#i'd like to write a long overly dramatic fic about a day in his life that takes place in the timeline of the show

[doubledyke]

thinkin about edd today

[doitwritenow]

I'd ask all 35 of the ask game, but I feel that might be a little too much. Instead, I'll choose: 2, 5, 6, 7, 12, 23, 29, 31, 33, and... oh that's way too many. Uhhh, feel free to not answer some if you feel overwhelmed. If not, go ham! I'd love to read more about your writing/writing process. :)

Oh WOW thank you! These are so fun. Hm...

2. Why do you write fanfiction?  Recently answered this one! Here’s what I said: I write fic because of the spaces between the lines of a story. The gaps and unanswered questions in canon encourage me to come up with deeper mechanics, more complicated lore, and complex character motivations in order to explain. Sometimes, one of those pieces will click into canon so well that it becomes inspiration. And then there’s nothing else to do but write! Lol. Stories are so wonderful because of what we can do with them, individually and all together, and I really like being a part of that. 

5. What’s the fic you’re most proud of? While EoI is kind of my magnum opus, I really really adore Sunrise Loves To Go Down. Something came together in that fic, some tone and some thread of style, and I am immensely proud of how it turned out. I started writing it when I had been evacuated from my house due to a wildfire, lying on a hotel bed and typing on my phone in the middle of the night, and so it felt different to write than my other works. Maybe that’s why it feels different to read, too.

6. What element of writing do you find comes easily? Easily? I have to say dialogue. It’s often my favorite part of any scene, and I love the way it determines tone and establishes character. Though it’s not my absolute favorite part of writing, I dance through dialogue scenes feeling like I’m on a caffeine high. Of course, lots of times getting dialogue right is a lot of work, but there’s an ease to it that some things don’t have. 

7. What element of writing do you struggle with most? Hnnnngk the answer is pacing. It’s pacing. I struggle to pace things. I do enjoy long projects and feel proud of my ability to commit to them, don’t get me wrong. But I’d love to get better at structuring a plot to allow for the same tone without needing an overly generous amount of words. My go-to answer with pacing is always ‘write more’, but I don’t think that’s always strictly necessary. I want to be able to use the other tools in my arsenal to tell a story that’s just as complete but even more gripping.  Me: *challenges pacing to a death battle* Me: *dies*

12. Tell us about a WIP you’re excited about. Okay so a friend and I were laughing about how funny it could be to write about what happens to Odin after Loki sticks him in a retirement home on Earth. The Mystic Artists would obviously know he was there, what with all that cosmic threat sensing bullshit, and things would devolve from there. Like, can you imagine? The Adventures of Odin Allfather and the Home for Elderly People. Series of one-shots. Each titled something like: Odin vs. Thursday Bingo. Odin vs. His Roomate. Odin vs. the Grumpy Wizard. Odin vs. the Craft Store. And slowly other characters start to show up. Ned’s grandma is in the same nursing home, and he and Odin hit it off, so obviously Ned introduces him to Peter. Stephen comes to check up on him occasionally and Odin stages the most dramatic escape attempts of all time with no real intention of going anywhere. Now I dislike Odin in canon but how comical could that be I’m serious--

23. Do you prefer prompts and challenges, or completely independent ideas? I like prompts and challenges, but generally I work best with completely independent ideas. I can’t force my one-shot muse, so whenever it strikes I buckle down and write there and then. So yeah, prompts and challenges are really fun, but the inspiration has its own plans for my hapless self.

29. Have you ever gone outside of your comfort zone for a fic? How did it turn out? Comfort zone? What comfort zone? Lol. I suppose I do have bounds of what I’m willing to write and share, but they’re not particularly limiting. Each story I write extends the limits of what I’m used to; I try not to hesitate. And most of the time, I like where things end up! 

31. Do you have any OCs? Tell us about them! OCS YES I DO HAVE OCS THANKS FOR ASKING. Most of my Marvel OCs show up in EoI or were created specifically for it. But I have some other lovelies floating around, my three favorites being: - Silas Ewyn, a necromancer detective. He’s basically a vigilante archeologist, using his abilities to interact with bones to solve the mysteries of foul play victims. Silas doesn't care about politics or reasons; all he cares about is facts and bringing voices back to the dead. In the lawless Roughs (yeah, he’s a cowboy, fight me) he takes that justice back into his own hands. Though he doesn't kill, he'll go to great lengths to punish perpetrators, and he always takes a bone of the murder to bury with the bones of the victim to ensure the victim gets their justice in the afterlife, too. Which bone depends on the severity of the murder. During one of Silas’s investigations, however, he was murdered himself. Oops. But he woke up three days later with his soul rattling around in an entirely different body with no memory of the event. The only way for him to discover the truth is if he finds his old bones and solves a whole new murder... His own.  Anyway I love him and I could talk forever about the truth behind his murder and all the details of the Roughs and everything but we’ve got a limited amount of time and I still have to tell you about: - Sohcahtoa and Pemdas! If their names look like math acronyms, that’s because they are. Sohcahtoa and Pemdas are kind of children’s comic book characters in my mind? Sohcahtoa is a superhero; she travels through the Sciverse bringing people together and solving scientific and mathematical problems between others who are concepts come to life. With her meter-stick sword and her protractor throwing star, she’s a force to be reconed with!  Pemdas is her trusty sidekick. He’s a cuttlefish with immense knowledge of operations and formulas, and Sohcahtoa keeps him in a cube on her belt. Pemdas checks her math and gives her any theorems or formulas she might need.  Lol I’m a nerd next question.

33. Is there anything you wish your audience knew about your writing or writing process? Just want to say: I’m not some sort of warlock, I promise! The reason I can post so consistently for EoI is not always because I write consistently; it’s because I have a cushion of chapters between what I’m writing and what I’m posting. Sometimes I’m completely barren of words and I can’t write for days on end, and sometimes I just fly through things in hours. But all that inconsistency balances itself out in the end and keeps the chapter cushion intact, so my readers get to see only me looking like I have everything under control. I’m just as chaotic as you, I promise.  (Prophets is not like this with the chapter cushion. I am a bad girl when it comes to Prophets. XD instant gratification is my arch nemesis.) 

Anyway! This was super fun Ish. Thanks for the ask! 

[gnostic-heretic]

Hi! I'd love for you to respond to this, but ONLY if you're comfortable! I'm planning on writing a hetalia fanfic with a trans character. I researched a bit, but I feel that my fic could be read as problematic: my trans character (MTF) is introduced as her assigned gender with a different name, only to be uncovered later. She dates pre transition, but get back together. Is this realistic? You've written fic w/ trans characters before, so can you give any tips of advice? Thank you for reading!

hey dear, thank you for reaching out! i’m more than comfortable giving advice but remember that i’m just one trans person, so this does not represent a consensus- i encourage you to reach out to a trans friend to do a sensitivity reading, if you and your friend are comfortable with that! 

i say this because a lot of people would say this scenario of portraying someone pre- and post-transition is a no-no, but i think it’s doable (i’ve done it myself!) if approached in a sensible way. 

and yes i do think it’s possible for a character to date someone, break up for unrelated reasons, transition and then meet that person again and fall in love again. it’s a sweet idea! it’d be lovely to see your character grow and be more content and confident and finally *herself*, and find love as herself :)  plus at least in my experience, a lot of cis partners of trans people do a lot of serious questioning and self exploration when their partner comes out so it can be interesting from the other character’s perspective as well. i’ve seen for example many gfs/wives of trans women realize they’re wlw when they previously never questioned their sexuality. so it can be an interesting journey for both characters to go on and for you as a writer to explore! 

my first bit of advice is to read read and read. read what trans people have to say on the subject of writing- i know there’s more than one post floating around on tumblr with advice for cis people on how to write a trans character. and read the experiences of trans people, how they talk about their own “egg cracking” (if you don’t know, i’d start by searching what “cracking your egg” means- and hint: it’s not always “i played with dolls as a child”), transition and their own past present or their future plans.  and as you read remember that there is no singular standard “trans experience”- transition is not linear, and there’s no such thing as a transition that is “complete” or “incomplete”. some trans people feel really intense dysphoria, others don’t and are mostly fine with the body they have. some trans people want to start hrt asap and to have every medical procedure available, for others, coming out is enough, in many cases they might want to have surgeries, but hormones are the only thing that’s accessible because of the cost of surgeries and long waiting lists. 

keep in mind that everyone experiences gender in their own unique way, so a trans female character doesn’t have to be hyper feminine, and a trans male character doesn’t have to be super masculine to be “good representation”. 

also i’d say to read up on harmful tropes to avoid as well, i’m gonna tell you some just off the top of my head and offer advice on how to handle tricky subjects - portraying trans people especially trans women as violent or predatory/creepy is a big NO (i know this might be obvious to you, but this is also for everyone else reading this out there). there’s nothing wrong with writing negative or morally grey characters but this is a damaging and dehumanizing trope with a long history of being used as propaganda against us. 

- on the same note i’d say to avoid portraying your character as easily offended, overly sensitive, quick to anger etc etc. another (more modern) trope used to mock and ultimately harm trans people is to paint us as “special snowflakes”

 --> a good thing to remember is that anger can be portrayed as righteous, as it is in this situation, and assertive so that would be a good place to start if you have to write about the character being rightfully angry and sad, upset at discrimination she might experience. 

- avoid the dramatic scene in which a character is found out to be trans by undressing them and “revealing” something about their body. also tied to transphobic ideas (trans people “trick” people into thinking they are their gender) and to trans panic defense that legitimizes the murder of trans people. 

 --> a good way to reveal that your character is trans is... simply to make her come out. have a talk! there’s so many possibilities from it being heavy and awkward, to light hearted and heartwarming :) 

- this one is a more complicated thing to handle, because i know some will disagree with me on it... but i’d advise you to steer away or ask for a second opinion/sensitivity reader if you’re gonna write The Sad Mirror Scene TM in which a trans person gazes at their own body in the mirror (or even without the mirror tbh) and points out everything that is “male/female” about it. personally i think it’s bad but in a more subtle way... the focus on our bodies and everything that is considered “wrong” with it can have creepy or outright transphobic implications. also it’s way overdone js 

 --> instead of the long gazing scene i’d mention those things in passing and incorporate them into her daily life, because it is something we live with every day and not just in all-at-once intense dysphoria sessions: maybe she has broad shoulders, so she wears a cute blouse with a lot of ruffles to conceal that a bit; or maybe she’s out and about, on the way to her laser hair removal appointment, and feels awkward about having a bit of shadow (so she treats herself to buying a new concealer on the way home);

 --> also don’t forget about small moments of gender euphoria and trans joy!!! so maybe she gets a new haircut after growing her hair out for a long time, or takes her estrogen for the first time and cries of happiness, or she tries on her fave bra and notices that her breasts have grown a little bit or they feel sore which is a good sign!. etc etc. these are just examples so don’t sweat it :D  but showing the happiness that comes with being trans and not just the sadness of it is really important imo for everyone thinking about writing a trans-centric story 

- in general i’d be careful for anything that implies trans people aren’t “really” the gender they are, or that deep down we’ll always be our assigned gender. sometimes it’s not the outright essentialist statements but the more subtle things that can go undetected to cis people, but we see them. stuff like: the character deadnaming/misgendering themselves (so for example, when she comes out, no “remember deadname?”, or, “i used to be a man”) equating genitals with gender (even as a joke), or making the cis experience out to be universal (that feel when pms, am i right ladies? :) <-- this kind of statement even in good intentioned fun can feel exclusionary and should be perceived as such by your character), body shaming or implying certain non-conforming characteristics (ex: a strong jawline, broad shoulders, narrow hips, small breasts on a woman) are inherently “bad” or inherent to trans people only (plenty of cis women have all of those above listed things). 

 --> i know that dysphoria can make these last things appear to be inherently negative to the person, but you might counterbalance this by making her confident about other aspects of her personality, and making your other characters compliment her and paint her insecurities in a new light. for example she might feel self conscious about her height, but maybe her love interest loves her beautiful, long legs; or maybe more simply unrelated to anything she’s insecure about, she’s smart and hard working, she’s a science genius, she’s the best of her judo class and could kick your ass, she has really nice hair, or really striking eyes, or a very pretty color of very chipped nail polish. details are the key!!! and remember that value and beauty are subjective!!!! 

and last but most important of all... please write your character as HUMAN!! we trans people are just regular people, like anyone else in the world.  we aren’t just defined by transness, we have lives and passions and talents and our own problems completely unrelated to being trans.  so please keep that in mind while writing your gal! and don’t let everything i’ve typed above intimidate you, most of it is obvious stuff and i’m sure you’ll be fine! good luck with your story!