spotsupstuff · 1 year ago
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What happened to suns?
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NSH: This man has done irrepairable damage to my mental facilities. That's a crime, y'know?! Messin' up an Iterator's noggin cogs??? They are a *filthy* criminal.
serious answer: a sequence of unfortunate events, basically. idk how long you've been here so i'll start from the beginning
Suns is a very early Gen 2 Iterator. the jump between the 1st n the 2nd Generation went physically very smoothly, but when it comes to the more subtle aspects of a person, it went worse. early Gen 2s r known for bein bad with emotions (the other Iterator that is like that that shows up is Fish. he's rather emotionally crass and unwieldy)
Suns scored the worst possible lottery result while spinning the early Gen 2 emotion capability wheel and their emotional skill and ability to produce the stuff in the first place is in the single digits. they are very conscious of this fault of theirs and instead of doing something more productive with it more often, they rather spend their single digit emotion capability on bemoaning and despising this fault
they do come to Nish for help with it, basically have therapy sessions with him (Nish is the most emotion-capable Iterator in like... Ever) and they do put up a front of this cool, chill, amazing guy persona around themselves to get better accepted by the other Iterators (all of them except Gen 3s know that this cool guy thing is a ruse though. they appreciate the effort however). so they kinda awkwardly fake emotions n go on through their life. this persona is who Pebbles ultimately decided to look up to as his mentor btw. it was never really the real Suns, only maybe some glimpses of it
next unfortunate event shows up first mentioned in my old big headcanon post for the canon Iterators:
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(Suns is built quite close to the south pole, though the summer months can still get stupid hot)
at some point i started headcanoning that my Suns has very slow processing time. like absolute Shit reflex time. like
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this is canon ☝
n then i put these two headcanons Together ✨ so basically: because of the lack of emotional capability, Suns feels a big need to compensate for stuff. even though the Solis colony is one of the sweetest and kindest colonies out there, they felt like they need to give More. so they started running hotter for the sake of their citizens. but yanno, periodic basically overheating is going to cause damage to hardware shit, not to mention the poor fauna that makes up an Iterator Hivemind. and that's how Suns damaged their processing speed
now as to why i say Suns would go offline in the post-mass ascension off string au: they are falling apart at the seams. torturously slow, but terribly. they are rotting alive- but not in the same way as Pebbles, it's not THE Rot. it's just... a rot. natural decay, not godly cancer. their nickname in DMs between me n shkiki is literally mr. Decay cuz of this
because of a combo of their slow processing time, their location (snowstorms + changing temperatures that go into extremes on pretty much both sides of the spectrum) and their pre-occupation with Pebbles related matters, Suns got yo normal booboo and didn't treat it and when they finally directed attention to themselves, a good portion of them has already decayed including the puppet
yes, they are That wigged that they didn't notice one of their most important parts rotting alive while even using it. this whole thing i refer to as hot girl summer arc btw
after Spears' campaign (they notice they have an infection during the slug's journey back to them) Suns is so fucked up over everything that they just go "Fuck it. why try anymore. i won't fight this. at least i feel *something* rather than nothing, i suppose. i deserve this." and allow their condition to only worsen and don't tell people about it
in the time of the Hunter's campaign i can imagine that they'd be so caked in all of this shit, all physically, emotionally and mentally, that they just wouldn't try at all to save themselves
and fact is, the others will try to help them. especially Wind will. but at some point a person needs to recognize that nothing is going to go anywhere if the other party refuses to put in any effort into getting better too and only drags the innocent one down right along with themselves
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miraculouslbcnreactions · 5 months ago
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If you were to write Lila would you keep her being a con artist criminal with multiple identities but hinted at/revealed it earlier than S5 or would you cut that part down of her character entirely ?
It would really depend on how much space I had to fill. Gabriel is not the kind of villain that you can draw out forever. His story needs to have a clearly planned ending right from the start. In fact, I think they drew him out at least a season too long. So, if I also had to fill eight seasons, I could see myself going the Lila route. I'd just make a few changes. Off the top off my head, here's how I'd handle serious villain Lila as opposed to what canon wrote, which is petty school bully Lila who is entirely unbelievable as a serious villain.
First of all, Lila wouldn't be introduced at the end of season one. While her and Gabriel probably need to have some overlap, that's way too soon. In my version, she shows up at the start of season four and she'd be heavily toned down. We'd know that something was off about her, we may even keep the liar thing, but it would be a lot more subtle. Lies like, "Ladybug rescued me" and "I got to go backstage at a Jagged Stone concert" instead of "Ladybug is my bff" and "Jagged Stone wrote a song about me." Her goal would no longer be gaining peons, but instead gaining true close friends who like and trust her. The reason for this is that Lila is replacing Optigami as Mayura's last sentimonster.
See, season three ended with all those identity reveals and most of the revealed identities are in the same class. That's curious, so it makes perfect sense for Nathalie and Gabriel to want someone undercover in Adrien's class, but they can't do it. So Nathalie makes a sentikid of her own, gives her the power of manipulation, and sends her off to try to find Ladybug and/or Chat Noir by whatever means necessary.
This would give a clear reason for Gabriel to trust Lila, a clear reason for Lila to know all about the miraculous, and a clear reason for Lila to hate Ladybug. In this version, I wouldn't do Nathalie's lackluster redemption. Instead, Nathalie stays bad right up to her death. Perhaps her last act is getting the butterfly to her daughter and ordering her to get revenge on Ladybug and Chat Noir should Gabriel fail. After all, Gabriel can't wield more than six miraculous at once, so it makes sense for him to send Nathalie off with at least one of them while he enacts his master plan just in case it fails.
That's just one potential path to take. I also like the idea of having Lila be someone who came to Paris in order to find the miraculous, but who has no ties to the Agrestes. That would require some pretty big changes to her character, though, as I can't see that type of character caring about things like dating Adrien or being a model or all the other crap that has nothing to do with gaining a miraculous and everything to do with popularity and social clout. Lila canonically doesn't know that Gabriel even has a miraculous until the final of season four, so she basically just lucked into finding one instead of doing anything logical to find it because this show has no clue how to actually write smart, clever characters.
In summary, I'm totally fine with complex, master-manipulator Lila, it's just hard to figure out the best way to make her work when we don't know anything about her backstory or motivation. The version proposed above is just the best I can do to fit her into the role canon placed her in. A role I could easily see later seasons flat out ignoring.
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byerseason · 6 months ago
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why byler is the only logical way to end stranger things: a personal opinion
long post incoming. i've been thinking about what else can they do other than canon byler or is there any logical way which would please everyone. but i genuinely can't find any logical ending.
first of all, let's see the options i heard from people who doesn't think byler is gonna happen.
not adressing will's love for mike, mike never finding out about it and will's arc simply focusing on supernatural part : well, we all know that's impossible. not after spending a whole season to show us his deep love for mike. also it's confirmed that an emotional arc for him is what is gonna tie up the story.
"his love for mike was for him to explore his sexuality, he's gonna have another boyfriend." : they could easily show it to us without bringing mike into it. the byers moving to california was a perfect chance for it since it's a place better than hawkins when it comes to LGBT, they could easily give him a love interest, include him to their journey to find el just like they included argyle and give him a good character arc in s5, just like robin in s4. well, they didn't.
"mike is gonna reject will" : okay, then what was the reason of making him fall in love with mike? did the writers want to write a horrible story for the only gay child in the group? especially after showing us how miserable he feels about mike and how much he loves him? no.
now let's look deeper at the character arcs. my biggest reason to think byler is the only logical way is: will byers
i don't think i have to mention how much will suffered throughout the show and how he needs the happiest ending. they left season 4 at a point where everything about that love triangle is unresolved and they're obviously going to do something with it.
we all know mike is the one who understands will the most. he always been, since the very beginning. we've been shown that their bond is different and special. in a scenario where mike rejects will, we all know this is gonna be ruined. will is not gonna magically bury his love and go back to being besties with mike. and for mike, it's not possible for him to ignore will's love for him and stay friends as nothing happened. it would ruin their friendship for absolutely nothing.they can't simply take the only one who understands away from him.
will said he wants to spend the rest of his life with mike for two times. even if he doesn't have any hope, he desires it. so why giving him a love that he will never have? in this scenario will's character arc is literally "the gay kid always thought he will never have love just because he is gay, he thinks it's wrong and he is a mistake, well yes, he was right! he will never find the love and just watch the other straight people have it. thanks for watching stranger things." will's arc should be an arc where he is proven wrong, where he understands it's okay to love, where he is loved the way he loves, purely. otherwise his character arc is gonna be useless. where did we leave will in s4? he was thinking there's no chance for mike to love him and he has zero hope-- he ripped off the band aid. if mike rejects him the character arc and all the build up in season 4 becomes useless. he was at zero, and he is still at zero.
like i said giving him an arc where he is loved the way he loves was easy to be done without mike but now it's too late. they made it super clear that will doesn't want to be loved, he wants to be loved by mike. mike hurts him yet he still thinks mike makes him feel like he's not a mistake at all. that's not a simple crush. that's pure love. as a writer of a show you don't spend too much time to sympathize the characters love to the audience -something you never did with your other characters, at least not as much as will- you don't show them pouring their heart to a gift, just to waste it, just to make the character feel the worst they can feel just to make the person they love happy. will loves mike such a way that he prioritizes his happiness over his. this is what is gonna pay off.
the second character whose character arc needs byler: mike wheeler
mike has always been the most complicated character of the show, but most of his actions have no explanation other than him dealing with his own feelings. the show introduced mike as the leader of the party and i think it's okay to say he was one of the main characters in season 1 & 2. what happened after s2? a crazy character downfall. the audience started to dislike him and think he is useless. he didn't have any character development in the past 2 seasons. why? why? why?
because we all just watched him struggling. dealing with something inside of his mind that we don't know.
let's talk about a scenario where byler doesn't happen. this makes all mike's arc about being a love interest since s3. no development, no explanation for his behavior in the past 2 seasons. of course mike is traumatized and never talks to anyone which effects his behavior a lot. but there's still an unanswered question. why is he distancing himself from will specificially? the writers showed us that they understand each other the best, they know each other the best and notice if somethings wrong, so why is he distancing himself from the person who he needs the most as a best friend?
this is where we start to think if the problem is will himself, for mike.
why did we make will fall in love with mike just for mike to distance himself from will for no reason and make will upset? did we want will to suffer for no reason or create an empty storyline?
if mike is not how we think he is, he is going to end the show with an empty character arc who is nothing but a love interest, a side character. if mike ends up how we think he is, he is going to be the best onscreen representation of internalized homophobia. people think he is useless or just an asshole but he will turn out to be a perfectly written character who has his own arc.
people love to say "gay people didn't exist in 80s, byler would be unrealistic." which is completely wrong. gay people DID exist in 80s and they DID find love. did they have peace? they didn't. this is why mike and will are gonna be a real representation. we watched all the real struggles they went through. even if we don't get to see them as a couple, they will know they love each other by the end and that's what matters. and there's nothing unrealistic about it.
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bunji-enthusiast · 9 months ago
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Hope you're doing well!! Please take however long you need to get your creative juices flowing <333 may I order a Dogday recognizing Poppy's Angel is actually the former Playtime Co. employee he and many others came to love and cherish due to their kindness? The reader is THAT employee that others envy, many of the toys LOVES them and prefer to be taken care of by them.
Maybe the reader had found out the sinister nature of the company but is understandably afraid to speak up about it as they realized their old co-workers maybe weren't just fired or " quit " out of thin air after all... Perhaps something happened behind the scenes that made the reader " quits " ( Maybe they could be threatened but by a lot of pleading and bargaining, they're spared but has to keep their mouth shut and never come back, otherwise... )
The toys are devastated, angry and just lots of mixed emotions. The reader feeling more and more guilty as they venture through their once happy place and having to harm the ones they once swore to care for.
The rest is up to you! Please again, take care and take your time, all the best in everything <333
I'm So Sorry
Note || oh my hearttt the angstttt, lovely to write this as always. In the form of head canons if that is alright? ^^
WC || 1,035
Sypnosis || you knew otherwise, presumably what went on. You just didn’t mean to harm those around you.
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Being aware of something most employees where not had dug you a thorough grave, you didn’t want to leave your beloved friends in the toy factory. A factory misconstrued on a basement of lies and futility you may as well be well over with, and bury it in the ground. Yet, bury in the ground they did. 
Your superiors had learned of your knowledge of these things, and began sending letters. Bit by bit, they had only started off by threatening you; telling you to keep quiet. They didn’t want their precious reputation to be ruined by the likes of you. Still, you continued to stay, you didn’t want to leave your loved ones. All the friends you’ve come to love, eventually becoming like family for you.
You weren’t deaf nor blind to what the superiors at Playtime Co. do, quite literally you’d have to bandage your eyes or plug your ears to ignore all that was happening behind the scenes, you didn’t let it fall on deaf ears however. Eventually soon enough it was eating away at you to actually just quit, just straight up disappear from Playtime Co.’s eyes. 
Among the many toys; Huggy, Kissy, Mommy, and Poppy, hell even CatNap began to wonder where you went. Why did you flat-out depart from working at the Factory so suddenly? One day you were visible and present, the next you had not shown up. Oddly enough they soon had gotten their answer when the Hour Of Joy had occurred, Huggy Wuggy had come across your paper of termination when he had taken upon himself in the act.
So long ago, that was a decade past you left that life behind. You really wished you would have granted them goodbyes before you had gone, yet it seemed you got that chance to do so when you received a paper in the mail that had appeared to be from your co-workers. Word for word you could remember reading, everyone thinks the staff disappeared ten years ago, we’re still here. Find the flower.
The only reason you even had to come back to the factory in the first place was because of the guilt easily overwhelming your logic, you needed answers. You needed to know what happened to your co-workers and all the toys you cared deeply for, yet you had an overwhelming suspicion you really knew what happened to all the staff in Playtime Co. you simply just weren’t present for it. Having technically already left. 
Seeing Huggy Wuggy on the pedestal again brought back some memories for you, he was certainly a hoot. In a way, you really liked him along with the rest of the toys. He was certainly a unique one out of the few–especially along with Kissy Missy. You thought they were a cute pair together, Kissy always managed to calm his murderous tendencies and Huggy was always someone you can count on for a good hug if you ever had a bad day.
Killing is not something you would ever dare think of doing, it was simply not in your mind or blood to do so. So why did you have to resort to killing Huggy? You silently wept, having no time to grieve for him properly as you had to trudge on along to the flower.
Poppy was the last person (or toy, ahem) you expected to find in that case you came across. Now you find yourself in the game station, seeing her get pulled away like that right after she offered to give the code to you had you on the steels of your nerves, you were immediately very close to being in an angry mood. 
Now you had to deal with Mommy’s antics, you felt for her, but you certainly wouldn’t want to go through the trouble of trying to get the code from Mommy. Least of all having to resort to killing her, as she would not listen to your words. Convincing her was impossible to do, trying to make her remember you was a whole different story.
Crap.
Why’d she have to go in a rage? Now she’s dead too, and what in the seven circles of hell did she mean by “HE’LL MAKE ME PART OF HIM! YOU CAN’T DO THIS TO ME!” You shudder when a mechanical hand comes to pull away Mommy’s corpse, you mentally make a note that is the Prototype. As you’ve come to learn the name after you had scavenged Elliot’s office. 
Soon you learn what Mommy had meant, arguably enough you were angry that Poppy had derailed your only train to get out of Playtime Co. but your heart had ached too much to not finish what you started. Now CatNap was hunting you while you ran around in Playcare, you just never expected to see such an untimely sight that nobody should be put in.
DogDay was hurt, real bad. His legs were severed, he wasn’t long and limber like you remember him to be. His life seemed to be completely drained and sucked away from him, you wince when he moved, movement appeared to be harsh to even put energy into. Your heart bleeds for him, yet you are surprised when he actually recognizes you from before, all those years ago. 
“Angel, you! Y-You're the one that cared for so many of us.” You nod, parental instinct already kicking in to free him from his belts from which he hung from. DogDay doesn’t deserve a fate like this, not then and especially not now. “You don’t need to, leave me here.”
“Oh hell no, you need to live.” You refute, shushing him before DogDay begins to protest. You sigh in relief once he finally is free, as selfish as it may be, he hadn’t ever attempted to kill you. You wanted someone with you that actually remembers you and doesn’t try to gun for you the moment you even step into the vicinity.
Gosh, you really hoped to get this over with. Guilt weighing heavily in mind as you had to kill so many toys, so many that you cared for. 
At Least it meant to be in the name of self defense.
Right?
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hotchfiles · 3 months ago
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ˏˋ°•*⁀➷ ❝ [CHOICELESS HOPE] ❞ — six. picket fence dream.
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pairing: aaron hotchner x bau!reader. summary: the moment leading up to the kiss, the drumroll, is as good as the kiss itself. it's certainly more innocent. it's completely harmless. content warnings: canon divergent. emotional cheating (not on reader). angst. right person wrong time. it's confession time. no use of y/n. word count: 2k+ a/n: you might hate or love me let's see which is it
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      Rossi doesn’t usually come to his apartment, especially with no warning on a Sunday, especially at 7AM, so when Hotch sees his less than pleased expression through the peep hole he knows it’s bad.
      “A crying drunk mumbling fucking mess. Porca miseria!” Dave wastes no time, the words finally free after hours of keeping them in.
      “Good morning to you too, Dave.”
      “Don’t. You know what you did.” Yes, Hotch knew. But he definitely didn’t expect this as the consequence. Still, he couldn’t even feign ignorance.
      “So, you took her ho—” Rossi’s eyes are piercing enough to interrupt him and force an exhale. “Thanks.”
      He is truly grateful, he is not usually one to act out like a child, much less one to leave people he cares about behind like that. You brought up his best and his worst. Much of his strength and thinking power went towards controlling himself. The rest got messy.
      “What are you going to do?”
      “Well, I’ll apologize tomo—”
      “Aaron!”
      “I don’t know. I just don’t. And Beth will be over with coffee in a bit.”
      Aaron watches his much too annoyed closest friend pour himself a sip of scotch, drinking it all in a mouthful.
      “You are throwing away a second chance people don’t normally get. Do you even know why?”
      Of course he knows why. There are many many whys.
      Jack needed the stability only someone out of this godforsaken job could give, and he adored Beth.
      Haley wasn’t an agent and he lost her, being with you was accepting the fact you could leave with him for a case and simply not come back. Essentially getting his son, his baby boy, a step mom that could be taken from him the same way as his mother.
      Beth gave Jack a bigger chance of not losing again.
      It gave him a bigger chance to rebuild his picket fence dream home.
      It was logical. It was the right choice.
      The feeling in the pit of his stomach and the bitter taste on his tongue shows disagreement with that every time he ponders though. And it’s hard to make the right choice when his body and soul begs him not to.
      Before he can even muster enough will power to argument his way out, Dave comes at him with more questions to shake his belief system to the core. “Is this about Haley? About Jack? Or are you really just incapable of letting yourself be happy?”
      Ouch.
      Rossi doesn’t pull any punches, Aaron knows that, it’s why they get along well, no sugarcoating. Doesn’t make it less annoying to deal with it so early in the morning. Especially after the hell night he had trying to sleep and being plagued by thoughts and worries of you.
      “If anything was to happen it would’ve happened before I met Beth.”
      “How could it when you are both idiots?” Aaron simply sighs, not having a good enough rebuttal to that.
      It was a true, he was an idiot, he could’ve gone after you when he got divorced, or after his grief got less painful. But back then he was angry, feeling abandoned by you when he would’ve never done the same to you.
      He begged you to not forget him, to call him. He waited, he called. It was all fruitless as you made your decision to take him out of your life already.
      Now it all seemed too complicated and to act on those feelings would complicate it even more.
      Aaron is saved by the bell, if anyone could consider hearing the knock on his door he knew to be Beth’s, one of the reasons of his internal conflict, being saved.
      At least Rossi leaves him alone for the time being, excusing himself as soon as the brunette enters the apartment with a quick peck to Aaron’s lips. Surely enough, Hotch has to tell her later that morning that no, Dave has nothing against her, he was just moody from being awake too early.
      Luckily most of the day is spent around Jack and what the wanted to do, making it more about spending time with his boy than a date, so he doesn’t have to focus too hard on being a good partner and on not thinking about you. But it’s all he thinks about when Beth leaves at night and he realizes morning come he will have to see you.
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      Your eyes don’t meet his for even one second as Garcia presents the case and he knows it then how truly he fucked up. You aren’t angry. You look tired, not your face, not your eye bags. In fact you look as beautiful and put together as you always do, but in the glimpses he catches of your eyes as you talk to someone else, he sees it. And it breaks his heart. You are exhausted, not because of the job.
      Because of him. And the worst thing is, he can’t even leave you alone, being the Unit Chief meant having to talk to his team, it meant to lead. He sighs to himself as everybody gets out of the briefing room and he wants to brush his fingers against yours lightly like old times and make you smile, but most of all Aaron just wants to tell you how sorry he is that this is happening again.
      He can’t do that, knowing right now it would only make things worse, so he just gets up from his chair, grabs his go-bag from his office and follows the motion until everyone is in the jet. There he does his best to suppress what is going on his mind to focus on the case.
      Galena is a beautiful small town, quite romantic even, too bad it is now suffering with the abduction of two children, the case and the BAU disturbing its peace.
      And that disturbance goes well into the night, when no one is able to work anymore and Hotch has to call it a day, figuring out on the spot that Garcia had to book them in pairs, his key card the same number as yours.
      Hotch can imagine Garcia had someone influence her on the chosen pairs, Rossi was practically glowing with childish glee as everyone got their cards.
      Both you and him are too prideful and professional to make a scene asking to switch with someone. You were stuck with him until the case is resolved.
      The two single beds as you enter the room are a relief, but the distance between them aren’t nearly enough in comparison to how faraway from him you wished to be.
      “Just like the old days, huh?” He’s the first to speak, trying to break the tension as he spread the files of the case on the only desk available.
      “Don’t do that,” you reply quickly, your tone as tired as your eyes have been since the first time he saw you today.
      You drop your bag on the floor close to your bed, the loud noise startles Aaron, but you don’t care, body aching and ready for rest.
      “That what?”
      “Talking. Don’t talk to me,” you clarify. Another loud noise, your body dropping on the bed without ceremony. Eyes closed and focused on pretending he wasn’t there.
      He stays quiet for awhile and you think he might respect your request, so you relax in the clean sheets welcoming the slumber.
      Unfortunately for the two of you, now you are annoyed. So annoyed his shuffling around papers make your skin crawl.
      Just like the old days.
      The complete audacity to begin with that as if he didn’t abandon you drunk just two days before.
      You sigh deeply, putting a pillow over your face to try and muffle his annoying overwhelming presence.
      It doesn’t work.
      “God, please, breathe louder, I don’t think Japan has heard you yet,” you shoot at him, immediately sitting up and catching him working the case files.
      “You want me to stop breathing too, is that it?” He doesn’t look up from the papers, annoyed at the childish antics you’re pulling, which irritates you even more.
      “If you could be so kind to, yes!” Your voice is pure sarcasm and venom, reminding him of just how stubborn and strong-willed you can be.
      Just as he stops his writing, pen left to the desk, you get up in a hurry, attempting to go to the bathroom and ready to slam the door behind you. Hotch is quicker, getting up from his chair and grabbing your wrist to stop you from avoiding him even more.
      It doesn’t hurt. His grip is gentle and you know you can easily get away from it. But you don’t.
      “Hey, I’m sorry.” You nod at his apology, but he knows that won’t be all, so Aaron lets your wrist slip from his fingers and waits for the arguing he’s been avoiding to start.
      One beat.
      Two.
      Three beats pass before your mouth moves in sync with your drowning mind, “what exactly are you sorry about?”
      Right to the jugular from the start. He obviously instantly thinks of the easy answer: Everything. But that’s not the answer you’re looking for. Beyond that, he knows it would be unfair for both of you to gloss over the situation once again.
      You know Aaron isn’t stalling but actually thinking by the way his index and thumb rub together, his lips tightly pursued. Your stomach feels like it’s twirling, nervousness making an appearance now that this was about to happen. The talk. The admissions.
      Both of you are aware now shouldn’t be the time to talk it all over, there is a case to work, a hard day to rest from, but this is 10 years in the making. The flight response was already drained, only fight left.
      “I’m sorry for overstepping and turning our friendship into something confusing and uncomfortable,” he says slowly but firmly, but even so Aaron regrets his choice of words, more regret when he catches you rolling your eyes.
      “Confusing and uncomfortable, sure,” you reply with the same sarcasm you displayed earlier, your arms now crossed defensively over your chest, “I hope that’s not the best you’ve got.”
      “I’m trying here and I would appreciate a little less sarcasm.” His eyes are as piercing as his tone, you scoff at the manifestation of frustration, as if he had grounds for that right now.
      Your feet have a mind of their own and you start pacing around the room, “Hotchner, I changed my whole life around ten years ago for the sake of your comfort.” That wasn’t untrue, although it had a lot to do with your comfort as well, but he needed to be reminded of your sacrifices. “And the first opportunity you had to be a dick to me you not only took it but doubled down on it!”
      Hotch knows you are speaking about the gala and before he can control his tongue like he would in a time like this, " I got jealous! It took over me.”
      It’s good that he doesn’t expect that to stop you or take your breath away because if anything, you’re angrier now.
      “You have a girlfriend! You have no right to be jealous of me! You were married, Hotch! And I never did something like that to you.”
      “You left! I love you and you left,” he notices his mistake and quickly tries to recover, “I loved you. You’re back and I don’t know what’s the right thing to do.”
      He sits at the edge of his chosen bed, elbows to his knees, hands to his face and you finally stop on your heels, not knowing how to react to the confession you both have been denying yourselves from speaking out loud.
      You swallow dry, sitting on the edge of your bed, right in front of him.
      “I loveーI loved you too.” Your hands find home on his knees and his drop to hold them.
      “l don’t know what to do. I want to do the right thing.” He sounds pained and you have to fight that desperate lover girl in your mind begging you to tell him to choose you.
      “I can’t help you with that,” it’s what you actually end up saying, “I’m sorry.”
      “I’m sorry too.”
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lilislegacy · 8 months ago
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Ok guys this is somewhat of a controversial take on Jason Grace’s powers. You can tell I was nervous writing this out because I used capitalization lol. Please read till the end
I want to start by saying I love Jason Grace. He is such a cutie. I adore him. And he is a very, very powerful demigod. And he is totally capable of very evil things, just like Percy. This take concerns a certain ability that a lot of people seem to think he has, but I don’t think people realize how unrealistic is. (I mean people can still hc whatever they want, it just doesn’t mean it’s canon.) Okay, here goes
There is absolutely no evidence or reason that Jason Grace would be able to control the electricity in our bodies. And here’s why…
I know so many of you really love that idea, and justify it by using the logic that percy can control people’s bodily fluids, so since jason can control lightning, he could control neurons and action potentials. But here’s the thing: The reason percy can control bodily fluids is because bodily fluids, like saliva, blood, and tears are largely made up of water, so he can manipulate the content of those substances that is water. And water is water. H2O is H2O. Percy directly controls all water. That’s his power.
Jason, however, controls weather. Which means he controls clouds, thunder, wind, rain, and yes, lightning. But just because lightning involves electricity does not mean he controls ALL electricity. He controls rain, right? Rain is water. But jason does not control all water. Just rain. Because it’s weather. And before you completely ignore what I just said about rain, and argue “but if he can control the electricity that causes lightning, he could control the electrical signals in people’s brains and muscles,” I see where you’re coming from, but the electricity in lightning is NOT the same electricity in our bodies. Unlike water, not all electricity is the same. Water is a basic chemical compound, in all its forms. Electricity, however, is the flow of electric charge through conductive materials, which produces energy. And those materials and types of energy vary. There are different types. The two we are discussing here are static electricity and bioelectricity.
Static electricity is the accumulation of electric charge on the surface of an object. Did you ever do that experiment where you rubbed a balloon on your head and your hair stuck up? Static electricity causes lightning when there is a buildup of electrical charge in the atmosphere during a storm. When the charge difference between clouds, or between a cloud and the ground, becomes too much, it creates a sudden discharge of electricity, which we see as lightning.
Bioelectricity involves chemicals. It refers to the electrical signals and currents produced within living organisms. It works through the movement of charged particles, called ions, across cell membranes, which allows for communication between cells, nerve impulses, muscle contractions, and various physiological processes.
So here’s the thing. Even if Jason could control ALL static electricity, which likely is NOT the case, it’s not even the same type as the electricity that makes neurons fire. And like I stated, Jason/Zeus has control over weather and storm elements, which may involve electricity, but does not mean he controls all electricity.
Okay besties, now before you show up in my comment section aggressively defending jason and assuming I think he’s weak, let me clarify: I am not saying Jason is not powerful as hell, or that he could not do some creepy ass evil things. He definitely could. For instance, he’s shown through his control over wind that he can manipulate air currents in various ways. MEANING he could create a vacuum effect, and suck all the air out of a person’s body. Like… HELLO? He could collapse their lungs. Deprive their brain of oxygen. He could repeatedly suck the de-oxygenated air, aka CO2, out of their lungs, and then force it back in. Which would be torture. Death by slow suffocation. So using his control of wind and air currents, Jason could be terrifying as hell if he wanted to be, and could do unspeakable things to human beings. I’m simply saying that his ability to summon lightning has absolutely zero connection to the hypothetical ability of being able to control people’s neurons. They’re not even somewhat related processes.
Please don’t yell at me. I love Jason. I think he could be very very scary and evil if he wanted to. Him as a villain would be catastrophic, and I’m not doubting that in any way.
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aha-chuu · 4 months ago
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We the hsr community are really missing out by ignoring the aventio dynamic that is canon and funny.
Because okay. Let's be fr: Ratio has however many degrees, multiple PhDs inside that. He has a job now, obviously, but he also spent a fat while trying and failing to get Nous and the Genius Society to notice him. He's renowned and super smart and has a bunch of achievements and credentials, but that student loan debt,,, fml. And we know from Herta and Asta's dynamic that scientific endeavours aren't just automatically funded.
So for some period of time before the IPC/Intelligentsia Guild snatched him up, I imagine Ratio was bobbing along like those rubber ducks he likes so much. Not broke, exactly, but certainly in the midst of six different projects at any given time and also canonically doing TA work as well like. Relatable king.
Dr Ratio has eaten a pot noodle in his life is what I'm saying.
But that's like,,, regular financial strain. Aventurine's situation is so far removed that to talk about it in just a monetary way would be insane. His net worth was *how much he was sold for*. But you know. He didn't have rent? Aventurine wouldn't have had any concept of what was "normal" between his downtrodden upbringing and horrific early adulthood.
So what I'm saying on that unhappy note is that when Aventurine got with the IPC, it's no wonder he seems most cavalier about dishing out credits. What do they even mean to him?? Money is important and he understands its value obviously - like it's part of his job and he's smart - but his personal experience is at odds with what he knows logically.
(and in some ways, after having been assigned a monetary value himself... I don't think Aventurine can conceive of any amount of money that is worth a person's life. He'll use people as "chips" but that's different)
Anyway. When Ratio was a fresh faced IPC collaborator and stuck with Aventurine as his partner, their first mission must have been insane. Like Aventurine only knows top level IPC people's financial situations so when Ratio is just a reasonably normal guy Aventurine must have been ???? He's still new at this too, you know, does Ratio need bailing out of all this debt? (it's very regular and he's responsibly paying it off ASAP), should Aventurine get on his good side with an extravagant purchase on his own fairly new IPC issued credit card? (he chooses not to because that might flaunt it).
Ratio notices. Obviously. But the biggest issue for him is Aventurine comparative cluelessness more than actual offense. Also like Ratio is certainly NOT poor I'm sure that first IPC paycheck will polish off the student loans entirely.
It's that cluelessness that would them trigger him to try and figure out Why this clearly competent Stoneheart who is obviously very good with money would be so out of his element when faced with a normal financial situation. And Ratio is blunt so he says those words out loud but without any of those complimentary parts. Aventurine is still reeling from someone seeing through his façade.
This isn't going anywhere except Aventurine trying to be a sugar daddy for maybe four days before he clocks onto the situation properly. And Ratio isn't about to say no to paying off that student loan debt a bit faster. And eventually they're both so well compensated by the IPC that when Aventurine casually transfers everyone else 100000 credits just for being in the room, he has to come up with some insane and creative way to shock Ratio. Maybe that's where the gun light cone came from: "if I can't impress you with my shiny new wealth I will certainly do it with my luck 🤗 why are you dialling a crisis line rn"
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thr0wnawayy · 1 month ago
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Hi l, I absolutely love your takes and I want to ask smth...I never saw anyone ask before....what was the point of Izu?
Maybe you are confused with this question, after all, in the first chapter we see (the first signal of delulu) he wanted to be a hero and became one ...
And got suffering
Suffering
And oh yes sure, suffering.
Like ...what this helps in the narrative?
"he is there to cheer for abusers" something Izu haters say but ... honestly, that isn't correct as many people in this story cheer for Endy or Aizawa. Izu is not even needed for that.
I know we can't read Hori's mind to know what was the point....and we do know he doesn't hide his disdain for Izu....but like, in canon, he is just there to suffer and his suffering adds nothing.
"to show how corrupt the hero society is"
We have plenty of examples like that...Izu is really not needed.
So...again, why?
It's just tiring seeing him feeling worthless and people all validating this feeling. Why? No one knows nor cares.
The problem with Midoriya is it feels like he never actually works for anything.
Excluding for a moment the very real possibility of 'learned helplessnes'.
After Gran Torino, when do we see Midoriya work for anything? What does he accomplish?
Nothing, he gets nothing and he works for nothing.
Sure he worked for OFA but after that, he kind of stagnates. But admittedly it's not his fault entirely, The (very small) world of MHA seemed intent on screwing him over at every given opportunity.
Aizawa and the rest of UA is fucking useless as an institution. Throwing untrained child soldiers out on patrol and seeing what sticks. How nobody has died yet, idk.
One Ao3 commenter said it best:
"UA is a horrible learning environment where I wouldn't be able to trust anyone and would very quickly grow paranoid and grow/hold grudges against "stronger" students because every loses against them could mean my expulsion for being "too weak".
"Also, he uses his quirk all willy-nilly without caring about the potential lethality of such usage (you have a quirk like Denki's that stockpiled something like electricity, he uses his quirk on you, the stockpiled electricity goes haywire and kill you and several other people nearby or you risk losing years of accumulated energy.) OFA could have lost all it's accumulated energy.)"
Everything Midoriya does feels pointless because there's no reward. Midoriya receives zero acknowledgement or recognition and the viewers are given no payoff.
His classmates ignore him, or make some comment on his failings/pain but never act.
Aizawa seems to single him out constantly, while the rest of the staff, even All Might seem content to twiddling their thumbs as Aizawa continuously tramples over the rules of student-teacher conduct.
(no aggressive physical contact, no verbal abuse, etc)
Midoriya is the centerpiece and that's precisely why Hori tried to use him to prop up the abusive cash cows. It's narrative gaslighting 101.
"If the protagonist says it, then it must be correct"
I'm going to be honest, Midoriya was always a vessel for the plot but he at least had character. That's why so many people jumped ship when the Dark Deku are turned out to be a total bust.
Because there was no reason go engage in story that can't respect it's roots (original premise)
He was given power up after power up with no thought on what came before
By the logic of OFA being a stockpiler, Flight should be the strongest quirk out of all of them. Gearshift should be the weakest. It makes no sense until you account for Hori's "subtle" sexism *and I have no idea if it's intended or borne of ignorance.
It was supposed to be "This was how I became the greatest hero"
Not "How we repeated the sins of the father"
That's why Midoriya fails as a protagonist, as a character. Because MHA doesn't have a protagonist, it doesnt have a hero. Just a bunch of super-powered SWAT celebrities covering eachothers asses.
Mha was a story about focusing on the victims .
And ended as a story about the abusers.
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devondespresso · 1 year ago
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FINALLY
after NINE. HOURS. (NOT including meals and sleep) ITS FUCKING DONE.
A complete floorplan of the entire Harrington house. Including too much thought about random, throw-away lines from characters and squint-to-see-it background glimpses inside.
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plently of stuff in the actual house is altered or straight up ignored in favor of following the fiction logic and because I Wanted To. A lot of this is motivated by my headcanons for the Harringtons and how I'm writing them in my fic, but I'm also certainly not an architect so it's by no means perfect. It is, however, unreasonably canon compliant in the few bits we do see.
Thought Process (for context):
the darker shaded floor areas are lower than the rest, some bits like the garages having stairs and some areas like the sun and dining rooms list being like a step lower. Windows are marked with dashes along the outside, sliding doors are two thin lines slightly overlapping, stairs change color as they diverge from the level we're looking at, and furniture is eyeballed so don't look to closely a the scale.
not all closets are labeled, just the ones i figured could be confusing. Steve and the guest rooms have closets i promise.
the laundry room and pantry are not the same size but by the time i noticed i was exhausted. so pretend they're both more reasonably sized.
i don't know what the floorplan symbol for garage door is and then i forgot to look so the headlights point to where the doors are and you can see them clearly in photos so yeah.
The general layout is based on the idea that the Harringtons are or were into hosting dinner parties and business meetings in their home, especially as a young rich couple looking for respect in their circles (Mr. Harrington taking on his father's business and reinforcing that power, Mrs. Harrington climbing her own social ladder and building an image).
So the house is laid out with hosting areas towards the right with the office big and near the dining room because it's more than just a workplace, it represents him as a businessman. In canon the entryway and living room both have very high ceilings and no second-floor above them, so I'd imagine they're also aware of how the top floor looks from below, hence the fancy double/french doors to the master bedroom which is in plain view from below. Steve's room and the guest room are's nearly as visible.
As for the kitchen and sun/pool rooms, I see them more as secondary hosting areas that aren't used as the main location most of the time and are more this background setting to these events that still feel rich. The kitchen is massive and mostly for dinner-parties and Mrs. Harrington's social events.
The kitchen and main bathroom's placement is based on a line Steve said to Barb giving her directions to the bathroom: "down past the kitchen, to the left". With the massive living room on the left and wanting to keep the dining and office close by, i interpreted the "to the left" part being like "find the kitchen, then turn left". And with the rest of the area being open-concept, the bathroom would be the only normal door over there and easy to find. it's a bit of a stretch with just that line, but it makes sense to me with the rest of the context for the layout.
the basement is similar to this, though not as openly displayed so I imagine its for slightly closer friends. Theres a garage door down there so I figured Mr. Harrington might have a cool car he shows off, like he's letting people in on a personal detail about himself. There's also a guest room down there (the only one still considered 100% for guests, more on that later) for those people.
beside the basement garage, there was originally one main garage that holds two cars, obvious Mr. and Mrs. Harrington's cars. I imagine they bought the house before having kids, so a third one wasn't on the mind but after having Steve they added the front one (either turning the carport into a closed garage or they never had a carport and added a whole new addition, up to you)
Both garages lead to the same part of the house, and that area is the only one besides the water heater room that is purely function over effect. It still looks good like the rest of the house but it's not made to be fancy because guests would rarely need to be over there if at all and it's not noteworthy from other parts of the house.
In my headcanon, Steve's room used to be a guest room, staying his room from nursery to present with Mrs. Harrington renovating every now and then. Its one of those places in the house that doesn't have to look perfect for all to see, so she gets creative and has fun with it.
The upstairs guest room is also unofficially Mrs. Harrington's room, based on a line where Tommy mentions a fireplace in "his mom's room" instead of "guest room" or "parent's room" or "master bedroom". I belatedly realized this could be a solidarity thing with Steve hating his dad and calling the master bedroom his mom's room, but that was after 9 hours of this and im not changing it but there you go. In this version, I imagine she leaves the master some nights because her marriage with Mr. Harrington is failing (cheating and all, I wouldn't want to be in the same bed with someone who cheated either)
the master bathroom was an executive decision, just looking at the house in canon and not having enough space in my first attempts, i decided the triangle roof part above the dining and office could fit a master bathroom.
Feel free to use or reference this in your own fics! Feel free to block out my furniture or walls and make your own version. If you share my image please credit with an @ mention!! (again, 9 hours) (thank you fhalsfhd)
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muchmossymess · 2 months ago
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uh oh guys, hot take alert:
i think revali may have invented hand held aerial archery HEAR ME OUT- (this is a long one boys)
okay. evidence one: why the fuck would a rito shoot like that. like, it makes nearly zero sense, it would be such a hindrance to their flight and their main stake is that they can be higher than you can shoot whilst still pinging you... which revali has overcome with his gale
evidence two: tulin and the concept arts. obviously rito style archery would be held in their talons. before totk came out idk if anyone had really thought about it too much, but the developers had, as you can see in concept art (from the creating a champion book). and like, its logical, powerful, and allows for peak maneuverability. also, when in flight revali (and teba) holds his bow in his talons before switching to his wings. surely its easier to keep it in your wing (obvi ignoring the effects to flight but hes doing that anyway firing the damn thing) rather than switch back and forth- unless you were taught that way, because why would you hold it elsewhere, you need it in your talons to shoot.
evidence three: we dont see any other rito do it (...kind of). throughout botw and totk, we never see another rito flying with a bow in their hands. in totk, its mostly tulin, who holds it in his talons, but in botw the big one is teba. during the medoh quest, he actually gives *link* his bow, and therefore does no shooting in the sky. teba and harth had both tried to take on medoh before, but we never see this, and while they holds their bows in their hands *on the ground,* we dont see it.
...except for aoc (uh, spoilers?). there are two times we see a rito other than revali hold their bow in their hand for aerial archery. but it is not with any rito soldiers, either during cutscenes (the bows are only on their backs) or gameplay (they swoop down, and then hand hold bows on ground. they arent seen flying at all but thats prolly for the same reasons as botw: its very hard to code that (and so they write the lore around that fact)). the first time we actually see another rito do this, we dont see it. Its teba, as he comes thru the portal, but all we see is the arrow shot, and then him freeze frame with the bow in one wing. we dont see the bow in his hand for the rest of the fight. the second time we actually see him fighting like this, it *is* in the air, but its noticeably different to revali.
hes a lot slower, it clearly takes a LOT more effort to shoot the bow, and he only pulls off one arrow at a time. its canon that revalis bow is heavier/harder to draw, and he manages to effortlessly stream arrows whilst fucking floating midair. i think teba, forever a revali fanboy, heard of how the champion mastered his own style of archery and sought to teach himself, but lacked one key thing: revalis mastery of wind.
evidence three point five: revali could easily use his powers to hold him in the air longer/slow his descent long enough for him to fire his shots. it makes sense, really. if he can use his gale to propel him, he can sit on the updraft for a hot sec, or even curve the path to carry him along while he lines up the shot. this would mean he wouldnt need to flap as much as other rito, who would obviously need to keep flying
evidence four: revalis fighting style and his needs. revali works with non rito, obviously. he needs to be able to communicate with them on the battlefield, and they wont understand the muffled chirps if he holds his string in his beak, so he needs his mouth free to speak hylian. also, revalis main tactic is fly up with gale, shoot, fall, either shoot more or use velocity and weight to knock around opponents, and then fly back up. he often needs both feet planted firmly on the ground to get a good hold of his gale, something that is harder to do if you have a bow in the way.
also, take for example the kick he delivers link in their fight (aoc). that would possibly damage the bow, or give the opponent a chance to grab his weapon, if he held it in his talons. and to switch from feet to back is a risky maneuver during freefall, and could lose precious seconds, and then when you get back in the air you need to get it off your back again. its much easier to keep the bow loosely in your wing the whole time, meaning your free to attack melee, land and rise all while not wasting a single moment getting your next shot lined up.
so yeah, i think the rito used the talon grip for aerial archery, and would often use the hand held method on the ground for a variety of reasons (more powerful shots?, easier in some situations like hunting), but revali was perhaps the first to use hand held aerial, another reason he was one of the greatest archers ever.
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firelxdykatara · 8 months ago
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I too ship Zutara and think they should have been canon. Although for me it's important to know how such a rewrite would go down. I tried to think, and I'm lost.
After Mai betrayed Azula for him, will he just go "sorry, not interested"? He isn't obligated to date her because of this, but her redemption hinges on Zuko and I don't see it being satisfying if he ends up rejecting her after this.
I thought the solution would be to rewrite her arc in boiling rock to make her have a moral realization, but then the problem with Maiko is practically solved. Their relationship wasn't salvaged by her redemption because last time they talked, Mai still didn't understand what's wrong with the Fire Nation and only changed because she loved Zuko. So how do you make it both satisfying & logical?
With Kataang the problem is the Chakras. The problem with the original (in my opinion) is that after he opened his chakra, letting go of his attachment to Katara, he's still attached (forcing a kiss on eip). Should TCoD get rewritten so that Azula shoots him before he opens it? Then why wouldn't he just open it later? Maybe the chakra would be locked so he feels as though he doesn't need to overcome his attachment just yet. In that situation, how would his chakra even unlock? The stone thing felt like nonsense, so how would I do it?
So yeah I have no idea how to approach this. How would you? (Thanks)
I've been rotating this ask in the back of my head like a rotisserie chicken for a few days--it's interesting because I don't generally stop to think like, how would I write them out of these relationships, I either ignore the relationships completely (which isn't hard, they were barely footnotes in the cartoon) or play a little bit with jealous exes or something. Thinking about like, In A Perfect World where Bryke wasn't in charge of ATLA post-canon (because if zutara had been canon, you can be sure they would've made us regret it) is interesting, and I do have thoughts on how I'd handle their relationships in a rewrite.
(this got long, so the rest is beneath the cut)
Assuming you mostly want to keep canon intact, I think maiko would be the easiest to work around, given how little relevance their relationship has in canon. The problem with maiko as an endgame ship is that it was not set up that way--if it had been, it would not have begun entirely off-screen and their whole relationship would not have been a study in misery and utter inability to connect emotionally. His relationship with Mai was there to showcase just how much he had changed and how little he fit into the life he had been so sure he wanted more than anything since his banishment. It worked very well to highlight Zuko's growth--how that contrasted to Mai's lack of it and why she could not understand him even at his most open and vulnerable--and did not work nearly so well when she was shoved back with him in the epilogue, after he'd quite literally forgotten her existence (he never mentions her again after Boiling Rock, not even to say a word of mourning, considering he'd have every reason to believe she was killed for defying his sister).
I don't think you can fix this by giving Mai some moral realization, because there simply is no room for it. As @araeph says in the essay I linked:
As a character, Mai is very useful to the story during Zuko’s return, because she represents everything that Zuko gains by sticking by his father. A girl who cares about him; the ability to indulge her; the authority he has over others at the palace; we see it all in his interactions with Mai. But this makes Mai a tether to a life he has long outgrown. Her function is not to advance Zuko’s character development, but to obstruct it, which also unfortunately means that Mai gaining a full understanding of Zuko’s trials would be disadvantageous to the story. If she knew everything about him and still wanted him to stay, it would give Zuko more cause than he should have to remain in the Fire Nation, but if she knew and encouraged him to leave and join the Avatar, it would rob Zuko of the triumph of making this decision on his own. In other words, there are good narrative reasons for keeping Mai in the dark; it just doesn’t make their relationship any stronger.
The seeds of a genuine redemption arc (one that includes some sort of moral realization and change to her moral framework) for Mai would have to have been planted far earlier than five episodes from the end of the series, but doing so would have of necessity detracted from Zuko's own character arc and the realizations that he makes despite his attachment to Mai (or more specifically to their relationship, which I feel like he was clinging to more out of a sense of abject loneliness he couldn't shake rather than genuine feelings and emotional connection).
So, in my mind, since we're tackling this with an eye towards getting rid of maiko with the fewest ripples to the overall story anyway, the easiest way to do this would be make one slight change to the end of the Boiling Rock two-parter--have Ty Lee (who had always been the least gung-ho of the trio about bowing to Azula's whims and had to be textually threatened into joining her in the first place) save Zuko's life, and then have Mai (who showed the most genuine affection for Ty Lee anyway) save Ty Lee. I love Zuko more than I fear you always fell flat for me as some epic declaration of love, anyway, since a) Zuko is not around to hear it, and b) unlike Ty Lee, she never showed much fear of Azula to begin with, so it wasn't a very high bar to clear. It was a cool line that was entirely unearned, and I don't think it would be missed, there would be some cute mailee crumbs this way, and a throwaway line of getting them released from the prison after the war ended could wrap up their presence in the story pretty nicely.
Now, kataang is a little trickier, if only because the last leg of Aang's character arc is almost completely derailed by his refusal to let go of his possessive attachment to Katara, to the point where he never naturally reopens his chakras, he has to have the Rock of Destiny hit him in just the right place, and the deus ex lionturtle there to give him a way out of having to make a hard moral choice. (I've maintained for years that if you work the final act of your main character's overall arc in such a way that it could have been solved by one good session with a chiropractor, something got fucked along the way.)
The thing about Aang's chakras is that, narratively, his whole thing with Guru Pathik and leaving his training early to save his friends was basically his version of Luke running away from his training with Yoda on Degobah because of his Force vision, only to find out that his friends were in the process of rescuing themselves and then losing his hand because he hadn't completed the most crucial part of his training. What's missing, therefore, from the last act of Aang's character arc, is the return.
See, in Star Wars, Luke pretty explicitly makes the wrong choice when he chooses to prioritize saving his friends over attaining enlightenment and fully mastering the Force. It was the only choice he could have made, but it was still the wrong one--because, like Aang, his friends did not actually need him to save them, he actually almost makes it harder for them to get away by requiring them to save him because, like Aang, he loses a battle in a very critical way. This was a lesson he desperately needed to learn, and it is clear he has learned it by the time he makes it back to Degobah and witnesses the end of Yoda's life, his own enlightenment having already been reached.
But Aang never goes back to the Guru.
And the text refuses to allow us to sit with the fact that he made the wrong choice in prioritizing his attachment to Katara over his ability to master the Avatar State. He is actually narratively vindicated about it, because the plot bends itself into a pretzel so that he doesn't have to spend any time during the last book trying to reopen his chakras and regain access to the Avatar State, handed both in the final battle with no excess effort on his part, and handed the girl into the bargain. (The girl who never even wanted him, so far as we can tell from all the lack of cues she gave him that she actually returned his feelings.)
And I think this could have been solved with a few scattered scenes. Let Katara actually have some agency in her own romantic relationship (or lack thereof), insofar as noticing Aang's advances and clueing the audience in to how she actually feels. Let Aang struggle with the fact that he can't reach the Avatar State, that his mastery of the elements is in limbo because he can't access his full power, rather than ignoring all of this until the end of the show. If we're trying to keep the shape of the last season roughly the same, let Katara confront Aang about the invasion kiss.
This would have been the perfect time to establish that Katara actually does feel some type of way about Aang prior to the epilogue, and it could have saved us from the exceedingly cringey EIP kiss that Aang never apologized for. How it comes across now, of course, is that Katara basically pretends it never even happened, to the point where she doesn't even know what Aang is talking about during EIP until he reminds her--the death knell for any shot their relationship had at looking requited, because I can tell you, as someone who's been a teenage girl, if someone I had conflicted but burgeoning romantic feelings for had kissed me, I would not have completely forgotten about it only a few weeks later--and we never get any indication as to what she actually felt about the kiss (which was not mutual, despite what Aang's dialogue in the EIP scene implies) except for the fact that she looked away and frowned afterwards. (A change mandated by Bryke, who wanted to leave her feelings completely ambiguous; the original storyboards had her smiling to herself.)
So, with an eye towards wrapping up Aang's puppy love crush and establishing Katara's distinct lack of romantic feelings for him, have her talk to him about the kiss. A good frame of reference for this would be Meng's conversation with Aang in "The Fortuneteller", where she finally realizes that he doesn't like her in the same way she likes him. Katara and Aang's conversation about the invasion kiss could be a callback to this, with Aang having some important realizations--that just because Katara doesn't share his feelings doesn't mean she loves him any less, and just because he can't have her the way he wanted doesn't mean he has to love her any less, that she doesn't belong to him but that's ok, because she's still his family and they'll always have each other's backs. Which could have functioned well in helping him take another step towards unblocking his chakras. Going back to the Guru directly may not have worked, since by this point in the story we're hurtling towards the final confrontation and Sozin's Comet, but let Aang reflect on what the Guru told him with new understanding granted him by his experiences throughout the first half of the season.
To keep the stakes high and up the suspense, obviously, he shouldn't have fully unlocked his chakras and the AS before the final fight, but the seeds could be planted--little moments like a talk with Katara about the invasion kiss, maybe a little more empathy and understanding from him about why Katara needs closure in TSR, etc--and then, during the final fight, rather than hand him all the answers on a silver platter, have him almost lose. He still can't go full Avatar, he's out of time, he still doesn't know exactly what to do about Ozai given his own pacifism and desire to preserve that part of his culture--he tries to fight but he's pretty quickly overpowered. Idk how I would've animated this, and maybe it wouldn't have looked as cool for the final fight, but the true climax of the finale was the Zuko and Azula agni kai anyway, so it hardly matters--I'm picturing him doing the rock-shield thing and going into a brief meditative state, where he finally achieves the enlightenment necessary to unlock the AS on his own, no rock of chiropracty necessary. And at this point, I'd give Ozai a Disney Death, since leaving him alive causes more problems than it solves and it's not necessary for Aang to kill him for him to die--they're fighting on a mountain ffs--but if you don't want to change that part then him figuring out energy bending as part of becoming a fully realized Avatar would at least feel more earned than the lionturtle just handing it to him. (And that could've been foreshadowed better by seeding the idea for it earlier in the season.)
After all of that, particularly if you up the emotions during the agni kai and have Zuko and Katara kiss there (or something less explicitly romantic but still tender, like a brief forehead touch), it'd feel pretty natural to have a just friends ending for Aang and Katara. Maybe a brief, slightly awkward but ultimately amiable conversation if Zuko and Katara had a ~thing at their final fight, and then the final shot of the series could be the gaang all together, maybe zutara holding hands or Katara resting her head on his shoulder or something, but since they already kissed there wouldn't feel like a need to end the whole show on romance, something which I've always felt missed the point of the series.
And then, y'know, after that, the world's your oyster! This is how I'd do it if I were trying to keep the bulk of the final season intact. Of course, breaking it all down to its component pieces and rebuilding from the ground up is also an option, but that'd probably be a longer post lol.
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crossdressingdeath · 10 months ago
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I'm thinking about Karlach and in particular her relationship with Gortash, and the more I think about it the more I really wish that she'd known he was a Banite from the start, or at least for a good chunk of her time working for him. I mean, the canon story of "I didn't know what he was, he lied to me and I didn't realize the truth until he stabbed me in the back" doesn't not work? It just feels like a very... safe option. Now, I love Karlach, I really do, she's a joy to be around. But I don't know, the whole "I didn't know what they were doing" method of letting a wonderful person work for the bad guys has been done. It's been done a lot. And it also makes Karlach feel less morally complex than the other origin companions to me! I mean, it's entirely possible she didn't even know Gortash was a criminal; his public persona would require bodyguards too. So if we assume that she didn't even know he was a criminal then her moral complexity is limited to having some friends who are devils and wanting Gortash dead, which... even just by general fantasy standards and especially when compared to characters like Astarion, Shadowheart and Lae'zel (as the most obvious examples, but personally I also find Wyll's pact with Mizora and Gale getting the orb at least as complex if not more and they didn't work for the villain, so that feels like a bit of a problem) is very straightforward. She's good. Maybe she used to be a bit naive and then learned not to be so blindly trusting through betrayal. Sure. Fine. Personally I do not find that particularly compelling, if I just saw her backstory written out without the super hard work of her writer and VA in the rest of the game my reaction to her would basically just be "Eh". And if we assume she did know he was a criminal then it feels kind of weak that the only time that even vaguely comes up is Gortash potentially making one comment about how Karlach knew what he was and shouldn't really have been surprised.
Also, an additional point, the fact that supposedly Gortash was putting enough work into keeping her ignorant that there was a noticeable drop in his ethics after he sold her is... kind of weird, because the only reason we're given for it is "He liked her"? To be clear the fact that he liked her isn't the problem, we know Gortash is perfectly capable of liking people. But... he went out of his way to deceive this one employee? To the point that people noticed a change when he was gone? Or alternately selling her specifically actively made him significantly worse, which... would also be kind of weird. There isn't even any particular reason for him to see himself in her, other than the Lower City upbringing they had very little in common before Gortash sold her (unless baby Enver was way better of a person than his current self would suggest). I feel like if Larian was going to justify Karlach apparently not realizing she was working for an arms dealer and slave trader as his personal bodyguard (so someone who'd logically be around for a lot of shady shit or frankly what is the point of her being on the payroll) with "he lied to her" more needed to be done with it.
But if she knew he was a Banite and knew what he was doing for a good chunk of the time she spent working with him that adds a tasty "I didn't think the leopards would eat my face!" energy to the whole situation! I love the idea of Karlach liking and trusting Gortash despite knowing what he was because he treated her with respect and that was all that mattered! Obviously this is subjective, I will freely admit I like my characters with a bit more moral greyness than Karlach shows, but to me at least her reassessing and improving her morals from a standpoint of "Him liking me and respecting me wasn't enough to save me because other people's lives do not matter to him" would be much more interesting than her being a perfectly lovely person from the start and not knowing what her boss was doing and getting betrayed and then continuing to be a perfectly lovely person. (I'm not going to claim that a person's morals improving when the thing they did to others is done to them is particularly ground-breaking, but I would argue it's no less ground-breaking than "they didn't know and were good all along and their boss was lying to them" and to me at least it's significantly more engaging.) And it would also neatly remove the question of why Gortash cared enough to lie about what he was doing to this one specific employee from day one (so before he could bond with her at all), which. y'know, would be nice.
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complete-clownery · 10 months ago
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Not me deciding that I wanna figure out how does Macaques dojo work, cuz I couldnt seem to find any ideas of it on the internet lol
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Okay so long long LONG rant:
Ik that in canon the whole place looks kinda-- moldy and shit and I get the lot of hc about how Macaque probably doesnt even live there since its in a very industrial outer neighborhood of Megaplois, and also it probably isnt really decorated or looks like someone is living in there at all, but I like to think that he has standards and they put like 272636373 nois cancelation seals on their bedroom so he can sleep camly when he actually can sleep (since in my hc Macaque suffers from insomnia (its a pretty common hc tho, but you get it)) and I think the outer circle of Megaplois is even tho industral and under constructuion on most parts, its probably more quiet than downtown
And I also like to imagine, Macaque even tho if not commited to a place will make it more homy. But looking at my reference pictures, in the dojo there were also a lot of posters and paintings (and in MKAGC Macaque did mention he might have a poster of wukong soooo~~)
For the layout I went after whatever felt right, since I had like 4 pictures to piece together a two-story house with a gallery(??) so its actually just me deciding what I want and where I wanna put it
(Here are the screenshots from lmk s1ep9 I used:)
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Okay Okay if you couldnt tell, for some reason im really hyped about this stuff so im going to lead you trough my thougtprocess, when imagining this whole thing, in order from ground level to gallery
1. Ground level:
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Ahh yes ground level: the problem child
(Im going to keep it somewhat brief here cuz I wrote a shit ton of explanations for it, but that somehow got deleted which I am super pissed about btw)
So I saw that a lot of hc with Macaques place are mostly that first floor is the dojo and the second floor is the living area, buuut~~ based on the screenshots of the series that doesnt make any sense. My reasoning? Simple really, its bc you can see the ceiling If you are standing in the dojo. This could lead to the conclusion that:
"Okay maybe then there is no second floor just a gallery in there somewhere and thats it".
Sure we can say that, but then you would ignore the fact that you cant see the front door of the building when Macaque slams Mk into a weaponstand.
"Okay then its on the other side of the room that we never got to see in the episode"
I mean maybe sure but to me from an animation point of view it just doesnt make sense, just why would they flipp the camera angle like that (I mean anyone can think whatever they want, everyones opinion is valid, its not like anyone would ever argue me on this one ((or read this whole brainrot trough in the first place lol)))
Haha anyways regardless of anything, let's go back to talking about the first floor, shall we?
Everything is pretty self explenatory: when you come in on the front door youll see a little shoe rack where you can but your shoes, and one stair to seperate the ante-room from the rest of the house
Then theres a long hall that leads to the enterence of the storageroom, the random room and the staircase that leads to the second floor
I couldnt decide on what to put in that big room-- I had no clue -- I was thinking maybe Macaque could let other people rent it for a few days of maybe theres a shop with an owner whos ranting the place from Macaque (I think thats an interasting concept, but I didnt explore any of them) oh well thats that tho
"""somewhat brief""""
Second floor:
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This was probably the easiest, since 90% of it is the dojo
But before that when you walk up to the second floor you can see a big boubel door that opens to the dojo, and a normal door that opens to the bathroom, which is strategicly placed there by yours truely. There is big brain logic behind it,, it might be inconvinient for Macaque to walk down the stairs from his bedroom trough the dojo to the bathroom (but also he can just shadow portal there--), but when ocasionally he mentors Mk, he might have to go to the bathroom while hes at Macaques place and I dont think Macaque would apritiate someone stomping trough his personal area, and thats why the bathroom is conviniently placed next to the dojo and not that far from the bathroom I know im a genius (**read everything in the bathroom part with a lot of sarcasm**)
Anyways, we couldnt even see all four of the dojos walls so that was also a 'gamble', but I went with a simple bouble door that I mentioned before and two weapon stands (yes those are weapon stands) and other than that you can see the rest of the room on the screenshots, theres also the staircase and that has some closet underneath it, but thats about it
The gallery (my personal favorit):
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Looking at my reference pictures i could see that the dojo took up a lot of space almost taking up the 1/2 of the building, which I think is reasonable and kinda cool, but that means small living area which I think is even cooler (I am a huge fan of small practical spaces, they feel so so cozy)
So Yeah the living space: mostly two rooms that I also illustrated on top of this post, (you probably saw it) with a balkony thingy before the enterence of the rooms, where you can look down and see the entirety of the dojo, good for observing.
When you go in the door (actually havent decided if I want to put a door there or curtains for style but meh who knows who cares), youll enter the small but spacious kitchen. I dont see the Six Eared Macaque as a homecook, more of a fake cooking guy (only making basic foods like eggs or toast, maybe ocasionally pancake), hints there is no built in stove or owen just a portable stove, a kettle and a toaster and a small fridge that has MKs drawing (that he drew for them at the end of season 3) magneted there :]
Other than that theres a sink and an old television, he got from the randomest place ever, maybe he fished it out of the trash idk, but he put it on top of the cabinets (rarely watches anything on it)
On the baseplan you can see that there was supposed to be a small table next to the sink with a chair, but it didn't make it to the final drawing cuz let's be honest: drawing interior in correct perspective without a reference picture is just not my strongest artskill I posess, so I got pissed and put a trashcan in there, Macaque can eat in his bed
Talking about bed, let's move on to the Six Eared Macaques room:
It is very small but pretty comfortable with a small bed but a shit ton of pillows for a good nights sleep, other than that there are a nightstand that has the Lantern on it (I know it sorta got lost/destroyed after defeating LBD but I wanted to put it there) and a drawer.
The nightstand probably doesnt have a lot innit, just some nick-nacks and tissues and maybe snacks, or a book or something, the drawer stores some of his clothes, but since I like to think that Macaque is a fashion icon that wont be able to fit most of their clothes, so maybe he stores them in a pocket dimension of shadows, and only has some esentials there when he needs to get ready quickly.
And we could talk about the posters plastered around the room, but most of them are kinda self-explanatory, but there are the poster of his shadowplaly of the hero and the warrior, some drawing, a "Hang in there babygirl!" Poster with a cat on it hanging in there, a poster of the monkey king (heh), phantom of the opera poster and a-- well--- that ones for my bestie hope she'll notice it, its a spies are forever poster (really fun musical a of spies, go watch it its on youtube), and a drawing he brought( maybe)
And thats about the bedroom
And we are still not done, how are we feeling about that?? Huh?? (You dont have to answert, this shit took me about 2 hours to write :] )
LAST PLACE: the corner of the windows opposit the kitchen and the bedroom. Its just a chill little place with pillows and blankets, where someone can bundle up and enjoy some tea or read a book or brood, whatever the monkey prefers. The special thing about it, is that you cant access the place without knowing how to levitate, fly, jump high, or use portals, not that much of a game changer since more than half of the lmk cast could get up there, but still a bit of a barrier in my opinion
AAAAAND~~~ thats it omg
Hi hello if you read this trough could you please comment or reblog with this: "🐵" cuz I wanna know about the brave soilders who went trough this immense amount of clownery,,, holly mother---
If you read this all 👏👏👏 you are amazing thank you for appreciating my work this much, have an amazing day or night ✨🪲
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queenvhagar · 3 months ago
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It's one thing to deviate from the source material in terms of minor details. It's another to deviate from in-universe rules, logic, and established canon. When people try to come back at people upset with the adaptation as "oh you're just a book purist and the book wasn't even good to start with so you're complaining for no reason," I think people are assuming the complaints are based on the first thing above, that the changes are overall harmless to the story and not really worth focusing on too much. However, House of the Dragon season 2 has repeatedly demonstrated now that they will throw aside in-universe rules, logic, and established canon to craft the kind of the story they want. The problem with this is that the story loses all believability. I mean, obviously it's a fantasy series, so unrealistic stuff is depicted on screens. However, as GRRM put it himself, "fantasy needs to be grounded. It is not simply a license for you to do whatever you like [...] Ignore canon, and the world you've created comes apart like tissue paper." By breaking in-universe expectations, the story loses its weight and its anchor. Events and developments feel unearned. Characters feel like they lack depth and act unpredictably to fit the plot. The emotion of the story is distanced. And overall, the viewer stops fully believing in the story and becomes more apathetic to its outcome.
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rayshippouuchiha · 7 months ago
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Had a Thought™ about KHR. (excuse spelling mistakes because I WILL be making them)
So the giglio Nero family canonically has the strongest skies right? Like this matrilineal family of Skies has, as far as we know, always held the strongest skies in existence. It doesn't matter who they have a kid with, their first kid is 1) always a girl (far as we know) 2) an insanely strong sky 3) has some type of foresight.
So my thought (story idea/premise IG). Nana is descended from this family in some probably convoluted distant way. This could explain her space cadet behavior. She is LITERALLY not mentally present in the, well present. But she's enough removed from the family line that what she's seeing is probably really confusing and has little resemblance to reality. Also, let's be honest, if you're seeing visions of an alternate or possible future existence and aren't aware what that is about? You probably think there's something wrong with you. To the point you probably instinctively disregard A LOT of things that would be odd or concerning because well, they don't make sense so are probably made up. (Nana basically taking masking to the extreme meaning she doesn't notice/pay attention to the Flame and Mafia stuff because nobody else around her notices/talks about it. So it's probably Not Real)
And then she meets Iemeitsu. Who let's be honest, also has something DEEPLY wrong with him. ( A sky with no guardians? When that's what they DO?! Something is wrong with him on a literal soul deep level.) But he just acts like a mildly eccentric goofy guy, who otherwise is Normal™. So Nana gets attached to him, because she sees something similar in him. And she ignores anything pretty obviously WRONG because well, it's not REAL is it? She's just seeing things again. Plus of course Iemeitsu can't act Normal™ all the time, SHE struggles with that and that's something else she feels they have in common. (Very much modeling the fact that neurodivergent people tend to gravitate towards each other, and ignore stuff that's 'not normal', because for them normal isn't a thing that exists.)
And then they have Tsuna. An insanely powerful Sky child (I think there's mention of him possibly being the future sky acrobaleno at some point? Might just be fanon tho) who from a pretty young age has Hyper-Intuition.
Nana probably assumes her son has inherited her problems regarding seeing non-existent things. She probably ignores the general weirdness of Iemeitsu bringing his boss home and her son changing entirely after the visit, because she can't figure out a logical reason for Tsuna to change, so OBVIOUSLY there can't be anything wrong there, he's just going through a growth spurt!
Tsuna gets bullied in school? Well, so did Nana growing up. The fact the teachers are in on it? Not outside her perception of reality, because that's just how people treat those who are different, who can't 'Act Normal ™'. The problem of course here is that this behavior was Normal™. She was gaslit into believing this was expected and tacitly encouraged by society.
But, there's that little part that's still a mother, and doesn't understand WHY people act like this, and SURELY it's NOT Normal™ for people to treat her son like this!? It can't be reality! Right?! So obviously it's something ELSE her brain is making up, so something she should ignore entirely!
It would take ..... A LOT to have her come to terms with the fact that all that stuff she was convinced wasn't really happening, and just something else her brain was lying to her about, is actually reality. She's closed herself into a teeny tiny box of what she considers reality and anything outside of that obviously ISN'T.
ohoho now this is an interesting take on Nana that I've never seen before and it's so fucking cool
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acourtofthought · 5 months ago
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Do some in this fandom really not pay attention to Sarah's writing or past books?
A known to be very problematic e/riel, while specifically writing her post is not ship related and using every characters name tag and the e/riel tag is claiming e/riels are the only ones who care for Elain because we don't feel the twins will be a major part of her story. Because why would SJM have written them as her friends if they were not meant to play a major role in her arc.
For the same reason that in canon Amren became Nesta's friend in ACOWAR, helped her train but did not end up playing a major role for her in SF? For the same reason that Gwyn and Emerie became Nesta's found family instead?
All the twins have done for Elain is spend time baking with her and dressing her. That is the canon friendship e/riels are dying on their hill for.
In canon they haven't helped Elain train her powers. In canon we have no evidence they care for her turmoil over Graysen or Lucien or her father or stabbing a man.
In canon Az does not even address them by name or share a single on page conversation with these supposed friends of Elain's, people he himself trained yet he ignores. Yet he had half his bonus dedicated to Gwyn. Yet Sarah found a way for Az to share conversation in SF itself with Gwyn, a brand new character.
It was canon Feyre once believed Ianthe her friend, canon is not the trump some think it is.
We don't care less for Elain because we don't imagine her arc will feature much of the twins. We care more for Elain because we know what a SJM friendship actually looks like and we haven't seen it in the series for her yet.
That's not to say she and the twins won't always be fond of one another. It's possible to have more than two friends after all and Elain being liked by many would be the type to have friends wherever she goes.
However we look forward to friendships for her that involve characters who push Elain outside her comfort zone and who force her past her polite shell, something we've never seen when she's around the twins.
It's funny how hard they'll push Vassien together because to them she's such an "important, amazing" character that she deserves to be by a future fae High Lords side yet somehow she's not good enough to become Elain's friend. Though Vassa, not the twins, actually knew and cared for Elain's father just as she did.
Caring for the same father figure would logically create more of a sisterly bond than liking the same tarts and baked goods.
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