#ian mosley

[marilliongifs]

[marillionsfiles]

Happy Birthday Ian Mosley!

[drumstheword]

Free drum sheet music teaching "Kayleigh" by Marillion. Get the full PDF here... https://www.drumstheword.com/kayleigh-marillion-ian-mosley-free-video-drum-lesson-sheet-music-2023/

[leilatha]

Álbum: Seasons End Banda / Band: Marillion País / Country: Inglaterra/ England Ano / Year : 1989 Faixas /Tracklist:

1. "The King of Sunset Town" (Steve Hogarth, Steve Rothery, Mark Kelly, Pete Trewavas, lan Mosley, John Helmer) 2. "Easter" (Hogarth, Rothery, Kelly, Trewavas, Mosley) 3. "The Uninvited Guest" (Hogarth, Rothery, Kelly, Trewavas, Mosley, Helmer) 4. "Seasons End" (Hogarth, Rothery, Kelly, Trewavas, Mosley, Helmer) 5. "Holloway Girl" (Hogarth, Rothery, Kelly, Trewavas, Mosley) 6. "Berlin" (Hogarth, Rothery, Kelly, Trewavas, Mosley, Helmer) 7. "After Me" (Hogarth, Rothery, Kelly, Trewavas, Mosley) 8. "Hooks in You" (Hogarth, Rothery, Kelly, Trewavas, Mosley, Helmer) 9. "The Space..." (Hogarth, Rothery, Kelly, Trewavas, Mosley)

[freaxs-blog]

🎉 Happy Birthday, Ian Mosley! 🥁🎂

On this special day, let's take a moment to celebrate the incredible talent and contributions of Ian Mosley, the phenomenal drummer of my favorite band Marillion. 🎵✨ From the moment he joined the group after Mick Pointer's departure, Ian's presence has been nothing short of extraordinary.

Ian Mosley's style behind the drum kit is a perfect blend of power, precision, and creativity. His ability to drive the rhythm section while adding subtle nuances has been a hallmark of Marillion's sound. His exceptional drumming skills have elevated their music to new heights, making him an integral part of the band's success.

Before joining Marillion in 1984, Ian had already built a remarkable musical career working with The Dukes and Steve Hackett. 

One of the incredible songs that showcase Ian's drumming prowess – "The Leavers."  is part of Marillion's concept album called "F.E.A.R." (F*** Everyone And Run). 🌊

"The Leavers" is divided into five distinct parts, each offering a different perspective and musical atmosphere. The song explores themes of isolation, longing, and the sacrifices we make in our pursuit of happiness. It's a beautifully crafted journey that captivates listeners from start to finish.

The first part, "Wake Up in Music," sets the tone with its haunting melodies and introspective lyrics. It reflects on the overwhelming influence of music in our lives, providing solace and escape from the daily grind.

The second part, "The Remainers," delves into the feelings of being left behind, clinging to the remnants of what once was. It explores the melancholic emotions of loss and the struggle to move forward.

Transitioning into "Vapour Trails in the Sky," the third part of the song, we are met with a more uplifting and hopeful tone. It speaks of the arrival of new experiences and people who bring joy and companionship.

"The Jumble of Days," the fourth part, takes a sharp turn and delves into social and political commentary. It critiques the abuse of power and the manipulation of society by those in control, urging us to challenge the status quo.

Finally, "One Tonight" the fifth and final part, serves as a grand finale to the song. It brings all the previous elements together, concluding with a message of resilience, hope, and the pursuit of a better tomorrow.

Ian Mosley's impeccable drumming throughout "The Leavers" adds layers of depth and intensity to the song's emotional journey. His rhythmic precision perfectly complements the evocative lyrics and powerful melodies, creating a truly immersive experience for listeners.

So, on this special day, let's raise our glasses to Ian Mosley, the incredible drummer who continues to inspire and mesmerize us with his extraordinary talent. 🙌🎶 Happy Birthday, Ian! May your rhythm never fade, and your beats continue to resonate in our hearts! 🥁❤️🎉 

[blakeprentiss]

Lauren

emily prentiss centric, mentions of emily/ian

warnings: cm typical violence (lauren arc), suicide, heavy angst

a/n: i posted this on ao3 like 3 years ago so im uploading it here

(my gif) / (read on ao3)

lauren reynolds.

that was her name. nothing else. her past didn’t matter anymore. she had to live second by second, minute by minute. that was the only way she would survive.

sitting in that dimly lit dive bar on the outskirts of boston, that was the only thought running through her mind. lauren reynolds, lauren reynolds, lauren reynolds.

and as the stranger she would grow to know over the next few months sat across from her, she knew who she was. who she would become.

he was charming, a flirt. anyone looking in from the outside would see them as a perfect match, but not to her. she would have to ultimately flirt back, get him to trust her, but there would be nothing serious. that wasn’t part of the plan.

as they conversed, she began to zone out a bit, focusing more on him. he was kind, his eyes hiding more than he would ever admit. truthfully, if he wasn’t a weapons dealer with law enforcement after him, and if she wasn’t more into women, she could imagine some sort of future with him. a house in europe, two kids, the so-called perfect family. but of course, this was real life. there would be no house in europe, no kids to look after.

or so she thought.

***

it was fine in the beginning, being in europe with ian. she’d travel with him, helping him with business. they’d sometimes take weekend trips to get away from it all, staying in the countryside on one of his many properties. she didn’t necessarily enjoy being intimate with him, but she had to. after all, it was really just an act. and it would soon be over, hopefully.

but the first time she had felt her heart flutter when he looked at her, she knew. she had to get out. she couldn’t just fall in love with a weapons dealer, it would end terribly. and he didn’t even know who she really was, that the lauren he had fallen in love with didn’t actually exist.

when they finally settled down in italy, she saw her chance to get out. she’d call clyde every few days, pleading with him to just arrest doyle. there was no good reason that her team couldn’t take him. but clyde had other plans. “a few more days,” he had promised, claiming they were getting closer. but he’d been saying this for weeks. she turned to tsia, eventually, but even that was useless. tsia would say the same as clyde, confirming the thought lurking in the back of her mind. she wasn’t leaving anytime soon.

to her, there was no end in sight. he wanted to marry her, have her raise declan. she knew deep down that this couldn’t go on for much longer. she needed an out. she didn’t want to be lauren reynolds anymore.

every morning, her first thought was “this could be the last day.” and it never was. it was getting to be too much, she couldn’t keep going on anymore. the stress of it all had finally caught up to her.

and as she laid in the guest bed, hidden away from ian’s prying eyes, she let her tears fall. reaching into the drawer of the nightstand, she grabbed the bottle of pills and took one. and another. and another. she took enough that she knew would kill her. and that was okay. she didn’t want to be lauren anymore, and now she wouldn’t have to be. she wouldn’t even have to be emily, a whole other life that she was never quite sure if she wanted to go back to. this was better for her. for everyone.

clyde would get her message eventually, or perhaps he would figure out something was wrong. but she didn’t care, she wanted them to find her when it was too late. the letter on the table would explain everything.

“it’s for the best,” her mind reassured her. she recited it softly under her breath until she couldn’t anymore.

her eyes drifted shut, heart slowly stopping.

lauren reynolds was dead.

***

they caught ian doyle the next morning.

[medium-observation]

September Release!

The Lord of the Rings - Chicago Shakespeare Theater

August 28, 2024 (Matinée) - Medium Observation

Video

Cast:

Spencer Davis Milford (Frodo), Michael Kurowski (Sam), Lauren Zakrin (Galadriel), Ben Mathew (Pippin), Will James Jr. (Aragorn/Strider), Tom Amandes (Gandalf), Tony Bozzuto (Gollum), Alina Taber (Arwen), Eileen Doan (Merry), Matthew C. Yee (Boromir), Justin Albinder (Legolas), Ian Maryfield (Gimli), Jeff Parker (Elrond/Saruman), Rick Hall (Bilbo Baggins/Steward), Suzanne Hannau (Rosie Cotton), John Lithgow (Voice of Treebeard), Joey Faggion (Ensemble), Mia Hilt (Ensemble), James Mueller (Ensemble), Jarais Musgrove (Ensemble), Hannah Novak (Ensemble), Adam Qutaishat (Ensemble), Laura Savage (Ensemble), Bernadette Santos Schwegel (Ensemble), Ty Shay (s/w Ensemble), Luke Nowakowski (s/w Ensemble)

Notes:

Fantastic capture of this incredibly immersive and beautiful production. there is a bar in the bottom right corner of the screen that doesn't take away except for one moment where Gandalf and Frodo are talking on the stairs in act one, but overall I worked around it and you can always see Frodo and sometimes Gandalf. At points people are in the audience and I wasn't able to capture them but you can always hear them and I do my best to always try to make sure to capture anything in the audience that I could. Some washout and shakiness throughout.

NFT Date: March 1st, 2025

Screenshots: https://flic.kr/s/aHBqjBFvi6

Video is $20

Moulin Rouge! The Musical - First US National Tour

April 7, 2024 - Medium Observation

Video

Cast:

Christian Douglas (Christian), Nicci Claspell (u/s Satine), Amar Atkins (u/s Harold Zidler), Nick Rashad Burroughs (Toulouse-Lautrec), Andrew Brewer (The Duke of Monroth), Jordan Vasquez (u/s Santiago), Sarah Bowden (Nini), Renee Marie Titus (La Chocolat), Adea Michelle Sessoms (u/s Arabia), Max Heitmann (Baby Doll), Kamal Lado (Pierre), Tommy Gedrich, Tamrin Goldberg, Cameron Hobbs, Nathaniel Hunt, Chloe Rae Kehm, Melissa Hunter McCann, Luke Monday, Tanisha Moore, Kenneth Michael Murray, Elyse Niederee, Omar Nieves, Kent Overshown, Stefanie Renee Salyers, Connor McRory

Notes:

Really beautiful capture of Nicci, Amar and Jordan as Satine, Zidler and Santiago respectively. Some washout and shakiness throughout.

NFT Date: March 1st, 2025

Screenshots: https://www.flickr.com/gp/196227588@N02/a6RiV4g980

Video is $20

Beetlejuice - First US National Tour

June 30, 2024 - Medium Observation

Video

Cast:

Justin Collette (Beetlejuice), Isabella Esler (Lydia Deetz), Megan McGinnis (Barbara Maitland), Will Burton (Adam Maitland), Jesse Sharp (Charles Deetz), Sarah Litzsinger (Delia Deetz), Hillary Porter (Miss Argentina), Abe Goldfarb (Otho), Brian Vaughn (Maxie Dean), Maria Sylvia Norris (Maxine Dean/Juno), Madison Mosley (Girl Scout)

Notes:

Beautiful Capture of Abe, Larkin and Haley's last performance with the company. My camera was having a lot of issues for Act 1, 2 minutes is missing during ready set (still has audio), And then after every song there's a short 2 second blackout. Act 2 is perfect with no issues with my camera. Also the last US stop before a month break and then Mexico! Some washout and shakiness throughout.

NFT Date: March 1st, 2025

Screenshots: https://www.flickr.com/gp/196227588@N02/7B2h6860bv

Video is $18

Videos can be purchased through me at mediumobservationtrading@gmail.com

Discord Server: https://discord.gg/ZGMqkeb9p5

[lucyswinter]

Request guidelines

Requests are : OPEN<3

Masterlist

Who/what I write for:

-Cillian Murphy/ characters: (Jackson Rippner, Tom Shelby, Neil Lewis, Jonathan Crane, Kitten Braden, Jim: 28 days later, Emmett: a quiet place part II, Raymond Leon, Robert Fischer, Tom Buckley)

-Criminal Minds: Spencer Reid, Aaron Hotchner, Derek Morgan, Emily Prentiss, Penelope Garcia, JJ,

-The Bear: Sydney Adamu, Richie Jerimovich, Carmen Berzatto, Sugar Berzatto

-Saw: Lawrence Gordon, Adam Stanheight, Mark Hoffman, Peter Strahm, Amanda Young, Jill Tuck, Lynn Denlon (for ships: I’ll do chainshipping, coffinshipping, and shotgunshipping/lynnmanda!)

-American Horror Story (All seasons up to Cult with the addition of 1984. Only ships if they are canon (by season, I mean)! i.e: I won’t do Kit Walker (s2) x Madison Montgomery (s3) or anything! And for canon relationships, I will do any season besides NYC and Delicate as long as they are already together. For example, I would do Montana and Richard from 1984.)

-Nip/Tuck: Sean McNamara, Christian Troy, Matt McNamara, Julie McNamara, Liz Cruz, Eden Lord, Sophia Lopez, Kimber Henry

-DC villains (from the Nolan trilogy or Gotham tv show! I will specify from which one I mean. I’ll also write Batman but that’s the only “hero”/vigilante)

-Peaky blinders: Luca Changretta, Tom Shelby, Alfie Solomons, Finn Shelby, John Shelby, Arthur Shelby, Oswald Mosley

-Top Gun/ Top Gun: Maverick: any characters! (For ships, I only rlly know IceMav 😭 but I’m open to others! I’ll also do penny!reader)

-Bridgerton/ Queen Charolette: Daphne x Simon, George x Charolette, Anthony x Kate, Colin x Penelope (and all of these characters individually as well as Benedict, Violet, Eloise, and the Featherington sisters! *Edit for season 3*: Lord Debling, Lord Stirling, Lady Arnold, Lord Anderson, Francesca Bridgerton, Cressida Cowper)

-Community: Professor Ian Duncan, Jeff Winger, Abed Nadir, Britta Perry , Annie Edison, Troy Barnes

-Impractical Jokers: Joe Gatto, Sal Vulcano, James Murray, Brian Quinn

-Supernatural: Sam Winchester, Dean Winchester, Castiel, Destiel (will not do Wincest or Wincestiel)

-X-files: Fox Mulder, Dana Scully, MSR

-BBC Sherlock (only JohnLock)

-Good omens (only Ineffable husbands)

-Hannibal (only Hannigram)

(Any other characters im open to! Just PM me to see if I know the fandom/media they’re in, or rec with a few options! I’ll ignore if I don’t know them <;3)

I will write: A bit ooc (depends on scenario 🤭), fluff, smut, small-ish age gap, AU’s, non romantic pairings, alternate endings, fem!/gn!/afab!reader, character x reader, character x character

I won’t write: Male!/nonbinary!/trans!reader (im a cis female so I will write gender neutral reader if requested, but most fics (unless specified) were written with a fem reader in mind :)), incest, underage reader (or character), dub/non-con

Thanks for reading! Feel free to PM requests if you aren’t comfortable sending them through the question button or want to work through the request :)

[flammentanz]

“Sherlock Holmes und das Halsband des Todes” (“Sherlock Holmes and the Deadly Necklace”) (1962)

Christopher Lee: Sherlock Holmes Hans Söhnker: Professor James Moriarty Thorley Walters: Dr. Watson

Holmes: “Aha, our famous archaeologist.” Moriarty: “And our eminent criminologist.” Holmes: “It is already in the Times that the necklace of Cleopatra will be auctioned at Mosley's on Monday. It will be priceless.” Moriarty: “I assume so. To be honest, Mr. Holmes, I had doubts as to whether you would accept my invitation.” Holmes: “My dear Professor, I do not like to forego - how do you say - the pleasure of your company.” Moriarty: “It is mutual, Mr. Holmes. It is a real pity that you have such a bad opinion of me.” Holmes: “I have nothing against you personally, Professor. On the contrary, the inventiveness of your imagination has often impressed me deeply. Just today at Scotland Yard. A brilliant comedy. Masterful. And now, Professor?” Moriarty: “Once again you have guessed my thoughts, Mr. Holmes. I really intended to make you a proposal.” Holmes: “Really? Take a seat.” Moriarty: “Thank you. A partnership, Mr. Holmes.” Holmes: “A partnership, Professor?” Moriarty: “Let’s say 6,000 a year, and a share of the profits, of course.” Holmes: “In my experience, murder is not profitable.” Moriarty: “You underestimate me, Mr. Holmes. We are both men of logic and of considerable ability, but we have wasted our abilities fighting each other. And that, my dear Holmes, is illogical. We should combine our talents. Such a partnership would be irresistible.” Holmes: “Quite right, dear Professor.” Moriarty: “You accept my offer?” Holmes: “It all sounds very tempting indeed, but all I can say is, regrettably, I must continue to waste my energies. At the moment I have only one ambition - to see you hang.” Moriarty; “A most regrettable decision, Mr. Holmes.” Holmes: “This is yours? It looks so familiar.” Moriarty: “Pretty clumsy, isn’t it? Excuse this little toy. Just a minor defect.” Holmes: “It can happen, Professor.” Moriarty: “Your choice, Mr. Holmes?” Holmes: “Would you also like to whistle, Professor?” Watson: “Oh dear! I hope we don’t get into trouble with the police, Holmes, because of the whistles. Still a good idea, eh?” Holmes: “Stunning, dear Watson.”

Notes:

Christopher Lee is dubbed by Harry Wüstenhagen (1928 - 1999) who had a very successful career from the fifties to the early nineties. He was particularly popular through several appearances in the very popular Edgar Wallace films. Wüstenhagen worked extensively as a voice actor. Inter alia he dubbed three other Sherlock Holmes actors: Ian Richardson in “The Hound of the Baskervilles” and in “The Sign of Four”, Nicol Williamson in “The Seven-Per-Cent Solution” and John Neville in “A Study in Terror”. He even dubbed the title role in “The Great Mouse Detective”.

Hans Söhnker (1903 - 1981) had a very sucessful career on stage, film and theater that span five decades. In his early films he was often cast as charming young man - mostly very loveable but sometimes also a philanderer. In his later years Söhnker played loveable father figures and was very successful in various television series.Only after his death did it become known that he had given refuge to Jews on his property during the Third Reich. For this, he was honored as a "Righteous Among the Nations" in 2018.

[themosleyreview]

The Mosley Review: The Ministry of Ungentlemanly Warfare

Do you wanna know why we constantly revisit World War II in film? It isn't because it was the greatest war. It isn't because of the enginuity that came from it. Its because it features the most robust stories ever to be told or discovered whether its from the American or the European campaign. There are probably hundreds of classified documents that are still sealed to this day and it is always fascinating to see them revealed. Yes, we love the heroism in the stories about the front lines, but what's more interesting to see is the internal planning of all Allied Forces and how they're plans get executed. Whether they succeed or fail is the real drama and the stuff of legend that ends up inspiring fictional characters we all know and love. That is what this film lovingly highlights and I have to say it was a smooth and joyful ride has good suspense with great action and comedy. The tone was a bit off at times as it would struggle with wanting to be a smart espionage driven story and a adventure film with little consequence for the heroes in the story.

Henry Cavill truly charms every moment he's on screen as Gus March-Phillipps. He was a fun leader of the ragtag team of mercenaries and I liked his controlled nature. He never really seemed to have doubts, but he did have a moment or too that he felt challenged. The amount of glee and calm he has in this film was cool in the more action driven scenes. The most standout moment of the film truly comes from his introductive scene as within in five minutes, you understand the man and his motivation. Alan Ritchson was good and brutal as his fellow merc, Anders Lassen. I liked the banter he had with Gus as the film went along and how eager and efficient of a Nazi killer he was. Henry Golding was fun and smart as the explosive expert of the team, Freddy Alvarez. The banter between him and Anders was fun as they would tease each other often. Hero Fiennes Tiffin was good as Henry Hayes and even though he didn't have that much depth, he was effective and a valued navigator in the war occupied Atlantic Ocean. Alex Pettyfer was cool and collected as Gus's oldest friend, Geoffrey Appleyard. You really felt the bond and history between them in the scenes that they had together. Cary Elwes is always a joy to see on screen and as Brigadier Gubbins 'M', he was perfectly royal and commanding as the leader of the secret operation the team is recruited for. Freddie Fox was good as the iconic Ian Fleming and I loved that he was apart of the operation from beginning to end. He wasn't a forgotten character and I liked that he seemed to plotting out his soon to be famous character. Rory Kinnear was fantastic and steadfast as Winston Churchill. He had a dominating presence and sense of urgency that is needed for the legendary Prime Minister. Eiza González and Babs Olusanmokun were fantastic as Marjorie Stewart and Mr. Heron. Their chemistry together was great and I enjoyed their convert planning and business deals. Eiza charms the screen with such control in her more tense dialogue scenes and Babs was that quiet type of dangerous that you never saw coming. Til Schweiger is always intense as a hero or villain and as Heinrich Luhr, there is an amount of sinister motivation in his eyes that made him the marquee antagonist.

The score by the director's frequent collaborator, Christopher Benstead, was good, quirkie and epic toward the end of the film. I felt the tension in the finale the most thanks to his score as the action kicks off and the plan doesn't go as smooth. Like I said before, the tone was a little all over the place at times since you have so many parts moving at once. Director Guy Ritchie's flair for elaborate planning was on display, but it felt a little rusty in its execution. Its a massive cast so not everyone has a chance to have a moment to shine outside of the action. Maybe some of them didn't really have much to work with or the real people in the true story the film was based on weren't that deep. Either way, I still had fun with the film and I enjoyed the action. Is it gonna be one of the most memorable films of Guy Ritchie's filmography, no, but it'll be a fun one to view once in awhile. Let me know what you thought of the film or my review in the comments below. Thanks for reading!

[marilliongifs]

[hazardous-waste-containment]

non-exhaustive list of sources that are imo especially interesting/thought-provoking, just really solid, or otherwise a personal favorite:

MISC

“Leaders and Martyrs: Codreanu, Mosley and José Antonio,” Stephen M. Cullen (1986)

“Bureaucratic Politics in Radical Military Regimes,” Gregory J. Kasza (1987)

A History of Fascism, 1914–1945, Stanley Payne (1996)

The Fascist Revolution: Toward a General Theory of Fascism, George L. Mosse (1999)

Fascism Outside Europe: The European Impulse against Domestic Conditions in the Diffusion of Global Fascism, ed. Stein U. Larsen (2001)

Ancient Religions, Modern Politics: The Islamic Case in Comparative Perspective, Michael Cook (2014)

MARXISM

“Crisis and the Way Out: The Rise of Fascism in Italy and Germany,” Mihály Vajda (1972)

“Austro-Marxist Interpretation of Fascism,” Gerhard Botz (1976)

“Fascism: some common misconceptions,” Noel Ignatin (1978)

“Gramsci’s Interpretation of Fascism,” Walter L. Adamson (1980)

ARGENTINA

“The Ideological Origins of Right and Left Nationalism in Argentina, 1930–43,” Alberto Spektorowski (1994)

“The Making of an Argentine Fascist. Leopoldo Lugones: From Revolutionary Left to Radical Nationalism,” Alberto Spektorowski (1996)

“Argentine Nacionalismo before Perón: The Case of the Alianza de la Juventud Nacionalista, 1937–c. 1943,” Marcus Klein (2001)

BRAZIL

“Tenentismo in the Brazilian Revolution of 1930,” John D. Wirth (1964)

“Ação Integralista Brasileira: Fascism in Brazil, 1932–1938,” Stanley E. Hilton (1972)

“Integralism and the Brazilian Catholic Church,” Margaret Todaro Williams (1974)

“Ideology and Diplomacy: Italian Fascism and Brazil (1935–1938),” Ricardo Silva Seitenfus (1984)

“The corporatist thought in Miguel Reale: readings of Italian fascism in Brazilian integralismo,” João Fábio Bertonha (2013)

CHILE

“Corporatism and Functionalism in Modern Chilean Politics,” Paul W. Drake (1978)

“Nationalist Movements and Fascist Ideology in Chile,” Jean Grugel (1985)

“A Case of Non-European Fascism: Chilean National Socialism in the 1930s,” Mario Sznajder (1993)

CHINA

Revolutionary Nativism: Fascism and Culture in China, 1925–1937, Maggie Clinton (2017)

CROATIA

“An Authoritarian Parliament: The Croatian State Sabor of 1942,” Yeshayahu Jelinek (1980)

“The End of “Historical-Ideological Bedazzlement”: Cold War Politics and Émigré Croatian Separatist Violence, 1950–1980,” Mate Nikola Tokić (2012)

EGYPT

“An Interpretation of Nasserism,” Willard Range (1959)

Egypt’s Young Rebels: “Young Egypt,” 1933–1952, James P. Jankowski (1975)

“The Use of the Pharaonic Past in Modern Egyptian Nationalism,” Michael Wood (1998)

FRANCE

“Mores, “The First National Socialist”,” Robert F. Byrnes (1950)

“The Political Transition of Jacques Doriot,” Gilbert D. Allardyce (1966)

“National Socialism and Antisemitism: The Case of Maurice Barrès,” Zeev Sternhell (1973)

“Georges Valois and the Faisceau: The Making and Breaking of a Fascist,” Jules Levey (1973)

“The Condottieri of the Collaboration: Mouvement Social Révolutionnaire,” Bertram M. Gordon (1975)

“Myth and Violence: The Fascism of Julius Evola and Alain de Benoist,” Thomas Sheehan (1981)

GERMANY

“A German Racial Revolution?” Milan L. Hauner (1984)

“Abortion and Eugenics in Nazi Germany,” Henry P. David, Jochen Fleischhacker, and Charlotte Höhn (1988)

“Nietzschean Socialism — Left and Right, 1890–1933,” Steven E. Aschheim (1988)

The Brown Plague: Travels in Late Weimar and Early Nazi Germany, Daniel Guérin, tr. Robert Schwartzwald (1994)

“Hitler and the Uniqueness of Nazism,” Ian Kershaw (2004)

HAITI

“Ideology and Political Protest in Haiti, 1930–1946,” David Nicholls (1974)

“Michel-Rolph Trouillot’s State Against Nation: A Critique of the Totalitarian Paradigm,” Robert Fatton, Jr. (2013)

IRAN

“Iran’s Islamic Revolution in Comparative Perspective,” Said Amir Arjomand (1986)

IRAQ

“Arab-Kurdish Rivalries in Iraq,” Lettie M. Wenner (1963)

“From Paper State to Caliphate: The Ideology of the Islamic State,” Cole Bunzel (2015)

“Iraqi Archives and the Failure of Saddam’s Worldview in 2003,” Samuel Helfont (2023)

ISRAEL

“The Emergence of the Israeli Radical Right,” Ehud Sprinzak (1989)

“Max Nordau, Liberalism and the New Jew,” George L. Mosse (1992)

The Stern Gang: Ideology, Politics and Terror, 1940–1949, Joseph Heller (1995)

““Hebrew” Culture: The Shared Foundations of Ratosh’s Ideology and Poetry,” Elliott Rabin (1999)

“Israel’s fascist sideshow takes center stage,” Natasha Roth-Rowland (2019)

“‘Frightening proportions’: On Meir Kahane’s assimilation doctrine,” Erik Magnusson (2021)

ITALY

“The Fascist Conception of Law,” H. Arthur Steiner (1936)

“The Goals of Italian Fascism,” Edward R. Tannenbaum (1969)

“Fascist Modernization in Italy: Traditional or Revolutionary?” Roland Sarti (1970)

“Fascism as Political Religion,” Emilio Gentile (1990)

“I redentori della vittoria: On Fiume’s Place in the Genealogy of Fascism,” Hans Ulrich Gumbrecht (1996)

JAPAN

“A New Look at the Problem of “Japanese Fascism”,” George M. Wilson (1968)

“Marxism and National Socialism in Taishō Japan: The Thought of Takabatake Motoyuki,” Germaine A. Hoston (1984)

“Fascism from Below? A Comparative Perspective on the Japanese Right, 1931–1936,” Gregory J. Kasza (1984)

“Japan’s Wartime Labor Policy: A Search for Method,” Ernest J. Notar (1985)

“Fascism from Above? Japan’s Kakushin Right in Comparative Perspective,” Gregory J. Kasza (2001)

PARAGUAY

“Political Aspects of the Paraguayan Revolution, 1936–1940,” Harris Gaylord Warren (1950)

“Toward a Weberian Characterization of the Stroessner Regime in Paraguay (1954–1989),” Marcial Antonio Riquelme (1994)

ROMANIA

“The Men of the Archangel,” Eugen Weber (1966)

“Breaking the Teeth of Time: Mythical Time and the “Terror of History” in the Rhetoric of the Legionary Movement in Interwar Romania,” Raul Carstocea (2015)

RUSSIA

“Was There a Russian Fascism? The Union of Russian People,” Hans Rogger (1964)

“The All-Russian Fascist Party,” Erwin Oberländer (1966)

“The Zhirinovsky Threat,” Jacob W. Kipp (1994)

Russian Fascism: Traditions, Tendencies, Movements, Stephen Shenfield (2000)

“Why fascists took over the Reichstag but have not captured the Kremlin: a comparison of Weimar Germany and post-Soviet Russia,” Steffen Kailitz and Andreas Umland (2017)

SLOVAKIA

“Storm-troopers in Slovakia: the Rodobrana and the Hlinka Guard,” Yeshayahu Jelinek (1971)

SPAIN

“The Forgotten Falangist: Ernesto Gimenez Cabellero,” Douglas W. Foard (1975)

Fascism in Spain, 1923–1977, Stanley Payne (1999)

“Spanish Fascism as a Political Religion (1931–1941),” Zira Box and Ismael Saz (2011)

SYRIA

The Ba‘th and the Creation of Modern Syria, David Roberts (1987)

TURKEY

“Kemalist Authoritarianism and fascist Trends in Turkey during the Interwar Period,” Fikret Adanïr (2001)

“The Other From Within: Pan-Turkist Mythmaking and the Expulsion of the Turkish Left,” Gregory A. Burris (2007)

“The Racist Critics of Atatürk and Kemalism, from the 1930s to the 1960s,” İlker Aytürk (2011)

UNITED KINGDOM

“Northern Ireland and British fascism in the inter-war years,” James Loughlin (1995)

“‘What’s the Big Idea?’: Oswald Mosley, the British Union of Fascists and Generic Fascism,” Gary Love (2007)

“Why Fascism? Sir Oswald Mosley and the Conception of the British Union of Fascists,” Matthew Worley (2011)

UNITED STATES

“Ezra Pound and American Fascism,” Victor C. Ferkiss (1955)

“Populist Influences on American Fascism,” Victor C. Ferkiss (1957)

“Vigilante Fascism: The Black Legion as an American Hybrid,” Peter H. Amann (1983)

“Silver Shirts in the Northwest: Politics, Personalities, and Prophecies in the 1930s,” Eckard V. Toy, Jr. (1989)

“Women in the 1920s’ Ku Klux Klan Movement,” Kathleen M. Blee (1991)

“‘Leaderless Resistance’,” Jeffrey Kaplan (1997)

“The post-war paths of occult national socialism: from Rockwell and Madole to Manson,” Jeffrey Kaplan (2001)

“The Upward Path: Palingenesis, Political Religion and the National Alliance,” Martin Durham (2004)

“The F Word: Is Donald Trump a fascist?” Dylan Matthews (2021)

“Castizo Futurism and the Contradictions of Multiracial White Nationalism,” Ben Lorber and Natalie Li (2022)

[drumstheword]

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Clip from new FREE drum lesson teaching "Kayleigh" by Marillion. Watch the full lesson here... https://youtu.be/MIREUxgMxHc

[eaglesnick]

“Reform Manifesto: Farage vows to protect British values…" (GB News: 17/06/24)

World War 2 in Europe was essentially a war against Fascism: a fight against Hitler in Germany and Mussolini in Italy. In Britain, we suffered a total of 450,700 combined military and civilian deaths. Other countries suffered far worse casualty figures. The Soviet Union, for example, lost 24,000,000 of its people in the fight against Fascism.

I have mentioned this before but it is worth mentioning again, Nigel Farage’s attack on Rishi Sunak is  hypocritical.  Farage said of Sunak:

“This man is not patriotic. Doesn’t believe in the country, its people, its history or frankly even its culture. If you’re a patriotic voter, don’t vote Rishi Sunak." (Mail Online: 10/06/24)

I’m sorry, but it is Farage and his right-wing supporters who do not believe in this country’s culture, history and peoples.  Sunak was wrong to have left the D-day commemoration ceremonies early, but Farage’s disrespect for our culture and history is 100 times worse.

The brave men who died on the Normandy beaches were fighting fascism. The 450,000 British military and civilian WW2 dead lost their lives fighting against fascism. Britain and its people have a proud record of condemning and fighting far-right extremists and dictators.

Three years before Britain officially declared war on Hitler’s Nazi Germany, the British people were rallying against fascism. The Battle of Cable Street, London, took place on October 4th 1936 and witnessed 300,000 anti-fascist activists confronting and beating Oswald Moseley’s fascist Black Shirts in running street battles through London’s East End. The British people had Mosley (who had Adolf Hitler as guest of honour at his wedding) arrested and imprisoned and his British Union of Fascists banned.

We should also remember what Churchill had to say about the far-right and defeating fascists:

“...we shall defend our Island, whatever the cost may be, we shall fight on the beaches, we shall fight on the landing grounds, we shall fight in the fields and in the streets, we shall fight in the hills; we shall never surrender."

THAT Mr Farage is the  history of the people of Britain. It is you and your far-right Reform UK candidates who are going against the grain of British culture and history.

Reform UK Party candidate Ian Gribbin has claimed Britain would have been better off letting Hitler conquer Europe. Reform UK candidates in Scotland have been found to have “liked"

“...social media posts from a holocaust denier, conspiracy theorists and a senior Russian politician.” (The Ferret: 09/06/24)

The day after this revelation, the BYLINE TIMES reported:

“Several more Reform UK candidates have been caught sharing social media content that is racist, promotes conspiracy theories and fringe far-right ideas”.

According to some sources:

“Nearly one in 10 candidates standing for Nigel Farage’s Reform UK party in England are Facebook “friends” with British fascist leader Gary Raikes”. (Evening Standard: 13/06/24)

More worrying than this is Farage’s refusal to do anything about it.

“Nigel Farage says he can’t do anything about Reform UK candidates with extreme views.” (The Standard: 13/06/24)

Can't or won’t? Could it be Farage actually agrees with the fascist views of Gary Raikes and his New British Union? Reform UK is listed as a limited company, not  a traditional political party with mass membership and democratic structures. Nigel Farage, as the largest shareholder, can do just about anything he pleases when it comes to Reform UK personnel.

He was able to replace Richard Tice as leader of Reform UK without opposition because as major shareholder he effectively OWNS Reform UK. If you can oust the leader of Reform UK you can surely oust those Reform UK candidates who support fascism – unless, of course you don’t want to.

[eggman91]

so I do not support or believe in fascistism or authoritarianism I’m a social democrat I think Christian I don’t know

but im making a buf army for very British civil war and bolt action kind of

the Mosley mobile

Here the local party head failed poet turn fascist ian blackhal who also look like ian mckellen

Best version of Richard, the third go watch it man it’s crazy

Legion banner and officer made form ww1 germans I never got around painting flag is made from my trusty always used toothpicks and Pepsi

so who are the buf You may be wondering well they are the British union of fascists

Found in 1932 by “ we live in period “ Oswald Mosley pictures

Interesting fellow, I recommend you look him up. This guy had a villain arc

There he is after ww2 failing to make his British union party. Take power and such elections

I listen to one of his speech,while painting the guys it was after the war and he was talking about globalism go check it out. It’s “interesting”

now you may be wondering why did I choose to make play buf well here my reason

Black is easy to paint that it please do not kill me. I just picked this because black is easy and fast to paint

[ulkaralakbarova]

A trio of female soul singers cross over to the pop charts in the early 1960s, facing their own personal struggles along the way. Credits: TheMovieDb. Film Cast: Curtis Taylor Jr.: Jamie Foxx Deena Jones: Beyoncé James “Thunder” Early: Eddie Murphy Marty Madison: Danny Glover Effie White: Jennifer Hudson Lorrell Robinson: Anika Noni Rose C.C. White: Keith D. Robinson Michelle Morris: Sharon Leal Wayne: Hinton Battle Magic: Mariah Iman Wilson May: Yvette Cason Max Washington: Ken Page M.C.: Ralph Louis Harris Tiny Joe Dixon: Michael-Leon Wooley Jazz Singer: Loretta Devine Jerry Harris: John Lithgow Sam Walsh: John Krasinski Ronald White: Alexander Folk Aunt Ethel: Esther Scott Miami Comic: Bobby Slayton Teddy Campbell: Jordan Wright Melba Early: Dawnn Lewis Talent Booker: Jaleel White Joann: JoNell Kennedy Charlene: Sybyl Walker Stepp Sister: Lesley Nicole Lewis Stepp Sister: Eboni Nichols Stepp Sister: Arike Rice Stepp Sister: Fatima Robinson Little Albert: Aakomon Jones Tru-Tone: Bernard Fowler Tru-Tone: Anwar Burton Tru-Tone: Tyrell Washington Dave: Rory O’Malley Sweetheart: Laura Bell Bundy Sweetheart: Anne Elizabeth Warren David Bennett: Ivar Brogger Jimmy’s Piano Player: Daren A. Herbert Elvis Kelly: Jocko Sims Rhonda: Pam Trotter Janice: Cleo King Club Manager: Eddie Mekka Case Worker: Alejandro Furth TV Reporter: Dilva Henry American Bandstand Producer: Vince Grant Nicky Cassaro: Robert Cicchini TV Director: Thomas Crawford Carl: Charles Jones Technical Director: Robert Curtis Brown Tania Williams: Stephanie Owens Man with Gun: Gilbert Glenn Brown Stagehand: Marty Ryan Detroit Reporter: Michael Villani Chicago Deejay: Gregg Berger L.A. Deejay: Daniel Riordan Photographer: David James Promo Film Narrator (voice): Paul Kirby Security Guard: Derick Alexander Curtis’ Secretary: Yvette Nicole Brown Go-Go Dancer: Nancy Anderson Go-Go Dancer: Joelle Cosentino Go-Go Dancer: Lisa Eaton Go-Go Dancer: Clare Kutsko Go-Go Dancer: Tracy Phillips Go-Go Dancer: Kelleia Sheerin Campbell Connection Dancer: Mykel Brooks Campbell Connection Dancer: Johnny Erasme Campbell Connection Dancer: Cory Graves Campbell Connection Dancer: J.R. Taylor Bad Side Dancer: Corinthea Henderson Bad Side Dancer: Craig Hollamon Bad Side Dancer: Reginald Jackson Bad Side Dancer: Chuck Maldonado Bad Side Dancer: Anthony Rue II Bad Side Dancer: John Silver Bad Side Dancer: Larry Sims Bad Side Dancer: Black Thomas Bad Side Dancer: Kevin Wilson Bad Side Dancer: Adrian Wiltshire Bad Side Dancer: Earl Wright Bad Side Dancer: Russell “Goofy” Wright Disco Dancer: Dominic Chaiduang Disco Dancer: Jose Cueva Disco Dancer: Omhmar Griffin Disco Dancer: Sky Hoffmann Disco Dancer: Trevor Lopez-Daggett Disco Dancer: Leo Moctezuma Disco Dancer: Gabriel Paige Disco Dancer: Terrance Spencer Disco Dancer: Tony Testa Disco Dancer: Quinton Weathers Disco Dancer: Jull Weber Disco Dancer: Marcel Wilson Jimmy’s Band: Stevie Ray Anthony Jimmy’s Band: Matthew Dickens Jimmy’s Band: Jerohn Garnett Jimmy’s Band: Mario Mosley Jimmy’s Band: Jimmy R.O. Smith Film Crew: Casting: Debra Zane Set Decoration: Nancy Haigh Executive Producer: Patricia Whitcher Producer: David Geffen Foley Artist: Catherine Harper Foley Artist: Christopher Moriana Producer: Laurence Mark Director: Bill Condon Musical: Tom Eyen Director of Photography: Tobias A. Schliessler Editor: Virginia Katz Original Music Composer: Henry Krieger Production Design: John Myhre Costume Design: Sharen Davis Digital Intermediate: Stefan Sonnenfeld Dialogue Editor: Kimberly Lowe Voigt Sound Effects Editor: George Simpson Stunts: Dick Ziker Makeup Artist: Judy Murdock Stunts: John Cenatiempo Second Unit Director of Photography: Dino Parks Assistant Costume Designer: Lizz Wolf First Assistant Editor: Ian Slater Casting Associate: Jeremy Rich Casting Associate: Tannis Vallely Music Arranger: Harvey Mason Gaffer: Newton TerMeer Assistant Art Director: Jann K. Engel Costume Supervisor: Elaine Ramires Sound Effects Editor: Donald Flick Script Supervisor: Carolyn Tolley Choreographer: Aakomon Jones Camer...