#i’ll probably just repurpose the design for a more general setting once the fun’s over tbh

[eldritch-muppetshow]

what if i made a pikachu man descendant

[corpsentry]

behind the taylor swift gundam was in fact another, smaller gundam: a brief inquiry into the events of june 2020

so back in june this year june and i got together and we made this motherfucker of a story with this motherfucker of a thread to keep track of it all. but you already know that! and i’ve already got one foot and three elbows in my grave, so i’ll spare you the long-winded stuff. you wanna know how i wrote 93,035 words in 4 weeks? i’ll tell you how i wrote 93,035 words in 4 weeks-

-by linking you guys to copies of my planning documents because i feel like those words speak louder than any words i can offer in the present day. these are long documents. but they are also historical artifacts. very interesting. very weird. very, uh, full of cussing. so anyway, here’s

BIG DADDY: THE ORIGINAL PLANNING DOCUMENT

for those, like me, who have no motivation left in life to do anything and rely on summaries from others to acquire new knowledge, it all started with a single line.

prince of a fallen kingdom atsumu tries to kill hinata but falls in love with him instead

june, april something, 2020

with that in mind i tested the concept out with a few paragraphs of text, which you can find at the bottom of the Big Daddy document in the graveyard segment, accidentally sold my soul to the image of hinata with epaulettes, and then worked backwards, structuring an entire plot around two images:

a) hinata getting the shit beat out of him, with snark b) hinata and atsumu dancing in an empty ballroom under the stars

if you want a betrayal, you have to have something worth losing. if you want to fall in love with someone you don’t know, you have to meet them. if you have to meet them, there has to be a reason for that meeting, and so somewhere in between atsumu became a sword instructor and hinata the prince with daddy issues. june and i used this method of glancing anxiously over your shoulder to see what you’d missed to fill out the blanks in the story, after which i tacked up a bunch of post-its, typed out the plot, consulted june, typed out the plot again, and then broke the characters down into a bunch of questions, like ‘what do they want?’ and ‘what do they have?’ and ‘what are they afraid of?’

with the plot more or less ironed out, i decided it was time to start writing, and then i decided that i was actually too scared to start writing after all, so instead i set a couple of timers using classroomtimers.com (15-20 minutes long) and i sat down and i wrote about the world that hinata and atsumu inhabited.

each warm-up was 300-500 words long, and for the first few days, i’d write one before getting into writing the story proper. later these evolved into simply picking a scene from the story and launching straight into it, which became useful for opening those scenes later when i got to them organically.

then i got lazy! so i stopped. but these shitty little exercises were really useful for me because, unfettered by plot, convention, or any kind of tradition hovering over my shoulder, i was able to fuck around loosely enough to realize what i wanted this story to be. it was a very contrived kind of trial-and-error, an exploration of the characters, the story, but most importantly, the tone.

RESEARCH, PLANNING, AND VICTORIAN BOUGIE FASHION

this is a loose map of the castle and Important Locations within it, which i drew up at the start so i could keep track of where everything was and how i could get my characters from point A to point B. i wanted the story to have Some kind of internal logic, you know, even if that logic amounted to ‘a compass would function normally in this world whereas kageyama tobio would not’.

99% of my planning and organizing within those five weeks took place in this lovely dotted cat journal which my sister gave me for my birthday and i repurposed into a metaphorical Diary of Suffering while working on juno. i used it for everything from keeping track of narrative threads to clothing consistency checks, but the main purpose was this: each day at about 10 pm i’d crack open the cat book to a fresh page, stamp the date and the day of suffering at the top, and then write down a list of things i wanted to write, address, or fix today. then i’d sit at my laptop and write like a madman until about 7 in the morning. with breaks, of course, for sitting in the bathroom and staring at the wall and sitting in the kitchen and staring at the wall, but mostly i was writing. and complaining about writing. you were there, you probably remember that.

anyway, here are some pages from the cat book.

aside from the fact that my handwriting is complete shit, you can see that i made zero effort for any of this to be presentable. it was mainly a way for me to keep track of my thoughts because i have the attention span of an ikea wardrobe and tend to forget things as soon as i think of them. the lack of structure also mirrored the way that i went about writing juno. while i did proceed, for the most part, in chronological order, i had a lot of weird and useless revelations during lunch, which by this point was happening around 2 am, and in the 5 minutes before the exhaustion finally hit and carried me down to hell. i changed A Lot. again, to understand exactly how much the story evolved from day one onwards, please consult the big daddy document.

in the meantime, here’s something else.

once june sent over hinata and atsumu’s character designs i sat down like the fucking fool i am and spent 2 hours poring over a document about victorian and other fashion movements of the past so i could assign a noun, adjective, and verb to each element of their outfits. i don’t know why i did this. i certainly could have not, but i attempted to make sense of their ‘fits from a logistical perspective and that went into the cat book too. everything went into the cat book. the cat book is a relic of the past now, stuffed with artifacts such as the birth of oikawa tooru, and also his demise.

MEDIUM DADDY: EDITING, PROOFREADING, AND CREEPY MURDER CATS

i finished writing on june 26th, 2020, approximately a month after i’d first started planning, somewhere around may 27th or 28th. at that point i had about 90,000 words’ worth of story and no sanity left whatsoever, so i took a day-long break to stare at a wall and listen to taylor swift’s enchanted on loop.

and then i made a new document, which you can look at using the link above, and i laid out everything i had to do. i’d discovered a fuck ton of plot inconsistencies and general errors while writing and lying awake in bed at 9 a.m., sleepless in seattle, and now that i was free of the demon egging me towards the first finish line, it was time to Deal with them. i speed-scrolled through the draft, which was 200+ pages compressed into one google doc, because i like to tempt god’s wrath, and fixed up all the plot issues over the course of a few days. this was the fun part.

the actual, hard editing was the extremely un-fun part. i reread the entire thing, paragraph by paragraph, line by damn line, from start to finish, paying especially close attention to awkward phrasing, incomplete dialogue, and moments which had fallen flat in my haste to get on to the next one. this was really fucking terrible. i spent more time lying facedown on the floor than actually editing anything, but after a long time (about a week), that, too was done.

SMALL DADDY: TITLES, SUMMARIES, AND GOOD FUCKING BYES

i spent a good eighty days thinking about the title, though hilariously enough we ended up with something that was a blend of our names. june + elmo = juno, which is, all things considered, pretty perfect, but the process of picking the title was Hell, and i Did Not Come Up With The Title until about 2 hours before posting. you can take a look at the haphazard clusterfuck of my title-selecting process in small daddy, which is linked above.

so the title was a last-minute choice. so was the summary. and the chapter divisions. and actually all the songs in the playlist for juno. the day we dropped juno onto planet earth like a newborn baby pitched out of the sky, i spent an hour hunched over my laptop, cutting my 213 page google doc into chapters based on nothing more than a Vibe. two days before that, i also attempted to voice-act the entirety of juno, an affair which ended at the 20,000 word mark with a sore throat and the kind of exhaustion one typically wants to sleep in a coffin for 23 years to get rid of. so in all honesty, i did very little editing, which is why there are definitely minor typos and/or mistakes hanging out somewhere on that chunky ao3 webpage. but whatever.

my attitude by july 5th (was it july 5th? or 4th? somewhere around there) was basically whatever. anything so i could get finish this damn thing, chuck it out of the window, and never see another google doc until the next century. i’ve been asked a few times how exactly i wrote at a rate of roughly 2000-3000 words per day for four weeks straight, and my answer has always been this: i died. what died, you ask? my soul. my spirit. my Will To Live. i’m a creature of fixations, and juno was my fixation for june. will i ever be able to do this again? would i recommend this experience to anyone? is god real? the answer to all of the above is probably no. juno was a fever dream, and so is my cat book. and so are all the lattes i had. and so was my 9 am to 4 pm sleep schedule.

but what we made is real. the research, oikawa tooru, the 4 am conversations in which i was like ‘how the fuck do i end this’ and june was like ‘jade proposal’ (the proposal was her idea. all rise for twitter user atsuhinas. she is the mastermind behind all of the Inch Resting moments in this story; i just flapped a korok leaf in her direction and made sure the air circulation was working properly) are real as fuck, and looking back, there’s a lot i’d change, but i’m lazy. and college is starting. and anyway, i did write 93,035 words in just under five weeks, four if you don’t count the week of Editing Hell, so i think that’s pretty cool.

thank you for reading this to the end, and for following us on our journey through the enigmatic taylor swift gundam fic which quite literally consumed my entire twitter account for the five weeks i spent working on it. retrospectively speaking i really was butt-obsessed so i am frankly incredibly impressed with everyone around me for putting up with a Husk of a Man for a month. thank you for doing that. thank you for indulging my vague tweeting, and our butterfly dns, and for reading 93 thousand words of gay fanfiction set in a high fantasy world with epaulettes and galettes. on behalf of june, once again, we are incredibly grateful for all your support.

if you have any questions about specific aspects of the writing process, or anything you’d like to know in general with reference to JUNO, feel free to drop me an ask through my tumblr inbox, or through my curiouscat over here. i’m aware i didn’t cover everything, but there’s frankly too much to put in a tumblr post without passing away somewhere around the 56% mark, so let me know what’s on your mind, and i’ll try to answer that to the best of my abilities. but anyway, before i go, here are some

TAKEAWAYS

one: don’t try to write 93,000 words in five weeks. seriously don’t fucking do it you will end up jittery and sleep-deprived and you will leave all your friends on read for a month. pace yourself. set realistic goals. you wrote 2k this week? that’s fantastic. you wrote 4k in a day? you absolute motherfucker. i hope you’re taking a long fucking break tomorrow. your story will not run away from you, but if you run too fast, you will get tired, and then you will pass away.

two: you don’t have to know everything about your story before you start writing. in fact if you have a single camera shot of two characters holding hands under a rose garden awning, i think that’s fucking wonderful. if you look at big daddy, you’ll realize that my initial plot draft, and all the ones following that, are not perfectly aligned with the final version of juno. i improvised over half of the scenes in this motherfucker, and to be completely honest, some of the improvised scenes were the best. fucking oikawa tooru was improvised out of nowhere. he only got written in way later, around chapter 8 or something, because i realized i needed a plot device and a source of information to keep the playing table from toppling over. i Sat Down one day and was like ‘okay, it’s time to write oikawa into the introduction. because he matters now. he didn’t matter last week but now he does, and soon he’s going to be the fulcrum of the entire story, because it’s like that with oikawa tooru’. it’s okay to change your mind halfway. it’s okay to go back and rewrite entire scenes or segments. it’s okay to highlight 4 pages of fresh, sentimental writing, and hit delete. writing is a fluid process, and you Will make discoveries as you progress through your story alongside your characters. be understanding of that iterative process. be kind to yourself.

three: You Are That Motherfucker. you, me, your dog, your dog’s friend, your dog’s enemy, all of us are that motherfucker. i never thought i’d be able to write anything longer than the great big map, which was a much simpler, linear story in which the other main character did not appear in the current timeline until like the eighth chapter. juno was different. juno was the motherfucker, and i was scared shitless of it, and to cope with that fear joked constantly while writing that it’d never see the light of day.

but it did. it was a rocky process, and i was awake for 48 hours after posting it because of the sheer adrenalin stuck in my skull, but i got through it. and i wouldn’t have been able to do it without june, who stepped in when i flopped over facedown on the floor and dragged me to my feet like the badass friend she is, and without everyone else in my life, who put up with me talking about The Thing that i couldn’t really talk about, but juno’s up there now. forever, or until the internet collapses and civilization goes extinct. and if the nineteen year old clown with the attention span of an ikea armchair and an a level certificate from hell wrote the 93,000 word long thing, so can you. i mean this completely unironically and with every ounce of genuine emotion i can summon from the cracked asshole of my heart.

writing is hard. writing is scary. writing is an investigation of the world around you and therefore, by extension, yourself, and that kind of honesty is freaky. it’s like going skinny-dipping next to the president’s mansion. who’s going to see you? what if they take a photo? what if you lose your spot at university?

but don’t think about that. our world is overrun with stories the way cereal bowls are full of cereal, but it’s those stories that keep us all sane in the disgusting day-to-day muck of reality, so think about your story. what’s haunting you today? what message do you want to leave printed in font size 666 comic sans across the southern hemisphere of the planet? what will you be tomorrow?

a writer. you’re going to be a motherfucking writer.

[greetingsfromeboncreek]

BEHOLD the rest of the commentaries. They’re pretty short in comparison to the others, and I wrote them pretty stream of consciousness, so I can’t guarantee how much sense they make, but it’s done, dammit. 

BTW, my overall favorite characters (in no particular order): Arthur, Charlie, Meredith, Alaster, Iggy, Bael, Mara, Junior, Solstice

My thoughts on 33 different characters below the cut:

The New Friends:

Kirk: Like Nick, probably could have been written out and not much would be changed. However, he gets a pass because he was never really meant to be in the main storyline to start with, being born of a short lived prompt based adventure on the MSPA forums, who got phased into the main storyline. However, unlike Nick he has a genuinely interesting motivation (evil goon gone good, determined to avenge his mistreated coworkers). I also love his overall cheery and easygoing personality, he seems like a very nice guy. Interesting backstory- he was apparently in the army reserves, but got hired by a private company, if I’m remembering correctly? That means that he might not have had any family in Ebon Creek- which means there may well be people still out there looking for him and worried about him, orrr they’ve just been told he’s dead, which is a sad thought. Also has an adorable dynamic with Morty- I could easily imagine him with that one gif along the lines of “I’ve only known Morty for 15 minutes, but if anything happened to him I would kill everyone in the room and then myself.” I also liked how he’s the only human member of the “good guys” to have any actual combat training- in an AU where nobody has demon powers or magic, he could probably wipe the floor with everyone else. Overall, very nice dude, love his abilities (cool weapons and shouting out power names is really fun), REALLY liked his aegis design, love his dynamic with Morty, grade A character.

Arrie- Another really cool lady! I really liked how she slowly went from confused but not incompetent, to really taking responsibility for the situation in Ebon Creek later in the storyline. It’s awesome to hear she’s going to get a more prominent role in the reboot, I ADORE her new design, and I’m quietly guessing her treasure chest motif pockets have bag of holding style portals in them. Would have loved to have seen her reunion with Azgrut, but ehn, we can’t have everything. Also love her clever use of portals- I think it works really well with her intelligent personality. I also really enjoyed her dynamic with Sally while they were teemed up- rough and tumble lady with a prim, proper and intelligent young woman, both happily beating up their opponents. Wonderful.

Victus- I’ve always had a soft spot for dry, logical characters, and Victus is no exception. I think as a fellow military dude, him and Kirk would have gotten along quite well if they had had more time to talk to each other. However, above all else I love his relationship with Bael- from how he initially turned Bael’s parasitism around on him, to how he, (in my opinion at least) ended up in a near-father figure position. It doesn’t matter how edgy Bael acts, Victus is there to pat him on the head in a patronizing fashion. Sure kid. You’re real cool. (While also taking into account his mental state and showing sympathy.) And frankly, if anyone needs that kind of support, it’s Bael.

Trevor- Always liked this guy! A very useful font of exposition, and a genuinely nice guy. I also really appreciate the fact that he’s not used to the chaos of Ebon Creek, and of horrible situations in general. His moments of vulnerability/near breakdowns (and Eric’s for that matter) remind the audience that everything that’s happening… isn’t normal. He’s the closest thing we have to an ‘audience insert’ in the Asylum arc. Loved his gadgetry based fighting style, would have been interesting to see what sort of demon powers he would have developed, but overall not too bummed about it. Really REALLY happy he got to rebuild his friendship with Azgrut, that was one of the things I was most pleased about with the ending.

Eric- Very similar to Trevor in terms of ‘audience insert’ and ‘nice guy’ and ‘hadn’t been completely traumatized by the start of the comic leading to mental breakdowns’, but rode along with the villains instead of the heroes. Poor thing ultimately ends up suffering more than Trevor though, for obvious reasons. It would have been cool to see someone actually learn how to be a zombie though; Sam and Jericho have been like that for years, and we missed Alaster’s adjustment period, but it would have been amusing to watch Eric slowly get used to it.

Also, he committed the biggest instance of ‘Nice job breaking it, hero’ in the whole comic. Way to revive King Law, Eric. Real smooth. Also very, very interesting in that he was one of the few that SIGVALDI found interesting. Eric’s likely up there on the list of cleverest characters, and I hope he’s doing ok after the end of Suppression.

Assorted Goons:

Grenner- I love this man. I draw him looking perpetually exhausted for a reason. He’s a very good man who blames himself for some very bad things, and while he outwardly holds himself together, is grasping at straws to figure out how to make things better. Is a man that’s plagued with guilt and also the actual plague, but has an INCREDIBLE mental fortitude- it’s been explained that perceiving one’s demonic infection as a separate entity is what kills you, but Dr.Grenner did that… and won. I also love his relationship with Iggy- once pretty good, now strained with Grenner trying very hard to put it back together. I’d really like to see them make up someday. (Iggy takes after his dad a lot tbh, loathe as he is to admit it.) ...Id also like to see Grenner show everyone Iggy’s baby pics. You know he’s got em somewhere.

Kolt- Noooooooo. Probably...my least favorite of the villains. Certainly the one I find the creepiest, for reasons I went over in my commentary with Sally, but also the one I found the least interesting in terms of characterization and backstory. Was really pleased to see his “death” and how he got repurposed into a different character, buuuut it’s less encouraging knowing he was going to come back. Please, you creepy bastard….just stay dead…..

Santris- Changing directions, one of my favorite villains. Unlike Nick, his small number of appearances works in his favor, considering he usually shows up during plot important moments, prodding things in one direction or another. This is a man who KNOWS things, and I love it. What is he up to? What’s his motivation? That’s all part of the intrigue. His power set links into this perfectly, which is to say he doesn’t really have one- he’s the only character that fights without magic or plague powers, leaving his real powers- if he has any- a mystery. There’s only one thing I feel fit to speculate on with this guy, and that’s the fact that he’s PROBABLY an elf, going by his eyes. Even that can’t be confirmed though, and makes things even more strange due to the fact that he seems to mostly work with humans, with little to no contact with Thal’nasia.

Azgrut- Another ‘not technically evil, just a victim of tragic circumstances’ character. Being murdered as a child, brought back as a zombie, and forced to build weapons or else be killed again doesn’t leave a guy with a lot of options. However, the weapons he’s building are his life’s work, and probably the only thing that brings him any real happiness or, failing that, satisfaction. It’s probably why he’s so protective of his work, and why he’s so pissy when anyone comes and bothers him. His magitech based fighting style is cool as heck to look at (And to compare/contrast with Trevor’s), and he has an EXCELLENT general aesthetic to him. Tron line zombie, hell yeah. Overall, his situation was even more miserable and ultimately hopeless than Sam’s, and I’m REALLY glad he got a happy ending. Though it’s a shame that because Arthur raised him, that means he’s still ultimately under control of the Wights, which was his whole goal with the phylactery thing. Wait. Azgrut’s still alive at the end. Which m…..FUCK. ARTHUR’S NOT DEAD, THE CAVE IN DIDN’T KILL HIM. I JUST FIGURED THAT OUT. FUCK

Maggie- Okokokok I’m cool, it’s cool. It’s cool. Arthur’s not dead, fine. I’ll just pretend he’s stuck under a rock somewhere, it’s fine. Ok, Maggie. She’s so. Fucking cool. So goddamn cool, I love her so much. I love her ease and sense of confidence, and the implication that she’s the one wearing the pants in her business relationship with Bartleby, even if the people they work with get the initial impression otherwise. She also probably wears the pants in their romantic relationship too. Which like, might not be a thing, not confirmed for canon, but it’s fun to think about. Also has a bitchin outfit, and the coolest ‘element’ out of everyone in the comic, I think. Gravity powers? There is so much room for shenanigans and cool fight scenes out of that. I’m really looking forward to seeing her in the new comic- judging from the number of stripes on her shoulder, she seems to be the boss in the reboot as well. Keep on rockin, girl.

Bartleby- Look. In almost every piece of media with a lot of villains, there’s always one brightly colored, egotistical and flamboyant one. I think for Suppression, Bartleby is that dude. I’m not even kidding- if you look at the big reference sheet of Suppression characters on Degulus’s Deviantart, there’s only 3 patches of bright color and those are Overload Charlie, Azgrut, and Bartleby. However, unlike other villains of that type, where their biggest flaw is their sense of pride, Bartleby’s motive is that Thal’nasia isn’t proud ENOUGH. He believes that elves are genuinely better than humans, but aren’t acting like it, and that needs to be fixed immediately, by way of violent take over of the government. That is a DELIGHTFUL motivation to have. I’m aware that a lot of Suppression’s villains match up with the seven deadly sins (though it’s not too strictly enforced), and envy is a hard one to pull off. However, Bartleby does it and does it well! (Side note: love this dude’s outfit, and double love the fact that he’s the only character who’s teeth you see on a regular basis… where those teeth aren’t sharp. That’s wonderfully unnerving. A+. )

Tyburn- This dude’s more of an honorable mention because he never actually shows up. You only hear about him in passing, so there’s not a LOT for me to say. It’s some hilarious irony that Azgrut doesn’t know what happened after he died (and neither does Iggy for that matter) so he just lists the completely wrong generals and Iggy just essentially nods and goes “Sounds legit.”. I feel like there’s a lot of mysteries around Tyburn though… like I said, we never see him, so who WAS this guy? Why did he defect? (Is he secretly still alive…?) However, the Blood Red Rebellion seems like it was pretty much a feature exclusive to the original comic, so we’re not likely to get anymore info. I’m fine with that tbh- not everything has to be explained to death. Sometimes a dude is just a dude.

Lexi- First of all. Love this girl’s aesthetic. The cropped haircut? The >:3c face? The goggles? The outfit? Yes, yes, and yes. She’s also the only character in the comic that has a very… ‘big sister’ sort of feel to her. Really she’s just an overworked babysitter who got handed a kid that she is in no way equipped to handle, but she’s doing her best to not mess him up too bad regardless. I get the feeling that she’s a dumb kid who was asked “Hey you wanna do some Villainy (™) “ and she was totally down for it before realizing much too late that. Villainy is not as fun as you’d think and ESPECIALLY not when you’re the replaceable mook.

Junior- Hhhh I love this boy. Look, I love art and drawing. I also love robots n stuff in media. I also have Aspergers, and so I have a tendencies towards anxiety, seeming ‘odd’ to other people, being baffled in situations that others would find normal, and obsessing over certain topics. As a result, those who have seen Junior can see why I love this child so so much. It can be kind of embarrassing to admit it, but I see a lot of myself in this character. I’m glad that he has someone that “gets” him and is looking out for his best interests (you rock, Alaster). We don’t really find out what happened to him, Lexi, Alaster and Maggie after the comic, but I like to think that they all got out ok and are just chilling out there somewhere.

Wight Family

Maxwell- Stern, serious, imposing heads of families are relatively common villains, and it’s pretty easy for it to become a boring, flat stereotype; for a character to become nothing more than, essentially, a villainous rock. Max is not this. Max is trying very hard to be this, but doesn’t always measure up, and that is infinitely more interesting than the evil boulder archetype. His character profile straight up says that he’s only trying to be cool and collected. In reality, he’s surrounded by (what he considers) idiots and is trying very hard to keep this show on the road, and his facade of dignity isn’t nearly as impregnable as he thinks. I love the idea of a cold, collected villain going from complex swordplay to an undignified bar brawl the moment he thinks no one’s looking. Just “Fuck it, fine, I’ll do this the easy way. This idiot doesn’t deserve me at my best anyway.” Unfortunately, while his character is very fun to read, the downfall of having a character that doesn’t go into villainous monologues...means that he never explains his evil plans. Which means I’m STILL not really sure… what it was he was trying to DO. Most of my ideas come from Degulus’s explanations in the comments, which is uhhh probably not the best way to communicate that to one’s audience. I’m pretty sure he was planning on altering the course of the leyline to change the laws of nature, and then controlling the world as an immortal zombie but… trusting Arthur to manage that? Yikes. Maybe not the best plan buddy, but you tried your best.

Arthur- Ohhh this bastard. Who is apparently still alive/undead. This bastard… is actually one of my most favorite characters. Like, irrevocably top 5 (I could never pick a #1, but he’s up there). He is an absolutely terrible person. Lazy and cowardly, but in a way that is loathable and malicious instead of sympathetic. Doesn’t seem to think highly of himself, but...doesn’t seem to have a high opinion of anyone else either. Killed his own kids. Killed his brother (s...sort of. It wasn’t very clear.). And today I figured out he didn’t even get comeuppance for it. (Unless, of course, he’s just trapped under a rock in a caved in cave for all eternity with his phylactery sitting on a desk somewhere. That’s kind of hilarious.) However… despite all that, he is an incredibly fun character to hate. His dialogue and reactions were always funny to read, and there’s something about his desire to just lie down and do nothing that appeals to everyone, I think. In a way, he’s similar to an audience insert or ‘straight man’- the one that says “You realize this plan is stupid and never going to work, right.” and is promptly ignored. In summary, terrible person, HORRENDOUS father, but a GREAT character.  

William- Ok technically not a person, but will still be giving commentary. A golem made of souls is an amazingly clever concept, though probably my most favorite part of William is getting to describe him as a “sack of angry ghosts” to my friends. It’s interesting how William appears to be at least partially sentient though- either that collection of souls does have some hivemind sort of consciousness, or that’s some faaaancy spell coding on Sigvaldi’s part. However, due to the fact that he’s a juggernaut superweapon of necromancy, he’s less a character and more a...almost environmental hazard that the characters have to work around. A unique and interesting superweapon that was a blast to read about how they worked around him, but… doesn’t leave me a lot to talk about in terms of character commentary.

Jericho- Ah, the poor narratively-proclaimed D-list villain. Nobody really likes him. Got waylaid by the events of the story, and as a result never did anything of much significance, but it was lampshaded and he later got a huge upgrade. I feel like that matches his personality quite well though. He takes after his dad a lot more than he’d like to admit; he has pride in being undead, and as a member of the Wight family, expects everyone to cower before him… and it’s really funny to watch how frustrated he gets when people don’t immediately do that. I think the combo with Kolt was a good idea; it gave him a much needed power boost and source of intrigue, being a possessed zombie. I was also really interested in seeing where his relationship with Iggy and Azgrut was gonna go! On an unrelated note though...I found out the other day that he’s only 2 years older than Samantha. However, Samantha’s backstory showed that she died as a little girl, and I thought it was implied by the “go get your brother” comment that Jericho died shortly after… but that would make Jericho have the body of a young teen/preteen at most. Sooo I guess that either wasn’t the day Jericho died and Arthur wanted him for something else, or acid zombies can age. Hmmm.

(PS. If Alastair calls Samantha Sam and Meredith Merry, does that mean he calls Jericho Jerry? Because if so, that’s hilarious.)

Samantha- The undying voice of nihilism, in a travel sized package. Sam didn’t get a huge role or a ton of appearances, but she’s one of the few who got what I considered a complete character arc. She had a problem, finally admitted that problem, got assistance with the problem and got her comeuppance. Her story was sad, but god if that didn’t make it all the more satisfying watching Arthur get thrown around like a toy by King Law. You could almost hear the squeaky toy sounds.

Alaster- I have a lot of respect for this guy. In the beginning of the story, he comes off as one of those mysterious, unhinged villains that gives a dramatic speech and then vanishes. However, the course of the story revealed layers of personality and backstory that made me genuinely feel for this guy. He’s proud to be a Wight, but somewhat paradoxically hates his family- this later turns out to be because his dad and uncle are terrible people, even to their own children, and he’s trying to actually create something resembling a “family” instead of...well, a soul-drowning pit of misery. He’s trying to make the Wight family a better place for the members of his generation. He’s trying to be a good brother, a good role model, and is friendly to Sam even though she doesn’t seem to want his kindness. He doesn’t mind though, he gets it. It’s so nice to see the younger members of “villain” half of the cast have someone in their corner willing to throw down for them no matter what. Alaster is an A+ older brother, A+ babysitter, and honestly probably would have made a good dad if he ever got the chance. Well, except for the ‘teaching kids how to murder’ part. But that’s just a traditional part of Wight education, I can give that the slip.

Meredith- My first thought upon seeing Meredith was “Oh my god she’s adorable.” Since then, my opinion has not changed in the slightest. She’s like Sabrina the Teenage Witch but evil. She wants to make a team of US presidents with chainsaw arms. I want to SEE her make a team of US presidents with chainsaw arms. Honestly, she’s a breath of fresh air in the Wight team. She’s good at her job, but young and enthusiastic. After so many dreary, depressed, gothass villains, it’s nice to see one that’s a straight up ray of bubbly sunshine who also wants to rip out your soul and use you as her cute lil familiar. I bet she can ride that scythe like a broomstick. She’s got the wind powers, it could work. The sad part is though is that...while the old Wights might have survived the cave in, and Arthur definitely survived, Meredith was the only one in the room who wasn’t undead or a lich which means she’s probably. Permadead by the end of the comi- AW FUCK THAT MEANS ALASTER’S DEAD TOO. AUUUGH. Oh fffuck I hope Alaster managed to get Junior back home before he just. Dropped dead next to him.

King Law- Unlike Max, this guy is a lot closer to the “villainous rock” stereotype; he even has an elemental affinity to Earth! While I find him a little more boring than Max though, I’m still drawn to him by his bitchin character design, and intriguing sense of ethics; he honestly has some good points on the nature of goodness and the fact that having a sense of right and wrong is worthless if “right” isn’t being defended. He seems to be the concept of “lawful evil” taken to a reasonable endpoint, whereas Sigvaldi would be the “chaotic” end of the scale.

Nora- Ohhh yes that’s the ticket. This is exactly what I wanted. It’s implied that...terrible things happened to the Wight kids’ mothers. (Ok they’re not really kids but you get what I mean.) However, that leaves a very obvious dearth of Wight ladies, leaving me with a hankering for more. Nora hits that spot so well. She’s elegant, refined, but also has a giant, badass fuckin’ sword (ok well she is the sword but still), and will happily kick the crap out of everyone that messes with her family, despite the drama. Is there a ton of depth and backstory? Nah, she was there for like...10 pages and died (thanks, Charlie), but her very existence is a much needed breath of fresh air. Also I need to draw her in a bunch of fancy outfits starting, like. Now.

Sigvaldi- So, I got one of my friends to read the reboot with me entirely on the off chance that Sigvaldi shows up in it based on the few snippets of the old comic that I showed him, so that certainly speaks wonders for Sigvaldi’s character. Granted, it’s mostly because he’s a lich and this friend loves those, but my point stands. Sigvaldi is great. I love characters with a unique worldview and sense of morality, and Sigvaldi is no exception. He is well aware that he creates monsters and commits sins against the laws of nature, and accepts this...what he truly loathes is those who do monstrous things and try to make it look like justice. Now THATS interesting. I also just generally enjoy his omniscient observer role in the story, popping up to give warnings and make predictions. I should also talk about the end of Suppression, while I’m talking about him, specifically those mysterious voices who’s ranks he joined at the end of the story… I’m not sure who they are, but I sure as hell cant wait to find out! I have a few guesses, but 0 evidence, so I’m gonna hold those cards close to my chest for now.

Other Characters

These guys diiiidn’t get a lot of screentime and also I’m feeling really crappy and sick right now so I might not have a lot to say, sorry.

Figaro- An elf with a BEARD. So good. I like how self aware he is about the nature of his job, and how light hearted he stays about it all. Sometimes, your coworkers are incredibly powerful mages that can control the very forces of nature themselves. And sometimes they’re idiots. And sometimes they’re both at the same time and you just kinda gotta roll with it.

Coin- Had pretty much just one conversation so I don’t have a lot to say about this guy. I like his near-naive dedication to heroics and justice though. That can be interesting in done right, especially if it’s from a character who isn’t actually naive and is instead willing to fight for that ideal. I actually find his family more interesting- he has a last name that’s been mentioned a couple times in different contexts. His family certainly gets around, huh?

Mara- Probably my favorite of the elves. I can understand both sides of peoples opinions of her. On one hand, she’s absolutely a child soldier. There’s definite negative effects to this that she straight up doesn’t have the experience or maturity to understand completely, and even though this frustrates her, the people claiming it are absolutely right. However, I can also understand her desire to be taken seriously as a person, the difficulty in repairing the good name of the Red part of the army, and the massive pressure on her as the last remaining heiress of the Kuin family. She’s got a lot of weight on her, and while I want to see her do well… I also wish she had the opportunity to. Well, be a dumb teenager. Very interesting character, but also very specific to the pre-reboot continuity, so I’m not sure what’s going to happen to her now.

Phylo- This is also a reaaaally good one. I love how much care was taken to write his disabilities- he’s competent and well respected, but his missing arm and blindness are taken into account and addressed reasonably. I especially loved how he has to take his arm off during the winter because of the chill that creeps up it- that shows a lot of thought put in, that not a lot of other comics would. A+ writing on that front. Normally I don’t think I’d like his grumpy, but still managing to brag sort of personality, but in this case I think it works because the other characters mentioned that he was the grumpy one; his behavior isn’t treated by the narrative as being a good thing.

Kevin- Admittedly not a huge fan of this guy. I mean he’s ok, I liked the kamen rider leystone power suit, that’s cool. And granted, we might not have gotten the best introduction to him, considering he was exhausted and it was the middle of the night when we met him. But overall, he seemed to me to be a guy where people kept saying that “he was a nice guy, really” despite being whiny and aggressive the whole time. He kept acting really distrustful, but none of his protestations really affected the plot, so I just spent most of the time waiting to move on from this guy. I get the feeling I also would like him more if I watched any episodes of Kamen Rider, as there’s supposed to be a lot of similarities buuuut I haven’t, so. Still, he’s supposed to be getting a lot of focus in the reboot, so hopefully he’ll be able to stand up on his own virtues.

Roni- Noooot a lot to say about this one. I’m interested in seeing what animal-based life magic looks like in practice though. Plant life magic is easy enough, it’s just plants, but is animal husbandry magic like...being able to control/talk to animals? Or is it kind of horrifying fleshcrafting. I also didn’t think she and Cerene were that similar, but I’m still looking forward to the sister relationship they’ll have! (I’ve also always wondered if that promised hang session with her and Cerene was going to lead up to a meeting and confrontation with Lexi… that would have been interesting.)

Torblad and Esra- Wasn’t a huge fan of these two either. I’m not sure if Torblad was just pretending to have gone crazy, or if he was supposed to actually have some sort of illness from his time travel shenanigans, but overall it just felt weird to me. The tone of his ‘prophecies’ was so different from the rest of the comic that I thought he was a one off joke character or a cameo of some other thing (like how Kirk was a character who was originally from a MSPA fanventure, I thought Torblad was a character from the original RP a lot of the elf characters came from that was going to be a tip of the hat one-off, tonally inconsistent cameo and then we’d more on.). Imagine my surprise when he ended up being responsible for the end of the comic! With Cerene’s help, of course. Overall, he just seems...out of place to me. With the rest of the cast being written well enough in terms of physical disabilities, the effects of trauma, and mental illness, Torblad’s sort of… lolrandom sort of craziness feels cut from a different cloth. I don’t even really have anything to say about Esra- she seems to be there pretty much entirely to interpret for Torblad, soooo I got nothing. Sorry, Esra.

Solstice- Aw yeah, there’s the good stuff. Take this with a grain of salt though; I’m not entirely sure if I’m interpreting her backstory correctly, as we only got bits and pieces of it. She was an excellent introduction to how much things were going to change for our “heroes” when they walked into Thal’nasia- instead of snarky comments and scuffles, they got someone that was spooked, shy, and wondering why the hell they were there in the middle of the night. She’s a bit awkward, but seems friendly and genuine; a much needed change of pace and a breath of fresh air. However, the story is quick to give her more depth than that. She used to be a lot sadder, a lot angrier, a lot more aggressive, and it’s taken time and effort to recover from that. She has a useful, unique worldview due to her golden aura color, but is estranged from society due to her differences and her odd personality as a result. And yet… she’s still become a kind person, with a helpful personality, and I have a lot of respect for that. It’s one thing to become a snarling badass in the face of adversity. That’s cool, and I like that too. Hell yeah, punch those who hurt you. But something we don’t get to see a lot is people recovering, getting better, realizing that while that aggression helped them at the time, it can become self destructive. It’s really nice to see a character that shows that stronger isn’t the be all, end all solution to one’s problems. (Though she could probably still kick your ass if she wanted to. Just sayin.)