, but was capable of neither that nor the sort of stories I wished to create.

Since I couldn't find partners to organically give me these different things, I wrote them sans partners. Much of this was in headcanon form, showing that I had spent quite a long time thinking about my canon character as more than was presented in canon only, as well as showing that I could string more than a paragraph together, but it seems like you've got the muse information down, so this might not be the best direction for you.

That might be the other thing I wrote to this end: one shots.

Especially as I do not do open starters as someone who requires some plotting, these served as a way of allowing various situations to be displayed in which other muns could better see what interacting with my muse was actually like. They could see that this truly is the way I'd prefer to write, this is a better display of my muse under various conditions and emotions, and this is how interacting with my muse as this or that type of person might go.

I don't know if you have a canon, OC, or multiples of both, but it also seemed to be helpful that I took canon events people might be familiar with and wrote snippets of them from my muse's perspective - yes, even if they were already in those events, it shows your unique portrayal. People like that for the same reason they like fanfic, a dozen people can write a canon event and give you a dozen different takes on it. It meant that they'd be more likely to read it at all, too, let's be honest.

If you have an OC, you can flesh out a fandom-specific verse they have by writing such a one shot revolving around a fandom event. I'd say not to directly insert your OC into a major canon event, but if you're going to anyway, be sure you are giving realistic changes that might occur with this character's presence in that event. Not going overboard and making them the thing that saves the day, not just having them there in the midst of some great cataclysm miraculously surviving to bear witness only. It's still my advice to place them within that world and have them aware of an event.

Something like...trying to think of a fandom and event the most people would be familiar with here...your OC is in the MCU or has a verse there, they're employed as a police officer with the NYPD - tell me what they did at work the day of the invasion in New York City in the 2012 Avengers. Did they see superheroes in the distance while they and their fellow officers were engaged in a situation they were in no way equipped to handle? And how did your OC feel about that?

That sort of thing.

If it's a canon, try to think of a situation that isn't represented among your current threads, but that is also going to be of interest potential partners. If you have few threads showing your muse in friendship with another, find something in their canon that does. No threads with much action, go for that. Show an aspect of your muse that was present when they were younger, but that is downplayed in them now. Show some things that will be new information from your unique portrayal, and do all of this while displaying your range as a writer - you can be more serious or more fun, can destroy someone with angst or make them hope a ship works out well.

This way, you're showing people what all they might get, not just what you've been given to work with. That can go a long way toward negating feelings of "intimidation" if all they're seeing is you doing one thing extremely well, so well that they feel they cannot compete with it. So, yeah, write the things you feel you're not good at, too! It puts people at ease to see you're not perfect either.

As regards rules...

Oh, boy...lmao with no intent to inflame anyone's righteousness here, so long as your rules are conveying what you feel they should, they're fine. I'm not going to say that rules cannot be a turn off, that you shouldn't find a voice that is clear, polite, and when it needs to be, firm. It's simply that you do not come off as someone who needs to be told that, Anon. If you're worried about how your rules might sound, they're almost certainly fine.

However, rules are the way they are for a reason - if you feel like you're coming off as too strict, harsh, whatever, there might be a reason why that was your first inclination. If you remake them to be softer, are you going to run into the same problems that caused you to harden them before?

I know, you're trying to attract people and downplay a notion of being "intimidating," but it's important to realize that, short of either finding a way to please everyone who comes across them or telling everyone to do whatever they please, you have no opinions, expectations, or needs, you're going to put people off. I've seen people be incredibly offended by the nicest of rules simply because they were rules. They were still clearly stated boundaries that did not align with what was desired.

For example, if I were to have in my RP rules the following:

My rules are basically just have fun and don't be a dick! This is just a hobby, I'm not paying you.

That's going to turn some people off and anger them because that's, firstly, incredibly vague, secondly, the latter part has become seriously negative.

If I were to have in my RP rules this:

I have a lot of detailed rules because I want to only write with people who will be as dedicated to it as I am, I'd rather we know now than later that we're not a good match before anyone is disappointed or offended!

That's going to turn some people off and anger them because it is contrary to the way they view and partake in the hobby. To these people, it'll come off as ridiculous expectations that are aggressive despite the wording not being so.

The point is, because this is a hobby dependent upon interacting with other people, there is a lot that is out of your control.

I probably should have done a better segue to this, but hey - most of this is out of your control.

By its very nature of individuals interacting, what is "intimidating" means different things to everyone. What I find to be that, isn't going to be what you find to be so. You can't know what someone, let alone everyone who says this, means by it in order to make those changes.

Some of those changes are a damned if you do, damned if you don't situation, like the rules.

Other changes are undesirable. You, obviously, cannot RP without partners, but it's no good making changes that will see the partners you won't work with being added, or that will ruin the things you enjoy about RP. If changing your writing style is going to do that, don't do it. If opening up new types of plots is going to do so, don't do it. Anything that is going to excessively give you stress or personal disappointment isn't a change you should make. That’s the sort of shit that was meant by it being “just a hobby” in the beginning - you’re not obliged to make yourself miserable like you are at a job sometimes, and you aren’t beholden to the standards of a professional author unless you wish to be.

It's wonderful that you're addressing this problem from the perspective of what you can do! The idea of changing much of anything is a negative one to many people. They have to be carefully approached to even consider that as a possibility, and once they do, it's more often than not that the reaction is volatile. We never think we're perfect until someone so much as loosely implies we might need work on something. So, your willingness and interest in what you can do to fix something nebulous is both incredible and a credit to how approachable you probably are in all actuality.

It bodes really well, is what I'm saying lol or...it would, if this were not the environment that it is. One in which people do react with volatility to anything that does not go exactly and immediately the way they desire. Including wanting to interact with a particular muse, then seeing that the mun doesn't write in their preferred style, length, or with their desired topics.

Many times, that's really what is meant by "intimidating." It isn't truly that they're afraid of you or your writing, but rather, that they're not getting exactly what they think they want, in the way they want, on the timeline they want. But they don't want to be offensive, they're walking on eggshells like most everyone is when telling someone, "I'm sorry, but I don't think we'll work out" is tantamount to personally attacking them.

So, giving what they feel is a compliment that still shuts down the possibility of someone trying to push for interaction anyway, that becomes the best approach. They're not giving you specifics because no, they may not even know those specifics, it might just be the feeling your writing gives them, but they're also not giving them when they have them because they don't want to be unfairly taken to task for the crime of being honest with you. After all, when we don't know someone OOC yet, we don't know that they're a reasonable person. Telling someone, "I like what you're doing, I love your muse, but the tone of your writing isn't something I can reply to, it's just too different," might have them defensively putting words in your mouth.

As I said, asking someone for details didn't get me very far. I've had to try to piece together what "intimidating" means to many different people over the years by what they tell me in conversations away from the mun they said was thus more than anything. So, don't expect that you'll get much either, but next time someone tells you this, if they seem like someone who won't take as you pressing for interaction and react badly, ask them to give you specifics. Tell them you'd like to know what makes you intimidating to them so that you can work on it, that it would really help you out to know. Make it about them helping you, not declining you.

Just going off of the only writing I have from you, which is definitely not sufficient (if you'd like, you can always submit a portion of your in character writing or tumblr message me some of it so that I might be able to be more effective) since it's both short and OOC, I'd say people might feel that you're not...relaxed? Not entirely the word I am looking for, I apologize! But something in that vein!

It doesn't come off like you're frighteningly or excessively official to me, but knowing tumblr, I can see it. Because you are quite well-spoken, and even in this casual format, you are displaying good grammar and principle. Fifteen years ago, I might have also felt something like “intimidated" by you!

Like everywhere, tumblr is full of educational snobbery. Which is insane, considering it's also full of crimes against writing that make me want to rip my hair out, but anyway...the mark of being authoritative is to display one's intellect the only way we truly can here - by suddenly out writing everyone. If we're already establishing ourselves as well-spoken muns, we've laid the foundation of being capable of utterly destroying someone publicly by shaming them on a core level.

Tumblr is also full of people who are not at a point of life experience, and the writing experience accrued within it, to use what they've learned in the higher education the majority have or are presently obtaining. It's easy for younger people to feel pre-offended by someone who writes with more skill and confidence than they do. They've bought into the notion of such validations of superiority, but they can't quite lay those down upon themselves yet, or see that they’re capable of this and it doesn’t make them an elitist, so, it’s absurd to assume everyone else is on the same pretext.

Please, everyone here under, like, 25, I'm not shaming you. I've obviously long internalized it as well! When I'm angry, I don't become less articulate, I become more so. That probably says something unpleasant about how well I understand this problem. So, don't be offended. It's a societal problem, we're all impacted by it. It just takes a little bit to realize these things is what I'm saying here. Not that you're dumb and malicious because you're young and learning.

With this in mind, it's very possible that some younger muns, or muns who have otherwise been given cause to feel they are lesser than you because of your proper writing, might be intimidated by it. Part of that is also that proper writing, and verbal speech, can come off as lacking warmth. It can be impersonal, give fewer clues as to someone's tone when that's already lacking in writing that isn't descriptive, as in an RP thread itself.

Again, I always have a bit of an issue recommending someone change something vital about themselves, and one's mode of writing is that. However, you might want to consider giving way to some indicators of not being official in your OOC behavior toward others. It's something that I did, something I will admit I still struggle with as well. I'm not naturally inclined to add things like a :) or a xD because I have some problems conveying those things either correctly or organically in person. If I'm not either, literally, acting or feeling something intensely, I'm the grand master of resting bitch face no matter what I'm feeling.

As a quick on-the-safe-side interruption: people, please, I am aware that some forms of neurodivergence can exhibit in struggles with understanding and conveying tone, as can be the side effect of some medications and physical conditions. It’s possible that you have this difficulty, Anon, it’s possible that some of the people you have approached do. Advising how to work on understanding and conveying tone with these difficulties in mind is a huge post of its own, however. (Though, if people might be interested in it, I can add it to the list, of course.) All we can do is try our best, work on it, and if we know we have this issue, politely warn partners in your rules so they know you’re not coming off less emotive and warm intentionally. You’re not thinking yourself in an ivory tower above them. I so do not want to be bitched at about how advising someone in ways to be more approachable in text is ableist, just don’t. I don’t know you, Anon, so I don’t know what difficulties you may or may not have, if you do have some complication that is impacting this in your own opinion, please, just send another ask and I can work with that information more specifically!

It's also...it grates on my nerves when people text speak, I'm not going to lie. So, forcing myself to do anything too close to it feels like someone has separated the halves of my brain. I do it because it can make people more comfortable, I don't sound like a damn robot like I easily can when trying to explain something with a lot of specifics, for example.

What was easier was letting go of the inhibition of writing conversationally. That is always something that is advised against intensely, it isn't proper writing. Don't write like you speak, and all that. It's often been my inclination to write conversationally, even if I struggled to let the hell go and actually do it, and when I allowed myself to do so, people responded to it much better. It's something I get compliments on as a part of what can make my storytelling immersive, humorous, relatable, and frightening. (Just so that the last bit there isn't confounding - in addition to the professional writing that sometimes pays for my internet, I write horror lol...now y'all know! I deal in "freak shit," I'm sure.)

People responded to me much better. I still get that my writing is intimidating, but it tends to be over length and wording more than being wholly unapproachable. Too like trying to respond to a novel that most people would only listen to if it was about a character they were deeply into and read by an actor they were also deeply into. There seems to be a more natural engagement with the material for more people this way.

I'm only using this as an example of something I found that worked to some degree in making me more approachable, meant to say that there might be something that you would enjoy, unique to yourself, that would make your writing more approachable for more muns. I'm in no way recommending that you, or anyone else, try to go with what I did! That isn't going to work out for everyone, of course. It isn't everyone's solution in those specifics, just the idea that following what people have expressed they especially enjoy about your writing could be a good path.

Other things to consider:

When you have obtained a new partner who says this not in declining further interaction, but within a conversation or one of those interaction memes, especially if you are writing them a starter at this time, experiment with what you can do in your writing that makes it more approachable. I say “experiment” because this is another point of individuality, it's naturally going to vary like everything else.

Like I said above a few times, most people approach RP in terms of reaction. And, again too, that's part of RP. I didn't say it earlier because I felt like that was obvious, but after considering...how tumblr is, I probably should say it. It is necessary to have things to react to in order to build the interaction between muses and their world. I believe in the “yes, and” method and having things to react to. My meaning by saying that people approach RP in terms of reactions was that people excessively do so. Their muses have trouble existing fully in their own right sometimes, they literally require multiple points of possible reaction.

So, give it to them while you’re figuring each other’s writing out.

When you're writing your starter or replies, give them what I call Actionable Points in unexpected places. For example, when your muse is doing as I said earlier, sitting in their chair, having Deep Thoughts they're not expecting any action within, give them something in the environment itself to interact with. Perhaps there is a pet, an insect, temperature change, or sound for their muse to notice.

He was still, as though the animating force of his very soul had flown. So entrapping were his thoughts that the ladybug making its way across the floor, technically before his eyes, escaped notice. No notice, even as it briefly took flight like a tiny, skipping stone across water, headed for where his attention would truly prefer to light as well.

Which would be, of course, the other muse in the room. They can't interact with the things in your muse's mind that you're revealing to the mun, but they can have their attention jump to the insect. They can also react to your muse’s facial expressions, most people make micro-expressions even while in thought, but this isn’t as active or available.

Just small, simple possibilities that make no difference to the immediate happenings in the thread. They can become things of great difference, that's half the fun of it! How something like a bug can alter the course of a thread's trajectory is really cool to see happen.

By doing this, feeding multiple Actionable Points into the reply, you're giving someone who feels intimidated by the thread's length and weight more points to feel active within it. If they can see themselves interactively within the text of the story, it's less intimidating I've found.

Eventually, people relax and start creating these points for themselves. They're now part of this story and its direction, so they organically see things within it. While their muse is in the room with the Chair Muse, they notice a ladybug on the floor themselves because they feel comfortable and confident enough to create that sort of realistic moment.

Most of my experiments of this nature have had that objective - make my writing partner feel more confident about their writing, muse, themselves. It either works out wonderfully, or...you can spoon-feed some people actions, ideas, and confidence forever without them ever taking up the spoon themselves (some people will totally miss the spoon every time, even). At the latter point, if they're still feeling unconfident about writing with you, "intimidated," it's never going to change. It might be better that this be addressed as something that simply isn't going to work out for either of you.

Because it can become tiresome to do this. Tiresome and disheartening, and you never want to set yourself up to feel like you've wasted your effort and energy. That's a great way to experience burnout and frustration.

Another thing to make yourself, and by nature of that, your writing, more approachable and available is to put out a decent variety of memes for people to send you and engaging in tagging games. Not only do these not need to be writing memes like starters, it's better that they are not! If someone is intimidated by you/your writing, they're not going to engage with a meme meant to begin a thread.

Reblog memes that are meant to be answered OOC like headcanon asks, writing asks, and asks about the mun. Do tag games with tests in them, bolding aesthetics or other information, and those that give details about the muse...or even yourself, there are Munday versions as well!

The point of doing this is to show people you want to interact with them, neither you nor your writing is scary and removed from the vox populi of the RPC. You're not someone with so much skill that you're above such common pursuits. You're just another RPer with the same things of interest as they do - enjoying yourself whether it's something silly like a quiz that tells you what coffee your muse would be or an in-depth headcanon. Just another mun who loves their muse and wants interactions with them.

This, too, is something I tried, and it might have been the most successful thing I did. It's even easier to do these days, as more muns don't just tag people outright, but rather, offer that anyone can take it, they just want to be tagged back so they can see the results. You don't have to wait for someone who neither knows you nor knows whether you'd be alright with being tagged to tag you in them anymore!

And as an aside, this is why I encourage that. I've seen some muns out there taking issue with it, thinking it lazy and less interactive for people to be forgoing tagging others in it. Yes, it is unfortunate that you might miss such a game from a mutual or friend, but you do realize you can go to their blog anytime? You can search their tag for these kinds of dash games, or scroll what you missed while you were away, and I recommend doing that anyway with close friends because tumblr's notifs are perpetually screwed.

It's not less inclusive, it's more so. I think it could even go a distance toward lessening the illusion that all friendships in the RPC are "cliques." Instead of the same five muns, none of whom are you, being tagged every time because they occur more quickly to the mun who interacts with them often, there is an open invitation for you to do it. It allows muns to be more visible to those they haven't established friendships with yet and allows others to put themselves out there as approachable and interested.

Alright, back on topic!

Send others these sorts of interactions when you see them. Unless someone has it in the tags or their rules that memes are only for established writing partners, send them an applicable meme.

Applicable, in this case, would be those OOC-answered memes. With most muns, it would be poor form to send in memes that are too personal. Such as sending someone you've never really spoken to, plotted with, etc. a particularly raunchy headcanon ask. I was going to give an example, but for the sake of keeping this SFW lol...we all know the sort of ask I speak of.

With some muns, this isn't an issue. Any excuse to talk about their muse is a good excuse, and they'd not have reblogged the meme if they did not intend for people to send it in. I know that I'm such a mun, and unless someone only ever sends me sexually explicit questions like this, I don't mind at all. It's just an aspect of my muse to detail in a HC.

Just exercise reasonable awareness - "read the room." If a mun seems to answer those questions from anyone, then it is alright to send them in. If they have established openness on these discussions, have nothing in their rules that would imply they'd be perturbed, etc. Conversely, if they've established such opposing behavior that you have to wonder why they posted this meme at all? Don't send anything from that one. They may be trying to establish greater comfort with these topics, but whether they realize it or not yet, they may not be ready for this to sent by anyone who isn't a very established writing partner/friend.

You want to be attracting good attention, demonstrating that you're not someone intimidating, not giving muns any reason to be disturbed by you. Even if they openly asked for it!

This brings us back to: no, really, a lot of things are out of your control.

How people view us isn't as up to us as we'd like, on or offline. Everyone has preconceived notions, biases, and developed preferences. And everyone has had experiences that lead them to react differently to all of these things where they do and do not exist.

Unfortunately, the RPC fosters a serious environment of paranoia, hostility, and the inherent defensiveness of both. Even when that is coming across more peaceably, it can lead to things like...the multiple muns I've known in the last two years alone that seem to almost panic and block potential partners for extremely negligible things they're perceiving as a red flag portending of inevitable bad behavior.

I really do mean irrational actions that are often contrary from one move to another. One potential partner is too exuberant in response to plotting, they are designated a red flag for being too inclined to pester OOC. Another is lacking exuberance and does not easily come up with plots, they are designated as being too passive a partner who will drop. One is too nice, they won't possibly be able to tell that mun of problems in the thread, another is too aggressive, they'll do nothing but stress the mun and fight with their friends. And on and on.

It's not an unreasonable situation, as we all continue to be reminded, the RPC is far more hostile than it should be for what it is. We all (that's not entirely true, but let us pretend it is) want to avoid problems and enjoy the hobby, but in the attempt to avoid those problems, we often see them where they are not.

So, you really cannot control whether someone designates you as being too much this, too little that, an inevitable problem. Your presentation is in the eye of the beholder, just as what "intimidating" is, is in the eye of the intimidated.

You can only try to identify the things that might be putting off the most people you want to write with, work on them when and where they will not ruin your time here, and hope for the best.

It's wonderful that you care, but it's also wonderful that you seem willing to accept that there are things you just have to let go of as already being out of your hands. That's honestly the best way to approach RP, period. The only things you are fully in control of are your own creativity and your behavior. That's it, in the end.

Present yourself with honesty as to who you are as a mun, be as approachable as you truly are, and know what you're looking for in writing partners.

Personally, from what little I have seen of you, Anon, there isn't anything that glaringly needs changing. You're not possessed of a shitty attitude or unrealistic expectations. You seem like a pretty reasonable mun to me who is struggling with something any of us who concentrate on the writing do; being vaguely told we're "intimidating," and seeking other partners who are interested in the same variety of RP we are.

That's my final point to touch on, and the one most likely to piss people off: there are different varieties of RP, and the people telling you this might be in the wrong corner for you.

That doesn't make them bad RPers or anything, variety is good, it's an open hobby! We're not all compatible, though, and so many problems arise from muns not accepting this reality, but rather, taking extreme offense over it.

No one I have ever established the sort of RP I enjoy most with has told me that I am "intimidating."

The people who have said this to me have been those who would not have worked out anyway. That's not said in some bizarre bitterness lol I have the best writing partners, I could not ask for anything more! It's just said in honesty of continuing to see them on my dash and/or interacting with friends. They blog and muse hop often, prefer the genres and fandoms I do not, and so on.

Changing to be less intimidating to those RPers would put me back where I started when joining the RPC here years ago, and while it's great that a lot of people enjoy RP the way they do, I don't. I worked rather hard to get away from it.

So, you do have to consider what you want. Do you want any partners, or do you want the right ones for you?

I'm genuinely glad that people are enjoying themselves, especially when they do not have hateful things to say about those who enjoy RP differently than themselves, but it'd be nice if some of the niches in the RPC were a bit wider! It shouldn't be this difficult to find people in a writing hobby who are invested in the writing, but it is. And it is something you should keep in mind when figuring out this whole "intimidating" thing.

So, my ultimate recommendation would be to assess whether there are things you can be doing to make you, as the mun, more approachable so that your writing is less “intimidating" to people within the RP corner you’re trying to attract, but consider whether the people who have said this to you might just be looking for different things and not as viable as partners as you might have liked. There are definitely more RPers on tumblr who do not enjoy RP in this way than there that do, and while the only thing you have control over is yourself, you don’t have control over how you and what you are putting out there is perceived.

I really do think that most of the “intimidation” problem comes from different varieties of RP and what muns have been led to believe about them. You check off a lot of boxes for the false perception of “elitism,” as a literate, long-term, novella RPer. People are going to see many things that you do in a threatening or off-putting light through no fault of your own because of that. Even other, lengthier writers can fall into that because they feel overwhelmed at the volume of content you have, for example. A thing that should be promising of how well-developed your muse is and how committed you are to your interest in them can come off as overwhelming to people who are less well established or interested in being around for the long game. I certainly don’t think it’s a good idea for you to remove that material or stop writing it! I cannot encourage people enough to do what you have!

Maybe, since you expressed concern of this specifically as well, you could consider how it is presented?

Do you have approachable formatting on those posts? Do they appear to be a lot of very plain text, or do you practice adding some graphics like a header and dividers, formatting that also breaks up the text like segmenting it into clear topics with bold, bigger text, and so on? Is it the opposite and potentially difficult to read, like using font that is smaller than the default small size available, or incredibly busy with colors? It’s a difficult balance, and one that will never be 100% appealing or accessible to 100% of the RPC, to make things visually appealing, easy to read, and informative while being engaging. It could be that you have information people would love to know, but the design of how you’re putting it out there is adding to them feeling overwhelmed.

Maybe, consider how it is placed on your blog, as well? Using specific tags for organization and having a detailed navigation might help. Instead of someone pulling up every one of your many HC posts in the HC tag you have, they could choose specific topics to view at their own pace with a little more control over it. Giving people some control in their experience can go a long way to giving them comfort in it!

So, let’s say you have a headcanon that addresses how your muse portrayal diverges from strict canon, and in that HC, it’s important to address their mental health and how it impacts their relationships with others. That’s a great HC, it’s going to be informative, but it has multiple topics within it. You’d want to tag it with the overall HC tag, a tag for your “player canon” topics, muse metal health discussions, and a general tag for your muse’s relationships/interactions with others.

When you do that, in your navigation, if someone clicked your tag-based link for all information pertaining to the muse’s mental health, they’ll just get that. They’ll see this headcanon post, they’ll see all relevant, tagged posts you’ve made or reblogged, but only that pertain to this topic. They won’t also get twenty extra posts that don’t discuss this, but do discuss your muse’s personal opinion on making bread at home and why sourdough is a labor of love. Unless, of course, your muse is partaking in that labor of love as an exercise that benefits their mental health, of course lmao

Delineating topics for people to engage with at their own pace, need, or interest can prevent them from scrolling through what could be hundreds of HC posts. We all desperately want people to read every one of our posts, especially if our portrayal is different from canon or popular fanon or we have an OC whose entire existence has to be learned this way, but we have to resist the temptation to make people read them all, and all at once. Because that is how it comes across when someone pulls up a ton of HCs - they may be super interested, but it’s a lot that they may put pressure on themselves to learn immediately, back to back to back. It begins to feel like a task quickly. Most people who are genuinely interested in your muse and writing are going to end up reading all of them eventually! If they don’t shut themselves down on doing so prematurely, and this could be a way of helping them avoid doing that.

Hell, if you’re really feeling it, you can even link to closely related posts and your navigation on those HC posts! Just mention at the top of the post that this is related to the one linked here, and to find more informative posts on any topic, please visit the navigation page here. You can even remind at the bottom of the post with just the links.

While like anything, it could make people feel you’re too organized and “serious” about RP, but you probably want other “too serious” RPers to interact with, so it might be a passive way of establishing partners that won’t work out. I think, for the right partners, an organized system they can interact with easily would be appealing, and again, a lot of people in the RPC do have problems that disrupt their ability to engage with a great deal of content at once. This might make them feel less overwhelmed and frustrated by themselves, or negative about themselves that they cannot but aspire to your level of content and organization.

Willing to bet that much of ��intimidation” comes from negative feelings about oneself projected outward protectively and unconsciously, honestly. So, when you see ways to combat that, take it on. Make it clear that you’re not expecting anyone to be anything other than themselves, you appreciate your partners’ unique approaches and skills. The more of them you have, the more approachable you are proving yourself, too.

Since you are interested in long-term and have so much material on your muse, I have to assume this is a case of having gone on hiatus or had partners who have left. You could be appearing as less approachable because you’ve few interactions, and that’s a problem that will start correcting itself as you have more of them. If that’s the case, it may be adding serious frustration in the slow process of getting your foot back in the door, but I believe you can do it!

I hope people haven’t made you feel too anxious or bad about yourself by telling you you’re “intimidating,” Anon. Try not to internalize it or make into a more serious matter than it is! I really do think it has less to do with the RPer being told that than it does all these other factors, poor ability to express ourselves very much included. You’re interested in what you can do, willing to accept what you can’t do, overall approaching this from a chill and reasonable place, I think you’re going to find the people you need to with this attitude!

Keep at it, keep doing what you love, and my sincerest best of luck to you! Thank you for giving me the excuse to discuss this topic, it’s an important one that I hope made some difference to others out there as well. I apologize that took me a minute to get it out, and that it is still a bit more disjointed than I’d have liked.

[dorkforty]

So I got a little carried away this time.

I had planned for this sixth installment of the Fantastic Four Re-Mix (previous chapters may be found at the link) to zip through several storylines in short form, to get my remaining ideas out of the way so I could go into the big finale in the next chapter. But then I started writing, and my quick synopsis for Arc Thirteen started sprouting ideas and details. One thing lead to another thing, and that thing lead to yet another, and another, and that fourth thing circled back around to make me see the first thing in a new light, so I re-wrote and added more details that lead to yet still more details, and… The next thing I knew, I had eight single-spaced pages (close to 5000 words), just for that one storyline.

I could go back and edit, I suppose, but… I don’t wanna. I like it as-is. It’s a tightly plotted thing, with dialogue, back-story, and scene descriptions that sometimes launch off into flights of super-heroic purple prose that I’d be embarrassed to have written in a less ridiculous setting. But this is a story about monsters and mutants, populated with Mole Kings, Sorcerers Supreme, lost Atlantean royalty, and a metric ton of obscure Asian super heroes that I pulled out from the dark recesses of the internet in a single feverish burst of research. It is sprawling and self-indulgent, and epic in a way that I don’t think previous installments of the FF Re-Mix have been. So I’m afraid you’re stuck with it.

First, though…

Hi! Hello! And welcome to the Fantastic Four Re-Mix! If this is your first time reading these posts… Well, hell. Hit that link above (or this one right here) to go back and see what this mess is all about. Briefly, it’s just me getting some fictional baggage out of my head, and rebooting the Fantastic Four from the ground-up. The FF is my favorite super-team of all time, and I evidently have a massive number of stories I’d like to tell about them. So these are those. Got it? Good.

Also before we get started, there’s a small mess to clean up from our last installment. After I posted that one to the site, I discovered an editing error that had omitted an entire section on the sub-plots that were supposed to be running through the Inhumans storyline. So before we continue on, I’m going to include that section here…

ARC TWELVE ADDENDUM: SUB-PLOTS

(Note: In the spirit of excess that this installment has embraced so fully, I’m expanding on these scenes from what I had written last time out. When you’re on a roll, you might as well go with it…)

Sexy Thing

Frankie Ray and her best frenemy Tura meet Alicia for drinks, and we learn a bit about Tura and Alicia’s past relationship. Tura gives her crap for “playing for the other team,” but Alicia says she’s always been a switch-hitter, and sees no reason to stop now. Frankie, meanwhile, wants deets on Alicia’s sex life with Ben. “He’s just so big, and the rocks… I mean, how does it work?”

Alicia pauses before speaking. But she’s a little drunk, and no shrinking violet even when dead sober. So she dishes.

“Well… The rocks… don’t go all the way down.” (Pause to let that sink in.) “So we’ve got that going for us. But, yeah. It can be a challenge, y’know? There’s things we just can’t do, and…” (shrug) “I’ll be honest. The chafing gets pretty bad sometimes. But overall… it’s good, you know? It’s really good. And I’m…” (lop-sided smile) “…equipped to deal…? With the size difference?”

Frankie’s eyes get big. “Whoosh. More power to ya, girl.”

(Note: This isn’t just salacious detail – though I did think it was high time we got back to salacious detail on the sex life of the Thing. Still, the information that the rocks don’t cover his entire body will actually become a plot point in the next story arc (it may also, if you’re reading between the lines a bit, say something about how much control Ben actually has over his appearance as the Thing – even if it is subconscious). Of course, Alicia’s confession that she has the capacity to have sex with a giant – especially after establishing that Sue very much didn’t – also plays into the on-going sub-plot about the possibility that Alicia’s a shape-shifting Skrull. Which brings us to…)

Puppets and Masters

Alicia’s father Phillip Masters (The Puppet Master, who has already been revealed as a Skrull agent) uses his fame as a puppeteer to arrange a meeting with the anti-Skrull demagogue Gabriel. Though Masters is a B- or C-list celebrity at best, that’s the only kind of celebrity endorsement Gabriel can get. But we also learn that he really agreed to the meeting because he’d like Masters to convince Alicia to float the idea of the FF appearing with Gabriel on television to discuss the Skrull threat. Masters tells him that his daughter is strong-willed, but he’ll see what he can do. But mostly, he just keeps Gabriel talking, so that his psycho-active clay (which he uses to make his puppets) has time to bond with Gabriel from its hiding place inside Masters’ briefcase.

The Temptation of Frankie Ray

After their night out with Alicia, Tura puts the moves on Frankie in the car on their way back to the racetrack. Frankie rebuffs her… but only after a couple of passionate panels. And honestly… Who could resist this?

(Note: The above scene should fall somewhere after Johnny’s attraction to Crystal becomes obvious. But more on that below…)

Love and Beauty

Alicia gets a visit from one of the Men in Black (two mysterious agents who’ve been interviewing people who know the FF for several issues now). It’s the white-haired Man in Black this time, and he asks some pointed questions about Ben’s erratic public behavior, and about why she’s attracted to a man most people would say was a monster. The conversation gives Alicia a chance to expound on her sense of aesthetics, how her curiosity about the way things look – she’s blind, remember – translates into desire. She’s attracted to beauty in whatever form she finds it, and what she “sees” when she touches Ben is beautiful to her. Moreover, what she sees inside him is beautiful, as well. He’s troubled and imperfect, but his flaws only put his kindness and heroism into sharper relief.

The Man in Black nods and smiles, seeming pleased. For the readers, however, her attraction to non-standard (even non-human) beauty could once again play into the suspicions that she’s a Skrull. But her feelings for Ben also seem genuine, which may muddy the field a bit. If she is a Skrull, is she one that’s going to betray her own kind for love?

(Note: At this point, the differences between the two Men in Black are becoming apparent. The dark-haired one seems to not like the FF, and tends to take everything he hears in the worst possible light. The white-haired one, while still asking hard questions, is pleased to hear about the good in Our Heroes.)

Political Doom

This covers a few different scenes, to be spread out over several issues. The Latverian rebels, using weapons given to them by Doom, take control of the southern province of Rotruvia, and declare themselves a sovereign state. Afterward, Doom meets with Namor about the possibility of Atlantis sponsoring their call for aid from the UN.

Meanwhile, with Our Heroes…

The Inhumans arc (as well as this week’s follow-up) will be narrated with excerpts from Lands of Confusion: Exploration Under Duress, by Susan Storm.

One of the big issues, starting with the Microverse arc and continuing on through this week’s storyline, is the question of how much the rest of the team can trust Reed. Or, more precisely, how much Sue can trust him. She still feels lingering resentment over Veronica, the ex-wife Reed never told her about. So when he overcomes Maximus’ charisma in the Inhumans arc and breaks from Sue and Johnny (who were still taken in by him), she takes it personally. Even after they escape Atillan, Sue and Johnny aren’t entirely convinced that they were on the wrong side of the fight.

Also in the Inhumans arc, we saw Johnny getting close to the Inhuman princess Crystal, which only makes sense. She’s a beautiful, intelligent young woman with a heart of gold, and her inherent nobility appeals to Johnny’s more heroic side in a way that the vivacious but (let’s face it) slightly amoral Frankie Raye never will. After Johnny’s moral crisis in the Microverse war, Crystal is exactly the kind of woman he thinks he needs. And Johnny seems handsome and exciting to her, just the sort of thrillingly unpredictable man she’d like to run to while escaping her arranged marriage to Triton.

But there’s something else to remember about her: while Crystal may just be entering adult life by Inhuman standards, that means she’s 70-year-old royalty from an alien culture who was, before she met the FF, slated to become the queen of Inhuman Hell. And as we go forward into the new storyline, that will begin to become apparent…

ARC THIRTEEN: HOT PURSUIT

After the intrigues of the last few arcs, this one’s going to be centered a lot more on action, as the Inhumans Karnak and Gorgon…

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…pursue the team out of Attilan to bring Ben back to stand trial for (the Inhumans believe) killing a ship full of Inhuman scouts during the Thingbeard Incident.

(Because, again… I can’t post this picture often enough.)

One other important thing about this arc: I decided to take inspiration for the current run of stories from another of my favorite Silver Age series: Doctor Strange. At that strip’s height, Steve Ditko plotted out an incredible series of cliffhanger adventures that linked together into an epic that ran for over a year, building on established characters and situations while still expanding the character’s universe, building to ever-greater heights that culminate in a battle between the Dread Dormammu and the living embodiment of everything(!). It’s exciting, bravura storytelling, and I wanted to emulate it here. This really started with the introduction of Medusa in the Frightful Four arc, straight on into the Inhumans arc, and running into this one. Will it go even longer? Read on, and find out…

ONE: THE CHASE BEGINS

An initial encounter with Karnak and Gorgon establishes the chase, and the danger: while the FF could most likely defeat their pursuers in open combat, Karnak’s ability to find the flaws in things enables him to plan devastating surprise attacks. So uncanny is their ability to find and attack the team, no matter how many miles separate them, that it makes them seem more threatening than they really are, and sets Reed to wondering how they’re pulling it off.

He’s got other distractions, though, thanks to Karnak’s psychological warfare. He and Gorgon very much play “bad cop” here, implacable minions of evil king Black Bolt, driving a wedge between the Storms (who were taken in by Maximus’ manipulations) and Reed (who saw through those manipulations). It also makes Sue suspicious of Crystal (a member of Black Bolt’s court), which further splinters the team because of Johnny’s growing affection for the Inhuman girl.

Karnak’s most dramatic psychological warfare tactic, however, is against Ben. In their initial encounter, Karnak punches the Thing square in the chest, putting a large crack in Ben’s rocky hide. While it was just a test-blow for Karnak, something to help him determine the limits of his foe’s toughness, he plays it as if he thought the attack would have split Ben open like a gutted fish. It doesn’t help matters that the crack slowly grows larger as the arc goes on, audibly cracking every time Ben exerts himself. This makes him hesitant in general, and over-protective in future encounters with Karnak.

And not without reason. Because we see Karnak, in several sequences over the arc, figuring out how to actually crack Ben open with a single punch. (Note: good opportunity for some trippy visuals here.) The real key, of course, is Alicia’s earlier confession that the rocks “don’t go all way down.” So while Ben’s protecting his chest, Karnak will eventually figure out that the place to strike is actually the groin.

At any rate. This initial encounter happens while the team is still in Triton’s realm (the Under-Sea), just after Triton leaves them, but before they enter the cave system he’s lead them to. So after a few pages of action, Triton returns to order Karnak and Gorgon off. They refuse, in defiance of Triton’s sovereignty, and the team escapes into the underground while their pursuers battle Triton behind them.

TWO: MOLES

Next, still traversing the caves, the team runs afoul of the MOLE KING, who has moved to his Asian home beneath Bangkok since his initial encounter with the team. There’s some monster-fighting…

…and we get to see the somewhat disturbing “do what thou wilt” society Elder’s outcast Mole People have built for themselves underground. We also meet the Moloids, a native subterranean race that serve as slaves. The Moloids subsist on a diet of pale fungus that the Mole King hordes to further control his underground slave-race. Not that he needs it; they worship him like a god due to his ability to control the monsters. He just limits their food supply because it pleases him to do so. (Scene: the FF break open the fungus vault, hoping to free the Moloids from Elder’s control. Instead, they attack the team for daring to interfere with their god’s plan for them.)

This whole situation breaks down when Karnak and Gorgon attack again. How did they get past Triton? Karnak hints that they won the fight, and have claimed the Under-Sea for Black Bolt. Crystal’s not buying it for a second, and neither is Reed (and they’re right). But things swiftly become too chaotic to give it much thought. Reed pits Elder and the Inhumans against each other, and the team escapes again as Karnak and Gorgon are tied up fighting the mole-monsters.

THREE: THE TOMB

Emerging from the underground miles off the coast, the team finds itself at the source of the Mole King’s strange menagerie of creatures: MONSTER ISLAND! They run afoul of bunches of bizarre Kirby creatures, and discover the source of the island’s strange mutations: a volcanic core composed of an unknown radioactive element. In trying to collapse the cave mouth behind them (thus thwarting Karnak and Gorgon’s pursuit), they unwittingly free the greatest monster of all:

FIN FANG FOOM! He Whose Limbs Shatter Mountains, and Whose Back Scrapes the Sun! Though he’d been trapped in peaceful slumber for centuries, something recently changed. He awoke one day in frozen agony, paralyzed as his flesh began to bubble and boil. And when the boils burst, they birthed monsters. These are the creatures, these SPAWN OF FOOM, that roam Monster Island and serve the Mole King underground, and they’ve continued to be born to this day.

(Scene: as FOOM tells them the story, he pops a boil on his shoulder in demonstration, and a massive, half-formed fetal monster falls, wet and dying, to the ground.)

FOOM thanks the team for freeing him, and in repayment, he deigns to let them live. The rest of humanity, it seems, will not be so lucky. His revenge for his years of torment will be genocide. The FF try to stop him, of course, but they’re badly outmatched, and he slips into the ocean, headed for the Chinese mainland.

FOUR: Pacifica

Giving chase, the team encounters a group of Atlantean soldiers under the command of NAMORA…

…Namor’s long-lost cousin, another human/Atlantean half-breed and a hero of the Pacific campaign in World War II. Namora rules Pacifica, a splinter kingdom that separated from their Atlantean cousins when Atlantis chose to hide from the world. The Pacificans moved halfway around the globe, with the intent of helping the Japanese rebuild after Hiroshima. An unexpected problem arose once they’d settled in, however: Monster Island. Post-war atomic tests caused strange mutations, Namora tells Our Heroes, and the monsters haunt the Pacific to this day, searching for prey. Devoting themselves to protecting the world from these creatures, the Pacificans live on a constant war footing, and (Reed surmises) suffer from more than a little PTSD.

Geographical Note: Back in the Atlantis arc, I said that Attuma’s people came from the Mariana Trench. Which I, mistakenly, thought was in the Atlantic Ocean at the time. Now I know better.

Just goes to show that research matters…

Reed explains (Reedsplains?) the truth of Monster Island: the atomic tests didn’t cause mutations. They affected that strange molten core above the TOMB OF FIN FANG FOOM, and caused the monsters to be birthed from his flesh. The SPAWN OF FOOM have plagued the Pacificans for decades (a span of time that seems “recent” to the immortal FOOM), and now the real cause of all their woes is headed for China.

Namora and her men join the hunt for FOOM, and they all fight him briefly in Taiwan, where he’s stopped for sustenance (they find him eating people like candy). But then Karnak and Gorgon attack once again, and FOOM decides that his little snack has fortified him enough to get him to the mainland. He wouldn’t want to spoil his appetite for the feast, after all…

FIVE: SPLITTING THE PARTY

Kind of a complicated issue here, with numerous small scenes moving the story forward. But we pick up where the last issue left off, with…

The Settling of Petty Concerns:

The team faces off against Karnak and Gorgon on the beach in Taiwan, filled with fear and resentment, and uncertain of the outcome. Gorgon blusters and Karnak taunts, still playing the villain, still working the psychological edge. They care not for human matters and human death. If FOOM wants to eat humans, let him! He’ll find Attilan no easy prey! This sets off Namora, who joins the face-off on the side of the FF. She doesn’t care what issue all these surface-dwellers have against each other, but if these two new interlopers are going to interfere in the chase for FOOM, she wants them dead. It looks like it’s about to go down when, suddenly, Crystal intervenes.

She tells (no, ORDERS) Karnak to drop the act. This is not the kind man she knows, the patient teacher who reveals his students’ shortcomings only to help them grow past their faults. And Gorgon is no lumbering monster! He’s a poet and a lover of animals, enemy only to the cruel. And cruelty is what they’re showing these fine people, these heroes, devoted to learning and the protection of the weak. A far greater threat than some centuries-old crime looms over them all now, a threat to all life on Earth, and as members of the Family Royale, the best Inhuman society has to offer, they had damn well better lend a hand to ending it.

Shamed, Karnak and Gorgon bow to Crystal’s superior morality. Their issue with Benjamin Grimm is not settled, he says. But if this FOOM is as great a threat as Crystal says, they can do no less than to follow her example.

Namora, exasperated, rolls her eyes. “If you’re done with all this idiotic posturing, can we please get back to saving the world?”

The Plan:

Karnak, though he caught only the briefest glimpse of FIN FANG FOOM, believes that fighting the monster is futile. His weaknesses are few, and inconsequential. The forces they have arrayed against him now could do little more than slow the beast down. They need more power to defeat him.

Reed agrees, but thinks that, more crucially, they need better intelligence. Someone put FOOM to sleep before, and they must discover how to do it again.

Namora says that she can help with both those things. She’s been working in the Pacific for 70 years, and has allies all across Asia. Allies she can gather quickly to fight the beast and, perhaps, to give them more information.

So they split up. With Ben piloting the Fantasticar, Reed and Karnak go to gather information. To aid them in this, Namora pulls forth a medallion in the shape of an eye, and calls on THE ANCIENT ONE, Earth’s Sorcerer Supreme!

Yeah, but… Never mind Ditko’s usual Ayn Rand crap. Once he hears their problem, the Ancient One tells them to meet him on Monster Island.

Meanwhile, Namora leads everyone else in the fight against FIN FANG FOOM, gathering allies along the way. To aid in this, Karnak reveals how he and Gorgon had been tracking the FF so easily: he produces a whistle to summon LOCKJAW, the Inhumans’ teleporting dog, who will happily follow the commands of Crystal and Gorgon.

Raising the Alarm:

Namora’s team heads out across across Asia, gathering a mismatched collection of heroes, villains, and everything in-between (Namora doesn’t care much about such fine moral distinctions). These characters won’t get much more than cameo appearances in the big fight scenes, but since I fell down the rabbit hole that is researching funnybook characters on-line, and did it for a full three hours, I figure I should at least give you a list of names and descriptions:

The Red Ghost (Considering that Russian communism is long-dead, I figure that a modern-day Red Ghost would probably be Chinese. And as long as we’re making changes, let’s make him female, too. Get a little gender parity up in this Asian Sausage Party. Like the original, she’s a government spy with the power of intangibility. Unlike the original, she has another, secret power to be revealed later.) Sunfire (Japanese pop star super hero, with flame powers!) The Silver Samurai (Troubled warrior with a laser-powered sword!) The Mandarin (Chinese megalomaniac, with ten rings of power!)

The Yellow Claw (Chinese crime lord!) The Jade Claw (Daughter of the Yellow Claw – and his greatest rival!) Jimmy Woo, Agent of SHIELD (Head of SHIELD’s Asian office!) Xorn (Mutant holy man with a sun for a head!) Colonel Fang (Lycanthropic Chinese military hero!) Chen Lu the Radioactive Man (Scientist hero of Red China!) The Iron Monk (Invulnerable Tibetan Holy Man!) The Monkey King (Trickster hero of legend!) Darkstrider (An eight-limbed Korean Spider-Man!) Khrag Thung the Enlightened Vengeance (Tibetan Ghost Rider!) Go of the Radiant Light (aka Go-Devil, a Japanese schizophrenic torn between good and evil!) Mystical Lao-Tse (Chinese sorcerer!) Fat Cobra (The Super-Sumo!) Brother Power and Sister Sun (Solar-powered leaders of a Vietnamese religious cult!) Red Ronin (Giant robot piloted by Japanese boy hero Rob Takaguchi!) The Head (The severed head of a genius, with a weaponized flying life support system!)

(Yes, all those guys are existing Marvel characters, albeit with a tweak here and there to make them fit the tone a bit better. But I figured you had to see The Head to believe it. He was a World War II villain who fought the Young Allies.)

At the Tomb of Fin Fang Foom:

Meanwhile, the fact-gathering team meets on Monster Island, at the TOMB OF FIN FANG FOOM. Reed takes some readings of the strange radioactive element, and Karnak recognizes it immediately: it’s irradiated Terrigen. Karnak speculates that the Terrigen may have lain dormant until the atomic tests. The Inhumans themselves have to activate the stuff after they mine it, and they use mild doses of radiation to do so. This gross over-exposure, however, may have caused it to birth monsters. He doesn’t understand how this batch could have been here, though. His grandparents’ generation mined out all the local Terrigen deposits more than 400 years ago, and now have to travel the globe to find it.

Before they can explore the implications of that, however, the Ancient One arrives, mystically teleporting in from afar. He apologizes for the delay, explaining that he thought it best to collect a friend:

AGED GENGHIS, a man older even than the Ancient One himself! Genghis seems distracted. Lost in thought. “A very wise man,” the Ancient One says. “In his day. He taught me everything I know. But he had the misfortune to discover the secret of immortality.” When asked why that’s a misfortune, the Ancient One seems startled. “Ah! Yes. I forget sometimes. You are men of miracles, men of science. But you see… Immortality has its limits. Aged Genghis endures, but the human mind can only hold so much time, so many memories. And he’s lived so very long. Longer than any other human being in history, I suspect. So now he’s senile. And quite mad. But if anyone knows the story of FIN FANG FOOM, it is him.”

(Note on Aged Genghis: He swings unpredictably from comedic to scary, cheerful to grumpy, addlepated to deadly serious. And though he’s supposedly a senile old hermit who has no contact with the world outside his cave, his speech is peppered with modern phrasings and slang, much moreso than the Ancient One. He’s in the background of every panel, usually levitating, hovering in mid-air with his legs in the lotus position, not seeming to really pay attention to his surroundings. But before every new revelation or turning point (even in panels that cut to other locations), he makes a small mystical hand gesture that goes unnoticed by everyone else (and maybe by the reader as well). It may be something he does in his madness, or he may be shaping events with magic on a deeper, more subtle level than even the Ancient One can perceive. He takes a particular liking to Ben.)

“I know this place!” Aged Genghis suddenly exclaims. “This is where Tensu buried the dragon!”

Pressed for details, he can’t remember much. Only that they fed the dragon something to make it docile. “Something Tensu made. Clever, clever, that Tensu. Mostly, it was those mushrooms. The ones I had to go underground to find. Deep down where the mole-men live. They weren’t happy to give up their food, oh no indeed.” (Close in on his face, which suddenly looks hardened and dark.) “But I can be very persuasive.”

Reed knows immediately what he’s talking about: the Mole King’s fungus-horde. And something else clicks into place: if the mushrooms could be used to make FIN FANG FOOM docile, surely they could be used to command his Spawn. Another good reason to control the Moloid food supply.

And luckily, the Ancient One knows who Tensu is: an ancient being now known as Dragon Tensu, a dragon trapped in human form. Truly immortal, and with a dragon’s gift for memory. The Ancient One has only met him once or twice, but he thinks Tensu will help them… if they can find him.

So they split the teams again. Karnak whistles for Lockjaw, and travels to where Namora is gathering her forces to meet FIN FANG FOOM at the coast. There, he recruits Sue and the Red Ghost for a stealth mission back to the Mole Kingdom.

Meanwhile, Ben, Reed, the Ancient One, and Aged Genghis search for Dragon Tensu.And at the coast, the fighting begins. FIN FANG FOOM ravages the mainland, even with the full might of the the Asian super-powered community arrayed against him. It’s clearly a hopeless battle, one that can only buy time for the others…

SIX and SEVEN: THE LONGEST DAY

These two issues will jump back and forth between the three missions, but I’ll handle each separately here, for matters of simplicity.

The Mole King’s Larders: The Mole Kingdom is still in disarray after the fight with Karnak and Gorgon. Three of the mole-monsters lay dead in the central square, Moloid slaves out butchering the corpses. Whether for food or easier disposal, it’s hard to say. But the chaos means that things aren’t very well-guarded. So, as Sue makes them all invisible, they head directly for the larders. The Red Ghost passes through the walls and starts handing mushrooms out to the others. Unknown to them, for every one she collects for the mission, she’s collecting another two for the Chinese government, passing them along via her secret power: the ability to open up holes in space, ala the Spot.

Thaaaat’s right. Respect, bitches!

She lets the others know when the Larder is empty, and Sue seems confused. There were a lot more mushrooms in there than this when the FF opened it earlier. Assuming that the Mole King moved the rest, and hoping they have enough, they prepare to leave. And that, of course, is when the Mole King confronts them. Karnak explains what’s happening on the surface, but Elder doesn’t believe him. It looks like they’re going to have to fight their way out, but Karnak, ordering the other two back into the Larder, delivers a kick to the entrance, bringing down tons of rock to block passage. They’re sealed in, but it gives Karnak time to summon Lockjaw, and they’re gone. The Mole King rages behind them, gathering an army of Moloids, and calling for a mole-monster known only as The Mountain…

The Search for Dragon Tensu: Reed and his team retreat to the Ancient One’s Sanctum Sanctorum high in the Himilayas, where he works a complex spell of location. “If a dragon does not wish to be found, it is not an easy thing to pry him out of hiding.” (Note: good opportunity for some crazy Ditkoesque imagery as he works his magic.) The spell succeeds, and they find Tensu in Hong Kong, where he lives a life of opulent seclusion among that city’s sea of humanity, admitting only the occasional petitioners of favors, people who seek the miracles of Dragon Tensu.

(Tensu is such an insanely obscure character – appearing in, as far as I know, only one eight-pager from the Timely era – and being a very different character than the one I’m writing, besides – that I don’t have a picture of him. So I’m gonna suggest you just picture Lo Pan from Big Trouble in Little China, and have done with it.)

Tensu greets the Ancient One with a sort of distant respect, but obviously sees Our Heroes as little more than another set of humans coming to him with their petty concerns. He either doesn’t recognize Aged Genghis, or pretends not to.

The Ancient One explains the issue to him, and Tensu flies into an arrogant rage, angered that some foolish mortals have undone his hard work (See? Now the Lo Pan thing is easier, isn’t it?). Ben cracks a joke about his attitude, and Tensu declares their audience with him over. And that’s when Aged Genghis walks up and slaps him. “Get over yourself! All you did was mix the damn potion! I’m the one who gathered the ingredients! The one who tricked the dragon into drinking it! I even picked the location of his tomb! And WHY?” He starts poking Tensu in the chest, and the Dragon suddenly seems cowed in the face of the old man’s assault. “Because YOU. WERE. LONELY!”

And so the truth comes out. Tensu, trapped in human form and outcast from other dragons, conjured up FIN FANG FOOM for companionship. FOOM was tiny at first, no bigger than a finger. He rode in Tensu’s pocket, and learned from Tensu’s wisdom. But over time, he grew. As Tensu’s arrogance and power increased, so did FOOM. Eventually, he was a giant. Seven stories tall. All of Tensu’s power and pride, given physical form. He ripped it all away from his creator, and set off to conquer the world. That’s when Tensu, diminished, sought the aid of Genghis, then Earth’s Sorcerer Supreme. Together, they laid their plans against FOOM. Tensu had made him indestructible, to protect his tiny, weak companion from harm. But now that he was a giant, that invulnerability made him unstoppable. So Tensu concocted a potion to control him, Genghis tricked him into drinking it, and Tensu ordered him to sleep, far away from people, where they thought he would never be disturbed.

Appropriately shamed, Tensu agrees to help.

Front Line Combat:

As all this quieter action’s going on, Namora leads the assault on FIN FANG FOOM. We’ll see this in short scenes of escalating desperation, FOOM laying waste to the Chinese coast, and advancing toward Hong Kong in spite of the heroes’ attempts to stop him. He’s constantly eating people, as well, scooping up soldiers and civilians alike in great handfuls, whenever he gets the chance. Namora takes notice, and comes to believes that he needs to eat to replenish his power. And she’s right. FOOM has radiation sickness from his time under the Terrigen Core, and is eating prodigious amounts to fight off its effects. It won’t kill him, but he needs food to keep his power levels up. So Namora calls for an evacuation in advance of his assault, getting as many people out of his way as possible, and her team falls back. In response, FOOM simply goes back out to sea to eat a few whales, and resurfaces in Hong Kong harbor, replenished. Issue seven ends with a desperate last stand in an abandoned Hong Kong, as FIN FANG FOOM rises from the depths.

(Like this, but less… Turtle-y…)

EIGHT: FOOMWAR!

The Double-Sized Conclusion!

It all comes together in Hong Kong. Karnak’s team delivers the mushrooms to Tensu’s sanctum. The potion is mixed, but Tensu warns that they may not have gathered enough mushrooms to make it effective. Karnak and Sue turn to confront the Red Ghost about the shortage at the Mole King’s Larder. But she’s gone.

Meanwhile, the Battle of Hong Kong has begun. Namora and her allies, desperate and exhausted, fight a losing battle, and are on the verge of defeat when Ben pilots the Fantasticar on a suicide dive directly into FOOM’s face. There’s an explosion and a scream from FOOM. The Fantasticar, wrecked, goes bouncing off to crash in the street below. The demoralized super-army looks on in horror. But when the smoke clears, they see Ben standing in FOOM’s screaming mouth, holding it open by the teeth. Reed, wrapped around Ben’s waist, tosses the potion bottle down FOOM’s throat and Ben leaps away to land safely on the street below.

FOOM staggers in disbelief, choking and clutching at his throat. The Ancient One, Aged Genghis, and Dragon Tensu materialize in mid-air, before his blinking eyes. Tensu speaks. “Hello, old friend. I believe you’ve caused enough trouble for one day. Time to rest.” He smiles and waves his hand…

And FIN FANG FOOM laughs.

The potion didn’t work! FOOM shouts in triumph, and swats the three sorcerers from the air. The fighting starts over again, the exhausted heroes having lost hope. All seems lost.

But then there’s a rumbling from below, and up, through the streets of Hong Kong, toppling buildings in its path, THE MOUNTAIN emerges from the depths! The Mole King and an army of Moloids ride its mighty back as it rises. Up, up… Taller than the city! Taller than FOOM! It towers over the great beast, its every movement a creaking, crumbling roar!

Then the Moloids, in numbers too vast to count, go running up its back, off the cliff of its brow, onto FOOM’s head… and into his waiting maw. FOOM laughs in triumph again, these tiny creatures like lemmings, feeding his strength! Feeding his power! Feeding his… Then his rant trails off, and his eyes grow cloudy. Something’s wrong. The Mole King steps to the edge of the Mountain’s brow, smiling. “Hello, my friend. My name is Rupert. But you can call me…” (the smile twists) “Master.”

Down below, Reed puts it together. The mushrooms allow control of FOOM, and the Moloids eat nothing but the mushrooms. So Elder fed him Moloids until he choked on them. And now… The Mole King controls FOOM!

Thinking quickly, Ben gets Red Ronin (the giant robot) to throw him to the top of the Mountain. Flying through the air, fist-first, shouting…

…he damn near takes Elder’s head off. The Mountain, not much of a thinker left to its own devices, withdraws below. Ben leaps off before it goes, but the Mole King goes down with it.

Back on the streets, FOOM still stands, dazed, waiting for instructions. Dragon Tensu, bloody but unbowed, appears at his feet. “As I was saying, old friend. It’s time for you to rest, now.” FIN FANG FOOM sits, obedient, and gazes upon Tensu like a loving hound.

The crisis over, we end with a series of epilogues:

The Pacificans aid the people of Taiwan and Hong Kong in rebuilding after FOOM’s assault.

The Red Ghost reports to her superiors on the mind-control potential of the subterranean mushrooms, and tells them where they can find more. In the background, we see three caged apes…

Dragon Tensu and his allies return FIN FANG FOOM to his tomb on Monster Island, and order him to sleep. The Ancient One sets wards on the volcano to ensure that he’s not disturbed again.

The Inhumans remove the Terrigen core from Monster Island, taking it back to Attilan for study, ensuring that no more monsters will be birthed from his flesh.

Jimmy Woo directs a SHIELD operation to cordon off Monster Island, keeping the curious out, and the monsters in.

Namora, suddenly freed from the responsibility of protecting the world from Monster Island, ponders what Pacifica will do next. Perhaps it’s time, Reed suggests, to contact Atlantis.

Johnny works to repair the Fantasticar, which is already starting to pull itself back together.

The Inhumans prepare to leave with the Terrigen Core, but Crystal elects not to go with them. Karnak acquiesces to her desires. Her wisdom, he says, has proven itself superior to his own.

Then Karnak turns to thank the FF for their role in the crisis, apologizing for his earlier manipulation of them. He takes special care to thank Ben, offering him a handshake. Ben hesitates, nervous, then accepts.

Karnak: “You are a mighty warrior, Benjamin Grimm. A worthy adversary, and a great ally. It has been my pleasure to work with you through the recent crisis.”

Ben (smiling): “Y’know, I had you all wrong, Karnak. Yer a soldier. Ya had a job ta do, and you were doin’ it. No shame in that.”

Karnak (smiling): No shame, indeed. There is, however–”

Ben’s smile becomes frozen. He coughs blood. Then his face splits in two.

Karnak (face now impassive, and splattered with Ben’s blood): “…much shame in this.”

We pull back to see that, while shaking Ben’s hand, Karnak has issued a ONE-INCH PUNCH just below the belt, and Ben’s rocky hide has split down the middle. He falls to the ground, unconscious, his outer shell of rocks falling away on both sides. Beneath is a bloody mess.

Before the rest of the team can react, Lockjaw teleports Karnak and Ben away. As they fade out, Karnak’s voice informs the team that they have earned the right to attend Ben’s trial in three days’ time, and offer whatever defense they can…

TO BE CONTINUED!!!

NEXT: Time Travel! Treachery! Doom Triumphant! And… THE TRIAL OF THE THING!

Fantastic Four Re-Mix, Part Six: Hot Pursuit! So I got a little carried away this time. I had planned for this sixth installment of the…